new england architecture

Boston Flatiron – The Boxer Hotel // 1900

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The interesting street-layout of the Bulfinch Triangle area of Boston created some oddly shaped triangular building lots which for decades, saw only small, modest wood-frame structures built upon them. By 1900, Boston’s own Flatiron Building (built two years before New York’s more iconic example) was constructed on this site and it has been an icon ever since. The structure was built by ownerCharles Pelham Curtis III (1860-1948), who was born in Boston and graduated from Harvard Law School and became a police commissioner and attorney in the city before moving into real estate development. He hired architect Stephen Codman to design this commercial block, which was rented out to local businesses and professional offices. The building has been home to a hotel for a number of decades, with a major renovation undertaken beginning in 2000, 100 years after the building was constructed. Three floors were added to the top of the original six-story, which are Modernistic in design with large expanses of windows within three center bays that align with the bays of the original building and which are defined by brick piers. The hotel today, The Boxer Hotel, perfectly blends the history of the building with modernity and style. What a gem of a building!

Heywood Brothers & Wakefield Co. Building // 1897

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Nearly a decade after the heirs of Peter Bent Brigham and his wealthy estate erected the Peter B. Brigham building in the Bulfinch Triangle Historic District of Boston, they would again develop more of the block the trust owned, building this stately commercial building. Much of the Peter Bent Brigham Building was rented to the Heywood Brothers & Company and Wakefield Company, both furniture makers. Heywood Brothers was established in 1826, Wakefield Company in 1855, with both firms producing wicker and rattan furniture. The companies merged in 1897 and moved into this building constructed by the Brigham estate that same year. The building was designed in a unique version of the Beaux Arts and Classical Revival styles by relatively unknown architect Stephen Russell Hurd Codman (1867-1944), a first cousin of more famous architect and interior designer, Ogden Codman. Stephen Codman opened a firm with the French-born architect, Constant Desire Despradelle, designing some landmark buildings in Boston together. The Heywood Brothers & Wakefield Company Building on Portland Street is a distinctive granite-faced building standing six-stories tall with engaged box columns spanning four floors and dividing the bays of the facade.

Peter Bent Brigham Building // 1888

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Located at the corner of Causeway and Portland streets in the Bulfinch Triangle Historic District of Boston, you will find the Peter Bent Brigham Building, one of the best examples of the Richardsonian Romanesque architecture style in the city. The building was built by the estate of Peter Bent Brigham (1807-1877), an interesting character in Boston’s history. Peter B. Brigham was born in Vermont and eventually moved to Boston and began his career selling fish and oysters in Boston. A self-made, hardworking man, Peter would eventually own a restaurant in the city and began making connections with the movers and shakers of town. With his success, he began investing in real estate and would become a founding director of the Fitchburg Railroad. Peter died in 1877, he never married nor had children. His estate valued in the millions and was to be spent 25 years after his death, for a hospital “for the care of sick persons in indigent circumstances”. The money appreciated to $2,000,000 by 1902 and was used to establish the Peter Bent Brigham Hospital, now Brigham and Women’s Hospital. His family, who also received a substantial amount of money in the will, built this building, hiring the firm of Hartwell & Richardson to design the 1888 corner and the later, larger 1891 addition. The commercial building was rented to stores and professionals and even retains Peter B. Brigham’s name in the facade carved in terra cotta.

William L. Lockhart Company Building // 1887

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This six-story brick and sandstone building at Causeway and Staniford streets near North Station in Boston was built in 1887 as the headquarters and sales center for William L. Lockhart & Co., manufacturers and wholesale dealers of coffins, caskets, and undertakers’ supplies, which at the time was considered the largest establishment of its kind in New England. The company had its factory in East Cambridge and built this structure as offices and sales rooms. The building is an excellent example of the Romanesque Revival style, which is typified by the use of round arched windows at the top floor and the use of inlaid carved stone panels. Frederick Nason Footman a relatively unknown architect is said to have designed the building for the Lockhart Company, with the building serving as an important piece of the company’s portfolio. Shop space was created on the street level, with the company’s offices, salesrooms and casket hardware department occupying the second floor, show rooms on the third floor, shipping department on the fourth floor and storage on the fifth and sixth floors. While the adjacent parcels have been razed and are still vacant, this building serves as an important visual gateway into what was once the West End, a neighborhood that was almost entirely demolished during urban renewal.

