If you love Colonial Revival style homes, the Longwood neighborhood in Brookline is a must-visit area to stroll around! This house is tucked away in the neighborhood and was a treat to stumble upon. This large home was designed by the underappreciated architect, James Templeton Kelley for a George G. Quincy. The Colonial Revival style dwelling is actually built of wood with a brick veneer and has an open pedimented entry with fanlight and transom surround. The round-headed windows on the first floor are especially notable.
No trip to Longwood in Brookline would be complete without checking in on one of the finest multi-family housing developments of New England… This is Longwood Towers. The development was originally built in 1925 from plans by architectural/engineering firm Kenneth DeVos and Co. who built three near-identical developments in the early 1920s: Detroit (1922), Brookline (1925), and finally Philadelphia (1928). The complexes were all originally called Alden Park Manor. Kenneth DeVos worked with local architects for each project to oversee construction details and furnish interior detailing as needed. For Brookline, he hired Harold Field Kellogg, who earlier served as the first director of the Boston Housing Authority. The design is Tudor Revival in style with towers connected by social spaces and a lobby linking the towers with a dining room for residents, a ballroom, lounge, day care facilities, barber and beauty shops, and a garage. The idea of a parking garage incorporated into an apartment complex was a very new idea when these were built, so much so it was written about as a new amenity for future developments to emulate. Another interesting tidbit about the complex is that it was featured in architectural journals in 1926 as it solved the “garbage problem” with trash chutes on each floor which terminated down in a brick incinerator (no longer in use). The Longwood Towers in Brookline were eyed as innovative and set trends for later developments, here’s to hoping future developers take cues to what makes good design and finishes rather than just profit with so many new boxy, uninspiring 5-over-1 apartment buildings going up all over the region.
Historians date the bones of this house in the Longwood section of Brookline, Massachusetts to the 1870s (or earlier), but its present appearance is definitely from the early 20th century. This is the Pope-Gardner-Robbins House on Colchester Street, a lovely span of stucco-sided homes in one of my favorite neighborhoods in the Boston area. An early (1874) map of the area shows this was the home of T. B. Pope, and later purchased by Harrison and Laura Gardner, husband and wife. Harrison Gardner was a founder (and served as treasurer) of the Boston Red Stockings of the new National Association of Professional Base Ball Players (NABBP). The Red Stockings eventually became the Boston Braves baseball team and are now the Atlanta Braves. The multi-lot property was likely rented by Gardner for supplemental income and was eventually sold to Annette R. Robbins, who seemingly had this home renovated in the 1920s and others nearby built or renovated as well. The house is today an excellent (and fairly uncommon) example of a Colonial Revival style house with stucco siding.
In the early 20th century, the suburban development of Longwood in Brookline saw another period of rapid development. Larger estates were subdivided and developed with all kinds of housing from single-family mansions to middle-class homes to large apartment buildings. One of the more modest-sized houses built in the first decades of the 20th century was this house, one of a collection of stuccoed homes on Colchester Street. The house was purchased by Judge Philip Rubenstein, the first member of the Jewish faith to serve on the Massachusetts bench and one of the first three judges of Boston’s juvenile court, the first in the country. The unique home is clad with stucco with a terracotta shingle roof and Colonial Revival style entry, showing an effective blending of the Arts and Crafts and Colonial styles.
Abraham Malcolm Sonnabend was born in Boston on December 8, 1896, the son of Esther and Joseph Sonnabend. Sonnabend graduated from Harvard College in 1917 in order to enlist at the outbreak of the Great War. At the end of World War I, Sonnabend joined his father’s real estate organization. He married Esther Lewitt in 1920, and by 1927, he had increased his real estate holdings to a net worth of $350,000. Just before the 1929 stock market crash, Sonnabend hired Boston architect Sumner Schein to design this Tudor Revival style home, on a site formerly occupied by a larger Queen Anne style residence. Built in 1928, the Tudor Revival house features clinker brick walls with cast stone trim and a two-story castellated bay all capped by a slate roof. The enterprising A. M. Sonnabend would eventually outgrow this modest Tudor home after he got into hotels as investments. In 1944, Sonnabend (with seven partners) acquired a package of Palm Beach, Florida hotels for $2.4 million including the Biltmore, Whitehall and the Palm Beach Country Club. He would sell the Biltmore to Conrad Hilton for a massive profit. In 1956, Sonnabend created the Hotel Corporation of America (HCA) and grew the business to new heights. The 1928 Sonnabend House is significant architecturally and as the first purpose-built property by the late-developer.
