In 1873 Elnathan Jones, Jr.(1829-1904) purchased house plans from a friend in Groton, adapted the plans, and built these two houses, in Acton. One home for himself, and one for his business partner Jonathan Wetherbee (1832 1926). Also near these two houses is the Tuttle House (featured last), in a different style. All three of these men were family by marriage, and ran businesses in the village of South Acton. The Jones and Wetherbee houses were built as sister houses, identical; but over the years, the Jones House has seen some unsympathetic alterations which diminish its architectural significance. The Wetherbee House (yellow) retains its original detailing and corner, towered mansard roof.
In 1894, Hiram P. Dinsmore, a clerk at the nearby Tewksbury Almshouse, purchased land not too far from his work to build a home for his family. The well-designed late-Victorian home features a wrap-around porch, a corner tower, twin sunburst or flower motifs, and the use of shingle and clapboard siding, all hallmarks of the Queen Anne style. After Hiram’s death, his wife and children lived in the home, and it was later willed to his daughter Beatrice and her husband, both of whom worked at the Tewksbury Almshouse (since renamed Tewksbury Hospital). The home has seen some deterioration with large sections of siding completely open to the elements unobscured by paint and a sagging porch roof. Hope to see this beauty restored.
When strolling around Bristol, Rhode Island, you are overloaded with gorgeous early 19th century house styles, primarily in the Federal and Greek Revival styles. Among these, one house (or should I say mansion) stands out as a flamboyant Victorian Gothic showpiece at the southern end of the downtown area. Built in 1873 for Augustus O. Bourn (1834-1925), the founder of the National Rubber Company (and from 1883 to 1885 governor of Rhode Island), “Seven Oaks” could go toe-to-toe with any house in the state. Bourn’s architect was James Renwick of New York, one of the most celebrated architects of his time. Before designing Seven Oaks, Renwick’s resume included: Smithsonian Institution Building, Washington, D.C.; St. Patrick’s Cathedral, New York City; and the Renwick Gallery, Washington, D.C.. Seven Oaks is a large, hip-and-cross-gable-roof Victorian Gothic mansion constructed of stone, with multiple towers and a slate roof capped with iron cresting.
c.1891 image of second Hull Yacht Clubhouse, Stebbins Collection, HNE
In the Spring of 1880, thirteen Hull, Massachusetts, summer residents, who owned and raced small sailboats, met and decided to form a yacht club. The Hull Yacht Club was founded that same year. During the first two seasons there was no club house, sailing events were run from a private pier and dock and meetings were held at members homes. Even though they started with no club house, being close to Boston with plenty of deep, protected water, drew many new members. The first clubhouse here was constructed in 1882 and the club saw membership soar to over 500. The clubhouse was quickly deemed inadequate for the Boston-area elite and their massive sloops. The second Hull Yacht Club was completed in May 1891. The New York Times and Outing Magazine described the new club as one of the grandest yacht clubs in America, and at the time, it had the second highest membership in the country! The main club house was designed by architect S. Edwin Tobey, and stood four stories, with a 12 foot wide piazza on three sides covered by endless expanses of shingles. The third floor had billiard rooms and public and private dinning, committee room, reading room, wine room, The second floor housed three bowling alleys, and the first floor had lockers, showers, laundry, spar storage. The club merged a couple times over the subsequent decades, but suffered heavily due to the Great Depression, when the Gilded Age monies stopped flowing as freely. The club sold the massive shingled building to developers who sought to convert the building into a resort, but it was deemed a fire hazard and razed in the 1930s. The club erected a new, modest clubhouse near Point Allerton later.
Located on the east side of the Town Common in Newport, NH, the Parmelee house stands out as a unique vernacular Stick style home. The home was built for Joseph Warren Parmelee (1818-1892), the grandson of original settlers of town, Captain Ezra Parmelee and Sybil Hill. He began his adult life as a merchant in Newport, before moving south to Charlestown, South Carolina in 1847. Joseph was forced back north at the beginning of the Civil War, and he lived in New York City until he finally relocated back to his hometown in 1879, which is likely when he built this home for his family. Upon returning, he became active in town affairs, and also pursued interests in history and poetry, creating a book of poems from his home. The Parmelee house retains much of its original detailing from the decorative bargeboards at the gable ends, large eyebrow window hoods at the second floor, and the interesting trapezoidal roof, possibly a vernacular nod to a mansard roof.
