Located on a dead end street in Waban, you’ll find this stunning Shingle style property, which rambles on forever! The house was built in the first decade of the 20th century and blends the Shingle style with the ever-popular Colonial Revival style. I could surprisingly not locate the architect for the house, but I’d guess that it was designed by the architectural firm of Longfellow, Alden, & Harlow, the last of which, Alfred Branch Harlow, shared a last name with the original owner of the home, Arthur Brooks Harlow. (And the same last name as Louis K. Harlow, an artist who lived one street away in a similar style home). I am not sure if these two were related, but thats my hunch. If anyone wants to do more digging on this and share the story with me, I’d be so grateful!
When the Waban section of Newton got a rail line connecting it to Boston, development boomed! Architects who lived in other parts of the Boston area saw an immense opportunity, not only for work, but for a bucolic setting where they could also reside. One of these architects that lived and worked in Waban was Thomas Marriott James, who in the early 20th century, designed and moved into this house on Pine Ridge Road. James was also born in Cambridge but received no academic architectural training. By 1893, Boston directories record that he was a draftsman at the office of Eugene L. Clark, a prolific designer of suburban homes. His residence in Waban blends the Shingle and Colonial Revival styles under a broad gambrel roof. The verandah is inset and has segmental bays with shingle posts as supports. The kneewall is also shingled, adding to the composition.
Benjamin H. Davidson, a wool merchant had this stunning property built in Waban for his family in 1897. Benjamin and his architect envisioned a large, Shingle style mansion, set back off the street. The house obviously exhibits shingle cladding along all surfaces including stone piers coming up from the ground at the porch, giving the house an organic feeling. The design also includes a large stairhall Palladian window, which is obscured from the street by a balustrade.
The earliest of Wilton New Hampshire’s summer “cottages” is Moors Manor Cottage, a turn-of-the-century mansion set on former farmland with views of the mountains in the distance! While Wilton never compared to Newport or Bar Harbor as the major summer resort towns for the wealthy, the upper-middle class would sometimes build summer homes in their familial towns where they would escape the hustle-and-bustle of city life. Luckily, this home has been very well-preserved inside and out (but I wish that big fence was gone it really obscures the beauty of the house).
Located at the Naulakha Estate in Dummerston, Vermont, the Kipling Carriage House has long served as a companion to the larger Shingled home. This charming building originally stored author Rudyard Kipling’s carriage and an apartment space for his coachman. The quaint structure sits atop a high stone foundation and retains much of its original detailing, and inside, the structure oozes charm! After Rudyard Kipling sold the estate, the next family converted the structure to a servant’s quarters. In 1992, the British-based Landmark Trust acquired Naulakha as its first American building, later creating the Landmark Trust USA who maintain the property to this day. Like Naulakha, the Kipling Carriage House is available for short-term rentals, which helps the Landmark Trust USA maintain and restore these historic buildings.
I was fortunate enough to be able to spend a couple nights at the Kipling Carriage House and the experience is something I will hold with me for the rest of my life. The wood-lined walls, historic windows, cozy furniture, and fireplace, make you feel so at home, and sweeping views of the Connecticut River Valley add to the splendor. There is something so great about “unplugging” from screens and reading one of Kipling’s books by the fireplace in one of his properties!
Located on a hillside in rural Dummerston, Vermont, you will find Naulakha, one of the most significant properties in the region. Naulakha (pronounced now-LAH-kuh) was built in 1893 for Rudyard Kipling an english journalist and author born in British India, an upbringing which inspired much of his professional work. In 1892, Kipling married Caroline Balestier, who was born into a prominent New England family. The couple honeymooned in Vermont near Carrie’s family home. The couple would settle in Vermont in a cottage which was soon outgrown, leading the couple to buy 10 acres of land from Carrie’s brother Beatty Balestier and built their own house. The new Shingle-style home they had built was named Naulakha after a book written by Rudyard and Caroline’s late-brother Wolcott. Kipling wanted a home that merged the distinctive qualities of the Indian bungalow with those of the American Shingle Style and he worked closely with his architect, Henry Rutgers Marshall of New York City, a Balestier family friend to achieve this.