Another of the early homes of the affluent Longwood subdivision of Brookline, Massachusetts is this painted brick house which dates to the 1850s. The house was developed by Amos A. Lawrence, who developed much of the neighborhood, renting out suburban houses to wealthy Boston-area residents. In 1866, Lawrence sold the property to Samuel S. Allen of Roxbury and it would change ownership a half-dozen times in the next century. The property was added onto and modernized a few times, notably during the ownership of Henry A. Christian, MD, the first Chief-of-Medicine at Peter Bent Brigham Hospital over the Muddy River in Boston. The streamlined late-Colonial Revival look with vestibule side entry, windows, and shallow hipped roof are all likely later alterations from the 1850s house.
Prior to 1850, the area today known as the Longwood neighborhood of Brookline remained largely farmland on the banks of the Muddy River, the border of Boston. In the first half of the 19th century David Sears (1787-1871) and Amos Lawrence (1814-1886), both prominent Boston businessmen, bought up large tracts of what had been Sewall’s estate. The arrival of the Brookline Branch Railroad (now the MBTA Green Line D branch) served as an impetus to develop the area more fully. Some of the houses built by Lawrence and Sears became homes to friends and business associates, but neither lived in the area. One of the rented houses built and rented by David Sears is this Second Empire cottage likely built in the 1860s. The house was long-rented to wealthy families until the Sears heirs sold the house to Nathan Leo Amster and his wife, Estelle Dreyfus who was raised in Boston. Nathan L. Amster was a railroad executive who eventually became president of the Manhattan Railway Company. When the purchased the cottage, the Amster’s hired Boston architect Clarence Blackall to renovate and “modernize” the home, which added the Classically inspired elements. The couple did not appear to live in the house long, as they spent most of their years in their Fifth Avenue NYC residence. The Sears-Amster Cottage remains an important early house in the Longwood development of Brookline.
The Longwood area of Brookline, Massachusetts, is among my favorite neighborhoods to stroll and admire great old buildings. The area is home to many grand houses, churches and later high-style apartment buildings but this diminutive building is often overlooked at the edge of the neighborhood! The structure was erected in 1886 by the Town of Brookline as a new Chemical Engine House. The locally renowned architectural partnership of Peabody and Stearns designed the Shingle style fire station for the town, an important hire as the surrounding neighborhood was dominated by stately old homes in a suburban setting. Eventually, in 1965, the firehouse was closed and in 1968, the Brookline Arts Center renovated the building, where their programs have been continuously based in the years since. The brick and shingle building is maintained by the non-profit, preserving a significant piece of the town’s history for the public to enjoy!
Echoing some design motifs from the nearby Gahm House (last post), this home showcases the Tudor Revival style, but mixed with Arts and Crafts and Colonial Revival details. Adapted from a house built in the 1850s, the home was enlarged in 1906, from plans by Andrews, Jaques and Rantoul an architectural firm of wide acclaim. Adolph Ehrlich (1868-1952) and Marion Ratchesky Ehrlich (1877-1966) had the home built as a refuge from the hustle-and-bustle of busy Boston. Adolph was born in Boston and at the age of 11, began work in the textile business. He climbed the ranks and became a partner in a clothing company before becoming director of the Jordan Marsh Department Store Company from 1925 until his death in 1952. His wife Marion was heavily involved in social causes until her death, including the Louisa May Alcott Club, a settlement house in Boston for young, predominantly immigrant girls.
Located in the stunning Longwood neighborhood of Brookline, MA, the Gahm House stands out not only for its size, but stunning details and architectural design. This house was designed in 1907 by the architectural firm of Hartwell, Richardson & Driver, one of the premier firms of the region at the time. Joseph and Mary Gahm hired the firm to design their new home the same year the firm designed a bottling plant (no longer extant) in South Boston for Mr. Gahm’s business. Joseph Gahm was a native of Wurtemberg, Germany, who emigrated to Boston in 1854 and initially worked as a tailor. In the early 1860s, Gahm opened a restaurant in Charlestown, by the late 1860s he added a small bottling operation to this business. The bottling business soon expanded to such an extent that he was able to give up the restaurant business and open a large bottling plant in 1888. He eventually moved operations to South Boston where there was more room for transportation and shipping capabilities. Their stuccoed house in Brookline is especially notable for the well preserved carvings at the entrance, which include: faces, floral details, lions, and owls perched atop the newel posts. What do you think of this beauty?