The John Bottume House in Stoneham, Massachusetts was built c.1858, this stone house was one of several built along the shore of Spot Pond by a Boston businessman as a retreat, and is the only one to survive. The coursed granite residence is an excellent and high-style example of the Italianate architecture style. It is owned today by the Massachusetts Department of Conservation and Recreation, and houses the visitors center for the Middlesex Fells Reservation.
Elka Park in Hunter, New York, is a really unique summer colony developed in the late 19th century as a country retreat for wealthy German-Americans to escape the woes of city life, primarily from New York City. Between 1890-1896, a total of 21 homes were built as summer cottages, 17 remain to this day. Almost all “cottages” were built with at least 4 bedrooms with space for servants, guests would lodge at the nearby Elka Park Clubhouse, which was destroyed by fire and replaced after WWII. The private community remains a secluded respite and relatively unknown to most. This cottage was built in 1896 for a tax commissioner Mr. Kurth, from plans by Hugo Kafka, a Czech-American architect with an office in New York City. Kafka also had a summer cottage at Elka Park. This cottage was purchased in the 1920s by Johann Kliegl, a German inventor and businessman who settled in New York, developing the “Klieglight”, a carbon arc lamp used heavily in filmmaking at the time. The late-Italianate style cottage remains well preserved to this day and even has a historically appropriate paint scheme!
Believe it or not, but I occasionally venture out of New England, and a favorite place of mine to explore is Upstate New York. On a recent trip, I ended up driving through the tiny town of Hunter, New York, located in the middle of the Catskills. This charming little building was constructed c.1885 as the Platte Clove Post Office. The building was constructed to serve a rural portion of the town and was built as an early mixed-use building with the post office at the ground floor and small residence upstairs for the postmaster to live. The exterior cladding features both shingle and clapboard siding with overhanging eaves. The post office here ceased by 1911 and the use reverted solely to residential.
Reach-View has been home to members of the Currier family and their descendants since the late 1700s. Richard Currier (1773-1837) first built a small home on land he bought in 1797 from his future father-in-law, Rev. Ebenezer Eaton, one of the original proprietors and settlers of the future town of Sedgwick, Maine. In 1799, Richard married Abigail Eaton, daughter of Ebenezer and Abigail Herrick Eaton. They lived together in Reach View until Richard died in 1859. Richard willed Reach View to their unmarried son Ebenezer “Eben” Eaton Currier, who lived there with his mother until her death in 1870. He was responsible for rebuilding much of the house after 1864. Eben’s sister would later purchase Reach-View and add the piazza (porch), bays, and interior detailing. The home remains a true family estate in the sleepy coastal town of Sedgwick.
Wyer Groves Sargent (1810-1900) was a descendant of the famous Sargent and Choate families and at the age of seven, arrived to the sparsely developed town of Sedgwick, Maine in 1817 with his parents. Twenty years later, Wyer has this house built in 1837. The original house was a one-story Cape house with a central chimney and an ell connected to a barn. He worked in the village of Sargentville in the town of Sedgwick as a merchant, operating a store, and traveling extensively to buy and sell goods along the New England coast. Operating a lucrative business allowed him to expand his outdated and cramped home in 1868 to the current configuration. It was then known as Maplehurst. Wyer raised the house and extended the front by adding a floor beneath it. When Wyer died in 1900 the house went to his daughter Martha Spooner. Martha sold it to Dr. Frederick Sweet. Last known, the home is still owned by Dr. Sweet’s great-granddaughter.
This stately mansion on Main Street in Sedgwick, Maine, was built in the mid-19th century as one of three adjacent, near-identical homes. This house was purchased by Luther Groves Philbrook who appears to have “Victorianized” the formerly modest five-bay residence. He added a central tower, porch, and side addition. The home recently was listed for sale and has been decaying for years, here’s to hoping this old home gets restored.
Dr. Rufus Hagerthy (1859-1933) was born in Surry, Maine to father, Daniel Hagerty (sic) a naturalized citizen in 1871 who hailed from County Kerry, Ireland and mother, Carrie. Rufus went to Bowdoin College where he completed his study of medicine in 1884. He moved back to Sedgwick, Maine and married Jane C. Holden (1861-1896), the couple lived in this home, which served as a home-base for Dr. Hagerthy to make house calls by horse or sleigh (depending on the weather). Dr. Hagerthy was eventually wealthy enough to get involved in real estate, and developed Byard’s Point in Sedgwick in 1909, the town’s first sub-division.
Located across the street from the Sedgwick Baptist Church at 28 High Street, this modified Greek Revival style building in Sedgwick, Maine stopped me in my tracks. Sadly, I could find little on the building besides the fact that the building is absent from an 1860 map of Hancock County, but it appears in an 1881 map listed as “Hall”. The building exhibits flush siding which is scored to resemble ashlar/stone construction, overhanging eaves with a hipped roof which was common in the Italianate style, and a full-length one-story portico supported by square posts with applied Ionic detailing. That’s something I’ve never seen before! Upon a little more digging, I found a historic image of the building titled, “Riverside Hall”. The photograph shows a Second Empire style building with a mansard roof and cupola. The unique portico is shown as well. The local library lists the Riverside Hall as a community hall where events and gatherings were held. A fire destroyed the roof and much of the interior, but it was renovated and converted into a single-family home.
