First Congregational Church of North Adams // 1863

Initially the Congregationalists of Adams and North Adams, Massachusetts met in a small, wooden meetinghouse that was lent to them for use by the Baptist Church. The small, but active congregation totaled just 22 people; 5 men and 17 women. The first minister of the church, John W. Yeomans, worked diligently to see the new church succeed. He was able to raise $3000 from Congregationalist members here and in surrounding communities to build a church of their own. In 1827, a new brick meetinghouse was constructed on the site of the current building. Due to the continuing growth of the church, a new building was necessary after membership outgrew the brick meetinghouse. Bricks from the 1827 building were used in the construction of this church. Architect Charles Edward Parker began construction of the First Congregational Church during 1863 and finished building in 1865. The church was constructed in the Romanesque Revival style; which can be seen in the church’s narrow elongated windows that are covered with wide stone arches, as well as its brick and stone construction, and the building’s slate, conical-shaped roof. What a textbook academic example of an early Romanesque church, especially in a relatively remote town!

The Boardman Rowhouses // 1899

Built between 1899-1901, the Boardman rowhouses of North Adams, Massachusetts were constructed by developer and hardware dealer Walter Penniman and his wife Susan Boardman Penniman to serve as much-needed middle-class housing for workers in the growing city. The name “Boardman” was likely taken from Susan’s maiden name. The entire row is comprised of nine rowhouses, all with a front porch, as well as servants’ quarters on the third floor. Each residential unit is fronted by a porch of granite block with Tuscan columns supporting a shed roof. Entrances are recessed behind round-arched openings, also composed of granite blocks. While much architectural details on the second story are obscured by synthetic siding, the
building’s gables retain simple bargeboarding, and eaves are bracketed. The Boardman’s designer was Edwin Thayer Barlow who opened an architecture practice in the town in the 1890s. The rowhouses are still some of the finest example of middle-class housing built in North Adams in the 19th century.

Former Notre Dame Parochial School // 1898

Located next door to the former Notre Dame Roman Catholic Church in North Adams, Massachusetts, this stunning former school building stopped me in my tracks. The sad fact is that the former school is seemingly vacant makes me really sad and concerned for the future of the building. This beauty was constructed in 1898 to serve as a school associated with the Notre Dame Roman Catholic Church located to its east. Local architect Edwin Thayer Barlow, who formerly worked with Carrere and Hastings, designed the building in the Queen Anne and Romanesque Revival styles, both popular at the time. The school remained in operation until the 1968-1969 school year, after several years of declining enrollment. The City of North Adams leased the school beginning in the 1969-1970 school year to relieve overcrowding at the public schools. In 2008, the City of North Adams purchased the school and church properties from the Springfield Roman Catholic Church Diocese after the church closed in 2005, but no plans have yet materialized to restore the beauties. What would you like to see this building converted into?

Notre Dame Roman Catholic Church // 1875

Built in 1875, this large Gothic Revival church was built specifically to serve as a place of worship for the French Roman Catholic immigrants from Canada who began moving northern Berkshire County, Massachusetts, who were arriving to work in North Adams’ brickyards and textile factories. Before 1875, the Catholic community in the region had to make due with only occasional visits from a Vermont missionary. In 1871, Father Charles Crevier arrived in North Adams to take charge of the French flock and officially form the parish of Notre Dame du Sacre Coeur, with 750 new parishioners. Funding was acquired to purchase a property in town and erect a suitable church for the large (and growing) congregation. Architect James Murphy, a relatively unknown architect who specialized in ecclesiastical designs, furnished the plans for the church. After loss of industry and a declining population, the church closed in 2005, and the property was sold to the city of North Adams in 2008. The city faced repairing the church building as recently as 2016 with about half of the $100,000 budget coming from the city directly. Its future is unknown, but the town hoped to sell it for a renovation into a hotel or other use to activate the downtown area.

Sullivan Three-Deckers // 1895

The three-decker is a commonly found housing type in New England’s urban industrial cities. These buildings are typically of light-framed, wood construction, where each floor usually consists of a single apartment, and frequently, originally, extended families lived in two, or all three floors. These were affordable housing, largely built by and for first- or second-generation immigrant families who could build a home and rent the other two units to family or friends to offset the steep cost of a mortgage. These three buildings were constructed around 1895 by David Sullivan, a cabinet-maker in North Adams, Massachusetts. They are all Queen Anne in style with applied stickwork, gabled roofs, and multi-story porches. Housing like this is what keeps so many New England towns and cities (relatively) affordable with increased density without sacrificing character or charm.

