Colonial Revival

Southbury Training School // 1940

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The Southbury Training School occupies about 1,500 acres of land in Southbury, Connecticut comprised of two major sections: a self-sustaining 400-acre institutional campus and its contiguous 1,100-acre farm complex. Planning for the Southbury Training School began in 1935 at the height of the Great Depression. The State needed to provide housing and services for 1,200 residents on the waiting list for the Mansfield Training School, the state’s only facility for the mentally handicapped at that time. Site planning and development were the responsibility of architect Edwin A. Salmon, later Chairman of the NYC Planning Commission, along with A. F. Brinckerhoff, who was hired as the landscape architect. Two buildings of the nearly 100 that comprise the campus stood out to me the most, they are the Roselle School and the Administration Building. Both structures were built in 1940 and are hallmark examples of inter-war Colonial Revival style buildings for institutional use. Both structures have large cupolas at the roof and symmetrical facades with applied wood ornament over the brick. The Roselle School has a recessed entry and the Administration Building is notable for its hipped roof and pilastered façade. In recent decades, the State of Connecticut has been under-funding the complex, leading to lawsuits and concerns statewide. The state has been moving residents and patients to other facilities, likely in order to sell-off or redevelop the campus in the future. This is one to watch out for!

A. C. Houghton Mansion // 1897

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The first mayor of North Adams, Albert Charles “A. C.” Houghton (1844-1914), built this house on Church Street in 1897. Albert was born in Stamford, Vermont and would become president and principal owner of Arnold Print Works (now Mass MoCA campus) and the Beaver Mill in town. He did well for himself and had this large mansion built from plans by Berkshires architect Henry Neill Wilson. Tragically, on August 1, 1914, A. C. Houghton was being driven in town by his driver with his daughter Mary and her husband in the car. They crashed and both Mary and her husband died, with seventy-year-old Albert succumbing to his wounds over a week later in his home. His driver soon thereafter shot himself. The Houghton mansion was inherited by Albert’s wife Cordelia, who passed away in 1918. Their daughter Florence Gallup next inherited the mansion but was living in the Boston area, and she decided to sell the family home to the local Masonic Lodge in 1927. They likely added the brick addition at the rear for meetings and events soon after. It is not clear to me what the mansion is used for today, any locals have more information?

The Porches Inn // 1895

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Prior to a few decades ago, there were not many reasons one would visit or stay a weekend in North Adams, Massachusetts. The former industrial city, like many others in the region, saw a sharp decline in population, services, and quality of life when many of the local factories closed in the second half of the 20th century. The major draw of tourists today is Mass MoCA, a museum in a converted factory building complex that is now one of the largest centers for contemporary visual art and performing arts in the United States! The new museum has created a huge demand for restaurants, housing, and hotels of all types in the formerly decaying river city. This is a story of perseverance and rebirth! In the early 2000s, Jack Wadsworth, an alumnus of nearby Williams College, wished to revitalize a block of vacant 19th-century workers houses across from the growing attraction of MASS MoCA. He worked with Burr and McCallum Architects of Williamstown to convert the decaying workers cottages into a boutique hotel. The span of Queen Anne and Colonial Revival cottages were joined via a long porch lined with rocking chairs, and the space between the buildings is bridged with skylights, giving the complex its appropriate name, Porches Inn.

Ashe House // 1898

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North Adams, like many formerly industrial towns and cities in New England has some amazing old Victorian and Colonial Revival houses built before the factories closed. Luckily for us, this town still has many unaltered residences, with some needing more love than others. This is the Ashe House, built in 1897-8 for Patrick J. Ashe and wife Katherine O’Brien. Classical details from many different styles make this house unique. An oval window dominates the traditional Greek facade which includes a pediment and side pilasters. A palladian window sits over the elliptical porch which is supported by columns. This one has so much potential!!

St. John of the Cross Catholic Church // 1907

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One of the more substantial buildings in the small town of Middlebury, Connecticut is this large church which faces the town green. In 1904 St. John of the Cross Parish was granted ecclesiastical status however, a decade would pass before the newly constructed stone church on the Middlebury Green was dedicated on November 22, 1914. The building was constructed in rubblestone with a Classical Revival temple-front pavillion and two Renaissance Revival square towers with open belfries. Reports stated that the building took over five years to construct, which was almost entirely built with volunteer labor and built with stones taken from parishioners fields. The architect of the church is unknown.

