After the completion of the Wayland Railroad Depot in 1881, suburban development in Wayland Center increased, where the village saw dozens of large homes built in the late 19th and early 20th century. On Bow Road, the James H. Small House was built around 1898 by and for its namesake, who worked as a carpenter and builder in town. James Henry Small (1847-1913), while not a trained architect, built this home as a late example of the Queen Anne style, as the Colonial Revival style began to proliferate in the village, showing a changing of architectural taste. The James Small House consists of a main gable-front block with a side wing that includes a square tower. The use of clapboards, differing shingles, and diagonal sticks provide variety and texture to the house and serves as a unique contribution to the village which is largely dominated by rigid symmetry and vernacular of Colonial-era homes.
A lesser-known residence built for a member of the wealthy Thayer Family is this stately Queen Anne mansion tucked away in South Lancaster, Massachusetts. The John E. Thayer Mansion was built in the 1880s for its namesake, John Eliot Thayer (1862-1933), who graduated from Harvard College in 1885 and engaged in business before becoming one of the world’s most prominent ornithologists. John began collecting and housed his collections in several wooden buildings close to his home in Lancaster, but when these became unsafe and crowded he built a beautiful brick building in 1903 nearby, opening it to the public as a museum a year later. John Thayer hired esteemed Boston architect, John Hubbard Sturgis, who was then working with his nephew, Richard Clipston Sturgis, to design the English Queen Anne style country mansion. The residence features a stone first floor with wood-frame above that is given half-timbering treatment, suggesting the English design. John Thayer’s country mansion was a short walk away from his twin brother, Bayard Thayer’s mansion, and his other brother, Eugene’scountry house, both in Lancaster. The house remained in the Thayer family until the 1960s, and was recently sold to new owners. The interiors are some of the best preserved for a country estate I have seen and worthy of the Thayer name.
Originally built in the 1840s or 1850s, this stunning house on Main Street in Chester, Vermont, was “Victorianized” in the late 19th century through applied ornament, a tower, and porches. Historic maps show that this house was owned by Cyrus Robbins and his wife, who likely had the residence built in a vernacular example of the Greek Revival style, with a 2 1/2-story form with gable roof oriented towards the street. The corner pilasters remain as do the original facade windows with five on the first floor, three on the second, and a single window in the upper floor. By the late 1800s, the house was modernized with the addition of the wrap-around porch with decorative spindles and ornament and the octagonal turret with wood shingle conical roof. Today, the house is painted colors to highlight the Queen Anne appearance and details.
This high-style and ornamental house in Chester, Vermont, ranks among the state’s best examples of the Queen Anne style. The residence was constructed in 1899 for William Pollard (1854-1941), a local businessman who owned a shirtwaist manufactory in town with his brother, who lived next door. The painted-lady Victorian house features an asymmetrical plan highlighted by a three-story octagonal corner tower that is surrounded by a wrap-around porch with a delicate spindled frieze. The use of accent colors in the paint scheme further highlight the millwork details on the residence, which have all been preserved for well over a century.
The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.
This shingle and brick Queen Anne style house at 112 High Street in Brookline, Massachusetts, was built in 1884 for Charles Storrow and his wife, Martha Cabot Storrow from plans by architect, Edward C. Cabot, Martha’s father. The lot here is said to have been gifted to Charles from his father, Charles Storer Storrow, a prominent civil engineer and industrialist, who is known for designing and building the dam and textile mill complex in Lawrence, Massachusetts. Besides the Victorian main house, the property included a historic stable and a detached house on an adjacent lot, which appears to have been rented by Mr. and Mrs. Storrow. The property was designed by Frederick Law Olmsted’s firm, with rustic rock walls, natural topography, and large, mature plantings. The Storrow House originally had stained glass windows designed by John LaFarge, which were sold in the 1970s.
