Originally built in the Carpenter Gothic style in 1863, the Sawyer-Gillett Mansion in Whitingham, Vermont, is the highest-style house in town today. Indistinguishable from its Civil War-era original construction, the house was greatly expanded and altered into an elaborate take on Queen Anne / Shingle styles in 1914. The house was originally constructed by John W. Sawyer, but it was his son, Lincoln H. Sawyer who renovated the house and etched his name “L.H. Sawyer” on the glass of the new front door. The updated house style reflects a nostalgic Victorian preference by the owner, who sawed all the trim and materials on site at the family sawmill. It was recently sold and is now a B&B!
In 1891, the Baptist Society of Stoneham, Massachusetts unveiled that it had acquired funding and approved the plans for its first purpose-built church building in town. The organization met in a shared chapel in town since its founding in 1870. The new church would be unique in the Boston suburb as the only in town to be of the Queen Anne/Shingle style. A prominent site on South Main Street was acquired and work began in 1892 to erect the new house of worship. The design of the church is credited to the firm of L.B. Volk & Sons, a firm who specialized in church buildings with commissions all over the country. The church is complex in plan and combines brick and shingle siding in its construction with a prominent two-story tower with rounded corners and stained glass rondels (round windows).
Spot Pond, now encompassed by the Middlesex Fells Reservation, became a site of country retreats for Boston businessmen in the mid-late 19th century. One of the property owners was Charles Copeland, a confectioner and ice cream dealer, had ice houses on Spot Pond where he harvested ice for production into ice cream in Boston area shops. Copeland’s main house was located near the ice houses at the eastern shores of the pond, but this home was also owned by him in the 1870s. This residence was possibly rented out by Copeland or occupied by one of his many children. It remains a great example of the Stick and Shingle styles of architecture. The residence is maintained as part of the Massachusetts Department of Conservation and Recreation’s property in the Fells Reservation park.
Barncastle, located in the Town of Blue Hill, Maine, is an elaborate and distinctive house. Designed by George A. Clough and built in 1884, the building is a sprawling complex in the Shingle style with additional eccentric details. As Blue Hill and other coastal communities of Down East Maine saw popularity as summer colonies of wealthy city-dwellers flocking to the rugged coastline, many new residents either built new “cottages” or renovated older (often ancestral) homes. Effie Hinckley Ober (1843-1927) who was born in town, married Virgil P. Kline, personal attorney to John D. Rockefeller, and for thirty years worked as attorney for the Standard Oil Co. of Ohio. Effie founded the Boston Ideal Opera Company in 1879 and traveled with the group extensively, retiring in 1885, upon that time, she would move into Barncastle for summers (then named “Ideal Lodge” after her opera company). In 1884, before her retirement, Effie hired her childhood friend, architect George A. Clough, who was born in Blue Hill and worked in Boston, to completely redesign her ancestral home. Clough’s design engulfed a smaller Cape Cod-style house owned by Effie’s mother Mary Peters Hinckley Ober Atherton, a descendant of early Blue Hill settlers, creating an absolutely elegant Shingle-style summer cottage. The house is highly visible on a main street, but what many do not see is the arch-and-turret link between kitchen wing and carriage barn. “Barncastle” is now home to an elegant inn and restaurant!
Down the street from the Old Platte Clove Post Office in Elka Park, New York, I stumbled across this large, shingled church with few houses nearby. I had to investigate! In 1888 parish lines for the Catholic church were redrawn in the area necessitating a new church near the summer colony of Elka Park. By 1891, a small, shed-like church was built here. By 1911, the small house of worship had outgrown its usefulness and it was considered a blight compared to the high-style homes nearby. A local summer resident, Francis H. Lewis funded $5,000 of the $6,500 cost of the building, and local carpenter Arthur Showers, was commissioned to erect the building. Father Keefe had conveyed to the builder some remembrances he had of a small church in France, and wished for it to be designed that way. Using local building traditions, the church was constructed of local lumber with shingled siding. The building and adjacent cemetery remain active to this day.
