Stick Style

Parmelee House // c.1879

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Located on the east side of the Town Common in Newport, NH, the Parmelee house stands out as a unique vernacular Stick style home. The home was built for Joseph Warren Parmelee (1818-1892), the grandson of original settlers of town, Captain Ezra Parmelee and Sybil Hill. He began his adult life as a merchant in Newport, before moving south to Charlestown, South Carolina in 1847. Joseph was forced back north at the beginning of the Civil War, and he lived in New York City until he finally relocated back to his hometown in 1879, which is likely when he built this home for his family. Upon returning, he became active in town affairs, and also pursued interests in history and poetry, creating a book of poems from his home. The Parmelee house retains much of its original detailing from the decorative bargeboards at the gable ends, large eyebrow window hoods at the second floor, and the interesting trapezoidal roof, possibly a vernacular nod to a mansard roof.

Tanglewood // c.1865

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The 200-acre campus of Tanglewood, where the Boston Symphony Orchestra spends its summer months, spreads the grounds of two historic summer cottages in the charming town of Stockbridge, MA. One of the summer “cottages” Tanglewood, where the music center gets its name, was constructed around 1865 for Caroline Sturgis Tappan, husband William Aspinwall Tappan and their two daughters, Ellen Sturgis Tappan and Mary Aspinwall Tappan. Mary, with her niece Rosamund Hepburn, donated the family summer home, Tanglewood in 1937 to Serge Koussevitzky, a Russian-born conductor, composer and music director of the Boston Symphony Orchestra from 1924 to 1949. The campus has since grown astronomically as it hosts musicians and tourists from all over the region and globally to experience the arts in the charming town in the Berkshires. The Tanglewood house retains much of its historic architecture and siting, overlooking the Stockbridge Bowl (lake).

Children’s Chimes Tower // 1878

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Located in front of the old Town Hall and Congregational Church in Stockbridge, this tall carillon (bell tower), was gifted to the town by David Dudley Field, Jr. in memory of his grandchildren. His one condition was the chimes were to be rung everyday at 5:30 p.m. between, “apple blossom time and the first frost on the pumpkin”. The tower has a stone base and wooden belfry surmounted by a pyramidal roof with clocks on all four sides. The tower remains a gift, not only to the memory of his grandchildren, but to passersby who are lucky enough to hear the bells toll.

John Hoyt Perry House // c.1875

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John Hoyt Perry was born in Southport in 1848, and graduated at Yale in 1870. He received his professional education at Columbia Law School and was admitted to the bar in Bridgeport, CT in 1872. He had an active law career in Connecticut, later working as a judge. He served Southport in the House of Representatives throughout much of the end of the 19th century. In 1913 he was elected to the Connecticut Senate and served as the minority leader. He served as counsel for the United States in arbitration proceedings with Chile in 1902, and as counsel for the town of Fairfield. This home in Southport was constructed for him, likely around 1875 after he accepted his position as a head attorney at a major firm nearby. The home can be classified as a blending of Stick style and Queen Anne Victorian design with the asymmetrical form, tower, large porch with projecting porte-cochere, shingle siding, and bargeboards.

Simon Sherwood House // 1884

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The Simon C. Sherwood house, built in 1884, is a fine late nineteenth-century eclectic Victorian home, somewhat unique to the Southport area of Fairfield, CT, which is dominated by early-mid 19th century styles. Simon Couch Sherwood was the son of Edwin Sherwood, a wealthy shipping merchant who made a fortune from trade between New York and Savannah. The Queen Anne-Eastlake style home was added onto with a larger porch, obscuring an original oriel window on the side elevation. Sadly, the home has a safe, yet inappropriate pale yellow body color with white trim, which does not showcase the intricacies of the Victorian era home.

Southport Railroad Stations // 1884 & 1895

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The Southport railroad stations in Fairfield, Connecticut, are reminders of the important role of railroad passenger service in the historical development of the town which continues to this day. In Southport, there are two stations, an east-bound and west-bound, one on either side of the tracks. The older east-bound station was built in 1884 to replace a depot destroyed by fire. It is typical of the substantial brick stations built at small-town stops throughout the state in the period. The use of brick was likely to prevent fire destroying yet another station. The stations were commonly large enough to accommodate spacious waiting rooms, ticket counters, offices, restrooms, and a baggage area. The brick station was converted to a restaurant, with a modern addition by Roger Ferris + Partners completed by 2017.

