Colonial Revival

Charles P. Ware House // 1894

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The Charles P. Ware House at 52 Allerton Street in Brookline, shows us that a house doesn’t have to be a mansion to make a statement! Built in 1894 from plans by architect, Henry Forbes Bigelow, this charming Colonial Revival cottage is notable for its brick construction with gambrel roof and brick endwalls rising as parapets. The home was built for Charles Pickard Ware (1840-1921) and wife, Elizabeth Lawrence (Appleton) Ware, who lived here until their deaths. Charles P. Ware was an educator, music transcriber, and abolitionist, who served as a civilian administrator in the Union Army, where he was a labor superintendent of freedmen on plantations at Port Royal, South Carolina during the Civil War. At one of the freedmen plantations, Seaside Plantation, Ware transcribed many slave songs with music and lyrics, publishing many in Slave Songs of the United States, which was the first published collection of American folk music. After Charles and Elizabeth Ware died in 1921 and 1926, respectively, the property was inherited by their son, Henry Ware, who was an attorney.

Codman-Gillet House // 1928

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Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.

Dana House // 1896

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The Dana House at 41 Allerton Street in Brookline, Massachusetts, is one of many stately suburban residences designed in the Colonial Revival style here. Built in 1896 for Ms. Julia Hurd Dana (1825-1914), a widow of James Dana, who was a Mayor of Charlestown between 1858-1860, before it was annexed to Boston. The Dana House was designed by the important architectural firm of Chapman & Frazer, who specialized in higher-end suburban housing at the turn of the 20th century. Julia Hurd Dana was the daughter of William Hurd of Charlestown, and after her husband’s death, moved to Brookline in this new home with her daughter, Mary. The residence is notable for its ample setback from the street, providing a front yard garden, hipped roof of slate with pedimented dormers, and palladian window over the portico which is now covered in crawling ivy.

Russell-Hayes House // 1899

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The Russell-Hayes House at 58 Allerton Street in Brookline, Massachusetts, was built in 1899 in the highly popular Colonial Revival style for Mr. and Mrs. Russell. Francis Henry Russell (1832-1919) was born in Plymouth and married Elizabeth Stevens (1835-1922) of Lawrence, and had one daughter together. Francis attended Harvard College and eventually worked as the Treasurer of the Bates Manufacturing Company, doing well enough to purchase a house lot in the fashionable “Pill Hill” neighborhood of Brookline to build his home here. Mr. Russell hired Plymouth-born architect, Joseph Everett Chandler, to design his suburban residence for himself, his wife, and daughter. After the death’s of Francis (1919), Elizabeth (1922) and their unmarried daughter, Mary (1926), the property was purchased in 1927 by African American musician, Roland Hayes. Just years prior to purchasing this stately home in Brookline, Roland Hayes performed abroad in Europe, even a private performance for King George V and Queen Mary at Buckingham Palace. He returned to the United States of America in 1923 and made his official debut on November 16, 1923, in Boston’s Symphony Hall, which received critical acclaim. He was the first African-American soloist to appear with the Boston Symphony Orchestra, who would later hire him, with a reported salary of $100,000 a year. Roland and his family lived in this house for 50 years until his death in 1977. His legacy lives on here with a plaque in front of the home, and a public school named after him.

Providence County Courthouse // 1926

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S. Main Street Elevation

The Providence County Courthouse complex occupies an entire city block running between Benefit Street and South Main Street and while of immense scale, is broken up into more human-scaled wings and masses that make the building one of the finest and contextual designs in a city full of amazing architecture. The courthouse here replaced the first courthouse, a stunning palace of justice designed by Stone & Carpenter in the High Victorian Gothic style, that was completed in 1877. The old courthouse was soon outgrown and a larger building was planned following WWI. The present courthouse was built between 1926 and 1930 following a design by Jackson, Robertson & Adams in the Georgian Revival style, fitting of its context amongst some of the finest Colonial-era houses and buildings in New England. The building today contains the Rhode Island Supreme Court, Providence County Superior Court, and the local trial court. The South Main Street facade is my favorite with the Guastavino tile roof entry and stunning colonnade at the street level. A multi-stage clocktower emerges from the center of the building, at a height of 216-feet, making the courthouse the 11th tallest building in Providence.

Benefit Street Elevation

Walker House // c.1857

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The Walker House at 171 Middle Street in Portsmouth is a wood-frame Italianate-style residence that was greatly modernized at the turn of the 20th century into the Colonial Revival style, showcasing how differing styles can actually blend together fairly harmoniously. The house was built around 1857 for Nathaniel Kennard Walker (1807-1880), a ship owner who operated a hat shop in town. After his death in 1880, Nathaniel’s youngest son, Arthur Willard Walker (1855-1906), inherited the home, and some time after his marriage in 1886, modernized the family home in the then fashionable Colonial Revival style, popular in many New England towns as a callback to historical designs. Original details of the Italianate style that remain include: the overhanging bracketed eaves, wide cornice, centered gable at the roof, and the window trim. Colonial Revival additions to the Walker House include: the entrance with leaded glass fanlight transom and sidelights, entry portico, two-story fluted pilasters at the facade, and Palladian window at the second floor stairhall.