Almost at the southern, most remote tip of the Blue Hill Peninsula in Brooklin, Maine, I was stunned to come across this enchanting chapel. Completed in 1900, the Beth Eden Chapel is a small wooden frame building that appears to have been the first religious facility erected in the Naskeag area of Brooklin. Although it was erected by the Methodist Episcopal Church of Brooklin, the building was dedicated to the use of all Christian sects who wished to worship in the more remote section of town. Interestingly, the vernacular church employs some late 19th-century detail including the shingled flared siding and triangular motif. The chapel appears to remain open for summer months.
The Billows Cottage in Kennebunkport, Maine was built in 1895 for a B.S. Thompson, a wealthy coffee and tea merchant. The house was originally designed by Henry Paston Clark, a Boston architect who was very busy furnishing designs of some of the summer colony’s most iconic buildings and cottages. For this cottage, he designed it in a blending of Shingle and Colonial Revival styles with a side-gabled roof punctuated by dormers and sweeping verandas with rubblestone foundation. By 1904, the cottage was purchased by Robert C. Ogden of Philadelphia, who helped establish Wanamaker’s Department Store. Under Ogden’s ownership, the house was remodeled and expanded numerous times, but still retains its charm!
Yet another of the large summer “cottages” in the Cape Arundel Summer Colony of Kennebunkport is this stunning eclectic home, built in 1899 for Edwin Packard of New York. As a young man, Edwin married Julia Hutchinson and would soon amass an ample fortune. He became European buyer for A.T. Stewart & Co. In 1889 he came President of the Franklin Trust Company, resigning in 1892 to become President of the New York Guaranty and Indemnity Company. He was a Director of the Franklin Safe Deposit Company, the American Writing Paper Company, the Fajardo Sugar Company and the Brooklyn YMCA, and a member of the New York Chamber of Commerce. Busy man! From his wealth, he sought solitude and relaxation in Kennebunkport, hiring Maine architect John Calvin Stevens to design this cottage for his family to retreat to for summers away from the city. The Shingle style and Colonial Revival style house features a prominent gambrel roof, Palladian windows, and bay windows, all covering a sweeping front porch.
Ellen Kemble (Bartol) Brazier was born in New York City in 1844, the eldest of four children of Barnabas and Emma Bartol. Her father had many business interests in sugar refining and the family was able to travel the world from his wealth and success. The family spent most of their time in Philadelphia, but like many of the city’s wealthy residents, they often summered elsewhere. Ellen Bartol married Joseph Harrison Brazier in 1866 and they had two children. When her father Barnabas died, Ellen inherited some of his remaining fortune and as a part of high society, she had a summer cottage in Kennebunkport built. Working with Maine architect John Calvin Stevens, she oversaw the designs of Juniper Ledge, this gorgeous, eclectic shingled residence in the Cape Arundel summer colony. Ellen would summer at the cottage until her death in 1925, but before she died, she joined her daughter in the 1910s and 1920s at Women’s Suffrage events and fundraisers, helping to pass the 19th Amendment, allowing women the right to vote in the United States. Ellen is buried in the West Laurel Hill Cemetery in Philadelphia next to her husband, not far from her parents.
John Bach McMaster (1852 –1932) was born in Brooklyn, New York to a rich plantation owning father and mother who ran operations in New Orleans until the outbreak of the Civil War. After this, John graduated from the College of the City of New York in 1872, worked as a civil engineer in 1873–1877. Falling in love with the field of American History, he switched careers and in 1883, became professor of American history in the University of Pennsylvania. McMaster is best known for his History of the People of the United States from the Revolution to the Civil War (1883), a valuable supplement to the more purely political writings of earlier years. The book was a huge success and John was able to purchase house lots in the newly established Cape Arundel Summer Colony in Kennebunkport, Maine, a colony populated by many wealthy Philadelphians for summer homes. He first appears to have built “The Kedge”, a chunky, but beautiful cottage on a cliff. McMaster would also have this larger cottage built by the turn of the 20th century, which in design, appears to be a more eclectic Shingle style dwelling. Just a stone’s throw from the Atlantic, the house features continuous cedar shingle siding, sweeping porches to provide views of the ocean, a prominent chimney, and Colonial-inspired fanlight motifs.
