Located adjacent to the St. Mary of the Assumption Catholic Church in Brookline Village, this handsome three-and-a-half-story brick structure has served as the Rectory of the congregation since it was built in 1882. Complimenting the Victorian Gothic style of the church next door, the Rectory was also designed by the firm of Peabody and Stearns, and was the home of the priest and other high-ranking clergy men. The rectory stands out architecturally for its panel brick corbelling at the eaves, steeply pitched slate roof and copper-coated gables.
St. Mary of the Assumption church was the first Catholic Church established in Brookline, Massachusetts, in 1852 when a congregation of Catholics began to congregate to worship together at the old Lyceum Hall. The congregation primarily consisted of Irish immigrants who settled in Brookline, where they often found work at the many large estates and building the new branch railroad in town, but desired a true house of worship close to their homes. By 1853, a modest wood-frame Gothic Revival style church was built in the Village, but was quickly outgrown. In 1873, the pastor of the congregation, Irish-born Rev. Lawrence Morris (1845-1900) began purchasing land at the corner of Harvard Street and Linden Place to establish a new church, large enough to comfortably fit the congregation and various church-related buildings. In 1880, the firm of Peabody & Stearns was hired to furnish plans for the Victorian Gothic edifice in brick and brownstone. Although the church was designed in 1880, it was not dedicated until 1886, and at this time, Pope Leo XIII sent a chalice to the Parish in honor of the completion of this church, the first in America to be named Saint Mary of the Assumption.
The diminutive former Brookline Savings Bank building on Washington Street in Brookline Village is in stark contrast in scale and design from the 1965 Brookline Town Hall down the street. The building committee hired Franz Joseph Untersee, a Swiss-born architect who settled in Brookline, to furnish designs for their new bank, which opened in November 1898. Covered in Indiana limestone, the Beaux Arts style bank building features a modest, three-bay facade that is adorned by large round arched windows surrounded by an egg-and-dart motif, and an elaborate pediment with acanthus leaf and a central eagle in copper. Like many local banks, the Brookline Savings Bank saw a series of acquisitions and mergers throughout the 20th century, and this small bank building was sold. Today, the former Brookline Savings Bank on Washington Street is occupied by a church.
The modernist Brookline Town Hall building stands in stark contrast to the many historic buildings in Brookline Village, and even more-so from the town’s third Town Hall, a Victorian Gothic design by architect Samuel J. F. Thayer. Completed in 1965 as a six-story municipal “skyscraper”, the structure was designed by Anderson, Beckwith, and Haible, architects who specialized in sleek, clean, Modernist designs, primarily in office parks and college campuses. The unadorned box is broken up only by the rows of identical windows and slightly projecting fins, which break up the bays in their own monotony. Like many such municipal and office buildings of the time, the structure is set back from the street and surrounded by landscaping, with surface parking behind. While the building was lauded when it opened in 1965, tastes shifted and like in many communities, a majority of the public (and likely the employees who work here) would have preferred its predecessor.
The Edward Stanwood House at 76 High Street in Brookline, Massachusetts, is one of the finest and exuberant examples of the English Victorian Queen Anne style, notable for its varied wall textures and materials, unique form, and applied ornament. The house was built in 1879-1880 for Edward Stanwood, who was for many years the editor of the Boston Daily Advertiser, and a children’s magazine, The Youth’s Companion. The ornate residence was designed by Clarence Sumner Luce, with interiors by Thomas Dewing. The Stanwood House features a well-preserved exterior and period-appropriate paint scheme, highlighting the bas-relief sunflower ornament and gargoyles. Of particular note is the use of hung tile siding, overlaid to give the appearance of fish scales and the roof cresting.
This shingle and brick Queen Anne style house at 112 High Street in Brookline, Massachusetts, was built in 1884 for Charles Storrow and his wife, Martha Cabot Storrow from plans by architect, Edward C. Cabot, Martha’s father. The lot here is said to have been gifted to Charles from his father, Charles Storer Storrow, a prominent civil engineer and industrialist, who is known for designing and building the dam and textile mill complex in Lawrence, Massachusetts. Besides the Victorian main house, the property included a historic stable and a detached house on an adjacent lot, which appears to have been rented by Mr. and Mrs. Storrow. The property was designed by Frederick Law Olmsted’s firm, with rustic rock walls, natural topography, and large, mature plantings. The Storrow House originally had stained glass windows designed by John LaFarge, which were sold in the 1970s.