The Frederick W. Lewis Mansion in Newport, New Hampshire is a unique, late-Second Empire home constructed of brick. The home was built in 1876 for Frederick W. Lewis, a merchant who climbed the ranks as a young man, eventually purchasing the store he worked at as a 14-year-old. In 1862, he became cashier of the Sugar River Bank, and held the position until 1865, when the bank was re-organized as a national bank, taking the name of “The First National Bank of Newport.” He then leveraged his position to get into local politics, and took an active role in the development of the town, even incentivizing the railroad to build a stop in town. From this wealth and position, he built this large home. After his death, the home went to his son. By the 1940s, a group of over 30 residents of town purchased the home as a Veteran’s Home. By the end of the 20th century, the home was occupied by the Newport Earth Institute, a school created by esoteric historian and researcher Reverend Vincent Bridges, who died in 2014. The property appears to be vacant now and the home is in much need of some TLC.
John Hoyt Perry was born in Southport in 1848, and graduated at Yale in 1870. He received his professional education at Columbia Law School and was admitted to the bar in Bridgeport, CT in 1872. He had an active law career in Connecticut, later working as a judge. He served Southport in the House of Representatives throughout much of the end of the 19th century. In 1913 he was elected to the Connecticut Senate and served as the minority leader. He served as counsel for the United States in arbitration proceedings with Chile in 1902, and as counsel for the town of Fairfield. This home in Southport was constructed for him, likely around 1875 after he accepted his position as a head attorney at a major firm nearby. The home can be classified as a blending of Stick style and Queen Anne Victorian design with the asymmetrical form, tower, large porch with projecting porte-cochere, shingle siding, and bargeboards.
Constructed in 1861, this Victorian Gothic mansion in Southport, Connecticut, stands out amongst the many Classically inspired homes nearby. Designed by Bridgeport architects Lambert & Bunnell for Moses Bulkley (1796-1868), the house is designed on a cruciform plan, synonymous with the Gothic style. Expansive pointed gables trimmed with a gingerbread bargeboards, pointed arched windows, ogee arches trimmed with jigsaw tracery on the verandah, and a tall square tower topped with a steeply-pitched pyramidal roof are all seen in this beauty. If only it had a historically appropriate paint scheme to really make those details pop!
Mrs. Mary Pomeroy, the widow of one of Southport’s industrious and wealthy shipping merchants, Benjamin Pomeroy, built this large residence for herself and her daughters, soon after her husband’s death. Mr. Pomeroy was a merchant who also served as a Senator. In 1866 with ailing health, he took a doctor on a private ship to try various remedies in the West Indies, to no avail, he died at 48 years old. Ms. Pomeroy appears to have taken the money her and her husband had saved and built a large mansion to cement her position in town as the most eligible bachelorette in town. While she never remarried, she sure showed the town what good taste looks like! The facade of the Pomeroy house is symmetrical with a projecting three-story central pavilion, all surmounted by a mansard roof with cresting. Rounded dormers with twin round-headed windows pierce the roof’s multicolored slate surface, making this Second Empire house one of the nicest in a town full of historic homes!
The Simon C. Sherwood house, built in 1884, is a fine late nineteenth-century eclectic Victorian home, somewhat unique to the Southport area of Fairfield, CT, which is dominated by early-mid 19th century styles. Simon Couch Sherwood was the son of Edwin Sherwood, a wealthy shipping merchant who made a fortune from trade between New York and Savannah. The Queen Anne-Eastlake style home was added onto with a larger porch, obscuring an original oriel window on the side elevation. Sadly, the home has a safe, yet inappropriate pale yellow body color with white trim, which does not showcase the intricacies of the Victorian era home.
Buildings of New England 