Federal Style

Charles Wheaton Jr. House // c.1815

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Charles Wheaton (1761-1863) enlisted in the his local militia at just 14 years old and served in Colonel Robert Elliott’s Regiment of Artillery to protect Narragansett Bay. After the war, Charles settled in Warren, Rhode Island, and married Abigail Miller. They would have at least nine children, with one of their children, Charles Wheaton, Jr., (1791-1863) marrying Abiah Goodwin Turner in 1815, the daughter of a wealthy sea captain. Around the time of their marriage, they built this house on Liberty Street in Warren in the Federal style with a three bay facade, monitor on hip roof, and portico at the entrance with Ionic columns. By the end of the 19th century, the house was enlarged and a bay window was added over the entry portico.

Salisbury-Johnson House // 1823

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One of the great Federal style homes in the charming downtown of Warren, Rhode Island, the Salisbury-Johnson House at 43 Miller Street features many of the hallmarks of the prominent architectural style. The main body of the house was constructed by 1823 after Theophilus Salisbury (1781-1835) purchased the house lot at the corner of Union Street, possibly being moved from another site to the present location at this time. The two-story, five-bay façade is detailed by quoined corners and an exceptional center entrance with sidelights and large, elliptical blind fan carved from a single piece of wood. After later owners, the property was purchased by Rodolphus B. Johnson (1816-1884), a wealthy shipping agent who owned whaling ships and ran a wharf at the foot of Johnson Street nearby.

Maxwell-Barton House // 1803

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Built in 1803 for Captain Level Maxwell (1754-1828), this five-bay, Federal style house built of brick, is located on Main Street in Warren, Rhode Island, and has ties to the community’s maritime past. The original owner, Level Maxwell, was a member of the wealthy Maxwell Family who built their wealth in shipbuilding and the triangle trade. Level Maxwell was a captain and invested in ships, including the schooner Abigail, which would become Warren’s first slave ship in 1789, two years after slave trading had been declared illegal for Rhode Island residents. The Abigail was designed with a middle deck less than five feet high, where the kidnapped Africans would be imprisoned, with sources stating that 64 African men, women and children were forced onto the ship and then imprisoned for two months on the journey across the Atlantic. Eleven enslaved people died on the journey and were likely thrown overboard into the open sea, with the surviving 53 people sold into slavery in the Caribbean, with the Abigail returning home with the profits. It is unclear if Level Maxwell lived in this house or built it for sale, but the property was owned in the mid-19th century by George A. Barton, a merchant. The property was owned in the late 20th century by Mary King, who restored the old house and operated her antique store from the residence. Architecturally, the home exhibits many features of the Hazard-Gempp House nearby on Liberty Street, and was likely constructed by the same builder.

Hazard-Gempp House // c.1800

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This elegant brick Federal style residence in Warren, Rhode Island, was built around the turn of the 19th century, sometime after Liberty Street was laid out in the mid-1790s. An excellent example of the Federal style finished in brick, the three-bay residence features a projecting belt course between the first and second stories, corbels and flared lintels at the windows, a hipped roof surmounted by a small, centered platform, and an elaborate entry with pediment and elliptical fanlight transom. The builder is not known at this time, but the house was owned by George C. Hazard and later inherited by his son, George G. Hazard and later by Mary Jane Hazard, who remarried to Lucius Warner. In the early 20th century, the property was purchased by Gottlieb and Louise Gempp, proprietors of the local American-German Club. Despite having its brick painted, the Hazard-Gempp House remains as one of the town’s great and well-preserved Federal period homes built of brick.

Charles Street Meeting House // 1807

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The Charles Street Meeting House at the corner of Charles and Mount Vernon streets in Boston’s Beacon Hill neighborhood is one of the finest examples of a Federal period meeting house in New England. The building is thought to have been designed by architect, Asher Benjamin, due to its similarities to his Old West Church on Cambridge Street built a year prior. At the time of construction in 1807, the church stood near the banks of the Charles River, but is now a distance away from the Charles following a land-filling campaign to expand buildable land in the city. The Charles Street Meeting House consists of a two-story gable-roof main structure with a three-story tower on the south (primary) elevation that supports a clock tower and wooden cupola with double Ionic pilasters supporting the domed roof. The building was constructed for the Third Baptist Church congregation, who used the nearby Charles River for baptisms. In the years before the American Civil War, it was a stronghold of the anti-slavery movement, and was the site of notable speeches from such anti-slavery activists as Frederick Douglass, William Lloyd Garrison, Wendell Phillips, Harriet Tubman and others. The Baptists sold the structure to the First African Methodist Episcopal Church in 1876, which was part of the first Black independent denomination in the United States. The AME Church sold the building in 1939 to the Charles Street Meeting House Society, and after a period of use as an Albanian Orthodox church, it was sold to the organization that is now, Historic New England, who were required to keep restrictions to preserve the building’s exterior. It served as a Universalist church from 1949 to 1979 with rented space inside to tenants, including a LGBT newsletter, Gay Community News, which was founded in the building in 1973. In 1980 the Meeting House was purchased by the Charles Street Meeting House Associates, who worked with the architectural firm of John Sharrat Associates to restore the building and adaptively reuse it into four floors of offices, with retail on the ground floor.

