Greek Revival

New Gloucester Universalist Meeting House // 1839

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Constructed in 1839 by local carpenter/builder Jeremiah Cotton, the Universalist Meeting House of New Gloucester, Maine, is a dignified example of the Greek Revival style in a rural context. The First Universalist Society of Christians in New Gloucester was organized in 1805 with members drawn from nearby communities including those of Gray and Poland. In 1830, the congregation reorganized itself into the First Universalist Society of New Gloucester and Pownal. During its early history services were apparently held at various places in the community for it was not until November of 1838 that a meeting was called “…to take such measures for Building a meeting house as a majority of Subscribers or proprietors may think proper.” After World War I, membership began to decline and from the 1930s until the society’s demise in 1957 services were infrequently held. In 1969 the property was acquired by the New Gloucester Historical Society, who maintained and restored the building. The flushboard siding, fully pedimented gable, pilasters, and symmetrical façade containing two entry doors, all work together to display the Greek Revival style in a high-style example, but in a rural setting. The building appears to be opened periodically by the Historical Society.

New Ipswich Union Hall // c.1845

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This large, wood-frame building on Main Street in New Ipswich, New Hampshire, dates to the 1840s and has long served as a meeting place for local social groups and organizations. The building is a vernacular example of the Greek Revival style with corner pilasters, a dentiled entablature and slightly pedimented lintels over the windows and paired doors. The building was used by various groups including the local chapter of the International Order of Odd Fellows (IOOF), the Women’s Relief Corps, and as the Watatic Grange Hall.

Ms. Dolly Everett House // c.1825

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This house on Main Street in New Ipswich, New Hampshire, was built for Mrs. Dorothy “Dolly” Everett, (1770-1859), a sister of Samuel and Nathan Appleton, who returned to New Ipswich after her husband’s death. Her husband was David Everett (1769-1813), who had been a student at New Ipswich Academy, then attended Dartmouth, after which he studied law and practiced in Boston where he founded the Boston Patriot in 1809, and published works of drama and poetry, as well as political writings and died while on a trip to Ohio. Dolly’s house in New Ipswich is a unique, high-style blending of Federal and Greek Revival styles, with a notable entry with its recessed paneled entry, narrow paneled doorway surround with small corner blocks and paneled door. The wide, molded outer surround with its pateras and corner blocks, faceted tablet over the door and partial sidelights show the influence of architectural plan books of the period. In her will, Dolly Appleton Everett left her home to the local Congregational Church, who used the property as a parsonage into the 20th century. It was purchased in the mid-20th century as a summer residence and has remained a private home ever since.

Old New Ipswich Town Hall // 1817

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New Ipswich, New Hampshire, is a town that oozes New England charm! Winding back roads are lined with Colonial-era homes and buildings, lovingly maintained by stewards and neighbors to create the quintessential small town feeling. New Ipswich was granted in 1735 to 60 inhabitants of Ipswich, Massachusetts, where the name is derived, by colonial Governor Jonathan Belcher and the General Court of Massachusetts. European settlement began here in 1738, when Abijah Foster arrived to the area with his wife and infant daughter. At the center of town, a new Town Hall was built in 1817 as a combination town hall and private academy with funds provided by the town government and by the trustees of New Ipswich Academy. The building was constructed under the direction of Deacon Nathaniel Gould, using materials salvaged from a disused meetinghouse of 1770. The arched gable window is reputed to have been taken from the meeting house, as are twisted balusters on the gallery stairway inside. As completed in 1817, the building had a full second floor which provided the academy with a lecture room, a small library, and a laboratory, but that was taken over by 1869 when the Town renovated the building, removing a tower and belfry, and occupied the second floor spaces. The building is still owned by the town, and is used occasionally for civic functions, with town offices in a mundane, newer building a short distance away.

Ashby Congregational Church // 1835

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Combining Greek and Gothic revival styles, the 1835 Ashby Congregational Church in Ashby, Massachusetts, is a significant building showcasing the transitional tastes of ecclesiastical architecture in 1830s New England. The church had its beginnings in 1818, when a group of church members disillusioned to the current teachings separated from the town’s Unitarian roots and the accompanying meeting house, the First Parish Church. In 1820 a church for the Congregationalists was built on the opposite end of the town common. In 1835 it was sold and this, the current church building was constructed on a new site facing the Common. The original 1820 church building became the Ashby Academy and is now a Grange Hall. The design of the Ashby Congregational Church shows the leaning towards Gothic detailing wit its prominent pointed arch detailing, yet retains some traditional Greek Revival features like the two-story pediment and pilasters at the belfry.

