The Strouse, Adler Company Corset Factory is a historic factory complex at 78-84 Olive Street in New Haven, Connecticut that has been adaptively reused into apartments, serving an important second life. Developed between 1876 and 1923, the complex was the largest and oldest of New Haven’s several corset manufacturers, and remained in continuous operation for that purpose until 1998. The company was originally founded in 1861 as J.H. Smith and Company, and was the nation’s first manufacturer of corsets. The business was purchased the following year by Isaac Strouse, who took on Max Adler, a local dry goods retailer, as a partner. The company adopted the name Strouse, Adler in 1899 and was incorporated in 1927. The complex eventually closed and was converted to apartments, serving an important need for housing in the region.
The Hotchkiss-Stephens House on Wooster Place overlooks the iconic Wooster Square park in New Haven, Connecticut, and is significant as an early neighborhood residence altered after the Civil War in the fashionable Italianate style. The brick residence is said to have been originally designed by Ithiel Town for Russell Hotchkiss (1781-1843), an early merchant in the neighborhood. Hotchkiss lived in the home just a year before his death in 1844. His second wife remained in the home for some years after his death, along with children and two Black female servants according to census records. The property was later purchased by Edward Stevens (1824-1884), a manager at the New Haven Clock Company, who had the property modernized with a full third floor with bracketed cornice, iron balconies and garden fence, and its stunning two-story castiron side porches.
This large, brick, Greek Revival style residence sits on the corner of Wooster Place and Greene Street in New Haven’s iconic Wooster Square neighborhood, and stands as an important example of the style along with its significance of its early owner, who became a prominent local politician. In 1836, Dr. John Brownlee Robertson (1809-1892) married a second time to Mabel Heaton, following the death of his first wife, Mary, a year prior. Mabel’s father Abram Heaton, was an early investor who helped develop Wooster Square into the high-quality neighborhood in the early-mid 19th century, and upon this prominent corner lot, had this residence built for his newlywed daughter and son-in-law. The five-bay, two-story house features its original fluted column portico and a shallow hipped roof and was converted to a two-family around the turn of the 20th century.
Located at the corner of Wooster Place and Chapel Street in the iconic Wooster Square neighborhood of New Haven, this early Greek Revival style house is a physical landmark showcasing the evolution of the neighborhood in the 19th and 20th centuries. The residence was built around 1835 either for or purchased early on by Matthew Griswold Elliott (1805-1892), a businessman who later engaged in politics and became Vice President of the New Haven Savings Bank and a director of the New York and Hartford Railroad. In 1890, the property was purchased by Paulo “Paul” Russo, an Italian immigrant who was born in 1859, in Viggiano, Italy. His family moved to New York in 1869 and then New Haven in 1872. Paulo opened a small market in New Haven which became the first Italian-owned business in the state of Connecticut. In 1893, Russo became the first Italian to graduate from Yale Law School and he helped foster and grow the local Italian-American community around Wooster Square. After Paul Russo, Michael D’Onofrio, also of Italian descent, purchased the home and along with his wife, brothers, and friends, D’Onofrio transformed the building into a funeral home for over a decade before the house was converted to condominiums. The Elliott-Russo House is a landmark example of a hipped-roof, Greek Revival style residence with smooth flushboard siding, pilasters dividing the bays, and unique Greek meander motifs in the window lintels.
The Wooster Square area of New Haven, Connecticut, is comprised of a lovely collection of houses and institutional buildings from the 1830s through the late 19th century, showing the ever-changing taste of architectural styles from Greek Revival to Italianate to Second Empire and Queen Anne. These rowhouses on Olive Street serve as bookends to long rows of houses on Court Street, a narrow, one-way street radiating from Wooster Square. The buildings were developed by the Home Insurance Company, a fire insurance firm and developer that helped fuel the development of residential New Haven in the 1860s by investing in real estate, primarily with fireproof masonry buildings. These Italianate style rowhouses were built in the 1860s after the Civil War and were sold on speculation to middle-class families. All buildings retain the original bracketed cornices, brownstone sills, lintels, and basement facing, and projecting porticos at the entries.