The Green Mountain Seminary building in Waterbury Center, Vermont was built in 1869 as a co-educational Free Will Baptist school. The building is one of the largest and grand examples of Italianate architecture in this part of the state. As originally laid out, the lower two floors were used for educational purposes and included a chapel, while the third floor and attic level were used for men’s housing. Here, men would be trained to be Baptist priests. Upon opening, a catalogue expressed the building’s rural location in the town as a benefit, stating “It is removed from the bustle and distraction of large commercial villages; is free from the haunts of vice and dissipation or temptation to idleness; and is surrounded by natural scenery unsurpassed in its magnificence and grandeur.” The building went through a variety of educational and boarding uses until 1895, when it was deeded to the town for use as a public school building. The building is nearly unchanged as when it was built in 1869, besides the removal of the rooftop belvedere and walkway in the 1940s.
Historic train stations are among some of my favorite types of buildings as they transport you to a different time (no pun intended). The Waterbury Railroad Depot was built in 1875 by the Central Vermont Railroad, connecting Montreal, Quebec with New London, CT and to other lines to Boston and Albany on the way. Waterbury service began in 1849, but this updated station was built later as the railway prospered and expanded. The station suffered from some deferred maintenance for decades in the mid-20th century and its fate (like many such stations) was unknown. Beginning in the late 1990s into the 2000s, Revitalizing Waterbury worked with the Great American Station Foundation, the Vermont Agency of Transportation, and Green Mountain Coffee Roasters Foundation, establishing a capital fundraising campaign meeting the goal of $1,200,000 through donations from the private sector and community members. These funds helped restore the building in phases, beginning when Keurig Green Mountain, Inc. agreed to lease the station from Revitalizing Waterbury, and created a visitor center and cafe (now Black Cap Coffee and Bakery) that has become a first-class attraction and provided an economic boost to the downtown.
Located just steps from the former State Hospital of Vermont in Waterbury, the Charles C. Warren House on Main Street stands as an important Victorian-era residence in the town. The late Italianate style residence features a detached carriage house at the rear which was later converted to a auto garage and most recently to office space. Mr. Warren was a businessman in town who owned a tannery and creamery. He built a water system in the town in 1879, making a substantial amount of money in the process. Mr. Warren was a serious auto enthusiast who in addition to purchasing the first automobile in Vermont (a 1899 Haynes Apperson), he held Vermont registrations #1 and #2. He had his carriage house converted to an auto garage equipped with a turntable that obviated forever the tedium of backing down the driveway. The building is now home to a law office.
Isaac Newton Center (1811-1889) was born in Windham, NH and arrived to the rural town of Litchfield, NH in its early days. Upon arrival, he appears to have built this homestead sometime in the mid-19th century based on its style. Like many in town, he was a farmer and was involved with the local Presbyterian Church, which is still neighboring this old farmhouse. After his death, the old farmhouse and homestead was inherited by Isaac’s youngest son, Isaac Newton Center, Jr., who was engaged in local town affairs, serving as City Clerk, Treasurer, Forest Fire Warden, and Library Trustee. The house appears as a melding of late Greek Revival and Italianate, possibly from the 1850s or 1860s.
One of the most stunning Italianate style homes in Providence is this stately beauty which is located on Prospect Street. The house was built in 1854 on land sold from Oscar to Henry A. Dike (Dyke), a shoe manufacturer, who erected this stately residence for his family, who only remained there until the early 1860s when it was sold. The home was built on one lot, facing a second house lot, and not the street like many other residences. The property changed hands many times during and soon after the American Civil War, until 1870, when it was purchased by Albert Harkness (1822-1907), a Brown University Classics professor. It was in Professor Harkness’ ownership that the southern house lot was landscaped from plans by Frederick Law Olmsted‘s firm in 1887. The house, which recently sold in 2022, is well-preserved from its massive brackets to the oversized belvedere at the roof!
The Oliver Walker House in Kennebunkport Village is one of the better examples that shows how overlapping architectural styles can work really well on an old house (when done right)! The original house was constructed around 1809 for Oliver Walker (1788-1851), a sea captain who later accepted the call and became a deacon for the South Congregational Church in Kennebunkport. Walker died in 1851 and the Federal style property was inherited by his only surviving child, daughter Susan, who had married Portland native, Captain John Lowell Little. Under their ownership, the traditionally designed Federal house was modernized with fashionable Italianate style modifications of the decorative brackets and an enclosed round arched window in the side gable. A later Colonial Revival projecting vestibule adds to the complex, yet pleasing design. I have a feeling the interiors of this house are just as spectacular as the exterior.
Across from the Luques Store in Dock Square in Kennebunkport, another 19th century commercial building serves as a visual anchor to the vibrant village, this is the Benjamin Mason Store. Built in the 1810s, the Federal style commercial block was originally owned by businessman Benjamin Mason (1777-1855) who built a house in 1812 just nextdoor (which has since been converted to commercial use). The store is three-stories with a cupola at the roof. Later porches were added as the village prospered.