Sunnyside // 1886

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Photo from recent real estate listing

During the height of the Shingle and Queen Anne styles’ popularity, architect Stanford White of McKim, Mead & White completed plans for one of the earliest Colonial Revival style residences, “Sunnyside” in Newport, Rhode Island. The residence was built in 1886 for “Commodore” William Edgar (1810-1887) and his wife, Eliza Lucille Rhinelander (1832-1916). William was a co-founder of the New York Yacht Club in 1844 and heir to a New York fortune. Eliza was an aunt of Edith Wharton and a grand-daughter of William Rhinelander, co-founder of the Rhinelander Sugar Refinery. The property remained in the Edgar Family as Lucille Rhinelander Edgar (1858-1948), an unmarried daughter of the couple, would live here year-round with servants. The house is built of buff-Roman-brick with a large central block flanked by L-plan wings under a hipped roof punctuated by massive chimneys. Of special note on the facade are the rounded bays, entry portico with Palladian window above, and side porch.

Bugbee Memorial Library // 1901

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The Bugbee Memorial Library sits on Main Street in Danielson, the main village in the town of Killingly, Connecticut. The library was built in 1901 and financed by a bequest from Edwin Holmes Bugbee, who made his fortune at local mills. When Bugbee died in 1900, his estate left his entire collection of books along with funds for a new library for Danielson. Boston architect Walter Jefferson Paine designed the library building in the Classical Revival style with buff brick and stone construction. The names of Homer, Virgil, Plato and Horace, along with Shakespeare, Milton and Dante, are boldly emblazoned across the facade denoting the building as a house of learning. The library was outgrown, and a new library was built nearby in 1994. The old Bugbee Memorial Library has since been occupied by the Killingly Historical Society.

Patrick Dempsey Cottage // c.1875

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This charming mini-mansard summer cottage is located in the coastal neighborhood of Salem Willows, in Salem, Massachusetts. The neighborhood developed in the 1870s-1900s as a summer colony for middle-income families who wanted a second home away from the hustle-and-bustle of urban living in favor of ocean breezes. The cottage likely dates to the mid-1870s as one of the earliest summer homes in the neighborhood, and historic maps show it was owned by a P. Dempsey. It appears this is Patrick Dempsey (1821-1902), an Irish immigrant who settled in Lowell, Massachusetts, making it big as a liquor dealer and saloon-keeper. The Second Empire style cottage has a partially enclosed porch, but retains much of its original character and is located right on the water with sweeping views of the Atlantic Ocean.

Effingham Academy // 1819

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The small town of Effingham, New Hampshire, is the home to the state’s first Normal School. This building was originally constructed in 1819 as a vernacular, Federal period academy for the youth in the rural town of Effingham on land formerly owned by wealthy resident Isaac Lord. A normal school for the training of teachers was established on the school building’s second floor in 1830 with James W. Bradbury, a Bowdoin College graduate, to head it. Bradbury, later a United States Senator, took the position only on condition that it should be for the instruction and training of teachers, a novel idea at the time. The school, like many small academy buildings of the period, eventually closed. The building is now managed by the Effingham Historical Society.

New England Masonic Charitable Institute // 1858

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The New England Masonic Charitable Institute building is located in Center Effingham, New Hampshire, and is among the rural town’s most impressive structures. The structure was built in 1858 by the Charter Oak Lodge No. 58 of Free and Accepted Masons as a school to educate orphans of Masonic members, but they also admitted local students. It is the only known school building purposely constructed by Masons in the United States. Classes were conducted from 1861 to roughly 1882 with students boarding with local families. The impressive Italianate style building is dominated by a six-story bell tower supporting an octagonal cupola, and exhibits many architectural details including the corner quoins, paired eave brackets, and dentilled cornice. Charter Oak Lodge No. 58 sold the building to the Town of Effingham in 1891 for one dollar but retained rights to the second floor temple room in perpetuity. The walls and ceilings of the Lodge’s temple space are covered with trompe l’oeil murals attributed to Massachusetts painter Philip A. Butler. Images of classic sculptures, architectural details and Masonic symbols, including the All-Seeing Eye, are incorporated into the paintings. Heavily water-damaged in the late 1980s, they have since been restored. The building remains occupied by the Effingham Public Library, what a library building for a town of just 1,700 residents!

A. M. Donna end House // 1928

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Abraham Malcolm Sonnabend was born in Boston on December 8, 1896, the son of Esther and Joseph Sonnabend. Sonnabend graduated from Harvard College in 1917 in order to enlist at the outbreak of the Great War. At the end of World War I, Sonnabend joined his father’s real estate organization. He married Esther Lewitt in 1920, and by 1927, he had increased his real estate holdings to a net worth of $350,000. Just before the 1929 stock market crash, Sonnabend hired Boston architect Sumner Schein to design this Tudor Revival style home, on a site formerly occupied by a larger Queen Anne style residence. Built in 1928, the Tudor Revival house features clinker brick walls with cast stone trim and a two-story castellated bay all capped by a slate roof. The enterprising A. M. Sonnabend would eventually outgrow this modest Tudor home after he got into hotels as investments. In 1944, Sonnabend (with seven partners) acquired a package of Palm Beach, Florida hotels for $2.4 million including the Biltmore, Whitehall and the Palm Beach Country Club. He would sell the Biltmore to Conrad Hilton for a massive profit. In 1956, Sonnabend created the Hotel Corporation of America (HCA) and grew the business to new heights. The 1928 Sonnabend House is significant architecturally and as the first purpose-built property by the late-developer.

