While many lots in Brookline village in the final decades of the 19th century were being redeveloped as duplexes, three-deckers, and apartment houses, some property owners still wanted single-family living. In 1885, George Carpenter had this home in the village built from plans by well-known architect Obed F. Smith, who designed many Victorian-era homes in Boston’s Back Bay and around the region. George Carpenter worked in Downtown Boston as an agent for the Massachusetts Mutual Life Insurance Company. The house features some Stick style elements seen in the porch spindles and carved brackets.
This stunning home in Brookline’s Cottage Farm neighborhood was built in 1908 for Bernard Jenney, the assistant treasurer of the Jenney Oil Company. Stephen Jenney, had founded Jenney Oil Company in Boston in 1812, as a kerosene, coal and whale oil producer. By the 1860s, Bernard Sr. and his brother Francis took over the company which became known as the Jenney Manufacturing Company. The newly established company focused primarily on production and distribution of petroleum products for factories and businesses. The Jenney Manufacturing Company took off in the early 1900s due to the proliferation of personal automobiles in Boston and they expanded a new manufacturing center in City Point, South Boston, which had a capacity of 500 barrels of oil a day. Jenney auto oil and gasoline became a major supplier and after Bernard Sr.’s death in 1918, under Bernard Jr.’s leadership, the company began to develop gas stations in New England. The company continued into the 1960s when it was acquired by Cities Service, later rebranding as Citgo. Jenney resided here until his death in 1939. According to the 1935 Brookline street list, the occupants included his daughter’s family Mary & Francis Brewer, three maids and a laundress. The house was acquired by Boston University in 1963 and has long served as the home of former president John Silber.
The architectural firm of Kilham & Hopkins was hired to design the home, which is French Renaissance Revival in style. The home itself is an architectural landmark. When it was published in ‘The American Architect’ in 1910, the house was described as, “A Study in French design of the Louis XVI period”. Additionally, the home (of course) featured a vehicle garage as the family must have had some cars based on the line of work. The home is now listed for sale for a cool $4,888,000 price tag!
Located on the appropriately named Netherlands Road in Brookline, MA, this house was actually designed as a temporary structure as part of the 1893 World’s Fair, also known as the World’s Columbian Exposition or the White City, depicted in the great book, Devil in the White City. The Dutch House was constructed in 1893 by the Van Houten Cocoa Company of the Netherlands, as a display pavilion and cocoa house. It was located at one end of the Manufactures and Liberal Arts Building (the largest building ever constructed at the time). The Dutch House as we know of it today, was greatly inspired in design by the Franeker City Hall (c. 1591) in the Netherlands. While attending the World’s Fair, Captain Charles Brooks Appleton of Brookline be.came so captivated with the structure that after the Fair, he purchased the building and had it dismantled and transported to Brookline. By the early 2000s, much of the amazing carvings on the building had fallen off, until a new homeowner had them all restored from drawings and images of the building, to the iconic landmark we see today.
Founded in 1888, The Park School, one of the premier private schools in the Boston area began off Walnut Street in Brookline in half of a house. Founded by Miss Caroline Pierce, the school was officially incorporated in 1923 and named to commemorate Julia Park, principal from 1910-1922. The school occupied the former Hill Estate before the school board voted in 1967 to look for a new campus, with space to grow. James and Mary Faulkner donated 14-acres of rolling fields and woods to the school for their new campus. The Park School hired architect Earl Flansburgh of Cambridge to design the new, Modern school building. The Brutalist building allowed for large, open classrooms with the flexibility for the school to adapt as its needs changed. The school is built of reinforced precast concrete as a stack of modular classroom and office spaces with wall-length windows for more natural illumination of rooms. Since the 1970s, the school has expanded a couple more times, notably with a 1990s addition by Graham Gund. The school remains one of the most desired in the region and fits well within its landscape.
The area just west of Jamaica Pond between Boston and Brookline can be characterized as a neighborhood of well-preserved 19th and 20th century homes and large, former estates converted to institutional use. The Hartt House in Brookline, off Goddard Ave, was built in 1899 for Arthur Hartt and his wife Augusta Batchelder. Arthur worked as a clerk with the New England Mutual Life Insurance Company in Downtown Boston and built a couple large estates in Massachusetts, including a summer home in Marion. The Colonial Revival home sits on a hill, setback off the street, with a landscape designed by the Olmsted Brothers. The property was bought in the 1970s by the Hellenic Association of Boston, who turned the home into offices and the former barn into a chapel. The home appears to be suffering from some deferred maintenance, but is in overall good shape.