The Charles Torrey House at 36 Edgehill Road in Brookline, Massachusetts, is a great example of a Queen Anne style residence in the Boston suburbs. The stately home was constructed in 1889 for Charles Torrey, an artist who specialized in nautical scenes. The house is unique for its brick first floor, shingled second and stucco with half-timbering in the gable, a feature that suggests the renewed interest in English medieval motifs. The architect for the Queen Anne style home could not be located, but it appears to be from a more prominent Boston-area firm of the late-19th century. The house is currently (2025) undergoing a renovation.
Located behind the former Boston Free Hospital for Women in Brookline, this charming yellow brick building employs materials and design elements of its neighbor, but was designed and built by different architects nearly a decade later. Built in 1908 as a nurse’s residence this handsome building was crucial to the expansion and growth of the women’s hospital here, providing much-needed living space for employees of the hospital who worked around the clock to provide some of the highest-quality medical care in the Boston area. Designed by the firm of Coolidge & Carlson, the nurse’s residence employs intricate limestone detail
This handsome yellow brick building, designed by architects, Shaw and Hunnewell, was completed in 1895 as the Boston Free Hospital for Women. The hospital was organized in 1875 in a converted rowhouse in Boston’s South End, and after relocating once, it was decided that a purpose-built hospital was needed for the growing demands of the institution. A site in Brookline on the Muddy River, overlooking Frederick Law Olmsted’sRiverway and Olmsted Park, was purchased and the hospital was opened in 1895. The brick and limestone hospital building is somewhat Chateauesque in style and when opened, had no electricity and no telephone. The hospital is historically significant as the first teaching hospital for Harvard and as the first hospital in the country to apply radiation treatment for cancer, along with being a major research facility in fertility, especially the work of Dr. John Rock (who lived nearby) on the development of the birth control pill and research on in-vitro fertilization. The Free Hospital for Women merged with the Boston Lying In Hospital (now part of Brigham & Women’s), which closed its Brookline Campus in the 1960s. In 1984, the firm of Childs, Bertman and Tseckares oversaw the conversion of the buildings to condominiums, called The Park, with sympathetic new construction.
The John Runkle House on High Street, is one of the most interesting houses in Brookline. Built in 1875 for educator John Daniel Runkle (1822-1902), the brick residence excellently blends early Queen Anne form and flourish with Victorian Gothic design elements all with Stick style entry porches and dormers. John D. Runkle was a noted mathematician wholater became the second President of the Massachusetts Institute of Technology from 1868 until 1878. This occurred before MIT moved over the Charles to Cambridge, so President Runkle would not have traveled far to the Institute when located in the Back Bay. The Runkle House was designed by the architectural firm of Weston & Rand with an irregular plan of elaborate belt courses in the brickwork that is set against the extremely steep slate roof with tall prominent chimneys and corner turret. Sadly, the residence is largely obscured by a tall wooden fence, but I caught it on a good day that a panel was down.
One of the many great Queen Anne/Shingle style homes in Brookline is this residence at 92 High Street built for Thacher Loring (1844-1928), president and treasurer of the National Dock and Warehouse Company, of Boston, founded by his father, Elisha Thacher Loring. For their Brookline home, Mr. Loring hired architect, William Ralph Emerson, one of the great architects who mastered the Shingle style of architecture. The Loring Family lived here until the early 1900s, when they sold the property and moved to the Back Bay in Boston. The property was purchased by John Henry Sherburne (1877-1959), who lived here with his family for over sixty years. John Sherburne was an attorney, politician, and military officer who served during the Pancho Villa Expedition, World War I, and World War II and attained the rank of brigadier general receiving numerous military awards, including the Silver Star and Purple Heart. During WWI, he commanded the U.S. Army’s first “negro” artillery battalion in France. After the war he testified before Congress about orders that pointlessly sent hundreds of U.S. soldiers from other units “over the top” to their deaths on the morning of November 11, 1918, when the armistice hour was already known. Following his World War I service, Sherburne advocated for civil rights for African Americans, including support for anti-lynching laws and from 1926 to 1931, he served on the board of trustees for Howard University. The Loring-Sherburne House is significant for its residents and for its architecture, including the use of brick and shingle siding, and the show-stopping recessed panel-wood entry with bulging shingles above.