Middlebury Town Hall // 1936

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The first white settlers arrived in what is now the Town of Middlebury, Connecticut in the early 1700s, displacing Algonquin people who lived there long before. By the late 1700s, there was sufficient population to justify a petition to the General Assembly for establishment of a separate Middlebury ecclesiastical society, and such action was taken by the legislature December 29, 1790. They named the new town Middlebury due to its location between the existing towns of Waterbury, Woodbury and Southbury. The first church edifice was completed four years later, on the town green in the center of the new town. Other buildings normally found in a village center followed, including store, tavern, school, blacksmith shop and other churches. The town grew organically as a more agricultural center and saw some suburban development due to the proximity to larger population centers. In 1935, a fire destroyed the existing 1840s church and 1890s town hall, forcing the town to rebuilt. They hired J. Frederick Kelly, who was not only an architect but a historian who restored many significant buildings all over the state, to furnish plans for a new town hall. The present Classical/Colonial Revival building features two columns in antis and recessed pediment that echoes the adjoining Greek Revival church, but the Town Hall is executed in brick instead of wood (to give it more fireproofing than the last building). On the sides, the building has elliptical and round-headed windows and other elaborate details that suggest the Federal style.

Frederic Bronson Barn // c.1895

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Not many buildings in Greenfield Hill, Fairfield, Connecticut showcase the neighborhood’s transition from farming community to affluent suburb quite as well as this stone barn turned house on Hillside Road. The stone barn was constructed around c.1895 for Frederic Bronson Jr. (1851-1900) a prominent New York attorney and treasurer of the New York Life and Trust Company which was founded by his grandfather, Isaac Bronson. In about 1892, Frederic demolished his ancestral home and hired architect Richard Morris Hunt to design a new country estate for his family. The house was called Verna and is also located in Fairfield. Today Verna is known best as the Fairfield County Day School. As with many wealthy men of the Gilded Age, Frederic wanted his rural retreat to also work as a gentleman’s farm, where he could have staff farm and tend to livestock on the expansive rolling hills bounded by historic stone walls. He appears to have had this barn built for his livestock shortly after the main house, Verna was completed nearby. Bronson died in 1900 and some of the property was later sold off. This property was acquired by a Charles Stillman in 1941 and it is likely him that converted the barn into a charming residence.

Harold C. Bullard House // 1927

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Some towns have the best (and high quantity of) examples of Colonial Revival houses in New England, and Fairfield, Connecticut is definitely one of those towns! This house on Barlow Road was erected in 1927 by Harold Camp Bullard (1879-1949), an engineer at the Bullard Machine Tool Company of Bridgeport, which was started by his father. The architect of the house is unknown, but the property stands out for its bold proportions, prominent Palladian window over the rounded entry portico, and rounded dormers at the gambrel roof.

Greenfield Hill Congregational Church // 1855

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Local residents of northern Fairfield successfully petitioned the General Assembly to establish a Congregational church in 1725 as a new Northwest Parish, a distinct group from the Fairfield Congregational Church. Their first meeting house was erected just years later in 1727. A larger, more substantial meetinghouse was built in 1760. The area of Greenfield Hill has always been remote and more suburban, but became important in the late 18th century when Timothy Dwight became minister of the Greenfield Hill Congregational Church in 1783. Dwight would go on to become the eighth president of Yale College (1795–1817). With increased funds and affluent members, another church was built in 1850 from plans by esteemed architect Richard Upjohn, in the Gothic style. Sadly, just years after it was completed, a fire from a furnace inside destroyed the church. So again, they rebuilt in 1855 with the building we see today, sort of. Architect Alfred Nash furnished plans for the building which was more Italianate in design. The church would be modernized in the 1940s in the Colonial Revival style, from plans by local architect Cameron Clark, likely inspired by the collection of Colonial-era homes nearby, including his own home in Greenfield Hill. The church remains a visual anchor for the affluent neighborhood.

Lester Thurber House // 1895

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As Victorian styles of architecture fell out of vogue in the late 19th century, New England towns and cities alike, saw a revival of Colonial designs which dominated building styles throughout much of the next century. Early examples of Colonial Revival tend to blend Queen Anne (Victorian) and Colonial motifs under one roof, which makes for exuberant yet refined designs. The Lester Thurber House in Nashua, New Hampshire was built in 1895 and is an ornate example which preserves elements of the Queen Anne style in its asymmetry and high gables, but with Colonial pediment scrolls and classical columned porch. Lester Freeman Thurber (1858-1935) was born and raised in Vermont and was engaged in the political arena there, serving as private secretary to Gov. Roswell Farnham of Vermont, 1880-2. He moved to Nashua in 1882 and was BUSY! He served in both branches Nashua city government, was member for six years on the board of education, member N.H. House of Representatives, 1895, served on railroad committee; was a delegate to Republican National Convention, 1908, and was a member of many local fraternal organizations and clubs. The Thurber House has suffered from some deferred maintenance of sorts, but is a great local example of the transitional Queen Anne/Colonial Revival styles in Nashua.