St. Michael’s Roman Catholic Church in Wooster Square, New Haven, Connecticut, was established in 1889 to serve a burgeoning community of Italian immigrants and is said to be the oldest Italian Catholic church in the state. New Haven’s census of 1870 listed just ten Italian residents and by 1900, the census listed more than 5,000 Italian-born residents. Most of these Italian immigrants were drawn to New Haven for employment in the growing industrial and railroad industries and the proximity to New York, where many arriving immigrants passed through. New Haven’s Italian community centered around Wooster Square, where many today know all about the many Italian groceries and nationally known pizzerias. The Italian Community acquired a c.1855 church here by 1899 and following a fire, rebuilt the church in the current form. The New Haven-based architectural firm of Brown and Von Beren furnished plans for the Italian Renaissance Revival style renovations, which was completed in 1904 with bold central tower and stucco walls, retaining many original Italianate windows. The church has served as an important cultural and institutional landmark in New Haven for over 120 years and the congregation remains active.
The Becton Engineering and Science Center at Yale is a behemoth academic building on Prospect Street containing offices, laboratories, a library, and an auditorium for the world-renowned institution. Discussions about a new engineering and science center began in 1965 after a generous donation by Yale alumni, Henry Prentiss Becton, and the University hired famous Modernist architect, Marcel Breuer to design the new building opposite the city’s Grove Street cemetery. For the design, Breuer used precast concrete panels and logical planning, to maximize interior space through the building which required less vertical columns in the floorplates. At the street, an elongated arcade provides views into the interior spaces and serves as a shelter from the weather. The arcade and facade above is supported by stunning buttress-like columns, a Modernist nod to the predominant Gothic buildings and character of Yale’s campus. A landmark example of the Brutalist style, the Becton Center serves as a great, and well-preserved example of an often maligned period of American architecture.
The James Dwight Dana House at 24 Hillhouse Avenue in New Haven, Connecticut, is a landmark early example of an Italianate style residence designed by a famed 19th century architect. Built in 1849 from plans by architect Henry Austin, the house was constructed for owner, James Dwight Dana (1813-1895) and his new wife, Henrietta Silliman and possibly funded by her father, Benjamin Silliman, a Yale professor who was considered “The Father of Science in America”. James Dwight Dana’s education in geology, in addition to his studies with his father-in-law, Professor Silliman, extended to the four-year United States Exploring Expedition between 1838–1842), in which Dana served as the staff geologist and mineralogist, exposing him to a wide-ranging variety of geological formations and minerals. Upon his return to New Haven, he married Silliman’s daughter and then moved into this stately home. Later in his career, Dana was responsible for developing much of the early knowledge on Hawaiian volcanism. In 1880 and 1881 he led the first geological study of Hawaii. The James Dwight Dana House has a three-bay front facade, with a single-story porch extending across its width, supported by wooden columns with unique capitals. The shallow roof has broad, overhanging eaves sheltering a unique corbelled brick cornice. The building was added onto in 1905 with similar architecture and was purchased by Yale in 1962. Today, the building is preserved by the University and houses the Institution for Social & Policy Studies (ISPS).
Derby’s main public library building, the Harcourt Wood Memorial Library, is located a few blocks from the city’s downtown on a unique triangular lot formed by Elizabeth and Caroline Streets. The one-story library is one of the finest of its period in all of New England and is built primarily out of Ansonia granite. The library was designed by architect Hartley Dennett and is notable for its Colonial Revival style porticoed entrance and distinctive rounded Flemish gables on the side walls. The interior is said to retain most of its original woodwork and many of its original furnishings. The building was constructed in 1902 following the donation of land and funds for its construction by Hamilton Holton Wood, a native of Montreal who made his fortune operating Derby’s streetcar railway system. The library is named in honor of Wood’s son Harcourt, who died at the age of 12 in 1897. The community does a great job at preserving the structure, which is one of the finest of its type in the region.