Cotting-Russell Mansion // 1812

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Walnut Street in Boston’s Beacon Hill is one of the finest short streets that showcases some of the best examples of 19th century residential architecture in Massachusetts. Built in 1812, the house at 8 Walnut Street, is an excellent example of a Federal style mansion updated after the Civil War with new window sashes and projecting oriel window. The recessed off-center entrance consists of a front door which is flanked by multi-pane sidelights and surmounted by an elliptical fan light. On either side, columns support the cornice-headed entablature which disrupts the painted stone beltcourse between the first and second floors. The mansion was built by Uriah Cotting (1766-1819) a prominent real estate developer. When this house was completed, Cotting the property to Nathaniel Pope Russell, an insurance man who rented the property. Dr. George Parkman rented this house at the time of his tragic death at the hands of a Harvard Medical School professor in 1849. Mrs. Parkman and their son, John E. Parkman resided here until after the trial, when they moved to a larger residence on Beacon Street.

Motley-Davis Mansion // 1811

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This stately Federal style mansion at 10 Walnut Street in Beacon Hill, was built in 1811 for Ebenezer Francis as an investment property on land he had purchased from Uriah Cotting, one of the premier real estate developers of 19th century Boston. By 1823, Thomas Motley, the father of historian John Lothrop Motley, lived here, and hosted impromptu melodramas enacted by a young John Motley and two of his friends,
Wendell Phillips and Thomas Gold Appleton, both of whom lived close by on Beacon Street. After the Civil War, the property was owned by James Davis (1806-1881), a wealthy coppersmith who co-founded The Revere Copper Company with Joseph Warren Revere, grandson of Paul Revere. James Davis remodelled the Federal style house with Second Empire detailing including a brownstone-faced first story and quoins, with an oriel window at the second story, and a slate mansard above a bracketed cornice. During the 1920s, 10 Walnut Street’s Victorian facade was removed and a Federal Revival facade was constructed in its place, closer to original conditions. Today, the Motley-Davis Mansion rises four stories from a low granite basement to a flat roof enclosed by a low parapet. The off-center entrance is marked by columns supporting a cornice-headed entablature. This entablature interrupts the continuous stone belt course separating the first and second stories. What a beauty.

Lyman-Paine Mansion // 1824

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The Lyman-Paine Mansion at the corner of Joy and Mount Vernon streets in Boston’s Beacon Hill neighborhood is an architecturally significant Federal style house designed by a skilled architect and was owned by members of prominent local families. This four-story mansion was designed in 1824 by architect Alexander Parris for George Williams Lyman (1786-1880), a shipping merchant who became one of the Boston Associates, a group of wealthy Bostonians who funded the expansion of New England textile mills, which helped grow many industrial communities all over the region in the 19th century. This house served as Lyman’s winter estate, his summer mansion was the the Lyman Estate, “The Vale”, in Waltham, which he had inherited from his father. Upon George Lyman’s death in 1880, Lydia Lyman Paine, George’s youngest daughter, inherited this Beacon Hill mansion. Lydia’s husband, Robert Treat Paine, was a graduate of Harvard and a successful local attorney. Mr. Paine retired from law in 1872 to become the treasurer for the new Trinity Church building committee, where he averted a fiscal crisis during the mid-1870s when Henry Hobson Richardson’s cost overruns in designing the new Copley Square church threatened its completion. In addition to his pro bono work with Trinity’s finances, Paine was deeply interested in improving the quality of life of the working class, founding building and loan associations and institutes to allow immigrants to buy homes in the Boston area. In addition to their Joy Street mansion, the Paines had a country estate called Stonehurst, which is adjacent to the Vale in Waltham; it was renovated by Richardson. The mansion was converted to apartments (now condos) in the mid-20th century, and maintains its unique, vernacular Federal character, with asymmetrical facade and oddly placed and shaped windows.

Mitchell-Pratt House // 1820

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This architecturally unique and stunning Federal­ style house in Chester, Connecticut, was built in 1820 on the Middlesex Turnpike by Abram Mitchell for $10,000, double what he originally hoped to pay for the residence. The principal builder was Samuel Silliman, a locally well-known master carver, who clearly showcased his skill inside and out, much of which has been preserved by two centuries of owners. In 1845, the property was purchased by George Spencer, and presented as a wedding gift for his daughter, Julia, who married Dr. Ambrose Pratt (1814-1891). Dr. Pratt became well-known for his practice of hydropathology and temporarily used his house as a sanitarium known as the Chester Water Cure. The house was acquired by the local Roman Catholic Church and became the parish center until the residence was purchased and moved away from the busy street to its current location in 1966. In the 1980s, the house was purchased by famed artist, Sol Lewitt. The house has a large spider web window, still containing the original glass over the door and full-height pilasters dividing bays and inside, many stunning carved mantles and woodwork.

Jonathan Warner House // 1798

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The Jonathan Warner House in Chester, Connecticut, is one of the finest Federal style houses in the state and has been meticulously preserved for over two centuries. The house was built in 1798 by Jonathan Warner (1756-1828), a wealthy farmer who invested in merchant shipping ventures and also operated the nearby Chester–Hadlyme ferry transporting people across the Connecticut River for a fee. When he built his house Jonathan Warner used local workmen and timber, importing glass and paint from New York, wallpaper from Hartford, and stone and hardware were brought from Connecticut and New York. The farmhouse remained in the Warner family until 1922 when it was purchased by Malcolm Brooks, who retained all of the receipts and correspondence on the house’s construction and maintenance. Architecturally, the house stands out for its proportions and detailing, specifically at the front door with fanlight and sidelights, which are framed by fluted pilasters, pediment and dentil molding. There is a Palladian-esque window above the entry which is framed by two free standing Ionic columns on brownstone pedestals. What is your favorite detail of this house?