Abigail Whelpley House // c.1826

The oldest extant building on Hillhouse Avenue in New Haven is this Federal-period house with later Victorian-era modifications. The Abigail Whelpley House was built by 1826 (with some estimates as early as 1800 and moved to the site) and was a traditional, five-bay, two-story Federal style residence. It is said that the house was built by James Abraham Hillhouse (1789-1841) for his widowed family member, Ms. Whelpley, and her two sons. As of 1849, the property was owned by Noah Porter, later President of Yale, who would alter the house in the 1860s with the addition of a mansard roof and trim, all designed by architect, Henry Austin. The house, now known as Allwin Hall, is maintained by Yale University and contains offices for the program on Ethics, Politics & Economics.

Pritchard House // 1836

One of the earliest houses built on Hillhouse Avenue in New Haven, Connecticut, is this stately Greek Revival mansion with monumental portico. The house was built in 1836 for Mary Pritchard from plans by great American architect, Alexander Jackson Davis. The mansion is two stories and is constructed of brick and stucco with a distinct two-story portico supported by fluted Corinthian columns. The architect also may have designed a barn at the rear of the house for Ms. Pritchard. Like many other former residences on Hillhouse Avenue, the house was acquired by Yale University, and is now the house of the Provost.

Perit House – Horchow Hall // 1859

This Italianate Villa style mansion on Hillhouse Avenue in New Haven, Connecticut, was built in 1859 for Pelatiah Webster Perit (1785-1864), a successful New York City shipping merchant and president of the New York Chamber of Commerce. Perit split his time between New York and New Haven and would hire architect, Sidney Mason Stone, to design this home on Hillhouse Avenue in New Haven. The brownstone residence is notable for its elaborate scroll brackets supporting the window pediments and front entry portico with arched doorway with rope moldings. The mansion was occupied by Perit for just four years until his death in 1864, and it was later owned by Henry Lucius Hotchkiss, a businessman. Like nearly all buildings on Hillhouse Avenue, the building was acquired by Yale University and is now known as Horchow Hall, and is part of the Yale School of Management.

Graves-Dwight House // c.1862

Hillhouse Avenue in New Haven, Connecticut is lined with stunning 19th- and 20th- century mansions showcasing the evolution of styles and architectural taste for the wealthiest residents. This is the Graves-Dwight House, a high-style Italianate mansion built around 1862. The residence was built for John Samuel Graves (1807-1892), a local businessman and politician who was a founder of the New Haven Gas Light Company. The architect is not known, but the house is the work of a skilled designer with immense attention to detail. The highly ornamented exterior features a symmetrical facade, bracketed cornice and window hoods, a recessed third-floor balconette with segmental arch pediment above, and bold, period-appropriate paint scheme. The residence was later owned by James McLaren Breed Dwight, a lawyer, and his wife, Cora Tallmadge Dwight. Since the 20th century, the property has been owned and preserved by Yale University, and is now home to the Archaeology Department.

Yale University – Warner House // 1887

Originally known as Cloister Hall, this ornate building on Hillhouse Avenue in New Haven, Connecticut is one of the most interesting I have seen. The building was constructed in 1887-8 as a residence hall for members of the Book and Snake, a secret society at Yale University. Architect H. Edwards Ficken designed the ornate brownstone Cloister which was completed in 1888. At the time, it was considered “one of the most picturesque buildings on the Yale campus.” The society added a matching rear addition in 1915, which is a heavier mass, but compliments the original structure. Yale University would eventually acquire the building after the society no longer needed a separate lodging house for members. Today, the building is called Warner House, and Yale does a great job at maintaining this beauty.

Yale University – Alpha Delta Phi Hall // 1895

Completed in 1895 for the Alpha Delta Phi fraternity at Yale, this stunning example of the Richardsonian Romanesque style on Hillhouse Avenue was such a treat to see in person. This building was designed by local architect William H. Allen who designed the building to provide student members dining and socialization space, but no dormitories. The group was active as a Junior Society, but disbanded by 1930, and the building was sold to Yale University. Yale has since occupied the building with the Morris Steinert Collection of Musical Instruments and it recently underwent a restoration. The longer I look at the building, the more amazing details I can find. The proportion of the Syrian arch with squat engaged columns is really remarkable.

Yale University – Kirtland Hall // 1902

Yale has such great architecture. Walking around the campus, you can find examples of buildings of every time period and architectural style, it is like a living museum of architecture in that sense. Located on Hillhouse Avenue, Kirtland Hall is arguably Yale’s best example of Beaux Arts/Neo-Classical architecture, but it stands out for its use of local East Haven and Longmeadow sandstone. The building was the first laboratory to be built at Yale in the 20th century and was named after Jared Potter Kirtland (1793-1877), the first medical student enrolled at Yale. After graduation, Dr. Kirtland practiced medicine throughout Connecticut until 1823, when his wife died and he moved to Ohio. During his life, Dr. Kirtland also developed an interest in natural history and assisted in the first geographical survey of Ohio. In the early 20th century, Lucy Hall Boardman, a philanthropist and niece of Dr. Kirtland, not only donated funds for scholarships at Yale, but also donated a building, Kirtland Hall. As part of her gift, Ms. Boardman stipulated that her nephew, architect Kirtland Cutter, would be commissioned to design the building, and of course, Yale obliged. The building originally housed the Geology Department and became an integral part of the Sheffield Scientific School.

The Colony // 1898-1969

In 1898, before the Berzelius Society at Yale built their present “tomb” in New Haven, the organization funded one of the finest residence halls in town at the time. The building was known as “The Colony” and would house Seniors who were members of the secret society. Located on Hillhouse Avenue, the stately Colonial Revival/Neoclassical building was designed by architects Henry Bacon and James Brite. Bacon is best known for having designed the Lincoln Memorial on the National Mall. Yale purchased the Colony dormitory in 1933 for student housing, later using it for faculty offices before demolishing it in 1969 to facilitate construction of the Yale Health Services Center, one of the least inspiring buildings on the campus.

New Haven Museum // 1929

New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Yale University Art Gallery // 1953

Yale University’s School of Architecture was in the midst transition when Louis Kahn joined the faculty in 1947. The post-war years at Yale trended away from the school’s Beaux-Arts lineage towards the avant-garde, and Modernist principles brought over from European architects. When the University called for a new wing for its existing Venetian Gothic style Art Gallery Building (1928), they obviously had no choice but to make a statement for the future of the school. Architecture professor Louis Kahn worked with Anne Tyng, who was both a professional partner and his “muse”, who heavily influenced his works, including here where she designed the concrete tetrahedral slab ceiling at the interior galleries. As a professor and practicing architect, Kahn hoped for students and visitors would engage with the building, even interior spaces often overlooked design-wise, such as the stairwells. While the facades are fairly minimal in design details, because the attention was paid to the interiors, which provide protection from natural light while also allowing for large floor plates for customizable exhibitions. The structure is Yale’s first true Modernist building on a campus which soon after was dominated by some of the country’s most iconic examples of the style.