This lovely Colonial Revival style house on Powell Street in Brookline was built in 1904 for Charles H. Owens, Jr., an interior designer who just two years later, built another home next door that he would reside in with his own family. This house was rented to John R. Perry, who was also listed as a “decorator” in city directories and president of Perry, Lewis & Whitney, a design firm. The house (like its neighbor built two years later), was designed by the architectural firm of Loring and Phipps and was oriented southward to face the side yard. The Perry House features small projecting oriel windows, a broad gambrel roof, and an entrance portico supported by Tuscan columns.
By the end of the 19th century, Brookline’s connection to Boston via the streetcars opened the town up to suburban development unlike anything seen before. From this, Boston businessmen could move to the suburbs for more land and live in larger single-family homes while commuting to the city for work. This large house in the Cottage Farm neighborhood was built in 1899 on speculation and purchased by George and Annie Andrews, who two years later, built a stable on the adjacent lot. Architect Robert Coit, specialized in large suburban houses, primarily in the Boston-area suburbs, and showcased his design talents for this Tudor Revival home. Tudor Revival style ornament include the second story over-hangs supported on brackets, the diamond pane sash and casement windows, vergeboard with finials, and portico with steep gable.
One of five houses built by developer Albert Jewell along Powell Street in the Cottage Farm neighborhood of Brookline, this residence stands out for its materiality and stately design. The house was designed by J. Williams Beal, an architect who trained at Massachusetts Institute of Technology and then worked for McKim, Mead & White before opening his own business. The house was first purchased from Mr. Jewell by Grace and Edwin Kramer, who worked as superintendent for R. H. White & Co., the large dry goods store in Boston. The next long-term owner was Harry B. Duane, a wealthy grocer. The Kramer-Duane House is unique for the stone veneer at its facade, gambrel roof covered in slate, and varied window styles including: bay windows, dormer windows, and an eyebrow dormer window at the roof.
This house at the corner of Freeman and Powell streets in the Cottage Farm area of Brookline, Massachusetts, was one of the first to be built on Sears family land in the years following the death of the family patriarch, David Sears. In 1871, Dennison Dean Dana (1827-1899) purchased land here from the Sears heirs and constructed this Italianate house with three-story square tower. Dana owned the house through the 1880s, and by 1893 it had been acquired by Albert L. Jewell, a real estate developer who added the large veranda and a two-story addition to the house, and would subdivide the property, developing fashionable houses along Powell Street to the south. The house (while clad in asbestos shingles since the 1960s) is an important early residence in the neighborhood which is today, dominated by late 19th and 20th century architecture.
Built on the expansive grounds of “Roughwood”, a country estate in Brookline, Massachusetts, this former carriage house has seen many iterations in its lifetime. Like the mansion house, the carriage house is a blending of Queen Anne/Shingle styles with fieldstone and shingle construction, designed by the architectural firm of Andrews, Jacques & Rantoul. When the Roughwood Estate was purchased and converted to Pine Manor College, the carriage house was adaptively reused and added onto as the Annenberg Library with a large imaginatively designed wing by Shepley, Bulfinch, Richardson and Abbott completed in 1986. The building remains as a library as part of the newly established Messina College, a campus of Boston College, which opened in July 2024 for over 100 first-generation college students. Gotta love adaptive reuse!
In 1915, Mary Longyear, a faithful follower of Mary Baker Eddy and the Christian Science faith, purchased the land from the Lyman Estate in Brookline, Massachusetts, and donated to the Christian Science Church. Planning began immediately to build a facility as a “temporary resort where those seeking relief through Christian Science may go to find practical assistance in overcoming their difficulties.” The need for a hospital/sanatorium was established by Mary Baker Eddy as early as 1906, and it would be over a decade before this need was filled. The complex was built in stages beginning in 1918 with this building, the main building, observation tower and a powerhouse designed by Clarence T. McFarland. The buildings were designed in the Tudor Revival style, blending in with the many country estates in this section of Brookline. The complex would train nurses and treat patients for over 100 years and remains an important institution into the 21st century.
Mid-Century Modern commercial architecture is often maligned for its car-centric and unadorned designs, but the Lyman Park Offices on Boylston Street in Brookline, Massachusetts, are some of the finest office buildings constructed in Brookline in the 20th century. The two office buildings were built on the site of the Theodore Lyman estate and were built at a time Brookline saw rapid commercialization along the Boylston Street corridor. Designed by the firm of Salsberg & LeBlanc, the Lyman Park Offices are landmark examples of the International style in the commercial form in Brookline. Built of steel and glass, the buildings exhibit spandrels above each floor level, enhancing the strong horizontal emphasis of the design.
Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.
A playful interpretation of a medieval English cottage, with its stucco cladding, half-timbering, weatherboards in the gable ends and ornamental well enclosure in the front yard, can be found on Woodland Road in Brookline. The whimsical cottage was built in 1928 for Arthur B. Bernard, the son of the president of the New England Leather Company in Boston’s Leather District. Arthur would follow his father’s footsteps and join the business himself. Architect and builder, Fred S. Wells of Newton designed and constructed the house (and others in the area in the same style). What’s your favorite part of this house?