The Thomas Aspinwall House at 14 Hawthorn Road in Brookline was constructed in 1896 by architects, Ball & Dabney. The stately home was built for Thomas Aspinwall as a near copy of his great-grandfather’s 1803 Federal style house on Aspinwall Hill, the William Aspinwall House. Both residences feature a four-tier central bay with Palladian and lunette windows with a columned portico at the entrance. His grandfather, Dr. William Aspinwall graduated from Harvard in 1764 and studied medicine in Connecticut and in Philadelphia before beginning his medical practice in his hometown. He was one of the Brookline men who marched west and fought British troops as they retreated from Lexington and Concord in April 1775. He was put in charge of a hospital in Jamaica Plain during the Revolutionary War and later ran a hospital for smallpox victims in Brookline. His 1803 Federal style home was demolished in 1900 as the Aspinwall Hill area of Brookline was developed, but luckily, a replica remains on the other side of town, here on Hawthorn Road!
Built in 1911, this Colonial Revival style house rendered in stucco, is located at 28 Hawthorn Road in the Pill Hill neighborhood of Brookline, Massachusetts. The residence was built for William Marshall Warren (1865-1953) and his wife, Sara Shields Warren (1874-1964) from plans by the firm of Gay & Proctor. William M. Warren served on the faculty at Boston University as Professor of Philosophy and later as Dean of the College of Arts and Sciences, promoted by his father, William Fairfield Warren, who was President of the University. The Warren House features a symmetrical five-bay facade with central entrance within a projecting pedimented vestibule framed by four pilasters. The pilasters are replicated in the three dormers at the roof, set below the central chimney.
The Charles P. Ware House at 52 Allerton Street in Brookline, shows us that a house doesn’t have to be a mansion to make a statement! Built in 1894 from plans by architect, Henry Forbes Bigelow, this charming Colonial Revival cottage is notable for its brick construction with gambrel roof and brick endwalls rising as parapets. The home was built for Charles Pickard Ware (1840-1921) and wife, Elizabeth Lawrence (Appleton) Ware, who lived here until their deaths. Charles P. Ware was an educator, music transcriber, and abolitionist, who served as a civilian administrator in the Union Army, where he was a labor superintendent of freedmen on plantations at Port Royal, South Carolina during the Civil War. At one of the freedmen plantations, Seaside Plantation, Ware transcribed many slave songs with music and lyrics, publishing many in Slave Songs of the United States, which was the first published collection of American folk music. After Charles and Elizabeth Ware died in 1921 and 1926, respectively, the property was inherited by their son, Henry Ware, who was an attorney.
Built in 1928 as an accurate reproduction of an 18th-century residence the Codman-Gillet House at 60 High Street in Brookline is significant architecturally in the Colonial Revival style but also as a preserved house by the architectural firm of Howe, Manny and Almy. Lois Lilley Howe and Eleanor Manning were among the first women graduates of the M.I.T. School of Architecture, and the firm was joined in 1926 by Mary Almy. Their firm was the first all-woman architecture practice in Boston and the second in the U.S. Howe was the first woman elected a Fellow of the American Institute of Architects. The house was built for William Coombs Codman, a trustee of various real estate trusts, and was likely rented or sold for investment. The first long-time owner/occupants of the residence were Mr. and Mrs. Fernand Gillet and who both taught at the New England Conservatory of Music. Fernand was the principal oboist of the Boston Symphony Orchestra from 1925 to 1946. The Codman-Gillet House features many traditional Colonial Revival elements including: the corner quoining, window trim, a pedimented projecting entrance, and hipped roof with large central chimney.
Buildings of New England 