This summer cottage in the Neptune Park development of New London, Connecticut, was built around 1910 for Walter Garde, a resident of Hartford and New London. Walter built this home as a retreat from city-living where he could breathe the fresh sea breeze and not worry about smoke and pollution from the growing industrial cores of Hartford and New London. The home blends styles and forms elegantly with a stuccoed ground floor and shingles above. A cross-gambrel roof adds depth with windows in various shapes and sizes creating a pleasing composition at the street. Walter Garde was a businessman who notably opened the Garde Theatre (now Garde Arts Center) in Downtown New London.
Built at the same time as his summer residence in Rye Beach (last post), George Allen had this gorgeous carriage house built to store his horses and carriage to get around his summertime town. The carriage house is a blending of the Colonial Revival and Shingle styles that mimics much of the main home’s design including the gambrel roof and columned entry. Sometime in the 20th century, with no more use of a carriage house, the property was sold off by heirs of Mr. Allen and converted to a private residence. The new owners have preserved the essence of the original use and made the home stand out among the adjacent mansions.
The Dr. Henry Jacob Bigelow House, sitting high on Oak Hill in Newton, is among the last designs (1886) of architectural icon Henry Hobson Richardson. If you already didn’t know, Richardson was one of the foremost architects of his day and is known both for bold Richardsonian Romanesque and Shingle style designs. He was hired by Dr. Henry Jacob Bigelow to provide plans for a sprawling country retreat from the noisy and cramped conditions in Boston. Dr. Bigelow was an eminent surgeon in Boston who earlier, helped facilitate the first public dose of ether as anesthesia on a patient, a breakthrough that led to the stunning Ether Monument in the Boston Public Garden. Bigelow only got to enjoy the country estate for a couple years until he died in the home in 1890. Years later, the estate (and nearby buildings) became home to the Peabody Home of Crippled Children, which worked as a sort of open-air hospital. Eventually, the home was vacated and sat, deteriorating on the hill. It was saved from demolition through the efforts of preservationists in Newton, and was restored as a part of “This Old House” with Bob Vila. It was restored as a set of five condominiums sited in a sunny interior courtyard.
One of the many significant losses to American architecture is the demolition of the Low House, a perfect encapsulation of the Shingle style of architecture by one of the most prolific designers in American history. The William G. Low House was constructed at the southern tip of Bristol, Rhode Island by esteemed architect Charles Follen McKim (my personal favorite) of the firm McKim, Mead & White. The Shingle style, which took off in the Northeast United States, primarily in seaside communities in the late 20th century, the homes of the style often had a strong horizontal emphasis. The style contrasts the other Victorian-era styles, de-emphasizing applied decoration and detailing in favor of complex shapes wrapped in cedar shingles. The Low House, formerly located on Low Lane, stood out for its 140-foot long gable which appeared to protrude right from the hilly outlook. The home was demolished in 1962, but was documented by the Historic American Buildings Survey program, which documented the home inside and out before it was a pile of rubble. Architectural historian Leland Roth later wrote, “Although little known in its own time, the Low House has come to represent the high mark of the Shingle Style”.
Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.
When I think of Maine, I think of rocky coastline, lobster, and lighthouses. Located in Cape Elizabeth, just south of Portland, you will find the Portland Head Light, an obscenely beautiful lighthouse, which has provided a beacon to sailors for centuries (and more recently Instagrammers). In 1787, while Maine was still part of the state of Massachusetts, President George Washington engaged two masons and instructed them to take charge of the construction of a lighthouse on Portland Head. Washington reminded them that the early government was poor, and said that the materials used to build the lighthouse should be taken from the fields and shores surrounding the site. The original plans called for the tower to be 58 feet tall, but when the masons were finished, they climbed to the top of the tower and realized that it would not be visible beyond the land to the south. When the masons were ordered to increase the height another twenty feet for visibility reasons, one quit, leaving a single man to finish the lighthouse and a small dwelling. It was completed, and the light, powered by sixteen whale-oil lamps, first shone on January 10, 1791, following its dedication by Marquis de Lafayette. Over the next century, many issues plagued the building and light-keepers, from cold winters and rogue waves icing over the pathways, to a poorly constructed top of the lighthouse, which was re-constructed due to safety concerns. In 1891, the station’s old stone light-keeper’s house was demolished, and upon its foundation a two-story wood double dwelling was constructed. A square brick oil house was also built at the same time along with a flight of steps at the landing. Portland Head Lighthouse was extinguished from June 1942 through June 1945 to avoid aiding German submarines, which did not work as planned. In 1945, the USS Eagle PE-56 just miles off the coast, was sunk by a German submarine (though previously thought to have been sunk by a boiler explosion), only 13 of the 62 crew survived. The lighthouse is now owned by the town, but the US Coast Guard retains control of the light and fog signals.
