York County

Lobster Point Lighthouse // 1948

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When you walk along Ogunquit’s Marginal Way cliff walk, it is missing one thing, an iconic Maine lighthouse… or is it? This mini lighthouse on the route always has people lining up to snap a picture and its quirky roadside attraction appeal is undeniable. The original Lobster Point Lighthouse was constructed in 1948 by Winfield C. Littlefield of the local family who first settled in the town. The “lighthouse” was designed by Grover S. Perkins. Much like the real lighthouses on the coast, the original structure was badly beaten by the salt air and high winds and parts of the structure were replaced. Notably, in 1993, the top (lantern) was replaced with fiberglass. Additionally, in 2009 the structure was upgraded, all from donations. The iconic roadside lighthouse will continue to ‘light the way’ for the droves of tourists and locals alike who navigate Marginal Way.

Ogunquit Public Library // 1897

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One of Maine’s most charming libraries is right in the coastal village of Ogunquit, and like many of the greatest, it was built as a memorial to someone. George Mecum Conarroe was born Nov. 9, 1831. His father, George Washington Conarroe, was an accomplished Philadelphia portrait artist who provided his family with every advantage mostly from an inherited family fortune. The Conarroes and their cousins, the Trotters, who summered at Cape Arundel, had been associated in a very successful steel venture for several previous generations. George M. Conarroe apprenticed in a Philadelphia law firm and was admitted to the Bar in 1853. He ran a successful probate law practice and his prudent real estate development investments enhanced his formidable fortune. Nannie Dunlap, daughter of another leading Philadelphia lawyer married George M. Conarroe in 1868, they were inseparable. He built a summer estate in York Cliffs, a burgeoning Summer colony just south of Ogunquit (then a part of Wells). George died in 1896, and Nannie fought to keep her late husband’s legacy living in the coastal area he loved so much. She hired Philadelphia architect Charles M. Burns to design a new summer chapel in York and this beautiful village library in Ogunquit. The library was constructed of fieldstone taken from the site and is a lovely example of the Romanesque Revival and Queen Anne architectural styles in Maine.

Perkins Cove Drawbridge // c.1941

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The Perkins Cove wooden footbridge in Ogunquit, overlooks one of the loveliest little harbors in the Maine coast and spans the narrow entrance to the port. The iconic bridge is perhaps the only double-leaf draw-footbridge in the United States and luckily for us, is right here in Maine! The small channel was once very shallow, but in about 1940, the cove was dredged to make room for larger fishing vessels. A new drawbridge was soon added to allow access to the small peninsula while also permitting fishing vessels to pass underneath. The bridge has been modified a couple times since it was constructed in the early 1940s. The new bridge spurred development of some of the area which was already a mix of fishing shacks and artist studios. Since then, many of the original fish shacks have been converted to restaurants or shops due to the high value of the land now. It was also announced this year that the bridge would soon be demolished and replicated with Federal funds with a new harbormaster building. Hopefully the replacement will closely match the existing, which is a huge draw (pun intended) for the tourists who flock to the area.

Winn House // c.1780

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One of the oldest extant houses in the village of Ogunquit Maine is this charming Cape house thought to have been built in the 1780s. The house was later purchased by James Winn (1783-1861) and his wife Philadelphia Maxwell Winn (1785-1855), probably about the same time as the birth of their first child, James Winn Jr. in 1808. Both James Sr. and his son in 1846, launched a 161–ton brig out of Kennebunkport with Captain James at the helm. After several trips James Jr. succumbed to an illness that was aboard the vessel and died at the New York Marine Hospital. Over 150 years later, the house, largely untouched, was seemingly threatened by development pressure on the busy highway. In 1980, the home was donated to the town by then-owner, Phyllis Perkins, and moved nearby to a park on Obed’s Lane. It now houses the Ogunquit Heritage Museum.

Colonial Inn, Ogunquit // 1897

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As Ogunquit surged in popularity as a coastal summer retreat in the late 19th century, the flocks of city-dwellers needed a places to rest their head after splashing in the crisp Maine ocean. The original structure began with a mid-19th century house, likely in the Greek Revival style. It was expanded in the 1880s when it opened as a hotel for tourists, equipped with a mansard roof. The hotel consistently sold out of rooms in the summer months and the proprietors decided to expand in about 1897 with a sizeable Queen Anne style addition. A fire in 1951 destroyed the rear wing of the building and the conical tower roofs were removed, resulting in the final form seen today. The hotel is historically significant because it is the only surviving 19th-century hotel in Ogunquit that still serves as a hotel and largely retains its historic appearance, enhanced following a 2013 restoration by the owners who worked with David Lloyd of Archetype Architects. Other hotels of the period have either been converted to condominiums or been engulfed by modern alterations. The hotel was thus placed on the National Register of Historic Places, a large, and worthy addition!