The house at 44 Edgehill Road in Brookline, is a brick Queen Anne style residence built for Moorfield Storey (1845-1929) by architect and neighbor, Robert Swain Peabody, who was Moorfield’s friend and college roommate. Both Peabody and Storey would later move in the early 20th century to the Fenway in neighboring houses, also designed by Robert S. Peabody. Moorfield Storey was a president of the American Bar Association and the president, for most of its existence, of the Anti-Imperialist League, an organization founded to oppose the annexation of the Philippines as a colony and to support free trade and the gold standard. Storey consistently and aggressively championed civil rights, not only for African Americans, but also for Native Americans and immigrants. He opposed immigration restrictions, and supported racial equality and self-determination. He would become the first president of the National Association for the Advancement of Colored People (NAACP), from its founding in 1909 until his death in 1929. The Storey House in Brookline is a well-preserved and early example of the Queen Anne style, that would dominate architectural tastes for the following decades.
This handsome shingled Queen Anne style home on Allerton Street in Brookline, Massachusetts, is part of the reason why the “Pill Hill” neighborhood gets its name. The residence was built in 1888 for Mr. Sumner Flagg, likely as an investment property as the neighborhood developed into one of the finest in the Boston area. An early resident here was Judith Motley Low (1841-1933), founder of the Lowthorpe School of Landscape Architecture, which was the first school intended solely to prepare women as landscape professionals in a field dominated by men. In 1945, the Lowthorpe School merged into the Rhode Island School of Design and became the basis of RISD’s Landscape Architecture Department. Another prominent resident of the house in the 20th century was Dr. John Rock (1890-1984), a physician and scientist who worked nearby at the Massachusetts Hospital for Women. As a Catholic doctor, John Rock is best-known for two groundbreaking medical discoveries in women’s health: the birth control pill and in-vitro fertilization. Dr. John Rock and his lab technician, Miriam Menkin, were the first researchers to fertilize a human egg outside of a human body in February of 1944, this research was compounded and later led to in-vitro fertilization as we know it today. Additionally, while running his clinic, Dr. Rock encountered a number of women bearing unwanted children that they could neither afford financially nor handle physically. Rock observed numerous women who, after giving birth to multiple children, had prolapsed uteri, malfunctioning kidneys, and were prematurely aging. In 1952, Rock was recruited to investigate the clinical use of progesterone to prevent ovulation. Enovid, the brand name of the first pill, was approved by the U.S. Food and Drug Administration (FDA) and put on the market in 1957 as a menstrual regulator. In 1960, Enovid gained approval from the FDA for contraceptive use.
The John Runkle House on High Street, is one of the most interesting houses in Brookline. Built in 1875 for educator John Daniel Runkle (1822-1902), the brick residence excellently blends early Queen Anne form and flourish with Victorian Gothic design elements all with Stick style entry porches and dormers. John D. Runkle was a noted mathematician wholater became the second President of the Massachusetts Institute of Technology from 1868 until 1878. This occurred before MIT moved over the Charles to Cambridge, so President Runkle would not have traveled far to the Institute when located in the Back Bay. The Runkle House was designed by the architectural firm of Weston & Rand with an irregular plan of elaborate belt courses in the brickwork that is set against the extremely steep slate roof with tall prominent chimneys and corner turret. Sadly, the residence is largely obscured by a tall wooden fence, but I caught it on a good day that a panel was down.
One of the most unique and enchanting houses in the Ashmont Hill neighborhood of Dorchester is the Lynch House (aka the Sunflower House) at 102 Ocean Street, a landmark example of the Queen Anne architectural style. This residence was designed in 1889 by architect Samuel J. Brown, who worked in the firm of Cummings and Sears before opening his own office in Boston, where he specialized in residential designs. The first owners were Edward C. Lynch, a stair builder, and his wife, Petronella P. Lynch, who was born in Sweden and emigrated to the United States. Architecturally, the Lynch House features a prominent gambrel roof that swells out over the second-floor inset windows, clapboard and shingle siding, sawtooth shingled details over the windows, and the sunflower motif in a panel at the third floor.
Buildings of New England 