I normally am not a fan of dark houses, but I really like this one, but some of the amazing detail is harder to see due to the singular, dark paint color. This home in Cape Elizabeth was built in 1915, during the housing boom in the early 20th century when the formerly sleepy farming town saw massive development as it became a summer resort and bedroom community of Portland. Owner David A. Calhoun hired the Portland firm of Miller & Mayo to design this home, and they pulled out all the stops for a modest budget. Calhoun moved to Maine in the 1880s and became a founding member of the plumbing and heating firm of Willey & Calhoun, quickly making a name for himself. The two-story home has a shingled exterior, a cross-gambrel roof and a shed dormer on the front facade. The main entry door is flanked on either side by small windows. The house is a great blending of Colonial Revival and Shingle styles.
“We must not be Irish or African, or black or white. Not in America. We are gathering here … not to build up any petty community but to make the greatest nation and the strongest brotherhood that God ever smiled upon.”-John Boyle O’Reilly. This home (now the Hull Public Library) replaced the old Hunt House, which was the first parsonage of Hull, which was built around 1750. John Boyle O’Reilly, an Irish-American poet, journalist, author and activist bought the Hunt House in the 1870s and soon after demolished it as he felt it could not be salvaged. There are books about O’Reilly’s life story, so I recommend checking out his Wikipedia page. He constructed this house as a summer home by 1879, an excellent example of an early Shingle-style home. I cannot locate the architect, but am dying to learn! In the summer of 1890, O’Reilly took an early boat to his residence in Hull, Massachusetts from Boston. He had been suffering from bouts of insomnia during this time. That evening he took a long walk with his brother-in-law hoping that physical fatigue would induce the needed sleep.Later on that night he took some of his wife’s sleeping medicine and he apparently suffered an overdose of the medicine at this home, passing away at 46. Thousands of Bostonians mourned O’Reilly, and memorials were erected in the city, including the iconic 1896 John Boyle O’Reilly Memorial by Daniel Chester French.
c.1891 image of second Hull Yacht Clubhouse, Stebbins Collection, HNE
In the Spring of 1880, thirteen Hull, Massachusetts, summer residents, who owned and raced small sailboats, met and decided to form a yacht club. The Hull Yacht Club was founded that same year. During the first two seasons there was no club house, sailing events were run from a private pier and dock and meetings were held at members homes. Even though they started with no club house, being close to Boston with plenty of deep, protected water, drew many new members. The first clubhouse here was constructed in 1882 and the club saw membership soar to over 500. The clubhouse was quickly deemed inadequate for the Boston-area elite and their massive sloops. The second Hull Yacht Club was completed in May 1891. The New York Times and Outing Magazine described the new club as one of the grandest yacht clubs in America, and at the time, it had the second highest membership in the country! The main club house was designed by architect S. Edwin Tobey, and stood four stories, with a 12 foot wide piazza on three sides covered by endless expanses of shingles. The third floor had billiard rooms and public and private dinning, committee room, reading room, wine room, The second floor housed three bowling alleys, and the first floor had lockers, showers, laundry, spar storage. The club merged a couple times over the subsequent decades, but suffered heavily due to the Great Depression, when the Gilded Age monies stopped flowing as freely. The club sold the massive shingled building to developers who sought to convert the building into a resort, but it was deemed a fire hazard and razed in the 1930s. The club erected a new, modest clubhouse near Point Allerton later.
One of the most stunning and unique summer “cottages” in Stockbridge, Massachusetts has to be “Oronoque”, an eclectic Shingle-style home constructed of course ashlar blocks and shingle siding. The home was constructed around 1886 for Birdseye Blakeman, who lived in Stratford, CT. The home’s name is somewhat a mystery, but was possibly the name of his ancestral home in Connecticut. Just a few years after the homes completion, Blakeman died, and hiswidow continued to summer at the home until her death in 1912. The home was purchased by Norman H. Davis, a U.S. diplomat who later served as President Wilson‘s chief financial advisor at the Paris Peace Conference after WWI. Davis also served as Chairman of the American Red Cross, under three presidents. Under his direction, the Red Cross greatly expanded by thousands of volunteers and blood banks were established. The home was later owned by Boston University, who used it as lodging for students visiting the Tanglewood Festivals. It was later sold to a developer who appears to have converted it to a multi-family property.
