New England

John L. Sullivan House // c.1812

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This modified Federal style cottage in Abington, Massachusetts, is known locally as the last home of World Heavyweight Champion bare knuckle boxer, John L. Sullivan. John Sullivan (1858-1918) died in this house on February 2, 1918, of heart disease, but left behind a legacy that will last forever. The house was originally constructed around 1812 for Jacob Cobb, a Deacon of a local church and after successive ownership, the house was purchased by boxer John Sullivan, to celebrate his retirement. As a professional fighter Sullivan was nicknamed The Boston Strongboy, and was one of the first great American boxers and was the last world champion bare-knuckle boxer. He had a record of 47 wins, 1 loss and 2 draws, with 38 wins by knockout in his career. Sullivan’s blustering personality and fabled strength gained him a great following, and he would be inducted into the International Boxing Hall of Fame as part of its original class. As champion he earned more than $1 million but squandered it. A hard drinker during his ring career, he later became an advocate of prohibition and delivered many lectures on the subject. His brick Federal house in Abington was modernized by him, adding the dormer and full-length front porch supported by rubblestone columns.

Dr. Gridley Thaxter House // 1798

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The Dr. Gridley Thaxter House on Washington Street in Abington, Massachusetts, is one of the most significant properties in the South Shore town, not only for its architecture, but also its owners. The house was built in 1798 for Dr. Gridley Thaxter (1756-1845), a ship’s surgeon in the Navy during the American Revolution. He married Sarah Lincoln (1761-1810), the daughter of Benjamin Lincoln of Hingham, a Major General in the Revolution and served from 1781 to 1783 as the first United States Secretary of War. Dr. Thaxter and his new bride acquired land in Abington, and moved there where he would serve as the town’s doctor. After his death, the property was inherited by Elizabeth Thaxter Hunt, the couple’s daughter, and her husband, Joseph Hunt. It was Elizabeth, who added the Italianate window hoods and a cupola (since removed) at the roof, “modernizing” the family homestead.

Orcutt-Ford Homestead // c.1751

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In about 1751, Emerson Orcutt (1713-1777) purchased land in North Abington, Massachusetts, and built a half cape for his family. In 1762, Orcutt sold some of the land to John Ford, who was later a Lieutenant in the Continental Army, and according to local tradition, Ford added the other half of this current Georgian Cape house, giving it the current configuration. Character defining architectural details include an entry surround with fluted pilasters, and dentil cornice band on the main facade, 12-over-12 sash windows, and the central chimney, which would have heated both sides of the house. The property remained in the Ford family for over 100 years, and has since been converted back to a single family residence. Today, the charming pre-Revolutionary cottage is one of the oldest extant houses in Abington.

First Congregational Church of Abington – Abington Masonic Hall // 1819

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The First Congregational Church of Abington, Massachusetts, was established in 1711. Besides the First Church, there were three additional churches founded in the town’s other villages: The Second Church in South Abington (now Whitman) Third Church of East Abington (now Rockland), and the Fourth Church at North Abington. This edifice was the third building of the congregation, and was built in 1819. The structure was only used as a church for 30 years until 1849, when the congregation built a new church nearby. This structure was sold and converted to a Masonic Hall and District Court for some years. Major changes to the building include the destruction of the steeple from the Gale of 1869, and in 1885, the present entryway was added, extending about 20 feet from the facade to provide a more adequate stairway to the second floor. Today, the building is used as a church for a local Brazilian congregation.

