Craftsman Home

Partridge House // c.1908

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Located on Amory Street in Brookline, this handsome Arts and Crafts style residence dates to about 1908 and while clearly Craftsman in style, does appear to follow the horizontality and form of the Prairie School of architecture, popularized by famed architect, Frank Lloyd Wright. While the architect of this house is unclear, we do know that the first owners were Mr. Frank T. Partridge and his wife, Edith Stevens Partridge. The stucco house features a horizontal belt course, shallow hip roof with broad eaves supported by brackets, and elaborate entry and porches. The colors enhance the architecture of the home perfectly. 

Maud Howe Elliott Bungalow // c.1912

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This shingled Craftsman bungalow on Rhode Island Avenue in Newport was built in the 1910s for Maud Howe Elliott (1854-1948), a Pulitzer prize winning author and active member in Newport’s art scene and her artist husband, John Elliott. Maud Howe was born at the Perkins School for the Blind in Boston, founded by her father, Samuel Gridley Howe. Her mother was the author and abolitionist Julia Ward Howe. In 1887, she married English artist John Elliott. John is known for his epic Symbolist murals including working alongside his friend and colleague John Singer Sargent to provide murals for the Boston Public library, and a mural at the Smithsonian Museum of Natural History. In Newport, Maud became a founding member of the Newport Art Association, and served as its secretary from 1912 to 1942. She also took part in the suffrage movement as she was greatly influenced by her mother’s ideas and convictions about women’s role in society and particularly so in terms of women’s suffrage. She fought passionately for women to be liberated from the societal expectations and roles determined to them by male dominated society. This was her home in Newport until her death in 1948.

Haskins Cottage // c.1910

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Another great turn-of-the-century summer cottage in Rockport’s Headlands neighborhood is this c.1910 Craftsman house on Norwood Street. The listed early owner was L. S. Haskins who likely utilized the house as a summer residence. Architecturally, the cottage follows the Craftsman form with a low-sloped roof with broad eaves, shed dormer, exposed rafters, and rubblestone foundation and columns of stones taken from the site and nearby neighborhood.  

John Smith House // c.1895

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Hull, Massachusetts is an often overlooked town (besides Nantasket Beach Reservation), but there are some really great old houses and buildings to be found in the seaside town. This is the John Smith House on Meade Avenue in the Atlantic Hill neighborhood inland from the peninsular part of town. Development here was fairly slow, but took-off in the late 19th century when cottagers began to develop some house lots here. They were soon joined by year-round residents like John Smith, an ice merchant who built this home around 1895. Craftsman in style, the house exhibits a mix of building materials with a rough fieldstone porch and two matching stone chimneys together with wood shingle siding. The stunning stonework extends from the foundation, uniting the house to its terraced, rocky site. It is one of a handful of homes here that have not yet been altered or covered up by vinyl siding.

Mansfield DAR Lodge // c.1830

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Tucked away on a side street in Mansfield, I was pleasantly surprised to stumble upon this charming example of a Craftsman bungalow, a style and form not too common in New England. The style, synonymous with the western United States’ population growth in the early 20th century, never took off the same way here as Yankee homeowners and builders often stayed true to the Colonial Revival style (even today). This building is said to date from the early 1800s and was built as a Federal style cape. It was owned by a Margaret Lane in the late 19th century. By the 1930s, the house was significantly altered with a full-length porch supported by tapered shingled columns atop fieldstone bases and new dormers at the roof with flared eaves. The building has been home to a local chapter of the Daughters of the American Revolution (DAR). What a charmer!

Elwin Cove // 1908

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While Blue Hill has historically been a summer colony for wealthy city-dwellers to escape to experience the beauty of Maine, it has never gotten the coverage as Bar Harbor or the other Mount Desert Island towns. Many of Blue Hill’s summer cottages are more refined and hidden away amongst the trees, and that is how the town likes it, unpretentious. I was lucky enough to take a wrong-turn and stumbled upon this gem of a cottage between the Blue Hill village and East Blue Hill, I had to take a photo! Upon further research, the rambling cottage was built in 1908 for Ellen and Edward J. Brooks of New Jersey. The cottage was named Elwin Cove, possibly as a merge of their children’s names ELinor and WINfred.

Annie Sheldon House // 1909

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Even with a declining marble industry by the turn of the 20th century, Dorset, Vermont was seen as a beautiful retreat from city life, and it attracted well-to-do middle-class families to escape to the town for parts of the year. One of those families was head by Harry Waters Sheldon (1869-1942) and Annie C. Bourn Sheldon (1875-1958) who lived in Yonkers, N.Y. with their four children. The family lived in this home as a cottage retreat in 1909 and constructed the only Craftsman bungalow in the village of Dorset. The bungalow was later altered and the porches were enclosed, but it was restored in the past few years!

Wilkinson House // 1908

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Waban Village in Newton, Massachusetts has dozens of amazing examples of early 20th century residential architecture, possibly the best collection in the Boston area! This Arts and Crafts style residence was built around 1908 for William and Delia Wilkinson the former of the two owned the William H. Wilkinson Company, which manufactured oiling devices and oil cups for steam engines. Delia, his wife, owned their family home under her name. The home is an excellent example of the Craftsman style, with stucco siding, thick rounded column supporting the inset porch, oh and that catslide roof!!

Bauckman House // 1915

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The Arts & Crafts movement in architecture provided some of the most stunning and well-designed properties of the early 20th century but sadly, there are not too many examples here in New England. When I find some, I always get excited and pull over to snap a photo! This home on busy Beacon Street in Waban, Newton, was built in 1915 for Harry W. Bauckman a salesman in Boston. The designs are credited to architect James G. Hutchinson, who specialized in Arts & Crafts and Tudor style buildings in the area. The Bauckman House is Foursquare in form which basically segments the house into four, large rooms on each floor with a stairhall in the center. The home is clad with banded shingles which extend to the piers at the porch, a subtle nod to Shingle style architecture. SWOON! I was later informed by a follower that this was also the home of landscape historian and author Judith Tankard for some time.

James H. Gardner House // 1923

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My favorite part about the Boston suburbs is the sheer number of well-preserved early 20th century residences. The collection of Colonial Revival, Tudor, and Arts and Crafts style houses found in Waban Village, Newton, are among my favorites. This two-story stucco-clad house enclosed by a slate gable roof with exposed rafter ends was built in 1923 from designs by architect Harry Morton Ramsay. Ramsay was hired to design dozens of middle-upper class houses in Newton during its period of rapid development in the early 20th century. The original owner was James H. Gardner, who lived here with his family and a maid for a couple decades.