Italianate

Shaw-Shepard House // c.1860

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Originally built for Charles E. Jenkins, a partner in Bailey & Jenkins, suppliers of doors and blinds, this house in Dorchester’s Clam Point neighborhood stands out as one of the earliest and high-style mansions in the area. It appears to have been designed by local architect Luther Briggs, Jr. Shortly after its completion, the property was purchased by Theron and Rebecca Shaw. Theron was a partner at Lindsley, Shaw & Co., boot dealers in Downtown Boston. He died in 1870 and the house was sold to Dr. Luther Dimmick Shepard, a dentist. While the house (like many in Boston) is covered in later siding and has a plain white color scheme, the building retains its architectural integrity and would really shine when restored! What color would you love to see this Italianate/Second Empire style mansion be painted?

Dorchester Mutual Fire Insurance Building // 1860

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This is your sign to take a different route! When exploring a new town or neighborhood, I love to explore the obscure streets just as much as the iconic Main Streets as hidden treasures can always be found! This building in Dorchester’s Port Norfolk neighborhood was constructed in 1860 as the new home of the Dorchester Mutual Fire Insurance Company, which was incorporated in 1855. The company seemingly hired Dorchester-based architect Luther Briggs, who also laid out the streets for Port Norfolk and the Clam Point neighborhoods and designed many buildings in the area at the time. The high-style Italianate building features bold proportions, quoins, and cornice. While the former round-arched windows have since been enclosed and are traditional double-hung windows, they building still stands out! At the rear, Second Empire style rowhouses were built for private ownership. The building is now all condominiums following a renovation.

Chidsey-Dimon House // c.1850

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Located on Harbor Road in Southport, CT, this stunning Italianate residence is properly sited on a small bluff overlooking the village’s harbor. According to historic maps, the house was owned by an “I. Chidsey” who appears to be Isaac Chidsey (1793-1865). The large Italianate style home is boxy in form and stands three full stories with two original one-story side wings. Sleeping porches were added in the early 20th century; those along with the rooftop belvedere, would allow for sweeping views of ships entering and exiting the harbor here. The house was recently restored by the architectural firm of Fairfax & Sammons and it looks amazing!

Sturges House // 1855

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One of the finest examples of Italianate residential architecture in the state of Connecticut can be found in Fairfield in the Sturges House. This property was built in 1855 for Henry Sturges Thorp a New York City merchant from a Fairfield family and his wife Julia Ann Thorp, likely as a summer home away from the city. Both Henry and Julia died in 1869 and the property was acquired by Frederick Sturges, the son of Jonathan Sturges a wealthy businessman and philanthropist who had a stunning early Gothic Revival mansion nearby. The Sturges House as it is now known, is a landmark example of the Italianate style with broad overhanging eaves, massive belvedere at the roof, round arched windows, and the tripartite blind windows capped by an elaborate cornice.

John Reed House // c.1840

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The John Reed House at 37 Orange Street in Nashua, New Hampshire is a testament that houses can be updated over time with thoughtful renovations, and still be pretty darn amazing! The house was originally constructed in 1840 in the then-popular Greek Revival architecture style. Within a decade, to ‘keep up with the Jones”, the house was “modernized” with Italianate style detailing, including the brackets at the eaves and the large, square cupola with round arched windows and shutters. Decades, later, Queen Anne/Colonial Revival changes were made, with the full-length front porch with turned, fluted posts, enlarged windows, and an oversized front door. The house today blends these very different styles very well and adds to the house’s significance.

General George Stark House // 1856

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Inspired by suggestions from books by Andrew Jackson Downing, the Gen. George Stark House is one of the finest dwellings in the Italian villa style in New Hampshire. Located on a triangular plot just north of Downtown Nashua, the house was built in 1856 by a man who, though then only in his early thirties, was one of New Hampshire’s most experienced civil engineers and surveyors, and was the superintendent of the Nashua and Lowell Railroad. General George W. Stark (1823-1892) was born in Manchester, N.H., and as a young man worked on surveys of the canals and factories being built in the late 1830s in his native city. In 1836, during the first days of railroading in northern New England, Stark was employed with the engineers who laid out the route of the Nashua and Lowell Railroad. He climbed the ladder, eventually working as treasurer and assistant superintendent of theHudson River Railroad, subsequently rising to the position of superintendent. He later became superintendent of the Nashua and Lowell Railroad, whose route he had helped to plan, and in 1857, at about the time he saw the completion of his Italianate villa, he became managing agent of the Boston and Lowell line. In the same year, he was commissioned Brigadier General of the Third Brigade of New Hampshire Militia, giving him his title, General. The Stark House was occupied by General Stark and by members of his family until the property was acquired by The First Church of Christ, Scientist, about 1928. Today, it houses offices but retains a distinct residential character regardless.

Former West Acton Universalist Church // 1868

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This beautiful church in Acton, Massachusetts was built in 1868 by the Universalists of West Acton who sought a house of worship closer to their homes, rather than taking horses to the other part of town every week. The building exemplifies the influence of both Gothic Revival and Italianate styles on rural churches of the time. Gothic elements include the double pointed lancet windows with quatrefoil ornament, buttresses, and pointed lancet panels on the tower and belfry. Italianate elements include the rusticated base and the corbel table at the eaves. Religious services ceased in 1925. At that time, the church building was bought by leading men in the village who gave the building to the West Acton Women’s Club, which began in 1890 by Lucy Mead (the wife of Oliver Mead, who built the Mansard home nearby). In the 1950’s, the church was used as a community center. It is now home to a local performing arts center, Theatre III Box Office.