Tourists Hotel // 2018

This past weekend, I had the absolute pleasure to stay at one of New England’s coolest new hotels, Tourists Hotel! Located in the industrial-turned-artistic town of North Adams in the Berkshires of Massachusetts this elevated, 48-room hotel modernises the aesthetic of a classic American motor lodge with contemporary design that feels cozy and inviting. The site was originally home to the Redwood Motel, a prototypical 1960s motel on the Mohawk Trail, a designated scenic tourist route which became popular in the automobile era of the 20th century. The reimagined motel was developed by Broder a Boston-based developer who worked with architect Hank Scollard and landscape architecture firm Reed Hilderbrand to design the new hotel. U-shaped in plan, the main part of the hotel surrounds a central courtyard with native flora. Facades are wrapped in white oak planks with the intention to blend the architecture with the surrounding woods. My favorite part was that the rooms have sliding glass doors which open to private decks which make rooms feel more personable. On the crisp fall day, the lounge was an amazing space to cozy up with some spiked cider and chat with other guests. An unexpected treat was to learn that the grounds include dozens of walking trails running along the Hoosac River with a suspension bridge that stretches 220 feet across. Pictures do not effectively showcase how special Tourists is, both in the design details and the attention to detail the staff had during my stay. If you are ever in the Berkshires for a weekend trip, I highly recommend you check them out!

Broad Street Association Building // 1805

One of the few remaining Federal period buildings in Downtown Boston is this survivor located on Broad Street, one of the best streets in the city! The building was constructed for the Broad Street Association, which was made up of members: Uriah Cotting, Harrison Gray Otis, Francis Cabot Lowell and other prominent Boston entrepreneurs with the goal to upgrade Boston’s waterfront south of Long Wharf which comprised of an outdated system of individual wharves. The organization hired the esteemed Boston architect, Charles Bulfinch to furnish plans for the building, of which they paid him $100. While this modest example of the Federal style is not Bulfinch’s best work, is is notable as he was largely responsible for changing the architectural face of Boston, not only through own designs, but also through influence on other architects and builders of the time. This building was long owned by Francis Cabot Lowell and was rented out to commercial ventures, including some of the later decades of the 1800s when it was occupied by C. D. Brooks, a maker of pickles and preserves. The building was restored by CBT Architects in 2005 as part of a larger redevelopment of the block which includes a mid-rise apartment building, Folio.

Former Middlebury Central School // 1898

Having the tall order of being a neighbor to the later Westover School, the town of Middlebury’s Central School still packs an architectural punch. The school was built in 1898, replacing the former Union Academy building also near the town green. The school building is Neo-Classical in style with a projecting pedimented portico supported by four columns. A cupola extends through the roofline and shingle siding add some charm to the small two-room school building. The former school later housed the Middlebury Public Library and is now occupied by the Middlebury Historical Society.

Tranquility Farm – Superintendent’s Cottage and Creamery // 1894

Any good gentleman’s farm needs a superintendent to actually oversee all the labor being done to harvest crops and take care of the livestock (because a millionaire owner cannot be burdened to deal with such mundane matters…) When John Howard Whittemore, a successful industrial-era businessman purchased an old farm in Middlebury, Connecticut to spend summers and time out of industrial malaise, he knew that along with a summer home for his family, he would need to build other structures on the 300-acres of rolling hills. The famed architectural firm of McKim, Mead & White was hired by Whittemore to design many of the buildings on the grounds, from the main house, to the superintendent’s cottage to a boathouse. The firm designed this superintendent’s cottage (which currently looks to be getting a new roof) and the creamery in the rear. Both are great examples of the Shingle style in modest, agricultural structures.

Tranquility Farm – Farmhouse and Barn // c.1840

Tranquillity Farm, spanning the rolling hills around Lake Quassapaug in Middlebury Connecticut, was originally a 303-acre model/gentleman’s farm developed by John Howard Whittemore, a successful industrial-era businessman in Naugatuck, and his wife Julia Spencer Whittemore. Whittemore was a major figure in Naugatuck, sponsoring a series of commissions of McKim, Mead & White for buildings in the city center. For his country farm estate, he again commissioned McKim, Mead & White to design a new country house, a farm superintendent’s house, boat house on the lake, and other outbuildings for a working farm. An older farm was purchased, which included a modest Greek Revival style farmhouse dating to the early-mid 19th century (seen here) and a large wooden barn. Both of these were kept and incorporated into the estate near the southern entrance to the property, possibly to harken visitors back to the charm of rural living. The sweeping landscape, featuring miles of distinctive stone walls lining the roads and crisscrossing the fields, was designed by Charles Eliot and completed by Warren H. Manning – both protégée of Olmsted.