Greek revival architecture

Gideon M. Lee House // c.1836

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The Stone Village of Chester, Vermont, is said to be the largest collection of stone buildings in the state. Built around 1836, the Gideon Lee House is one of a few dozen “snecked ashlar” buildings in the region, where rubblestone is laid up with mortar using small long stones called “snecks” to tie an outer and an inner wall together. The construction method is said to have been brought to the area by masons from Scotland and Ireland which is known there as ‘Celtic Bond’. Oral tradition state that Scottish masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832. Local Chester resident, Dr. Ptolemy Edson became such a fan of the building that in 1834, he had his home, the first stone building in Chester, built in this method. He then would influence the rest of the North Village of Chester, where many of his neighbors, as well as the church and schoolhouse, built their structures in snecked ashlar. The first residence besides Dr. Edson’s home built this way in the village was this home, built nextdoor for Dr. Edson’s friend, Gideon Merrick Lee (1811-1880). Designed in a more vernacular version of the Federal style with emerging Greek Revival side-hall form, the Lee House features a charming entry with sidelights and a blind fan over the door.

Old St. Stephen’s Church – Barker Playhouse // 1840

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The old St. Stephen’s Episcopal Church in Providence’s Fox Point neighborhood is an architecturally distinctive Greek Revival style church building located on charming Benefit Street. The church had its beginnings in 1839, when the newly established congregation called on 29-year-old Francis Vinton to serve as their first pastor. The congregation funded this small church which broke ground in 1840, and before it was completed, Rev. Vinton resigned as Rector. The building, built of stone and covered in stucco, once had a spire and belfry above the main entrance. The congregation grew over the next decade and it was soon realized that a larger and more central church should be built for members, many of whom were wealthy residents with mansions surrounding Brown College. In 1860, the parish purchased a lot on George Street, and hired architect, Richard Upjohn to design the new church in the Gothic style. For reasons of location, and possibly social class, twenty-two men and women remained here at the less fashionable church and formed a new parish, the Church of the Saviour. The smaller, mission church with its stucco walls, remained until the property was sold in 1932 to house the Barker Playhouse, reputed to be the oldest continuously operating little theatre in the United States.


Faunce Schoolhouse // 1844

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This one-story, well-proportioned schoolhouse is located in the town center of Kingston, Massachusetts. The Faunce Schoolhouse showcases all the hallmarks of the Greek Revival style, including the siting of the building with its narrow end facing the street to showcase the gable roof, corner pilasters, and the entablature completing the gable as a pediment. The school was built in 1844, shortly after the nearby Town House was completed, as a center primary school. Up until the early 1900s, one or two teachers taught first through fourth grades at the two-room school. By 1908, overcrowding at the school led to a town meeting that led to the construction of a new school to provide more space conducive to learning. The Center Primary School remained open, and in 1924, the school was renamed in honor of Walter H. Faunce, a former teacher, superintendent of schools, and town selectman. The building was abandoned as a school in 1926 and stood empty until 1934 when it was sold by the town to the Kingston Grange No. 323 for $400. The Grange occupied the building until 1959 when it sold the building back to the town for $4,000. The building was restored in the 1970s and remains a source of pride for the community to this day offering free meeting and event spaces for local non-profits.


Holmes-Stetson House // 1841

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Built the same year as the Old Kingston Town House in Kingston, Massachusetts, this handsome Greek Revival style house sits on the town’s Main Street and has ties to two of the communities oldest and most significant families. The house was constructed in 1841 with matching side porches for Horace Holmes (1809-1855), a merchant and son of Joseph Holmes, a wealthy ship owner and builder. Horace operated a store near his home until his death in 1855. The property was later purchased by Captain Charles Stetson, a master mariner. The couple’s weath soon allowed them to sell this older residence and they built a “modern” Italianate style house at the rear garden (now 20 Green Street) to reside in. After successive ownership, the Greek Revival style house was converted to a store, but has since been reverted back to a residence, retaining much of its original fabric.

Fay House // c.1840

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One of the most spectacular residences in Westborough, Massachusetts, can be found on Church Street, which is a unique blending of two distinct architectural styles. The house here was originally built around 1840 as a Greek Revival style residence, which would have had a gabled roof, and it retains the original corner pilasters and Ionic columned porch. Records state the the house was built for Cyrus Fay (1812-1884), possibly around the time of his marriage in 1837 to Caroline Pope. Caroline passed away in 1852 at the age of 36, and Cyrus remarried in 1855 to Nancy Avery White. It was likely after his second marriage, and after he became the first president of the Westborough Savings Bank in 1869, that the house was modernized with a Mansard roof with belvedere.

