Watkins-Lexington Farm // c.1835

Lexington Farm was built by Elisha Wright Watkins (1805-1886) in around 1835, and was operated as a dairy farm until the 1980’s. Today, the property consists of a snecked ashlar stone farmhouse, cow barn, horse barn and tractor barn, grouped together at the southern extremity of the village of Felchville (also known as Reading). The farmhouse and barns are situated next to a waterfall on a tributary of the Black River, and are surrounded by pastures, hayfields and extensive woodland. A couple decades after Watkins’ death, the property was purchased by Alonzo Goddard. It stayed in that family and was eventually willed to Errol Locke in 1923. Errol, by trade, wasn’t a farmer. He was a Harvard-educated man who graduated there in 1913. Eventually, he went to work for a company called General Radio, which was founded in Cambridge, Massachusetts, in 1915. He started as a clerk, and 37 years later, he retired as president. The company, by that time, had moved to Concord, Massachusetts, which we know, thanks to the important events of April 19, 1775, is not too far from Lexington, where Locke lived. He renamed the Watkins Farm, Lexington Farm, seemingly as a tribute to his home town in the Bay State. In 2009, the Hall Art Foundation began the process of converting Lexington Farm to museum-quality galleries. The former dairy farm’s location and existing structures were ideally suited for this purpose. After approximately three years of restoration, renovation and refitting, Lexington Farm was transformed to approximately 6,000 sq. feet of exhibition space.

Snecked House // c.1850

In the early 1830s, skilled masons from Scotland and Ireland came to central Vermont to work on building projects. A number of these workers, mainly from the Aberdeen area, and specialized in a specific building style in which plates of stone are affixed to a rubblestone wall. This method of bonding stonework is so prevalent in Scotland and
Ireland it has been referred to in some journals as ‘Celtic Bond’, but in Vermont, it is known as “snecked ashlar”. The mixture of stone sizes and colors produces a strong bond and an attractive finish. This home is a rare example in the state, which is estimated to have about 50 of these homes left. I could not locate any information on the owners of the home, but the house has seen better days, with the wooden front porch shifting away from the main house. Also, if you look closely, you can see the original wood shingle roofing breathing under the sheet metal roof!

Levi F. Hartshorn House // c.1853

This Greek Revival home in Reading, Vermont was built around 1853 for Levi Fay Hartshorn, and is an excellent example of a vernacular Greek Revival house in Central Vermont. Levi F. Hartshorn moved to Reading, Vermont and opened up a store, also built this home for his family. It appears that Mr. Hartshorn gifted the village one of his shops to be used as a local library, before the present building was constructed.

Reading Town Hall // 1911

The Reading Town Hall in Reading, Vermont is an imposing shingle-clad, gambrel roof building which sits in the village of Felchville. The hall was built in 1911 as a gift to the citizens of Reading by Wallace F. Robinson. Wallace Robinson was born in Reading in 1832. He went to Boston as a young man and entered into the provisions (groceries) market, and became quite successful, expanding into the wholesale provisions business and meat packing. He was active in civic and business affairs of Boston, most notably as the President of the Boston Chamber of Commerce and as a State Representative in the Legislature for two terms. By around 1900, Robinson had retired and had taken up a life of philanthropy, spending much of his wealth on memorial buildings and to places that had a lasting impact on him, including Robinson Hall at Dartmouth College and renovations at UVM. The design for the Reading Town Hall is especially notable for the fact that it was designed to resemble historic gambrel roofed barns found in the state.

Chittenden County Superior Courthouse // 1906

The Chittenden County Superior Courthouse in Burlington, Vermont was built in 1906 and is one of the most bold architectural designs in the city. The building was actually constructed as the U.S. Post Office and Custom House for Burlington, but changed use in the 1980s after the Old County Courthouse was destroyed by fire. The building was the work of U.S. Treasury architect James Knox Taylor. Taylor designed, many major eastern federal buildings during the late 19th and early 20th centuries. He provided plans for this Beaux Arts structure with a well-appointed exterior finished in marble and dressed granite. Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, blossoming in the United States in the early 20th century after many American architects studied at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century.

First Methodist Church, Burlington // 1869

This beautifully designed Romanesque Revival church consists of a large rectangular block with a steeply pitched gable roof and a square tower surmounted by a spire. The church is constructed of Willard’s Ledge stone (a locally quarried purplish limestone) with trimmings of Isle La Motte grey sandstone from quarries north of Burlington. This church is the only Romanesque Revival style church in the city and just one of four pre-1880 churches in Burlington. Architect Alexander R. Esty (1826-1881) designed the building and was a noted New England architect working during the late nineteenth century. He was trained in Boston and opened his own office in 1850 in Framingham, Massachusetts. The congregation remains active and welcoming.

Burlington Savings Bank // 1900

The Burlington Savings Bank building, constructed in 1900, is one of the most architecturally sophisticated buildings in Downtown Burlington, Vermont. The design uses a brick and brownstone facade with prominent wall dormers and a corner tower with conical roof which harkens back to the chateaus and estates of Europe. The recessed corner entrance is framed by free-standing Ionic columns which support a brownstone segmental arch, which helps command the corner presence. The Burlington Savings Bank opened for business on January 1, 1848, and operated under that title until 1988 when it merged with the Bank of Boston to become the Bank of Vermont, which in 1995, was purchased by KeyBank. The corner building is now occupied by Citizens Bank, which continues this buildings legacy as a castle of finance in the city.

