Cottage

“Greenlawn” // 1887

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West Street in Bar Harbor was laid out in 1886, and developers laid out house lots on both sides, with larger, more expensive land right on the water. One of the earliest homes built on the street is Greenlawn, constructed in 1887 for William Rice, an industrialist who co-founded Rice & Hutchins, a shoe manufacturing company with main offices in Boston. The architectural firm of Rotch and Tilden, comprised of partners Arthur Rotch and George Thomas Tilden. Both had studied at the Massachusetts Institute of Technology and at École des Beaux-Arts in Paris. Both had worked at the architectural firm of Ware and Van Brunt, and would be best known for their Gilded age mansions in New England. By 1896, the cottage was owned by William L. Green, which is likely when the cottage’s name “Greenlawn” stuck. The house recently sold for $4.25 Million and the interiors are gorgeous!

Yellow House Inn // c.1880

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The Yellow House in Bar Harbor is one of the most stunning summer cottages in town, and luckily for us, is an inn! The cottage sits on a sleepy road just off Main Street, just steps from the rugged Mount Desert Island coastline on one side and busy restaurants, shopping, and bars on the other side. The cottage appears to have been built in the late 19th century from deed research and was acquired by socialite Ms. Sarah Parker Torrey Linzee, of Boston by 1886. Sarah married Thomas Linzee, a treasurer of a mill in Lowell, in 1855 and engaged in upper-class society together in Boston until his death in 1863. His wealth went to Sarah, who within a year of his death, purchased a rowhouse in Boston’s newly established Back Bay neighborhood. Her sister, Susan and her husband John Revere (the grandson of the American Patriot Paul Revere), had a matching home built nextdoor in Boston. Like any good socialite, Sarah Linzee desired a summer cottage in desirable Bar Harbor, Maine, to escape the woes of city life for clean air and large parties. Sarah and her sister Susan purchased this cottage, painting it yellow, and the name “Yellow House” stuck. The home was purchased by Leonard Opdyke and remained in the family for generations. By the second half of the 20th century, it became an inn, a use it remains as to this day. The old cottage features the finest wrap-around porch I have seen, large rooms, and original detailing inside and out. For anyone thinking about visiting Acadia National Park, I HIGHLY recommend checking in here to get the true Bar Harbor vibe!

Charles Dexter House // c.1910

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Craftsman bungalows are a rarity in New England. The Craftsman style surged in the early 1900s, which coincided with the ever-popular Colonial Revival styles reign as most commonly built house style. Many of the Craftsmans that were built are less “ornate” than the West Coast counterparts, lacking deep exposed rafters, sweeping porches, and low-pitched roofs, but they are out there. This bungalow in Rochester was built around 1910 and has some Colonial qualities, including the Tuscan columns, boxed eaves, and shingle siding. I do love that full-length porch and hipped roof with a cute centered dormer! Do you wish we had more Craftsmans in New England?

Rev. William Percy Browne Cottage // 1881

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In 1881, Henry Hobson Richardson furnished plans for this modest, shingled cottage in the town of Marion, overlooking Sippican Harbor. At the same time, he was also completing designs for Austin Hall at Harvard and overseeing the construction of Albany City Hall in New York, both in his iconic Richardsonian Romanesque style. This Shingle style home in Marion was designed for Reverend William Percy Browne (1838-1901), who was educated at Kenyon College in Ohio alongside John Cotton Brooks, the youngest brother of Phillips Brooks, who would become the Rector of Boston’s Trinity Church and briefly Bishop of Massachusetts. Brooks would hire H.H. Richardson to design Trinity Church in Boston in the early 1870s. From this connection and being members of the St. Botolph Club of Boston, Reverend William Percy Browne and H.H. Richardson began a working relationship designing Browne’s summer cottage in Marion. The legend is that at the club, Browne bet Richardson that he could not design a small house for $2,500. Browne lost. This modest house was completed in 1882 and represented an early, significant example of a Shingle style home in Massachusetts. Browne died in 1901 and the house was sold to Sidney Hosmer, a Boston electrical engineer. Under his ownership, the home was expanded and altered, somewhat obscuring Richardson’s original design. The cottage was eventually purchased by Tabor Academy, who in 2019, pulled a demolition permit for the house. Architects and historians quickly rallied and advocated for the preservation of the cottage, saving it from the wrecking ball. The academy is undergoing alternative plans, which were stalled due to Covid-19.