Gilman Morse House // c.1850

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As the town of Westborough emerged from rural agricultural community to commercial center, connections to Worcester and Boston via rail service opened the town to prosperity. As businessmen accumulated wealth, these merchants built stately homes to showcase their position in the community. Before the Civil War, the Greek Revival style was ever-popular in Westborough, even though the style was already waning in popularity in larger cities. This is the Gilman Morse House, built around 1850 for Mr. Gilman Wood Morse (1810-1899) on East Main Street. Morse was a merchant in town and clearly did well for himself, building this stately house for his family. The residence is Greek Revival in style with its facade bays broken up by pilasters capped with Corinthian capitals adorned by acanthus leaves. The house also features ornate window and door hoods, showcasing the emerging Italianate style influence.

Gilmore-Mason House // c.1850

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As the town of Westborough emerged from rural agricultural community to commercial center, connections to Worcester and Boston via rail service opened the town to prosperity. As businessmen accumulated wealth, these merchants built stately homes to showcase their position in the community. Before the Civil War, the Greek Revival style was ever-popular in Westborough, even though the style was already waning in popularity in larger cities. The Gilmore-Mason House on Church Street, is an excellent example of the Greek Revival style in a temple form. The form is seen in this house at the facade, with a portico of four two-story Corinthian columns supporting the pediment above. The house was built for George A. Gilmore and later sold to Alonzo W. Porter, an inventor, who would later move to New York. By the early 20th century, the residence was the home to Joseph S. Mason, a manufacturer who operated a weaving mill in Westborough.

Westborough Unitarian Universalist Church // 1850

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The Unitarian Universalist Church of Westborough, Massachusetts is architecturally significant as an excellent example of a ecclesiastical building in the Greek Revival style, but it is also significant historically as it tells a richer history of the community and New England as a whole. The Congregational Church has its roots in the first church in Westborough, established in 1724 under Reverend Ebenezer Parkman. The Religious Freedom Act of 1811 and the official separation of church and state in 1825 encouraged a diversity of religious views in Westborough and a branching out from the first church both spiritually and since churches needed new houses of worship. As a result, the local church in Westborough split due to differing beliefs, with the Congregationalists building a church and a few years later, the Unitarians building this church, both in variations of the same architectural style. The UU Church in Westborough was built by 1850 and was expanded as the congregation grew. The building remains nearly identical to when it was built except for the steeple, which in 1921, was in such bad repair that it had to be removed. Less than a decade later in 1930, member Isadore Forbes donated the funds to have the steeple rebuilt and a bell installed. 

Congregational Church of Westborough // 1834

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The Evangelical Congregational Church of Westborough, Massachusetts, has its roots in the first church in Westborough, established on Powder Hill in 1724 under Reverend Ebenezer Parkman. The Religious Freedom Act of 1811 and the official separation of church and state, encouraged a diversity of religious views in Westborough and a branching out from the First Church. As a result the church here split in 1834, with some members forming the Evangelical Society, and those who remained, became the First Congregational Unitarian Society. The newly formed Evangelical Congregation built this church at the corner of West Main and Church streets in 1834 and the building is a typical 1830s Greek Revival style religious building in the state. In 1869, the church was remodeled, where the first floor was jacked up to provide basement meeting rooms.

Lane-Smith-Bailey House // 1848

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The most colorful house in Rockland, Massachusetts can be found on Union Street, the town’s busiest corridor, lined with houses and buildings of all ages and styles. The Lane-Bailey House was built in 1848 for Marshall Lane, a shoe manufacturer in town. The Greek Revival style residence features a gable roof oriented towards the street, which reads as a pediment and a full-length columned porch that wraps around the side of the home. The property was purchased in the early 20th century by William Andrew Grant Smith (1863-1908), a wealthy jeweler, who apparently added a second floor to the house, up from a 1-1/2 story cottage, and likely added the wrap-around porch at this time. Jumping ahead to the turn of the 21st century, the prominent house was owned by Brad and Sam Bailey, who painted the residence bold colors, added a wishing well and birdhouses to the front yard, and replaced the traditional grass lawn with crushed seashells. In an article talking about the house, Brad Bailey stated, “We do it because lots of things in life [that] are dull. Our house shouldn’t have to be.” Despite the polarizing thoughts and opinions from those who walk or drive by, the house is loved and certainly causes people to stop and smile!