Nellie Littlefield House // 1889

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One of the most charming buildings in the quaint village of Ogunquit Maine has to be this Victorian inn, located right on Shore Road, the town’s main thoroughfare. The house had its beginnings in 1889 when Joseph H. Littlefield constructed it for his wife Ellen “Nellie” Perkins and their family of four children. Joseph was a member of the esteemed Littlefield Family, which goes back to before Edmund and Annis Littlefield and their six children traveled from England and settled in the town of Wells in 1641. The family was prosperous in the area, and Joseph used his wealth and position in local affairs to develop summer cottages and buildings at the beginning of the town’s large development boom in the late 19th century and early 20th, catering to summer residents and tourism. The Littlefield House was passed down to Joseph and Nellie’s children after their passing, last occupied by Roby Littlefield (1888-1988), who served in local and state politics. It was Roby who was instrumental to establishing the Ogunquit Beach District, which allowed the government to acquire the beachfront in Ogunquit, making it public. The old Littlefield House is now an Inn, known as the Nellie Littlefield Inn & Spa, and it retains so much of its original charm.

Ogunquit Playhouse // 1937

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Opened in 1933 in a converted garage and relocated to the existing building upon its completion in the summer of 1937, the Ogunquit Playhouse is an important part of Maine’s historic twentieth-century cultural landscape. The Playhouse was founded by former Hollywood director and Broadway producer Walter Hartwig and his wife Maude, and the building was designed by theater architect Alexander Wyckoff. The site on Rt-1 was intentional as the highway was the main coastal route for the inter-war summer tourist travel. The Colonial-inspired theater was in keeping with the historic nature of New England, but with the grandeur to attract a nation-wide summer audience. Early articles mentioned the building constructed of “…steel and wood, painted white with green shutters and roof, is simple in line, suggesting the Colonial architecture of New England”. Walter Hartwig died in 1941, and his widow Maude took over as the producer for the upcoming season. In 1947, she engaged George Abbott, New York’s most distinguished playwright/producer to share in the managerial duties, and in 1950 John Lane arrived as co-producer. Lane acquired the property in the following year, counting among his first tasks the rebuilding of the stage which was destroyed by a storm the year prior and changing the landscape to move the parking lot in front of the building to the side. The Ogunquit Playhouse continues its 26-week season runs from May through October, with off-season co-productions at The Music Hall in Portsmouth, NH. Go see a show before the season is over!

Old Ogunquit Methodist Church // c.1880

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Ogunquit, which means “beautiful place by the sea” in the indigenous Abenaki language, was first a village within Wells, which was settled in 1641. Ogunquit grew as a fishing village with shipbuilding on quiet tidal waters protected within smaller alcoves. By the late 19th and early 20th centuries, the village was discovered by artists, who flocked to the area for the natural scenery and bucolic coastal scenes perfect for painting. At this time, summer residents came to the sleepy village en masse, facilitating the construction of summer resort hotels and commercial buildings. Ogunquit seceded from Wells in 1980, and has been one of the most visited villages in Maine. Ogunquit has been a destination for LGBT tourists and businesses, adding to the rich culture there. This church building, shows the history of the town well. It was constructed as the village’s Methodist Church after 1872 in a vernacular Gothic style with lancet windows and entry. The church merged with the nearby Wells Methodist Church in the 1970s and later moved to a new church building between the two towns. The former Ogunquit Methodist church was purchased and converted to a gift shop, frequented by locals and tourists alike.

Bayberry Cove Cottage // 1915

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Perched atop a seaside cliff on a neck jutting into the Atlantic ocean, this large summer cottage exhibits the rugged, yet enchanting character of the Maine coast. The house is part of the Cape Arundel Summer Colony and is one of the last built as part of the original period of development. The home was designed by Henry Paston Clark, a Boston architect who previously built a home on Cape Arundel and had summered there for years. His most notable design here is St. Ann’s Church, built for the summer residents of the area. The Bayberry Cove Cottage was built in 1915 for James Harrison and his wife and employed the use of cedar shingles, stone, and slate, to blend in with the rugged plot of land.

