Brookline History

William & Sara Warren House // 1911

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Built in 1911, this Colonial Revival style house rendered in stucco, is located at 28 Hawthorn Road in the Pill Hill neighborhood of Brookline, Massachusetts. The residence was built for William Marshall Warren (1865-1953) and his wife, Sara Shields Warren (1874-1964) from plans by the firm of Gay & Proctor. William M. Warren served on the faculty at Boston University as Professor of Philosophy and later as Dean of the College of Arts and Sciences, promoted by his father, William Fairfield Warren, who was President of the University. The Warren House features a symmetrical five-bay facade with central entrance within a projecting pedimented vestibule framed by four pilasters. The pilasters are replicated in the three dormers at the roof, set below the central chimney.

Charles P. Ware House // 1894

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The Charles P. Ware House at 52 Allerton Street in Brookline, shows us that a house doesn’t have to be a mansion to make a statement! Built in 1894 from plans by architect, Henry Forbes Bigelow, this charming Colonial Revival cottage is notable for its brick construction with gambrel roof and brick endwalls rising as parapets. The home was built for Charles Pickard Ware (1840-1921) and wife, Elizabeth Lawrence (Appleton) Ware, who lived here until their deaths. Charles P. Ware was an educator, music transcriber, and abolitionist, who served as a civilian administrator in the Union Army, where he was a labor superintendent of freedmen on plantations at Port Royal, South Carolina during the Civil War. At one of the freedmen plantations, Seaside Plantation, Ware transcribed many slave songs with music and lyrics, publishing many in Slave Songs of the United States, which was the first published collection of American folk music. After Charles and Elizabeth Ware died in 1921 and 1926, respectively, the property was inherited by their son, Henry Ware, who was an attorney.

Codman-Gillet House // 1928

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Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.

Russell-Hayes House // 1899

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The Russell-Hayes House at 58 Allerton Street in Brookline, Massachusetts, was built in 1899 in the highly popular Colonial Revival style for Mr. and Mrs. Russell. Francis Henry Russell (1832-1919) was born in Plymouth and married Elizabeth Stevens (1835-1922) of Lawrence, and had one daughter together. Francis attended Harvard College and eventually worked as the Treasurer of the Bates Manufacturing Company, doing well enough to purchase a house lot in the fashionable “Pill Hill” neighborhood of Brookline to build his home here. Mr. Russell hired Plymouth-born architect, Joseph Everett Chandler, to design his suburban residence for himself, his wife, and daughter. After the death’s of Francis (1919), Elizabeth (1922) and their unmarried daughter, Mary (1926), the property was purchased in 1927 by African American musician, Roland Hayes. Just years prior to purchasing this stately home in Brookline, Roland Hayes performed abroad in Europe, even a private performance for King George V and Queen Mary at Buckingham Palace. He returned to the United States of America in 1923 and made his official debut on November 16, 1923, in Boston’s Symphony Hall, which received critical acclaim. He was the first African-American soloist to appear with the Boston Symphony Orchestra, who would later hire him, with a reported salary of $100,000 a year. Roland and his family lived in this house for 50 years until his death in 1977. His legacy lives on here with a plaque in front of the home, and a public school named after him.

Irving-Strauss Mansion // 1906

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This unique Tudor Revival style house in the Cottage Farm neighborhood of Brookline was built in 1906 for Irving J. Sturgis (1873-1924), a banker and broker originally from Michigan. Architect Joseph Everett Chandler, specialized in the Colonial Revival style and historic restorations, but was clearly adept at other styles as evidenced in this stately manor for Mr. Sturgis. After WWI, the property sold to Mr. Leon Strauss, who worked in dry goods. The Irving-Strauss mansion is constructed of brick with cast stone trim and features classic ornamentation seen in the Tudor Revival style. Steeply pitched gable roofs have stone
coping, metal windows are casement or fixed with small pained lights and are framed in cast stone trim. Framing the entranceway is a brick and stone gateway, of which, a garden wall extends around the property, with a stately garden gate surmounted by stone finials displaying the flair of the style.