John Bottume House // c.1858

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The John Bottume House in Stoneham, Massachusetts was built c.1858, this stone house was one of several built along the shore of Spot Pond by a Boston businessman as a retreat, and is the only one to survive. The coursed granite residence is an excellent and high-style example of the Italianate architecture style. It is owned today by the Massachusetts Department of Conservation and Recreation, and houses the visitors center for the Middlesex Fells Reservation.

Kurth-Kliegel Cottage // 1896

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Elka Park in Hunter, New York, is a really unique summer colony developed in the late 19th century as a country retreat for wealthy German-Americans to escape the woes of city life, primarily from New York City. Between 1890-1896, a total of 21 homes were built as summer cottages, 17 remain to this day. Almost all “cottages” were built with at least 4 bedrooms with space for servants, guests would lodge at the nearby Elka Park Clubhouse, which was destroyed by fire and replaced after WWII. The private community remains a secluded respite and relatively unknown to most. This cottage was built in 1896 for a tax commissioner Mr. Kurth, from plans by Hugo Kafka, a Czech-American architect with an office in New York City. Kafka also had a summer cottage at Elka Park. This cottage was purchased in the 1920s by Johann Kliegl, a German inventor and businessman who settled in New York, developing the “Klieglight”, a carbon arc lamp used heavily in filmmaking at the time. The late-Italianate style cottage remains well preserved to this day and even has a historically appropriate paint scheme!

Old Platte Clove Post Office // c.1885

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Believe it or not, but I occasionally venture out of New England, and a favorite place of mine to explore is Upstate New York. On a recent trip, I ended up driving through the tiny town of Hunter, New York, located in the middle of the Catskills. This charming little building was constructed c.1885 as the Platte Clove Post Office. The building was constructed to serve a rural portion of the town and was built as an early mixed-use building with the post office at the ground floor and small residence upstairs for the postmaster to live. The exterior cladding features both shingle and clapboard siding with overhanging eaves. The post office here ceased by 1911 and the use reverted solely to residential.

“Reach View” // 1797

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Reach-View has been home to members of the Currier family and their descendants since the late 1700s. Richard Currier (1773-1837) first built a small home on land he bought in 1797 from his future father-in-law, Rev. Ebenezer Eaton, one of the original proprietors and settlers of the future town of Sedgwick, Maine. In 1799, Richard married Abigail Eaton, daughter of Ebenezer and Abigail Herrick Eaton. They lived together in Reach View until Richard died in 1859. Richard willed Reach View to their unmarried son Ebenezer “Eben” Eaton Currier, who lived there with his mother until her death in 1870. He was responsible for rebuilding much of the house after 1864. Eben’s sister would later purchase Reach-View and add the piazza (porch), bays, and interior detailing. The home remains a true family estate in the sleepy coastal town of Sedgwick.

“Maplehurst” // 1837

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Wyer Groves Sargent (1810-1900) was a descendant of the famous Sargent and Choate families and at the age of seven, arrived to the sparsely developed town of Sedgwick, Maine in 1817 with his parents. Twenty years later, Wyer has this house built in 1837. The original house was a one-story Cape house with a central chimney and an ell connected to a barn. He worked in the village of Sargentville in the town of Sedgwick as a merchant, operating a store, and traveling extensively to buy and sell goods along the New England coast. Operating a lucrative business allowed him to expand his outdated and cramped home in 1868 to the current configuration. It was then known as Maplehurst. Wyer raised the house and extended the front by adding a floor beneath it. When Wyer died in 1900 the house went to his daughter Martha Spooner. Martha sold it to Dr. Frederick Sweet. Last known, the home is still owned by Dr. Sweet’s great-granddaughter.

Luther G. Philbrook House // c.1850

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This stately mansion on Main Street in Sedgwick, Maine, was built in the mid-19th century as one of three adjacent, near-identical homes. This house was purchased by Luther Groves Philbrook who appears to have “Victorianized” the formerly modest five-bay residence. He added a central tower, porch, and side addition. The home recently was listed for sale and has been decaying for years, here’s to hoping this old home gets restored.

Dr. Hagerthy House // c.1860

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Dr. Rufus Hagerthy (1859-1933) was born in Surry, Maine to father, Daniel Hagerty (sic) a naturalized citizen in 1871 who hailed from County Kerry, Ireland and mother, Carrie. Rufus went to Bowdoin College where he completed his study of medicine in 1884. He moved back to Sedgwick, Maine and married Jane C. Holden (1861-1896), the couple lived in this home, which served as a home-base for Dr. Hagerthy to make house calls by horse or sleigh (depending on the weather). Dr. Hagerthy was eventually wealthy enough to get involved in real estate, and developed Byard’s Point in Sedgwick in 1909, the town’s first sub-division.

Riverside Hall // c.1860

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Located across the street from the Sedgwick Baptist Church at 28 High Street, this modified Greek Revival style building in Sedgwick, Maine stopped me in my tracks. Sadly, I could find little on the building besides the fact that the building is absent from an 1860 map of Hancock County, but it appears in an 1881 map listed as “Hall”. The building exhibits flush siding which is scored to resemble ashlar/stone construction, overhanging eaves with a hipped roof which was common in the Italianate style, and a full-length one-story portico supported by square posts with applied Ionic detailing. That’s something I’ve never seen before! Upon a little more digging, I found a historic image of the building titled, “Riverside Hall”. The photograph shows a Second Empire style building with a mansard roof and cupola. The unique portico is shown as well. The local library lists the Riverside Hall as a community hall where events and gatherings were held. A fire destroyed the roof and much of the interior, but it was renovated and converted into a single-family home.