Charles Hoitt House // 1895

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Charles William Hoitt (1847-1925) was born in Newmarket, New Hampshire, the son of William K. A. and Sarah C. (Swain) Hoitt. His father was a descendant of John Hoyt, one of the original settlers of Salisbury, Massachusetts. On the maternal side he is a descendant of Phineas Swain who served at Bunker Hill on the American side. Charles enrolled at Dartmouth College in 1867, and was graduated in the class of 1871. He moved to Nashua to work as Master of the Mt. Pleasant School and later worked as an usher at the Lincoln Grammar School in Boston. He eventually gave up teaching as a profession and returned to Nashua and worked at a local law office. He was admitted to the Hillsboro bar in 1877, and worked as a City Solicitor and later as Justice to the Nashua Police Court. With his standing, he erected this fine house on Concord Avenue, with a deep lot where he raised rare exotic birds. Judge Hoitt served in the New Hampshire House of Representatives in 1901 and in 1907, was appointed by Theodore Roosevelt to be the United States Attorney for the District of New Hampshire. His residence in Nashua blends Queen Anne, Shingle, and Colonial Revival styles elegantly. The property was purchased in the 1920s by the Unitarian Universalist Church of Nashua as a parsonage, a use it held until it was sold in 1977 to a private homeowner. The shingled porch was removed during the time it was a parsonage, but the house remains in excellent condition today!

Arthur Jones Double House // 1896

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As Brookline Village developed in the mid-late 19th century, house lots were scarce. Demand for housing saw the demolition of a number of older 1840s Greek and Gothic Revival style cottages for multi-unit dwellings as duplexes and three-deckers which surged in popularity in the Village from the late 1890s to the 1910s when three-deckers were effectively banned in Brookline. In 1896-1897, Arthur R. Jones had large double houses built here and nextdoor, which were rented out to families. Newton architect Henry McLean designed these double houses as pairs of attached single-family dwellings separated by a brick party wall blending both Queen Anne and Colonial Revival styles under one roof. The homes show what housing was available to middle-class residents of the Boston area, a price-point that is unattainable to most in the area today. Though, it is great to see these old homes lovingly preserved so well by their owners!

Parker House // 1814

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Wrapping up this series on a tour of buildings in Blue Hill, Maine, we have two stunning old homes left! 

This landmark Federal style house was built sometime between 1812 and 1816 by Robert Parker, whose wife was a daughter of Joseph Wood, one of the first two white settlers of Blue Hill. The home is significant not only architecturally, but for its connections to a number of old settlers to Blue Hill and their families.

By the turn of the 20th century the farming, mining and granite producing town of Blue Hill had been discovered. Writers, artists, musicians, and wealthy urban families from all over the East Coast found inspiration or retreat in many coastal Maine communities including Blue Hill, building “cottages” to summer at. Not all those who arrived to Maine were ‘from away’, as many built new or renovated their old ancestral homes to be occupied when seeking the peace and tranquility of coastal Maine. The Parker House was no different. In 1900, it was renovated in the Colonial Revival style as a summer home for Frederick A. Merrill and his wife, Elizabeth, residents of Boston. The couple hired George A. Clough, who worked as the first City Architect of Boston, but grew up locally in Blue Hill. Mrs. Merrill was descended from Mrs. Robert Parker’s sister. The current owner, the Merrill’s great-grandson, has undertaken a restoration of the house which pays homage to its Colonial Revival past. The stunning house can even be rented!

Blue Hill Public Library //1938

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Some small town libraries really pack an architectural punch! Blue Hill had long had a public library building, which eventually outgrew its limited space in the 1895 Town Hall building. During the mid-late 1930s, in the depths of the Great Depression, plans began for a new library. Adelaide Pearson, who had moved to Blue Hill in 1928, took on the formidable task. She was described as “a small woman who got things done” and had a vision for a library that was an integral part of the community, serving more than as a place to store and retrieve books. To fulfill that dream, she organized a fundraising campaign to buy a vacant lot in town. Local pledges came in ranging from 25 cents to “one dollar or a day’s work.” With the help of librarian Anne Hinckley, Adelaide Pearson petitioned the federal government for funds from the Public Works Administration, part of the New Deal program. At last, in March of 1940, the Colonial Revival style library building designed by Bunker and Savage Architects of Augusta opened its doors. The library has been a centerpiece of life in the coastal town of Blue Hill ever since.

George Stevens Academy Building // 1898

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For part one of the George Stevens Academy, see the previous post on the George Stevens House here.

In his 1852 last will and testament, Blue Hill shipbuilder George Stevens appointed five trustees, providing them with land, his “homestead and appurtenances,” and generous funds “to erect, when they deem it expedient, a suitable and convenient building for an Academy, for the purposes of education forever.” After George’s widow died, the trustees made good on George’s will, and in 1898 this Academy Building was opened to its first class of students. The Colonial Revival style building has many full-height windows to allow light and air into the classrooms and a belfry at the roof with a bell to notify pupils when class would begin!