Elijah Emerson House // 1846

Elijah Carleton Emerson (1807-1888) was a wealthy Boston merchant, making his fortune as Director of the Second National Bank and President of the Middlesex Horse Railroad. In his late 30s, he purchased land in Brookline Village and established his estate on the land that is now Emerson Park in 1846. The bucolic setting of his estate included a pond, boathouse and adjacent cottage, but as the surrounding area continued to develop with easy access to Downtown Boston, Elijah Emerson began to develop his estate. Emerson began to build residences on his land for supplemental income. After his death in 1888, Emerson’s two daughters, Sarah Davis and Tirzah Snell Arnold, maintained the property but sold it to the Town of Brookline in 1907. Brookline officials originally sought to build a new library on the site, but ultimately built it on Washington Street in 1910. The Emerson house and carriage barn were moved across Davis Street from their original site and Emerson Park was established. Emerson’s granddaughter, Mrs.Katharine Snell and her husband, inventor, Cullen B. Snell moved into the relocated house. The Elijah Emerson House (and carriage house at the rear) is a great, well-preserved example of a suburban Boston residence designed in the Gothic Revival style.

John D. Sturtevant Double-House // 1892

John Dean Sturtevant (1816-1889) was born in New Hampshire and became engaged there in local woolen mills, quickly growing into advanced management positions. He operated woolen mills in New Hampshire, Maine, Connecticut, and Massachusetts, and settled in Brookline where he had access to other states via excellent rail service. When he died in 1889, John’s heirs inherited their late-father’s properties, and began to develop them as Brookline filled out in the last decades of the 19th century. This handsome double-house at the corner of Cypress and Waverly streets was built in 1892 by the Sturtevant Estate, who rented the property to two families of wealthy residents. The Sturtevant Double-House is a landmark and exceptionally preserved example of the Queen Anne style, with varied siding, asymmetrical forms, complex roofline with dormers, and applied ornament in the form of carved panels.

Isaac Rich House // 1846

The Lindens neighborhood, located just east of the civic and commercial core of Brookline Village, was long an apple and cherry orchard known as Holden Farm. Beginning in 1843, the area became the earliest planned development in the town and was laid out as a “garden suburb” for those wishing to escape the growing congestion of Boston. As originally conceived in 1843, it reflected the latest ideals of planned residential development for a semi-rural setting on land owned by Thomas Aspinwall Davis. The streets, parks, and house lots here were laid out by civil engineer, Alexander Wadsworth, who two years earlier, laid out plans for Mount Auburn Cemetery in Cambridge, the first “Rural Cemetery” in America. Early homes were built on speculation by John F. Edwards, an architect-builder, for Davis, who was strict about high-quality designs in the Greek and Gothic revival styles in his newly laid out neighborhood. This house on Linden Street was built in 1846 in the Greek Revival style and was purchased upon completion by Isaac Rich. Isaac Rich (1801-1872) was a prominent merchant and philanthropist and founder of Boston University. The house was modernized in the 1860s with the addition of a mansard roof and paired windows.

William A. Wellman House // 1844

The Lindens neighborhood, located just east of the civic and commercial core of Brookline Village, was long an apple and cherry orchard known as Holden Farm. Beginning in 1843, the area became the earliest planned development in the town and was laid out as a “garden suburb” for those wishing to escape the growing congestion of Boston. As originally conceived in 1843, it reflected the latest ideals of planned residential development for a semi-rural setting on land owned by Thomas Aspinwall Davis. The streets, parks, and house lots here were laid out by civil engineer, Alexander Wadsworth, who two years earlier, laid out plans for Mount Auburn Cemetery in Cambridge, the first “Rural Cemetery” in America. Early homes were built on speculation by John F. Edwards, an architect-builder, for Davis, who was strict about high-quality designs in the Greek and Gothic revival styles in his newly laid out neighborhood. This Greek Revival style house was built in 1844 and sold in 1849 to William A. Wellman (1805-1878), the assistant collector at the United States Custom House in Boston. Wellman’s family held this property through the end of the 19th century. In 1903, as the neighborhood developed further, the property was purchased and re-oriented to face Linden Square, making room for a brick apartment building. Architecturally, the Wellman House stands out for its flushboard facade with bays divided by pilasters with elaborate capitals, and an L-shaped porch with columns capped by acanthus capitals.

Faxon-Howe House // 1844

The Lindens neighborhood, located just east of the civic and commercial core of Brookline Village, was long an apple and cherry orchard known as Holden Farm. Beginning in 1843, the area became the earliest planned development in the town and was laid out as a “garden suburb” for those wishing to escape the growing congestion of Boston. As originally conceived in 1843, it reflected the latest ideals of planned residential development for a semi-rural setting on land owned by Thomas Aspinwall Davis. The streets, parks, and house lots here were laid out by civil engineer, Alexander Wadsworth, who two years earlier, laid out plans for Mount Auburn Cemetery in Cambridge, the first “Rural Cemetery” in America. Early homes were built on speculation by John F. Edwards, an architect-builder, for Davis, who was strict about high-quality designs in the Greek and Gothic revival styles in his newly laid out neighborhood. This house, at 53 Linden Street, was built in 1844 by Edwards, and sold soon-after to John G. Faxon (1793-1861), a lumber merchant who made his fortune in Lubec, Maine until he moved to Brookline. Faxon sold the house in 1851 to Thomas Howe, who likely added the Italianate style tripartite windows with the lower having scroll brackets.