Inglesea Cottage // 1889

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One of the larger Shingle style homes in Kennebunkport, Inglesea Cottage, was designed in 1889, possibly by Henry Paston Clark, who designed or worked on many homes and buildings in the summer colony. The original owner, Dr. George Frederick Brooks, a doctor based out of New York, who spent his childhood on the coast of Maine, and decided to spend his elderly summers there. By 1903, the home was purchased by Ms. Lucy Fay (1864-1937) of Fitchburg, MA, who hired Henry P. Clark, to add the cross gambrel addition to enlarge the home. Lucy Fay was the daughter of the the wealthy industrialist George Flagg Fay and his wife, Emily Upton, and upon their deaths, inherited their fortune (her sister died at just seven years old, making her an only child). The home remains in impeccable shape and is a head-turner everytime I drive down the coast.

Talbot Cottage // ca.1890

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One of the more unique summer cottages in Kennebunkport is the Talbot Cottage, a ca.1890 eclectic Shingle style home. The home features curvilinear Flemish gables crowned with ball finials, diamond paned windows, gabled dormers with finials and pendants, and a wrap-around Colonial Revival porch with fluted columns. The stunning home was built for Julian Talbot, of the Talbot Family who ran a mill in Lowell, MA. The home was soon after sold to George Hubbard Clapp, a Pittsburgh pioneer in the American aluminum industry, who summered in Kennebunkport.

St. Ann’s by-the-Sea Episcopal Church // 1892

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Saint Ann’s by-the-Sea Episcopal Church in Kennebunkport is possibly my favorite building in the seaside town. As the Cape Arundel summer colony of Kennebunkport was rapidly developing in the 1880s, summer residents needed a place to worship and sought an appropriate location close to their mansions. Boston architect Henry Paston Clark sketched up some conceptual drawings for a stone chapel pro-bono as he already had active commissions in the town and summered there himself. Funds were raised and the current site was donated by the Kennebunkport Seashore Company, who developed the neighborhood. The cornerstone was laid on August 22, 1887. Five years later construction was completed, and the church was debt-free. The large sea-washed stones were hoisted and dragged to the church site during the winter of 1886-1887, and work on the building began May 27, 1887. The same sea-washed stones that grace the building’s exterior were also used for the interior of the church and sacristy. The roof over the central part of the church (the nave) is framed with hard pine hammer beam trusses and the floor is cleft slate.

White Columns // 1853

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The majestic Greek Revival house on Maine Street in Kennebunkport was built in 1853 for Eliphalet Perkins III, a member of the Perkins Family, one of the earliest families to settle in the area known today as Kennebunkport. Eliphalet apparently sold the home to his son, Charles, who moved in within the year with his new wife Celia Nott. The couple decorated the ornate home inside and out with furnishings still retained inside after the Kennebunkport Historical Society acquired the building in 1955. The home is now known as White Columns, and houses the First Families Museum. One interesting thing I noticed is the rounded arch windows in the pediment, an awareness to the Italianate style which took over in the 1850s-1870s throughout New England, though this home is quintessentially Greek.

The Cedars // 1900

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This shingled cottage was built in 1900 for Dr. Francis B. Harrington, a surgeon who worked at Mass. General Hospital in Boston. The stunning cottage was designed with double gambrel gables, a large piazza/porch overlooking the ocean, and a porte-cochere, which was likely added after the home was completed. The home was designed by architect Henry Paston Clark (1853-1927), a Boston area architect who was briefly associated with Henry Vaughan, a leading Boston architect who executed several significant institutional and ecclesiastical works in the Boston area. Clark would later become best-known for his Shingle-style and Colonial Revival works throughout New England and spent his final years in Kennebunkport, where he died.

Nathaniel Lord Mansion // 1812

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Thought to be the largest home in Kennebunkport, the Nathaniel Lord Mansion remains one of the most significant and ornate in the region. Captain Nathaniel Lord (1776-1815) was the son of Tobias Lord, a Revolutionary War veteran and later, a shipbuilder in Kennebunk. He followed his father’s footsteps and ran a shipyard, owning many ships and being one of the most prosperous merchants in the area. Kennebunkport was an important shipbuilding center and port of entry until during the War of 1812, when the British blocked the mouth of the Kennebunk River. All ship building and commerce ceased in this area at that time. Consequently, with no shipping being done, and no ships being built, the ship carpenters became idle. Nathaniel Lord commissioned these men to build him a large house and barn upon a piece of land given to his wife, Phoebe Walker, by her father Daniel Walker, who’s home stands to the north. The home was passed down for generations in the female line until the 1970s when it was restored and converted to the gorgeous Nathaniel Lord Inn.