Charles P. Brown Mansion // c.1872

Located next to the famed Stephen King House in Bangor (last post), this stunning Second Empire house was purchased by Stephen and Tabitha King in 2004, creating a small historic house campus in one of the nicest neighborhoods of the city. The Brown Mansion was constructed in the early 1870s for Charles P. Brown, an attorney who became involved in land speculation in the west. During and immediately following the Civil War, Brown purchased large land holdings in the “western frontier” in Minnesota and farther west, and re-sold the land years later at a huge profit when development began. He was thought to be one of the richest men in Maine upon his death in 1892, but it was discovered that many land holdings possibly vanished (or he lied about having much more land to his family), leaving his executors of his will very upset. The man who was estimated of having a net-worth of over $1,000,000 in 1892 (more than $31,000,000 in dollars today), left just $16,000, split between his two daughters, leaving nothing to his sister, whom he had been living with for the final two years in his life.

Joseph C. White House // 1866

Located a short walk from the Stephen King House in Bangor, this stunning Second Empire style house shines just as bright! This house was built in 1866 for Joseph C. White, a dry goods merchant in town. Just years after it was completed, he sold the mansion, possibly due to upkeep. The two-story mansard-roof house is clad in wood siding, scored to resemble stone rustication, a method to make the home appear more expensive. The corner entrance with later enclosed second-floor porch, massive brackets, and scrolled dormers add a lot of Victorian flair to the home. Would you move in here?

Stephen King House // 1854

Stephen King, the world-renowned author of some of the most popular horror novels, was born in Maine, and has used the state as the setting for many of his stories. From blood-soaked Carrie, to the haunted hallways in The Shining, to the evil clown Pennywise in “It”, Stephen King has long been one of the leaders in horror, terrifying millions with his books and film adaptations. Instead of living in a larger metropolitan area, he has long resided in Bangor, Maine, in one of the most visually striking homes in the state. The home was built in 1854 for William Arnold, who operated prosperous livery stables in town. The home is a rare example of an Italianate Villa in the state. While Stephen King now spends most of his time at his home in Florida, his Bangor mansion with its iconic wrought-iron gate ornamented with spiders and webs, bat-winged creatures, and a three-headed reptile are much more fitting of the horror author’s essence.

Canterbury Shaker Syrup Shop // c. 1780

When Benjamin Whitcher donated his farm for the beginnings of a utopian Shaker community, the land and buildings became the catalyst for the next 200 years of Shaker life in the community. It is known that Benjamin Whitcher constructed his farmhouse sometime between 1775 and 1782. With the arrival of the first Shakers in 1783, Whitcher allowed families to reside on the farmland, with the 1790 Census counting 35 people on the Whitcher property. This structure was one of the original structures on the old Whitcher Farm, and is possibly the oldest extant building in the Shaker village today. The building was moved to its present location in 1841 and was used for distilling sarsaparilla syrup for medicinal purposes by members of the community.

Canterbury Shaker Dwelling House // 1793

The second oldest purpose-built building in the Canterbury Shaker Village (after the 1792 Meeting House), is the dwelling house, constructed in 1793. The T-shaped structure was expanded numerous times and contains 56 rooms. The structure is the largest in the village and is notable for the large domed cupola, housing a Paul Revere bell. The first floor contained the village butcher shop, bakery, communal kitchen and dining room. For many years the second floor consisted of four bedrooms, two for elders and two for the sisters and the brethren. The third floor is also devoted to dwelling rooms. The Dwelling House was the residence of Canterbury’s last remaining Shaker sister, Ethel Hudson, who died in September 1992, the 200th anniversary year of the founding of the Canterbury Shaker community.

St. Saviour’s Rectory // 1898

Standing adjacent to the beautiful St. Saviour’s Episcopal Church in Bar Harbor (last post), the church’s Rectory building fits very well into the landscape here. Built in 1898, the rectory is a two-and-a-half-story stone and frame home with a projecting entrance porch at the facade framed by a pair of steeply pitched gables. The Rectory was designed by Westray Ladd who grew up in the area, and worked in the office of Wheelwright & Haven in Boston, Massachusetts as well as with William Emerson and Peabody & Stearns before opening up a firm in Pennsylvania.

St. Saviour’s Episcopal Church // 1877

Initially erected in 1877 and enlarged several times thereafter, the St. Saviour’s Episcopal Church in Bar Harbor is an excellent example of ecclesiastical architecture in the state of Maine. The original church building had been erected in 1877-78 at a cost of about $7,000 from designs by the New York architect Charles C. Haight. Within eight years of its construction, space limitations caused the church to undertake a major expansion. Designed by the Boston architectural firm of Rotch and Tilden, this building campaign – carried out in 1885-86 – dramatically changed the church’s appearance by developing a cross shaped plan that made use of the original structure for transepts and added a larger nave, semi-circular apse, and an imposing crossing tower. The numerous building campaigns designed by both prominent and lesser known architects, have produced a rich eclectic architectural legacy that mirrors the development of Bar Harbor.

Jesup Memorial Library // 1910

Bar Harbor’s first library is believed to have been organized in 1875 by a group of summer residents. This collection of 176 volumes was assembled for the use of Mt. Desert’s permanent residents and made available to them for two nights per week. A small frame library was built in 1877. In 1883, the growing collection was turned into a subscription library with borrowing privileges charged at the rate of $1.00 per family, but the fee was dropped three years later. By the late 19th century, the village’s population boomed, especially in the summer months when wealthy families descended upon the sleepy town every year to take in the cooler climate and sweeping scenery of Mount Desert Island. Acknowledging the need for a more suitable library, Maria Van Antwerp DeWitt Jesup, the widow of Morris K. Jesup (1830-1908), a New York financier and long-time summer resident of Bar Harbor, gifted the town funds to erect a new building as a memorial to her late husband. The Colonial Revival style library was designed by the New York firm of Delano & Aldrich, and exhibits a beautiful centered entrance recessed in a limestone arch.

Breeze Cottage // 1896

The marriage of Anna Perkins Pingree to Joseph Peabody in 1866 was a merging of two of the most influential and wealthy families of Salem, Massachusetts. The marriage however did not meet the mark, as the couple eventually had a large falling-out after purchasing a mansion in Boston’s Back Bay neighborhood in 1877. In her time away from her estranged husband, Anna became heavily involved in the arts, collecting hundreds of paintings and decorating her homes in Boston, Ipswich, and her new summer cottage in Bar Harbor. In 1896, she had her Bar Harbor cottage built on West Street, a road of substantial summer homes right next to downtown. The Colonial Revival “cottage” sits on the waterfront of Frenchman Bay and has only 12 bedrooms and 7 bathrooms, in 12,500 square feet.

“The Crossways” // 1901

Built in 1901, “The Crossways” is one of Bar Harbor’s most stunning summer cottages built in the 20th century. The home was designed by the illustrious Boston architectural firm of Andrews, Jaques and Rantoul, possibly as part of the of the William B. Rice estate. The home appears to have been rented in early years until it was occupied by Edward and Esther Mears. Edward ran a hotel in town during the summer months before getting involved in real estate, where he made much more money. The home blends together the best of architectural styles of the time from Queen Anne to Shingle Style, and remains in an excellent state of preservation.