The rectangular mass of the home parallels the contours the hill upon which its sited, and sits atop a raised fieldstone basement salvaged from stone walls on the property. From the home, Kipling wrote some of his most influential work, including the Jungle Books (1894, 1895), Captains Courageous (1896,The Seven Seas (1896), and The Day’s Work (1898). Sadly, the Kipling’s moved out of Naulakha after just a few years, largely from familial disputes with Caroline’s brother, Beatty. The family removed to England where they settled, though Rudyard always mentioned how much he missed his secluded life in Vermont. The property was then purchased by the Holbrook family, who made slight modifications to the property, but all maintaining the original design and feeling. In 1992, the British-based Landmark Trust acquired Naulakha as its first American building, later creating the Landmark Trust USA to maintain the property and more. The Landmark Trust USA rents out Naulakha and the adjacent carriage house for short-term rentals to provide revenue for maintaining these properties.
For more on my stay at the absolutely stunning Kipling Carriage House, check out my later blog post here.
Located just a block of Main Street in Ridgefield, Connecticut, St. Mary’s Catholic Church stands out as a rare example of Victorian Gothic architecture in a village full of Colonial (and Revival) and mid-19th century buildings. The first known Catholic to arrive in town was James Brophy, who’s family settled in Ridgefield in 1848. While growth of a local Catholic church in Ridgefield was slowly being established, the character of the town was changing by the second half of the 19th century, with wealthy New Yorkers building homes for vacationing in the summers. From this, many Irish Catholic immigrants were hired to work on the new estates. The first permanent Catholic church in town was built in 1867 as a modest wood frame church. As the congregation grew, a new church edifice was needed, and after a capital campaign, funds were gathered to erect a new church. Connecticut architect Joseph A. Jackson (who specialized in ecclesiastical design), was hired to furnish plans for the new church. The building exhibits eclectic architectural styles. Gothic design is seen in the pointed or lancet windows, arches and cast iron finials. The Queen Anne style is reflected in the use of textured and varied building materials, such as brick, brownstone, and shingles. And St. Mary’s most unique feature, its unusual steeple with its four turreted abutments and conical roof worked in shingles, is representative of the Shingle style.
William Wanton Dunnell (1850-1933) was born in Pawtucket, Rhode Island and was educated in Rhode Island schools. He eventually helped run his family’s cotton goods business, which grew over the next decades. The Dunnell Finishing Works factory was a success in Apponaug (Warwick) Rhode Island, and he had over 500 employees turning out over 1,000,000 yards of printed cloth a week! Before all this, William had this amazing house built in College Hill, Providence for his family. The local architectural firm of Stone, Carpenter & Willson was hired and blended Shingle, Queen Anne, and Colonial Revival styles elegantly under one roof. I am particularly fond of the sawtooth shingles, Palladian motif windows in the gable, and undulating facade. The house is owned today by RISD.
In 1895, Waban Village was in the middle of its massive development period, when half of the homes in the neighborhood were built within 10 years. One of the earliest in this neighborhood was this investment property by John E. Parry, a businessman and major developer. This house appears to have been rented at first, but was listed as vacant for some time in the city directories. Eventually it was purchased and has been lovingly maintained to this day. The design is a regional take on the transitional Shingle and Colonial Revival styles, this one with a really unique cross gambrel roof.
One of the best houses in Waban Village in Newton is this absolutely stunning Shingle style/Queen Anne home perched high on Moffat Hill. This house was built in 1888 for Louis K. Harlow, who began his career as a professional artist in 1880 and traveled Europe to study the work of prominent painters. Back in the Boston area, Harlow painted nature and landscapes and produced etchings that were shown in the Boston Art Club and sold worldwide. He later got into poetry and published multiple works. Harlow hired the firm of Longfellow, Alden, and Harlow, to design this country retreat. I assume there is a relation between Louis K. and the architect Alfred Branch Harlow, but I would love to find out the connection! The design is quintessentially Queen Anne, with the asymmetry, complex roof form, varied siding types, and diamond window sashes. The shingled second floor overhangs the fieldstone first floor which to me, evokes the Shingle style where the house seems to have grown out from the earth. I can only imagine how spectacular the interior is!
Buildings of New England 