Ashford Academy // 1825

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Built in 1825, the Ashford Academy school building is the last remnant of what was Ashford, Connecticut’s once thriving town center. The taverns, church and businesses which were once located here have almost entirely been razed, leaving just this school building as the remaining structure. Ashford Academy was founded about 1825 when a group of citizens raised funds toward adding a second story to a schoolhouse then under construction in the town center. Only one teacher was hired per term, and some years there were no academy classes at all. The last academy session was held in 1875, though the building continued in use as a district school until 1949. The building is significant, not only for its siting and connections with the town’s early days, but also architecturally as a high-style school building for a more rural setting.

Butterfield Mansion – Derby Line Village Inn // 1903

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Once described in a local history book as: “The largest, most glamorous home ever built in this [Derby Line] village”, the Butterfield Mansion is one of Northern Vermont’s best early 20th century houses. The house was built between 1901-1903 for Gen. Franklin G. Butterfield (1842-1916) who before this, received the country’s highest award for bravery during combat, the Medal of Honor, for his action at Salem Heights, Virginia on May 4, 1863 during the American Civil War. He would eventually move to Derby, Vermont, where he established the Butterfield Company, who specialized manufacturing axle cutters. Butterfield hired architects, James T. Ball and Gilbert H. Smith of Boston, who also designed the Haskell Free Library and Opera House in town that same year, to design his Colonial Revival mansion and intact carriage house. Today, the Butterfield Mansion is known as the Derby Line Village Inn.

Derby Line Border Station // 1932

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Located on the border of Canada in the northern part of Vermont, Derby is a charming town named after Derby, in England.  Located in the region known as the Northeast Kingdom, the area has benefitted from timber, maple sugaring, hop vineyards, and dairy production in its history since it was settled in 1795. This border crossing is located between the villages of Derby Line, Vermont and Stanstead, Quebec, both of which are developed up to the border, and without the security and signage, you’d never guess they are different countries! The cross-border relationship was cemented in part by the construction in 1904 of the Haskell Free Library and Opera House (last post), which straddles the border and provides library services to both communities. This station was formally opened in 1932, when the main building was completed. It is one of several standardized inspection station layouts developed by the United States Treasury Department, and was the largest and most architecturally sophisticated of those built in Vermont in the 1930s. It was built as part of a program to improve border security developed to respond to increased use of the automobile, increased illegal border crossing, and smuggling related to Prohibition. After the 9/11 terrorist attacks, the border was secured and a new station directly on the border was built.

St. Denis Catholic Church // 1838

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Believe it or not, this church in rural Whitefield, Maine is the second oldest Catholic Church in New England! As Irish and French Canadian families settled in this part of Maine in the early 19th century, Catholic churches were needed to provide worship space for those families. The church community of St. Denis began in 1818 when Father Dennis Patrick Ryan, an Irish immigrant serving at St. Patrick Church in Newcastle (the oldest Catholic Church in New England), moved to Whitefield to serve the influx of Irish Catholics and soon founded the church. Fr. Ryan oversaw the construction on a wood-frame structure built on this site. As more Catholic families settled here, a more permanent building was needed, and between 1833 and 1838, the main portion of the present brick church building was constructed around that original church. The tower was added in 1861, and the stained glass windows also date from later in the 19th century following the growth and prosperity of the church and its members. The St. Denis Parish House was constructed across the street in 1871 and is a lovely Romanesque style building.

Yale University – Yale Art Gallery Building // 1928

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One of the most visually stunning and unique buildings in New England is the 1928 Yale Art Gallery building, which is connected to Street Hall (last post) via a skybridge over High Street. Completed in 1928, the Yale Art Gallery was designed by relatively little-known, but significant 20th century architect, Egerton Swartwout. Swartwout graduated from Yale College in 1891 with a B.A. degree and with no formal architecture training, was hired as a draftsman at the illustrious firm of McKim, Mead & White in New York before running his own office, Tracy and Swartwout. Built in a Gothic Renaissance style inspired by Italian buildings such as the Bargello in Florence, the sandstone masonry structure commands the prominent site with a corner tower and facade fronted by five gothic arched windows. Inside, visitors are transported to a historic Italian art museum within the Gallery Wing, with the full-height Gothic windows with walls, floors and ceilings restored and lined in stone.