Located across the street from Larz Anderson Park and the former Larz Anderson Estate, this stunning Spanish Revival home, built in 1927, was constructed as a guest house for visitors of Larz and Isabel Anderson. Between 1925-29 the Andersons constructed three guest houses outside the estate on Goddard Avenue. The designs were intended to call to mind places the Anderson’s had visited. “Puddingstone”, was named for a nearby outcropping of puddingstone on the Anderson estate, and was modeled after a house the couple had seen in Santa Monica, California. The Andersons used the buildings occasionally as guesthouses for relatives or friends who came for long stays at Weld, especially when Larz and Isabel were not in residence there. But for the most part, the houses remained empty and it was only after Larz’s death in 1937 that Isabel disposed of them. She donated them to Boston University for use as the Brookline Campus, who in turn, sold them off as private residences years later. Built in a Spanish Colonial style, it features a red terra cotta tile roof, adobe-colored stucco walls, and a center entrance framed by an elaborate cast stone surround in a Spanish Baroque style. To the right of the front door, a clathri (grid/lattice in architecture) over a window can be found in a blind arch.
Colonial-era one-room schoolhouses once dominated the landscape of New England, providing a learning space for young children. The number of these structures have plummeted due to changing development patterns and limited funding to preserve or adaptively reuse such buildings. In the town of Brookline, this c.1768 schoolhouse has been altered frequently, showing various styles and techniques in construction used during the eighteenth, nineteenth, and twentieth centuries. The original one-room school house was enlarged in 1840 by an addition to the rear to fit additional pupils. In 1847 a shed was built for storing coal or wood and providing an entry vestibule. According to town records, in 1855 the ceiling in the schoolroom was raised, the windows enlarged, and the desks and chairs repaired. The double privy was built around 1898, probably replacing an earlier single privy. There is some evidence that in 1938 the school was used temporarily as a Catholic church and at some time following World War II as a synagogue. In 1966, the school was moved from its original site on Grove Street to its present location at Larz Anderson Park for the future preservation of the building by the town and local historical society. The schoolhouse is normally open for tours at various points during the year or by appointment.
This large and imposing brick and stone structure, located in Larz Anderson Park in Brookline, was once the carriage house of “Weld”, the estate owned by Larz and Isabel Weld Anderson. Constructed in 1888, it was inspired by the Chateau de Chaumont-Sur-Loire in France and designed by Edmund M. Wheelwright, the city architect of Boston. First constructed to house a working stable, it later served to house and maintain the Andersons’ growing automobile collection. After Isabel Anderson’s passing in 1948, the collection was entrusted, at Isabel’s bequest, to the Veteran Motor Car Club of America. The VMCCA then established the nonprofit organization that is now known as the Larz Anderson Auto Museum. The former mansion suffered from vandalism in the 1950s and caught fire, later demolished by the Town, who could not afford to rebuild the home.
This cute little Georgian home in Brookline was built around 1772 for Hannah Winchester Harris, a widow at the time. Hannah’s husband, Timothy died in 1772 and it appears the widow had this small gambrel-roofed home constructed sometime soon after. Ms. Harris died in 1805 and the home was occupied by a new family, who added the saltbox addition. The home is today owned by the Town of Brookline, who maintain the building through the Brookline Historical Society. the home sits on the boundary of the old Weld Estate.
Located across the street from each other in Brookline, the Pastan Houses are an excellent example of how architectural tastes can change from one generation to another. The William Pastan House was constructed in 1936, and is Tudor Revival in style. The home has a projecting square entry tower with castellated roofline and interesting mixture of materials and textures. The first owner, William Pastan raised his family in the home, attending the synagogue a couple blocks away. By 1963, Pastan’s son, Harvey became a successful engineer and built a home near his parents for his own family, though in a very different aesthetic. The Modern home features boxy forms, prominent covered parking spaces, and expanses of glass.
Which house would you prefer, William’s (1936) or Harvey’s (1963)?