In the mid-1830s, Henry Sturges, the eldest (and only) son of Jeremiah Sturges, built what just may be my favorite house in all of Southport, Connecticut, this transitional Federal/Greek Revival style manse on Harbor Road. It may have been owned by Jeremiah and updated later by Henry. The house features a symmetrical, five-bay facade with central entry. A gabled pediment extends the roof and includes a leaded-glass oval window and the absolutely stunning full-length front porch and second floor balcony is supported by slender Ionic columns.
George Stevens (1775-1852) was born in Andover, Massachusetts and settled in Blue Hill, Maine. He became a ship owner and merchant, making a name (and wealth) for himself in town and he showed an interest in education for the growing village. He erected this home in 1814 for his family, which seemingly employed Asher Benjamin’s house plans in the Federal style, popular builder’s guidebooks at the time. With his eyes towards education, George Stevens sat on the board of trustees for the Blue Hill Academy which flourished under the guardianship of the local Congregational Church and trustee president Rev. Jonathan Fisher. He chafed under Congregationalist dominance and wished for a non-denominational local academy. In 1832, he offered to give a thousand dollars and a piece of land to the Blue Hill Academy. His offer included this provision, “The institution shall be put on a liberal scale that all denominations shall have equal rights and privileges.” The Academy trustees said, “no.” As a result, George Stevens provided in his will that after his death and that of his wife this homestead, 150-acres of land, and a large portion of his personal property should be used to establish an academy, an “alternative” academy. In 1891 the Maine State Legislature incorporated George Stevens Academy, leading the “Old Academy” to cooperate with the new institution, merging their boards and finally becoming a non-denominational academy. The school continues as a highly respected academic institution and retains the name of its founder, George Stevens.
The Abraham Wendell House on Pleasant Street in Portsmouth, New Hampshire, is a three-story, five-bay, masonry Federal-style residence with symmetrical facade. The building has a slate hip roof with overhanging eaves, a dentilled cornice, and tall brick chimneys. The facade has a wood-paneled entrance door with elliptical entablature, Corinthian pilasters, and a fanlight above. The home was built around 1815 for Abraham Wendell (1785-1865) a ship’s chandler and hardware merchant. Along with his brothers, Jacob and Isaac, established cotton mills in Dover. Although they lost money on the early mill attempts, they became wealthy importer of foreign goods into the ports of Portsmouth. The house remains a highly significant example of early 19th century residential architecture built for wealthy merchants.
One of the hidden architectural gems of Kennebunkport is this Revolutionary-era house with some serious proportions. The house was built around 1785 by Benjamin Coes, a sailmaker from Marblehead, who settled in the burgeoning Kennebunkport in search of new work and opportunities. He married Sarah Durrell and the couple erected the seventh house in town, which is part of this property. For his work, Mr. Coes used the first two floors as his residence and the third floor was used as a sail loft, with an exterior staircase. A young boy, Joseph Brooks, would work in the loft and he would go on to marry Benjamin’s daughter, Sarah. The couple inherited the family house and retired here. The property was sold out of the Coes-Brooks Family when Maine State Historian, Henry Sweetser Burrage and his wife Ernestine purchased this house in 1917, which would be used as a guest house. The couple and lived in the house across the street. Ernestine Burrage, who was Chairperson of the Kennebunkport Chapter of the Red Cross, allowed the ladies of her chapter to gather there three times a week to roll bandages for the soldiers injured in battles overseas. It became the headquarters for the Kennebunkport Red Cross. It was likely Ernestine who had the chimneys painted white, which resembled the old Tory Chimneys in Revolutionary-era New England; where, when painted white, they served as a quiet signal which indicated that a home’s residents were loyal subjects of the British Crown.
John Bourne (1759-1837) was born in Wells, Maine as the son of Benjamin Bourne. When the American Revolution hit a peak, when he was only sixteen years of age, John enlisted in the service of the country, and marched in company of Capt. Thomas Sawyer, to Lake Champlain. After the war, he learned the trade of shipbuilding and established himself in Kennebunkport, at the height of the village’s manufacturing. John Bourne built ships for a wealthy ship-owner and became successful himself. Bourne was married three times. His first wife, Abigail Hubbard (m.1783) died at just 24 years old after giving him three children. He remarried Sally Kimball a year later, who died in her twenties at just 28, she birthed one son for him in that time. His third wife, Elizabeth, would outlive John, and they had five children together. After his marriage with Elizabeth, John likely had this home built, possibly from his own hands. The Federal style home stands out for the unique entry with blind fan and modified Palladian window framed by engaged pilasters.
The village of Kennebunkport in Maine is a well-preserved enclave of Federal period houses built at the heyday of shipbuilding and maritime trade in the late 18th and early 19th centuries. Many sea captains and shipbuilders erected stately homes in the village, with high-quality design and woodworking inside and out. This Federal period home was built for Asa Hutchins (1769-1860) a blacksmith who was born in Portsmouth, New Hampshire and settled in Kennebunkport in the late 1700s. The house exhibits a central chimney a feature more common in Colonial-era homes, with a five bay facade and projecting entrance.
In 1820, Joseph Dorr, a trader, purchased this house lot in Providence’s East Side overlooking present-day Downtown. He had this Federal style house built with a symmetrical five-bay facade with fanlight transom over the door. He occupied the house until 1827 when he sold the property to a Charles Hadwin. In 1832, the property was acquired and soon after purchased by Welcome Congdon (1794-1874) who lived there until his death. The house was more recently added onto with a Modern addition on the side, to provide additional, private space for the owners who live directly next to a public park.
This late Federal style house on Nantucket was built in the early nineteenth century for Thomas Coffin, who himself acquired the land in 1818, which would date the home to around 1819. The Federal house exhibits a raised basement with a five bay facade with central entrance. The door is surrounded by sidelights and transom with Classical enframement. Like many houses on Nantucket, the house is clad with cedar shingles. After ownership by Thomas Coffin, the property passed through numerous hands until 1929, when the house was purchased by Lydia S. Hinchman (1845-1938). Lydia deeded the property to her son requesting that it go to the Maria Mitchell Association upon his death (Lydia was a first cousin of Maria Mitchell). He died in 1944, and the property transferred soon after to the Maria Mitchell Association which was founded in 1902 to preserve the legacy of Nantucket native astronomer, naturalist, librarian, and educator, Maria Mitchell.
Oliver Tarbell and his wife Sandy erected this stunning brick Federal farmhouse in Cavendish around 1830 for their ever-growing family. The couple had thirteen children who survived infancy, so even this large home was likely stuffed to the gills and hectic! Oliver appears to have built the home, incorporating his ancestral home onto the rear of this brick house, as a rear ell. The house recently sold in 2022, so of course I had to gawk at the amazing interior photos…