Thomas Aspinwall Davis House // 1844

The Lindens neighborhood, located just east of the civic and commercial core of Brookline Village, was long an apple and cherry orchard known as Holden Farm. Beginning in 1843, the area became the earliest planned development in the town and was laid out as a “garden suburb” for those wishing to escape the growing congestion of Boston. As originally conceived in 1843, it reflected the latest ideals of planned residential development for a semi-rural setting on land owned by Thomas Aspinwall Davis. The streets, parks, and house lots here were laid out by civil engineer, Alexander Wadsworth, who two years earlier, laid out plans for Mount Auburn Cemetery in Cambridge, the first “Rural Cemetery” in America. Early homes were built on speculation by John F. Edwards, an architect-builder, for Davis, who was strict about high-quality designs in the Greek and Gothic revival styles in his newly laid out neighborhood. This stately house was built as Thomas Aspinwall Davis’ own residence in the Gothic Revival style. The house originally had a Gothic style full-length porch, but when the house was relocated in 1903 to the present site, to make room for new houses as the neighborhood grew denser. During the move, the porch was removed, but the Davis House still maintains the belvedere at the roof, historic window trim, and decorative bargeboards at the eaves.

Charles Scudder House // 1844

The Lindens neighborhood, located just east of the civic and commercial core of Brookline Village, was long an apple and cherry orchard known as Holden Farm. Beginning in 1843, the area became the earliest planned development in the town and was laid out as a “garden suburb” for those wishing to escape the growing congestion of Boston. As originally conceived in 1843, it reflected the latest ideals of planned residential development for a semi-rural setting on land owned by Thomas Aspinwall Davis. The streets, parks, and house lots here were laid out by civil engineer, Alexander Wadsworth, who two years earlier, laid out plans for Mount Auburn Cemetery in Cambridge, the first “Rural Cemetery” in America. Early homes were built on speculation by John F. Edwards, an architect-builder, for Davis, who was strict about high-quality designs in the Greek and Gothic revival styles in his newly laid out neighborhood. This house, at 12 Linden Street, was built in 1844 by Edwards, and sold soon-after to a Charles W. Scudder, a Boston hardware merchant. The Scudder House is an excellent example of the Greek Revival style in which the front facade of the house suggests a classical temple with flush-board siding resembling the smooth surface of stone. The wrap-around columned porch would have provided great views of the surrounding orchards and gardens until the neighborhood filled in later in the 19th century.

Toussaint House // 1879

In 1879, furniture-maker and amateur architect, Winand Toussaint (1826-1904), built this unique mansard roofed house at 203 Aspinwall Avenue in Brookline Village. Toussaint was born in Belgium, and immigrated to the United States about 1841, where he originally settled in Roxbury and operated a cabinetmaking business. Toussaint moved from Roxbury to Brookline about 1873, but lost his fortune in the Panic of 1874. After a few years, he found work and eventually purchased a house lot here, and designed and built this home in 1879. Winand was born into a family of architects and engineers in Europe with his grandfather being Jean Lambert Toussaint of Liege, an architect who reportedly built the first railway introduced in Belgium. He is said to have studied in France and Italy before working in furniture-making in the United States. He maintained a professional office from his Brookline house until his death in 1904. After his death, the family home was inherited by daughter, Emma Toussaint, who was unmarried and worked as a linguist and writer under the name “Portia”. The charming Toussaint House blends Second Empire and Stick styles with unique beveled corners, one of which contains the main entrance, and a belvedere at the crest of the mansard roof. Due to its unique architecture, the Toussaint House was individually listed in the National Register of Historic Places in 1985.

Dr. Tappan Eustis Francis House // 1879

Located on Davis Avenue, a narrow residential street in Brookline Village, the Dr. Tappan Eustis Francis House is an unusual work by an architect that differs from the style they became best-known and sought after. Dr. Tappan Eustis Francis (1823-1909) graduated from Harvard College in 1844 and Harvard Medical School in 1847 and moved to Brookline where he practiced medicine for over 50 years. For his Brookline residence, Dr. Francis hired William Ralph Emerson, who has become best-known for his Shingle style designs and summer cottages that lined the New England coastline and in Boston suburbs, to furnish plans for his suburban residence. For Dr. Francis’ home, Emerson envisioned a brick house in the English Queen Anne style. The tall chimneys with panel brick designs, corbeled brick brackets and terra-cotta decorations in the gable peaks, and the massive slate-roofed entry porch are all stunning features on the house; but the most intriguing has to be the bracketed hood on the corner of the house which originally sheltered a wooden bench, as depicted in an 1879 drawing.

Edward Stanwood House // 1880

The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.