At 55,000 square feet and 106 rooms, the Elm Court mansion retains the title of the largest American Shingle Style home in the United States. The structure was built for William Douglas Sloane and Emily Thorn Vanderbilt (granddaughter of Cornelius Vanderbilt) as their summer “cottage” in the Berkshires. The home straddles the towns of Stockbridge and Lenox and sits on a massive parcel of land, giving the owners space to breathe the clean countryside air. Emily’s brother, George, built The Biltmore in Asheville, North Carolina and her sister, Eliza (Lila), constructed Shelburne Farms in Shelburne, Vermont. The home was constructed in 1886 from plans by the great Peabody & Stearns architects. Shortly after the turn of the century, ca. 1901, the couple commissioned Peabody and Stearns again, to vastly enlarge their original house. The additions used both Shingle Style and Tudor Revival motifs, and the result is a structure highly reminiscent of an English country house. William Sloane died in 1915, and Emily Vanderbilt continued to use the summer cottage, and in 1921, she married a summertime neighbor, Henry White, a career diplomat. While Henry White died in 1927, Emily retained the house and kept the grounds running until her death in 1946. The property’s use evolved into an inn in the late 1940s. During the 1950s, it embraced the public for dinners, overnight accommodations and events. Eventually Elm Court’s doors closed, and for approximately 50 years the mansion succumbed to significant theft and vandalism. The property has been listed for sale numerous times in the past decades, after a renovation by the last owners in the Sloane family. It is now listed for $12,500,000!
Located in a more rural part of Fairfield, Connecticut, I drove past this massive tower just off the road. Intrigued, I doubled back to find out what it was, and learned it was once a windmill! The over eighty-foot tall shingled tower was constructed in 1894 as part of a large country estate. Frederic Bronson (1851-1900) was a prominent, gilded age lawyer in New York City. He accumulated massive wealth representing many elite families, eventually becoming a member of the “Four Hundred”, a list of the 400 most powerful (rich and connected) people of New York society. In the early 1890s, Bronson constructed a summer estate in Fairfield, CT, known as Verna Farm. A part of this estate the windmill which pumped water from a well 75 feet below ground into a 7,500-gallon wooden storage tank inside the tower. The estate eventually became the Fairfield Country Day School, and the windmill (no longer in use) was gifted to the town. Eventually, it was leased by Sprint, and the telecommunications firm restored the windmill and installed a cellphone tower in its interior.
The Enfield, New Hampshire Library and Memorial Building, also known as Whitney Hall, is a transitional Queen Anne/Shingle Style building built in 1900-1901. Local citizens donated funds for construction of the building to house the public library, as well as a selectmen’s office and rooms for fraternal organizations (notably the Grand Army of the Republic). The second floor, known as Whitney Hall, served as a public hall and theater. Mill operator George Whitney donated $1,000 for its construction and also built the village’s first electric plant, making Enfield one of the first towns in the state to have electricity for its homes and streetlights. During World War II, the top of the tower was enclosed to spot for enemy aircraft, remaining enclosed to this day. In 1976 the building underwent major renovation and now also contains the Enfield town offices.
William C. Strong purchased the old Wyman Farm in present day Waban Village in 1875, consisting of 93 acres of open land and rolling hills. He subdivided some of the land after the completion of the Waban Station, later developing the Strong’s Block, the premier commercial block in the village. To kick off the development along Windsor Road, he hired architect Herbert Langford Warren, the Dean of Harvard’s Architecture School (who also owned a historic farmhouse nearby) to design a couple homes for sale. This stunning house is notable for the prominent gable end gambrel roof, shingle siding, and porte-cochere.
When an architect designs their own home, they typically focus on the minute details which can make such a difference, often because they know what works and what doesn’t! This home was designed and built for William F. Goodwin, an architect with an office in Downtown Boston. After the Waban Station was built in 1886, he sought open space and a large home in suburban Boston, to get away from the hustle-and-bustle of daily life. Years after he moved into his home, he gifted his services to design the neighborhood’s first church, the Church of the Good Shepherd.