Former Boston & Maine Railroad Station // c.1845-1893

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Photo courtesy of City of Boston Archives

The Boston & Maine Railroad opened in 1845, and over the years, became the dominant railroad in northern New England with many of its lines terminating at this station for a half-century until the original Union/North Station was built in 1893 consolidating many of these northbound lines under one roof. The Boston & Maine Station was located in Haymarket Square, southeast of the present North Station and the building was a landmark in the Greek Revival style. The brick building with monumental pilasters and pediment at the facade commanded the heavily trafficked site until it was demolished in 1893 when the lines relocated to the newly built Union Station on Causeway Street. The architect for the station was Richard Bond.

LaFarge Cottage // c.1845

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Even the less ornate and grand summer cottages of Newport can have interesting histories! This c.1845 Greek Revival cottage sits on Sunnyside Place and is best-known as the summer home of nationally significant painter, muralist, and stained-glass master John LaFarge (1835-1910), active in the lively late 19th-early 20th-century Newport art scene. John LaFarge’s wife, Margaret Mason Perry LaFarge (1839-1925), was the granddaughter of Commodore Oliver Hazard Perry, and was a native of Newport, seemingly providing the connection between her husband and lucrative stained glass commissions for many Newport and New York buildings. LaFarge is arguably best known for his innovative, opalescent stained glass windows, which was later stolen and adapted by Louis Comfort Tiffany. The LaFarge Cottage was possibly moved to this site and renovated, adding the glazed entry.

Old Pierce School // 1855

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Located in the heart of Brookline Village, the old Pierce School sits tucked away behind the Brookline Town Hall and other municipal and institutional buildings. The school was built in 1855 at a cost of $15,000 and later expanded in 1904 from plans by Julius Adolphe Schweinfurth, a prominent local architect. Julius had two brothers who also were architects:  A. C. Schweinfurth, who worked out of California and Charles F. Schweinfurth, out of Ohio. The Pierce School was named after Reverend John Pierce, noted pastor of the Walnut Street church during the mid 19th century. He and his wife, Lucy Tappan Pierce, were active leaders in the abolition movement in Brookline. The school was expanded a number of times until the 1970s, when the present Pierce Elementary School was built, in an unsympathetic Modern design that does little to enhance the busy street. As expected, the 1970s school will soon be demolished and replaced by a new, $212 million school. The old Pierce School will be incorporated into the new development.

Peep Toad Mill // c.1850

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The Peep Toad Mill (also known as the Elliottville Lower Mill) was built in Killingly, Connecticut, around 1850 by the Elliottville Manufacturing Company, whose larger main mill was upstream from this complex. The Elliottville Manufacturing Company was formed in the 1830s and later acquired by Albert Elliott and Nelson Eddy, who expanded operations here. This structure, the lower Mill was used for spinning and preparing the warps for cotton sheetings, the firm’s principal product. In 1870, the two mills employed 18 women, 18 children and 13 men. The business closed in the 1880s, and the building was vacant for some time before being converted to a residence and artist studio. The old mill is a rare surviving example of a wood-frame textile mill, many of which were built but few of which survive, due to fires and/or later expansion of the premises. The present owners have done an amazing job restoring and maintaining this rare treasure!

Harris and Sabin Sayles Mansion // c.1845

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Located in the Dayville section of Killingly, Connecticut, you can find a row of large mansions built for mill owners and managers from the 19th century. This house dates to the 1840s and by the 1860s, was owned by Harris Sayles (1817-1893) and his brother, Sabin L. Sayles (1827-1891) who together, co-owned and operated a large woolen mill in the town (featured previously). It is not clear if the Sayles brothers lived in the home, but they likely rented it to higher-level employees at the mill as they both had other homes in town. The two-and-a-half story mansion is a great example of the Greek Revival style in the town, with the side gable roof extending over the full-height portico with doric columns. The mansion was built across the street from the village church, also in the same style, but that building was demolished by 2011.