Another of the earlier summer cottages built in Kennebunkport’s Cape Arundel summer colony is this charming dwelling perched on a stone outcropping overlooking the rocky coast of Maine. Spouting Rock Cottage was built in 1887 as a transitional Shingle style and Queen Anne summer home for author John Townsend Trowbridge of Arlington, Massachusetts. Trowbridge spent many summers in Kennebunkport and was engaged in local cultural affairs, he even named Spouting Rock and Blowing Cave, natural features in the town. For his summer cottage, Trowbridge hired Arlington-based architect J. Merrill Brown, who provided a rustic, timeless design without all the unnecessary frills and details for the rugged coastline. That is to say that the cottage is anything but boring, with its sweeping porches, complex form with rounded stair-tower, and dormer with curved shingle returns. Perfection.
These two similar houses in the Cape Arundel Summer Colony in Kennebunkport, Maine, were built in 1889 for Prosper Louis Senat (1852–1925) and his wife Clementine. Prosper was a well-known artist from Philadelphia, who would summer in Kennebunkport and traveled the world with Clementine, painting landscapes and seascapes. Senat and his wife lived in one cottage and likely rented the other to family and friends when visiting town. His studio was built on a nearby street and is extant. Tower cottage (greenish-grey) was renamed Shady Oak Cottage in the 20th century. Both cottages were built by George Gooch, a local contractor from plans by an unknown architect and feature bay windows, short towers, smaller windows, and continuous shingle siding.
Before Miss Gerrard purchased the Glen Cottage (last post) in 1900 in Kennebunkport, Maine, she had already summered in her own summer cottage nextdoor for over a decade. In 1888, she hired an architect from New Jersey to furnish plans for this charming shingle and stone cottage as her summer retreat. The cottage features a prominent brick and rubble stone chimney facing the street with a gambrel roof. The entrance is tucked away under a recessed porch and looks to be the original dutch-door. I can’t imagine how amazing summers in this house would be!
Henry Thatcher Fowler (1867-1948) was born in Fishkill, New York, on March 4, 1867. He graduated from Yale in 1890 and received his Ph.D., also at Yale, in 1896. After stints teaching at Yale, Norwich Academy, and Knox College, Professor Fowler came to Brown and was hired as Professor of Biblical Literature and History; he was chairman of that department until 1932. Soon after arriving to Providence to accept his professorship at Brown, Henry and wife, Harriett, hired the local architectural firm of Martin & Hall to design a new home for them a few blocks away from his work. The house blends Tudor and Shingle styles with the ogee entrance at the porch, flared shingled overhangs on each floor, and a prominent gable facing the street.
Roxbury is not well-known for its Shingle style architecture, but this example might change that! This dwelling was built around 1895 by the heirs of Horatio Harris on family land that was subdivided for house lots at the end of the 19th century. The expansive Harris estate was developed, largely on speculation and included some amazing single family homes, rowhouses and multi-family dwellings. This Shingle style home appears to have also been built on speculation and was owned by the Harris heirs for some time. The property was occupied for some time by Peleg E. Eddy and his wife Caroline in the earliest years of the house’s existence. I could not locate the architect, but it could be estimated as a design by J. Williams Beal, a local architect who was commissioned to design the nearby Harriswood Crescent development for the Harris family. The design features a Roxbury puddingstone first floor and chimney which contrast elegantly with the shingle siding.
Buildings of New England 