Marion Post Office // 1830

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Built around 1830, this little cottage is set behind a front lawn and is among the many photogenic buildings along Marion’s Main Street. Originally located behind the Marion Congregational Church, this structure was moved to its current site between 1855 and 1879, and run as a post office for the village. During the mid-19th century, the job of post-master was a political appointment. For a time Captain Nathan Briggs, a retired sea captain and Democratic party appointee, operated a post office in this structure, competing with Republican Dr. Walton N. Ellis who was in charge of a rival Post Office nearby. He ran the post office until he was struck by lightning in the doorway of his home. Who knew that everything was as political then as they are now? Things do not change!

Reverend Hanson House // 1853

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This Carpenter Gothic house in Gardiner, Maine, was built in 1853 by Reverend J.W. Hanson, author of the 1852 History of Gardiner, Pittston and West Gardiner and the second minister (1850-54) of the Universalist Church (last post), after its organization in 1843. Hanson was likely inspired by the design of his church when having his own home built, as he followed the Gothic mode. His house features board-and-batten siding, bargeboards, and trefoil windows and carvings in the said bargeboards. Reverend Hanson lived in the home until 1868 when he moved to Dubuque, Iowa. The home is very well preserved and one of the best examples of the Carpenter Gothic style in the state.

Mary English Cottage // 1911

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This shingled beach cottage on the southern tip of New London, Connecticut sits in the Neptune Park community, which was laid out by real estate speculators as summer homes, primarily for local families. The Post Hill Improvement Company made up of professionals, purchased the beach and the surrounding land for $25,000 and began selling off the land adjacent to the beach. Then, once developable lots were sold and many cottages were built, they sold the beach alone back to the City for the same sum of $25,000. Like many such developments, deed restrictions were placed on properties, and ensured that only a dwelling house, with a minimum value of $2,500 if not waterfront and $3,000 if waterfront, could be constructed on the lots. This formerly Colonial Revival cottage was built in 1911 for Mary R. English, and would have cost at least $3,000. The shingled home was later given the tower and other details, but retains much of its charm.

Kickemuit Cottage // 1869

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Summer is here and I am missing my favorite place to explore, Oak Bluffs on Martha’s Vineyard. The town is sleepy most of the year, but in the Summer, the place explodes with summer residents and tourists, providing such a lively and diverse atmosphere. One of the most beautiful of the cottages in the Wesleyan Grove campground is the Kickemuit Cottage, built in 1869 for a family from Rhode Island. They so-named the cottage after the Kickemuit River which runs from Massachusetts through Warren, RI and spills out into the Mt. Hope Bay. The story goes that this double cottage was actually just a single peaked home until it was combined with another giving it the double-peaked appearance we see today. The cottage retains the turned posts, delicate gingerbread detailing, and the lancet windows and doors. Swoon!

Side note: If anyone has a cottage in Oak Bluffs that they’ll let me rent, I would love to be in touch!

C. A. Brown Cottage // 1886

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Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.

312 Ocean House Road // c.1870

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This charming home in Cape Elizabeth, Maine looks to have been built after the American Civil War, as an interesting Italianate cottage. The home is clad with scalloped shingle siding which works well with the paired round headed windows facing the street. The deep overhanging eaves are supported by brackets. Running under the eaves on the sides are octagonal windows, a very unique detail. The home is located at the center of town, away from the summer cottages which sprouted up along the rocky coastline in town starting around this time. It was converted into condominium units sometime in the late 20th century.