Burlington Trust Co. Building // 1891

This narrow, four-story commercial block is located near the Burlington City Hall, and fronts the park it sits on. Constructed in 1891 from local redstone in a unique Romanesque Revival style, the building stands out as one of the most unique in the commercial downtown area. The building was built for the Burlington Trust Company from plans by Clellan W. Fisher, an architect who soon after joined a firm with Stephen C. Earle in Worcester, MA. The design features an unusual checkerboard pattern of inlaid red and white ashlar paired with a stone cornice which similates dentils and brackets. The building is now home to a Burton snowboard retail store, a company started in Vermont in 1977, now the leading snowboard company in the country.

Burlington City Hall // 1928

One of the largest, most grand buildings in Downtown Burlington, Vermont is its City Hall building, constructed in 1928, just before the Great Depression. The brick facade with extensive carved marble trim is Neo-classical in style, with virtually all the finish materials – brick, marble, roofing slate, and granite produced in Vermont. The building replaced the 1850s City Hall, which was poorly constructed and suffered from deterioration, exacerbated by an earthquake in 1925. Architect William M. Kendall was hired to complete the designs of the large, bold Classical building. Kendall spent his career with the New York firm of McKim, Mead & White, the leading American architectural practice at the turn of the century, and showcased the best of that firm with the design of this building.

Sleepy Hollow Farm // c.1780

Without question, this property is the most photographed site in the tiny town of Pomfret, Vermont, if not the state. The property dates to the late 18th century when John and Samuel Doten moved to the newly settled town of Pomfret Vermont, overlooking the growing town of Woodstock in the valley below. The two brothers acquired vast farmland on the hills of Pomfret and each built farmhouses adjacent to eachother, with Samuel getting elevated land and John developing the land sunken off what is now known as Cloudland Road into this stunning property. Sleepy Hollow Farm remained in the Doten family for centuries until the 1950s, when the owners sold the property to move to Woodstock and work for Laurance Rockefeller, the famous philanthropist and conservationist, who later donated his Summer home in Woodstock to the National Park Service. The property sold numerous times in the late 20th century, and is presently owned by Aerosmith guitarist Joe Perry and his wife, Billie. They are clearly great stewards to the property’s rich history and various outbuildings, and must not care too much to have swarms of photographers at the end of their driveway year-round!

Pomfret Congregational Church // 1847

Located in North Pomfret, Vermont, the North Pomfret Congregational Church is one of many white clapboard church buildings constructed in the mid 19th century. Built in 1847 by the Church of Christian Brothers and the Congregationalists, the church was used by the two religious societies as a joint meeting house, each society holding services in the church on alternating Sundays. The Greek Revival style church features a prominent tiered, boxed bell tower with louvered lancet openings and a slender octagonal spire.

Abbott Memorial Library // 1905

Gifted to the town of Pomfret by Ira Abbott, the Abbott Memorial Library is one of the most stunning little libraries in the State of Vermont. Given to his hometown as a memorial to his parents by Ira Abbott, who was at that time a State Supreme Court justice in the territory of New Mexico. Its architect, Henry M. Francis, used diverse materials — brick, granite, fieldstone, red birch, and pre-stressed concrete, to design the eclectic building. Capped with a red slate roof with terra cotta ridge tiles, the building stands out as one of the most unique buildings in the state and has been extremely well-maintained through its public-privately funded Commission.

Pomfret Records Building // 1904

This little brick building may appear like a schoolhouse, but it was actually built to house the 1761 Town Charter for Pomfret, Vermont. The building is believed to have been built in honor of Hosea Doten (1809-1886), who was an engineer, school teacher, and land surveyor in Windsor County Vermont, with his former students constructing the building. It was built nearby the Town Hall and Clerk’s Office and features a fire-proof walk-in vault inside.

Pomfret Methodist Church // c.1850

Located across the street from the Congregationalist Church (now Town Hall) in Pomfret Center, the Methodists in Pomfret Vermont built this church building just a couple years after their neighbor was completed. Replicating the Greek Revival style seen across the street, the building showcases a templed form with projecting portico, as an excellent vernacular example of the style. Similar to its neighbor, this church was sold to the Town of Pomfret in the 1880s, modernized in the early 20th century, and converted to a district schoolhouse.

Pomfret Town Hall // 1845

The quaint town of Pomfret, Vermont sees flocks of “leaf-peepers” and Instagrammers every Fall who are in awe of the natural scenery and historic farms seen there. The town was first settled in 1770 when Bartholomew Durkee travelled from Pomfret, Connecticut, along with his family and friends and named the town “New Pomfret” at first to show their roots in Connecticut. The tiny town grew to its peak population in 1830 at just under 1,900 residents, declining steadily over time to roughly 900 today, greatly adding to the rural character of the town.

In Pomfret Center, the local Congregationalists sought a new place of worship and had this structure constructed as their church in 1845. Local builder Eli Buch constructed the Greek Revival edifice with its projecting portico, doric columns, and corner pilasters. As nearby Woodstock Vermont grew, many families moved there and the church sold their building to the Town of Pomfret in 1872 and the building has since been used as Pomfret’s Town Hall.