The wooden west-bound station was built around 1895 as part of a massive rebuilding of the New York, New Haven and Hartford Railroad’s main line. At this time, the railroad adopted a single design-concept for all the stations, reverting to wood construction, and limited the stylistic details. The Southport station has an interesting design however; with its saltbox-like roofline, bargeboards, and stick detailing. Imagine all the people and stories that passed through these buildings. Parents saying goodbye to children going off to college or war, businessmen and women commuting to and from work, or people like me who took it to Manhattan!

Whitman House // 1881

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Built in 1881 for William Henry Whitman, this stunning Victorian house remains one of the better-preserved in the town of North Adams. William Whitman was a successful shoe manufacturer in town that lived modestly until his late 40s when he had this home built. The brick home is trimmed with freestone and features a very prominent three-story corner tower with conical roof. The house is a blending of the Stick and Queen Anne styles, under the umbrella of the ‘Victorian’ classification.

Walker House // 1882

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This house was built in 1882 for Frank Walker, a merchant who owned a feed and grain store in Downtown North Adams, Massachusetts. The Stick and Queen Anne style home was designed by architect Marcus F. Cummings, who also designed the Blackinton Mansion. The brick and freestone home was converted to multi-family sometime in the mid-20th-century due to the changing demographics of the town. Since then, the home has seen weathering and deferred maintenance, but retains much of its original detailing and character.

Penniman House // c.1885

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Edmund Burke Penniman (1841-1929) was born in North Adams, a son of Mr. and Mrs. Edmund B. Penniman. His father an established lawyer, and mother died, leaving the young boy with a sizable estate. Just before the Civil War broke out, he developed a mill, which had to shut down when the war began. After the war, the company had no orders to fill and they sold the property. Penniman became treasurer for the North Adams Manufacturing Company, and later served as President of the Hoosac Savings Bank. He and his family resided in this Stick style home until his wife’s death in 1909. The home features a brick ground floor and clapboards (now aluminum) above. The Victorian home has a rusticated arched entryway protected by a projecting porch with stickwork. A large corner tower gives the house a large street presence.

Charles Cutting House // 1881

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This stunning Stick style house in North Adams was built for Charles Cutting (1850-1940), founder of the C. H. Cutting Company, a prosperous clothing company in town. The company started as a partnership between 20-year old Cutting and a Mr. Silsby, who retired just a year after co-founding the company. Cutting used his business connections to help establish other local clothing companies including the Bay State Clothing Company in Adams, the Orange Clothing Company in Orange, MA, and the Athol Clothing Company in (you guessed it) Athol. With his wealth, he had this amazing Victorian home built on East Main Street where he lived until his death in 1940.

Union Chapel // 1870

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One of the most unique buildings I have ever seen is the Union Chapel in Oak Bluffs on Martha’s Vineyard. The chapel, built in 1870 in the American Stick Style, is in the form of an Octagon, very unique for churches. Built as an inter-denominational house of worship, it is significant as the first non-sectarian religious building to be erected in a community that until 1870, was noted primarily for its strong association with the Methodist Church and its summer camp meeting (Wesleyan Grove) assemblies. The Chapel offered islanders and seasonal visitors regardless of religious affiliation not only an opportunity to worship but a gathering place for cultural activities. According to historic images, the chapel once had more elaborate stick work and finials, since removed, likely due to storms and general maintenance concerns. The chapel was designed by island resident Samuel Freeman Pratt (1824-1920) who had no known architectural training besides working as a wood carver in Boston, yet his work is characterized as having a dynamic and festive style. Pratt’s other major contribution to Oak Bluffs’ architecture, the Sea View Hotel, was erected at the head of the wharf in 1872, but burned down in 1892.

Aunt Georgia’s House // c.1880

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Located on the iconic Circuit Street in Oak Bluffs, this Eclectic Victorian cottage has a storied past related to Black history on the island. Even though Oak Bluffs was a relatively safe place for African Americans to be, there were still limits on their rights. In some parts of Oak Bluffs there were laws that said that certain property could only be owned by whites. The island became a vacation spot for thousands every summer in the 19th century and seeing a lack of options for Black travelers, Mrs. Georgia O’Brien and Ms. Louisa Izett began to operate an inn for people of color. The inn was one of two such residences in Oak Bluffs and has since been listed on the African American Heritage Trail of Martha’s Vineyard. The home has since been named the Tivoli Inn and retains much of the original gingerbread trim. In recent years, Martha’s Vineyard was given the nickname, “The Black Hamptons,” due to its popularity as a place for wealthy African-Americans to vacation, it remains a very diverse island in summer months.