First Congregational Church of Abington // 1849

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Abington, Massachusetts was first settled by Europeans in 1668 and was officially incorporated in 1712. Its namesake was is said to have been set by Governor Joseph Dudley as a tribute to Anne Bertie Venables, Countess of Abingdon, wife of the second Earl of Abingdon, who helped Dudley secure the governorship of the Colony of Massachusetts from Queen Anne. Governor Dudley noted in its decree that, “the Town be named Abingdon”. A marginal note on the document gave the spelling as “Abington” with a “t”, which has served as the spelling ever-since. At the center of town, this handsome church is the fourth edifice of the Congregational Church Society in Abington, Massachusetts, and replaced the third church, which was occupied for just thirty years until 1849, when this Greek Revival structure was built. Located a stone’s throw from its former home, this church showcases the increase in membership and relative wealth of the congregation by the middle of the 19th century. The structure with its flushboard siding and bold Doric pilasters, features an arched center entrance and multi-stage tower containing a clock and enclosed belfry.

New England Fireproof Construction Co. Apartments // 1917

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One of the most unique and architecturally pleasing buildings in Brookline has to be these apartments on Egmont and St. Paul streets that break the mold of traditional brick or wood-frame apartment houses. Built in 1917 by the New England Fireproof Construction Company as an example of how cheaper cement material can be used effectively and beautifully to design and construct high-quality housing. The company hired architect G. Bertram Washburn to design the buildings which utilize concrete block and cast concrete details with the facades embellished with pilasters capped with Corinthian capitals, engaged balusters, and modillioned and corniced entrances decorated with a lion’s head over each doorway. Additionally, a special touch is the recessed wells in the facade which not only break up the massing of the building, but provide additional light and air into the apartments inside. 

Snider and Druker Apartments // 1913

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By the beginning of the 20th century, Brookline was developing rapidly as a desirable Boston suburb, with easy-access to downtown via streetcar and rail, all with less cramped land and less industrial development impacting the air quality. Developers soon realized that they could build high-quality apartment blocks within established neighborhoods to market to middle-income families who wanted to live in these desirable enclaves without breaking the bank. Developers Snider & Druker (a precursor to the Druker Company) purchased house lots in the neighborhood adjacent to Cottage Farm, a rich enclave of large homes on large lots, and began building apartment buildings. They hired architect Frederick A. Norcross, who specialized in multi-family housing designs, to furnish plans for these Renaissance Revival style apartments at the corner of Browne and Powell streets. Besides the use of buff brick, limestone trim and detailing, and the use of projecting bays to break up the facades, the building’s terracotta roof adds intrigue and individuality to a building form often maligned for blandness. 

Louis C. Page House // 1906

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As Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built his house in Brookline, Massachusetts, he also began constructing this neighboring property which was to be sold upon completion (that is one good way to pick your neighbors!) On an oversized lot on Powell Street, Paul Hunt worked with his architect, Milton W. Stratton of Bar Harbor, to furnish plans for a similar style home to his own next door. The Mission Revival style mansion is set behind a tall, stucco and metal fence, and is constructed of wood and covered with stucco siding and capped by a lovely green tile roof. Main architectural details include the Mission-style dormer and the chimneys with round arched tops that are capped with small hipped roofs, creating a whimsical addition to the house. When finished, the property was sold to Louis Coues Page (1869-1956), a wealthy publisher with offices in Boston. Louis C. Page would hire local architect Edward B. Stratton, in 1916, to design a detached automobile garage in a style mimicking the main house. What an incredible property. 

Paul and Caroline Hunt House // 1905

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Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built this house in Brookline, Massachusetts for $15,000 for him and his wife, Caroline. Paul had been involved in real estate development in Bar Harbor, Maine, where his mother had a summer cottage, and while not an architect himself, he was very interested in design and took a keen interest in developing estates with the family funds. While developing property in the summer enclave of Bar Harbor, Maine, Paul met the Bar Harbor architect, Milton W. Stratton, and the two collaborated in the construction of houses there and two adjacent homes in Brookline. The two-story house is wood frame construction with a stucco finish on the exterior. Spanish Colonial Revival in style, the roof is hipped with terra cotta tile, as is the roof of the verandah which extends across the facade. In 1911, Paul Hunt worked with architect William Ewing Harding to add the two-story wing on the side of the house, which is built over the driveway, creating a really unique (though not as functional) design element. 

Harry W. Cotton House // 1905

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In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.