The former Derby Savings Bank stands at the corner of Main and Caroline streets and is one of the many handsome commercial buildings in Derby, Connecticut, which have been preserved. Designed in the Romanesque and Classical Revival styles, the building is adorned by terracotta, brick, and brownstone, with medallions depicting the date of incorporation (1843) and the date of this building (1893) which flank the Palladian window at the second floor. The bank occupied this structure from the date of its completion in 1893 until it built a new banking facility farther down Main Street in 1923. The bank again built a new building during the period of urban renewal in Derby’s downtown in 1976 when the modern structure at Main and Elizabeth streets was completed. The Modern bank is presently used as the City Hall.
The former Birmingham National Bank building on Main Street in Derby, Connecticut, is one of the finest buildings in the former industrial village of Derby (originally named Birmingham). The bank was originally chartered in 1848 as the Manufacturers Bank of Birmingham, with Edward N. Shelton as its first president, and became a national bank after the Civil War. Designed by architect Warren R. Briggs and constructed in 1892, the building features an elaborately detailed facade of red sandstone with terracotta trim in the Sullivanesque and Romanesque Revival styles. Like many local and regional banks in the mid-late 20th century, the bank merged with others and the building was vacated. Today, the former Birmingham National Bank building is occupied by the Twisted Vine restaurant.
This handsome stone mansion in Derby, Connecticut, was built by industrialist Walter Randall (1868-1949) and his bride, Olive Vouletti Whitlock Randall (1870-1938), in 1927 on a tract of about 200 acres of farmland. Olive was a granddaughter of Isaac Merritt Singer, the inventor of the first practical sewing machine for home use, which made him one of the wealthiest men in the world. It is unclear as to who the architect was, but the stone residence was built in an English Tudor/Arts and Crafts style, possibly from stones taken from the 200-acre estate. The property was sold in 1950 to Harold and Ida Yudkin, who developed much of the land into a shopping center and housing development, but maintained this stone house and a smaller parcel surrounding it. That smaller parcel was purchased in the 2010s by a developer who restored the old house, and developed a small cul-de-sac of “green” homes on the aptly named, Singer Village Drive.
The Gothic Revival style Immanuel St. James Episcopal Church of Derby is a landmark example of the style in this part of Connecticut and serves as the eastern anchor to the Birmingham Green in town. The church dates to 1843 and was built by The stone church was was built by stonemason, Harvey Johnson and Nelson Hinman, a carpenter. The land for the church was donated by Sheldon Smith and Anson G. Phelps, wealthy industrialists in town. The building originally had a wooden steeple, which was replaced by the present stone belfry in 1853. The church merged with another area congregation, which together, have preserved this significant structure, though the communications antennae on the battlements on the belfry is unfortunate.
This Greek Revival style farmhouse in Derby, Connecticut, was originally built around 1840, though little is known about its first occupants. In 1867, Wilbur Osborne (1841-1907), who owned and ran several industries in Derby, Ansonia and Bridgeport, and his wife, Ellen Lucy Davis, moved to the house, who together, also ran a dairy farm on their farmland. Their only daughter to survive to adulthood, Frances E. Osborne (1876-1956) took over the farm after her father’s death and became a prominent businesswoman. At age 16, Frances lost the vision in one eye due to an accident, and, as a result, never completed her public school education. Frances Osborne, in an era when women were denied leadership opportunities in the business world, succeeded through pure determination and an excellent business sense. Her achievements included becoming president of Union Fabric Company, vice president of Connecticut Clasp, and treasurer of the F. Kelly Company. She was also a founding partner of Steels and Busks of Leicester, England. She married Waldo Stewart Kellogg in 1919, and he took charge of the dairy, using selective breeding to make the herd “famous throughout New England for quality milk production.” Waldo and Frances Kellogg enlarged and remodeled the house to its current form between 1919 and 1925 adding wings and renovating the interiors in the Colonial Revival style. Waldo Kellogg died in 1928, but Frances stayed in the house until her death in 1956. Just before she died, she deeded her entire 350-acre (140 ha) estate, including Osbornedale, to the State of Connecticut. The state now operates the house and grounds as the Osborne Homestead Museum; the surrounding land comprises Osbournedale State Park.