Reed Community Center // 1926

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Tucked away behind the 1898 Adams Library in Kingston, Massachusetts, this shingled building has important significance to the community and is about to celebrate its 100th birthday. The Reed Community House began in 1926, when Edgar Reed (1852-1930), donated funds to the town for the construction of a community house to be built adjacent to a public playground site behind the town’s library. Edgar was a descendant of Jesse Reed, a successful Kingston inventor and tack-maker. Jesse Reed had worked in Maiden prior to coming to Kingston where he invented a ship-steering device, a luggage winch, freeze-proof water pumps, and other improvements for looms and weaving methods. The Reed family was one of several Kingston families that had relocated to Worcester, but kept close ties to their hometown. The Reed Community House was designed by Sidney Lincoln Rhodes of Worcester in the Colonial Revival style. The best part of the building is the north elevation, facing the playgrounds as the two-story portico looks over the fields. During the 1930s, the community house was used for a nursery school holding between 48 to 60 preschoolers. The Red Cross also used the building during World War II for some of its programs including first aid classes. The building continues to be an important community facility to the present day and is the home to the Kingston Recreation Department. 

Frederic C. Adams Library // 1898

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Built in 1898 in the heart of Kingston’s village center, the Frederic C. Adams Library was designed by renowned architect Joseph Everett Chandler and is one of the finest Colonial Revival style libraries in New England. Chandler, famed for his dedication to historic forms, created a one-and-a-half-story masonry gem, complete with a gabled roof, dentilled cornice, and a grand four-column Corinthian portico at the entry. The building’s story began with a bequest from Frederic  C. Adams, a Kingston native whose $5,000 gift in 1874 helped break ground on a dedicated library. Its elegant Colonial Revival look recessed panel windows, stone keystones, and symbolic half-round arches, echoes America’s early architectural traditions with a refined late‑19th‑century flourish. The library was eventually outgrown, and relocated across the street, to a contemporary building. After an award‑winning restoration, the building reopened in 2012 as the Adams Center, now housing Kingston’s Local History Collections in a climate‑controlled room and hosting community events upstairs. The Contemporary addition, paired with the restoration work all by Spencer Preservation Group, blends old with new in a pleasing way. 

Old Kingston Town House // 1841

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Overlooking the town green in Kingston, Massachusetts, this stately Greek Revival home was once the original town house for the community, containing meeting hall, town offices and even a jail cell! Before we go into that further, it is helpful to learn about history first. Present-day Kingston was within the tribal homeland of the Wampanoag people, who in the decades prior to the arrival of the Mayflower, saw their populations decimated from a rapidly spreading pandemics due to earlier contacts with Europeans. Originally part of Plymouth, Kingston was first settled by Europeans shortly after the landing of the Pilgrims at Plymouth Rock in 1620. In 1717, residents in the northern part of Plymouth petitioned the General Court to be set off from Plymouth as a separate township or a precinct. They were allowed to become the north precinct of Plymouth on the condition that they maintain a suitable minister. The northern precinct was wealthier and led to present-day Kingston incorporating as its own town in 1726, following a tax dispute. Early town meetings were held in the parish church until the separation of church and state necessitated a new town hall. The town hall here was built in 1841. As the town grew the building was re-oriented southward and enlarged in 1871 from plans by architect Luther Briggs. Further alterations were made to the building in 1935 under the guidance of the architectural firm of J. Williams Beal & Sons. In the early 2000s, space, parking, and accessibility concerns led the Town of Kingston to sell the 1841 Town House, which was purchased by private owners and converted to a residence. Inside, remnants of the old town house include old signs, office doors for city departments, former vaults converted to closets, and even a jail cell in the basement. Talk about a unique adaptive reuse!

Hattie Furbush House // 1888

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Located next to the Harrison Henry Atwood House on Alban Street in the Ashmont Hill neighborhood of Dorchester, this stately home with a broad, gambrel roof oriented to face the street was also built by the architect and neighbor, Harrison H. Atwood. Appointed City Architect of Boston in 1889, Atwood designed schools, firehouses, and other public buildings, and just before this, designed a number of homes, primarily in the Shingle and Queen Anne styles in Ashmont. While he specialized in Victorian styles, Atwood was well-versed in the Colonial Revival style, as evidenced here. Built in 1888, this stunning house was constructed for owner, Harriett “Hattie” Dinsmore Furbush (1862-1950), who was an active member in a local organization, the Ashmont Tourists Club, a women’s social club devoted to talking books, travel, and life. The club often met in the library of Ms. Furbush’s home, which likely migrated out to the gorgeous enclosed porch with its multi-light windows.