The early decades of the 20th century were the golden years for suburban development in the Boston area. With personal automobiles better-connecting the city to lesser developed areas like Milton, Newton and Brookline, middle-upper class residents were able to relocate to the suburbs and build stately homes, typically in one of three architectural styles: Colonial Revival (most common), Tudor Revival, or Arts and Crafts (least common). This large house is located on Randolph Road in the Woodland/Heath area of Southern Brookline, and dates to 1928. The residence was constructed for Dr. Walter C. Miner, an orthopedic dentist, and his wife, Ethel and designed by the firm of Strickland, Blodgett & Law. The large house sits on a double-lot, and is notable for its symmetry, slate tile roof, and rough-faced stucco walls.
The St. Paul’s Episcopal Church of Brookline, Massachusetts is an architecturally and historically significant landmark to the area. The congregation was established in 1849, and within months, in May 1850, the corporation, which was made up of wealthy Boston-area residents, accepted an offer from Augustus Aspinwall of a building lot to erect a church. Esteemed ecclesiastical architect, Richard Upjohn, the architect of Trinity Church in New York, was hired to design the church in Brookline of the same, Gothic style. The wealth of the congregation was evident by the consistent expansions of the complex, to include a chapel, rectory, parish house, and other expansions to those buildings. St. Paul’s Church is the oldest religious structure in Brookline, and almost was lost when the sanctuary was devastated by fire in 1976, leaving only its exterior walls and two stained glass windows. The congregation rebuilt the interiors and the building remains well-preserved at its exterior, built of Roxbury Puddingstone.
The congregation of Ohabei Shalom is the oldest jewish congregation in the greater Boston area and the second oldest in New England. It was formed in 1843 and was the first formal congregation in Boston. After a smaller space, they purchased the former South Congregational Unitarian Church on Union Park Street in the South End of Boston. The congregation split over ideological differences and the decision was made for one half of the congregation to build a new temple in Brookline, where many of the members began to move to. Land on Beacon Street, just west of the Longwood section of Brookline was purchased in 1921, and it would be four years until a temple center (now the hebrew school) was built in 1925. The larger temple was built just after on the corner of Beacon and Kent streets in Brookline from plans by Clarence Blackall, a noted architect in the area. With its lively use of polychromatic masonry and Byzantine ornament, all surmounted by a great copper dome, the congregation boasts the most architecturally outstanding synagogue in the Boston region and it has been maintained well for the almost 100 years since it was built.
Across the street from the C. D. Hammer House on Sewall Avenue in Brookline, Massachusetts, this later take on the Queen Anne style with Tudor Revival elements is about to go through quite a transformation!
A little history before I share the proposal for the site… This house was built around 1910 for Bessie V. and Carl J. Kaffenburgh, a tobacco dealer with a store in Downtown Boston. The house was from plans by architect Harry E. Davidson, who had previously designed stucco houses with Tudor influences for both the Vorenberg and Kaffenburgh family including 20 Amory Street in the nearby Cottage Farm neighborhood. By 1940 the house was owned by Hazen Blood and his wife. The Bloods had rented out rooms in the house totalling 13 lodgers here as a rooming house in the 1940 directory. In 1987, owner, Bryan Austin purchased the property restored it, and opened it as the Bertram Inn.
In recent years, the adjoining lots were eyed for redevelopment and demolition was proposed for this property. Neighborhood opposition and the demolition delay process allowed for review of the plans, which now includes the “restoration” of the main house with a six-story boxy addition on the rear containing condominium units. While the proposed addition is not contextual to the historic Tudor Revival house, it does save the original building and provides much-needed housing for others, so I guess this is a win! What do you think?
William W. Potter, a shoe manufacturer and businessman, and his wife, Isabella Abbe Strickland Potter, lived in the Longwood section of Brookline and became active in the surround areas development in the last decades of the 19th century. William bought land off Kent Street and began to lay out house lots, becoming a developer overseeing construction of stately Queen Anne Victorian rental properties marketed to upper-middle-class residents. For this house on Francis Street, he commissioned architects George Rand and Bertram Taylor, who were known for producing stylish residential designs for the middle class in the Boston area. The massive property was a duplex, providing units to two lucky families! The building has just about every hallmark feature of the Queen Anne style including: the conical roof on a rounded corner bay, a complex roofline, asymmetrical plan, varied siding/materials, and applied ornamentation. In the 1920s, the house was owned by Simmons College, and used as a boarding house. Luckily, the property was restored and now is one of the finest residences in the neighborhood.
Orlando Hiram Alford (1840-1908) was an industrious and hardworking Vermonter who settled in the Boston area to make his wealth. He was a member of Bliss, Fabyan & Co., a large drygoods dealer, and would also become a director of the First National Bank, the City Trust Company, and the Franklin Savings Bank. In manufacturing, he serves the role of director of the Bates Manufacturing Company, the Merrimac River Towing Company, the Columbian Manufacturing Company, the Cordis Mills, and the Thorndike Company (among others). From his many positions and roles, he and his wife Ellen, were able to afford a house lot on Kent Street in the neighborhood between Longwood and Brookline Village. The Alford House, a stunning example of the Queen Anne style remained in family until after Ellen’s death in 1929, when it was purchased by the Boston Hospital for Women as a nurse’s residence. It was later used as apartments and was clad with vinyl siding, obscuring much of the original wood trim detailing. In the 2000s, later owners sought to demolish this house, which served as a rallying cry for neighborhood residents who understood the importance of the house and its context with surrounding lots. After the demolition delay process lapsed, they petitioned for a local district designation, effectively preserving the house for more generations to come! The Lawrence Local Historic District has since provided protection for houses in the area, but does not require a homeowner maintains or keeps up a property in a certain condition. Hopefully the Alford House will be restored soon!
Buildings of New England 