Frederick P. Fish Mansion – New England Hebrew Academy // 1902

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One of the finest estates in Brookline can be found here in the Cottage Farm neighborhood, just steps from Boston and the Charles River. This brick mansion was built in 1902 for Frederick Perry Fish (1855-1930), a prominent lawyer who also served as president of American Telephone & Telegraph Corporation from 1901 to 1907. One of the leading patent attorneys of his age, representing such clients as Alexander Graham Bell, Thomas Edison, and The Wright Brothers, by the time of his death he was believed to have appeared in more patent cases at the Supreme Court than any other lawyer. For his Brookline residence, Fish purchased an 1867 brick mansard-roofed home on the lot and hired the architectural firm of Winslow & Bigelow to ether modify the earlier home or demolish it and build entirely new. The result is this stately, three-story Neo-Classical mansion. Fish would die at his home in 1930, and the property would eventually be owned by the New England Hebrew Academy as a Jewish day school. While it is an institutional use, the facade is covered with climbing vines that are bad for the masonry and an asphalt paved front yard which detracts from the beauty of this estate. It appears to be near-original though, which is great to see!

Frederick and Erna Gibbs House // 1936

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Built at a time when Colonial Revival and Tudor Revival styles dominated the suburban landscape of the Boston area and elsewhere, the Frederick and Erna Gibbs House on Chilton Street in the Cottage Farm neighborhood of Brookline, Massachusetts stands out. Built in 1936 for Frederic and Erna Gibbs, the house is said to be the first International style single-family home built in the Boston area, predating the famous Gropius House in Lincoln by a couple years. Erna Leonhardt-Gibbs (1904–1987), a German-born pioneer in the development of electroencephalography (EEG) technology, in 1930, married Frederic A. Gibbs, a neurologist, and would soon-after vacation in Germany, seeing the Modern revolution of architecture there in the interwar period. Upon returning the States, the couple hired architect Samuel Glaser, to design their dream home in the Bauhaus style. Set amongst a street of 1930s Tudor houses, the Gibbs residence stands out for its stark white stucco walls, boxy form, with elongated and block windows. While set behind a tall fence and hedge, the house is a landmark example of the style and appears much as it did when built 90 years ago.

Edmund and Eliza Leland House // 1905

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One of the few truly eclectic houses in the Cottage Farm neighborhood of Brookline can be found here at the corner of Prescott and Euston streets. Built in 1905 for Edmund Francis Leland Jr. (1868-1963), a wool merchant, and wife, Eliza Smith Leland (1872-1949), the house exhibits elements of Tudor Revival, Colonial Revival, and Arts & Crafts styles under one roof. The house was designed by the firm of Kilham & Hopkins who incorporated many design features found in early 20th century architecture. The steep gable roof, diamond pane door and half timbering is typical of the Tudor Revival style; the columned entry and large Palladian window on the side elevation are evidence of the Colonial Revival style; and the use of stucco and shingle siding, and the overhanging eaves with brackets and exposed rafters at the roof and second floor, are typical in the Arts & Crafts mode.

Rowe House // 1911

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The Rowe House at 11 Mason Street is an over-the-top, and high-style example of the Colonial Revival style, showcasing the oversized proportions and scale that architects in the early 20th century followed when referencing Colonial American architecture. The house here was built in 1911 for Edward Prescott Rowe (1879-1936) and his wife, Eleanor Livingstone. Designed by the firm of Rowe & Keyes of Boston and New York, the commission was likely a relative of Mr. and Mrs. Rowe. The symmetrical house features a broad gambrel roof with Palladian windows in the side gable and central dormer at the facade, large pilasters breaking up the bays on the facade, a projecting Colonial Revival entry, and squat windows at the second floor terminating at the entablature above. The property even retains its Colonial Revival gateway.

John Endicott Peabody House – Ivy Street School // 1910

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This stately mansion is located at 200 Ivy Street in the Cottage Farm neighborhood of Brookline and was built in 1910 for Martha and John Endicott Peabody. Designed in a Renaissance/Colonial Revival style by architect John Worthington Ames, the house has since been converted to institutional use, but retains much of its original character. John Endicott Peabody (1853-1921) was a businessman and later got involved with the arts in Boston. The building was acquired for institutional use beginning in the 1950’s and was occupied as the St. Dominic’s Institute and has been owned by the Massachusetts Association for the Blind since 1976, and today is occupied by the organization’s Ivy Street School, a special education residential and day high school for neurodivergent youth to help prepare pupils for adulthood with the tools they need to achieve their greatest independence. The brick house is covered in stucco and features an elaborate stone door surround, symmetrical facade, and massive chimneys.