Gothic Revival

Elijah Emerson House // 1846

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Elijah Carleton Emerson (1807-1888) was a wealthy Boston merchant, making his fortune as Director of the Second National Bank and President of the Middlesex Horse Railroad. In his late 30s, he purchased land in Brookline Village and established his estate on the land that is now Emerson Park in 1846. The bucolic setting of his estate included a pond, boathouse and adjacent cottage, but as the surrounding area continued to develop with easy access to Downtown Boston, Elijah Emerson began to develop his estate. Emerson began to build residences on his land for supplemental income. After his death in 1888, Emerson’s two daughters, Sarah Davis and Tirzah Snell Arnold, maintained the property but sold it to the Town of Brookline in 1907. Brookline officials originally sought to build a new library on the site, but ultimately built it on Washington Street in 1910. The Emerson house and carriage barn were moved across Davis Street from their original site and Emerson Park was established. Emerson’s granddaughter, Mrs.Katharine Snell and her husband, inventor, Cullen B. Snell moved into the relocated house. The Elijah Emerson House (and carriage house at the rear) is a great, well-preserved example of a suburban Boston residence designed in the Gothic Revival style.

Thomas Aspinwall Davis House // 1844

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The Lindens neighborhood, located just east of the civic and commercial core of Brookline Village, was long an apple and cherry orchard known as Holden Farm. Beginning in 1843, the area became the earliest planned development in the town and was laid out as a “garden suburb” for those wishing to escape the growing congestion of Boston. As originally conceived in 1843, it reflected the latest ideals of planned residential development for a semi-rural setting on land owned by Thomas Aspinwall Davis. The streets, parks, and house lots here were laid out by civil engineer, Alexander Wadsworth, who two years earlier, laid out plans for Mount Auburn Cemetery in Cambridge, the first “Rural Cemetery” in America. Early homes were built on speculation by John F. Edwards, an architect-builder, for Davis, who was strict about high-quality designs in the Greek and Gothic revival styles in his newly laid out neighborhood. This stately house was built as Thomas Aspinwall Davis’ own residence in the Gothic Revival style. The house originally had a Gothic style full-length porch, but when the house was relocated in 1903 to the present site, to make room for new houses as the neighborhood grew denser. During the move, the porch was removed, but the Davis House still maintains the belvedere at the roof, historic window trim, and decorative bargeboards at the eaves.

Immanuel St. James Episcopal Church // 1843

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The Gothic Revival style Immanuel St. James Episcopal Church of Derby is a landmark example of the style in this part of Connecticut and serves as the eastern anchor to the Birmingham Green in town. The church dates to 1843 and was built by The stone church was was built by stonemason, Harvey Johnson and Nelson Hinman, a carpenter. The land for the church was donated by Sheldon Smith and Anson G. Phelps, wealthy industrialists in town. The building originally had a wooden steeple, which was replaced by the present stone belfry in 1853. The church merged with another area congregation, which together, have preserved this significant structure, though the communications antennae on the battlements on the belfry is unfortunate.

Bow Bog Meetinghouse // 1835

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The Bow Bog Meetinghouse in Bow, New Hampshire, was built in 1835 for the First Methodist Episcopal Church and Society in town. Designed in the Greek and Gothic revival styles, the traditional form and paired entries with two stage belfry is adorned by finials and pilasters, showcasing an elegant blending of these two styles. built by George Washington Wheeler for the First Methodist Episcopal Church and Society of Bow in 1835. Mary Baker Eddy, founder of the Christian Science Church, mentioned Reverend Orlando Hinds as a contributor to her early religious teachings. She maintained close ties with this Church, donating funds for the bell in 1903. The Church provided religious instruction and social activities for 116 years and in 1951, the Church was closed and the Bow Bog Meeting House Society acquired the building. In 1970, they restored it to nearly its original condition, and it was acquired by the town in 1985.

Bow Baptist Church // 1832

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The Bow Baptist Church congregation was established in 1795 and reorganized in 1816. Prior to erecting its beautiful church building in 1832, meetings were held in member homes and the old Townhouse. Designed in the Gothic Revival style with some Greek Revival pilasters in the steeple, the church stands as an important early building for the community. Since its establishment, the congregation has advocated for causes of abolition and temperance and is presently known as the Crossroads Community Church, a non-denominational house of worship. Tragedy struck in 2018, when a lightning-strike hit the steeple, sparking an intense blaze that fire crews managed to prevent from spreading to the rest of the nearly 200-year-old structure. The steeple was completely destroyed, and the interior below sustained heavy water damage. Undeterred, the congregation worked to rebuild the steeple, bringing this nearly 200-year-old church back to her former glory.

Chester Baptist Church // 1835

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The Baptists of Chester, Vermont, first built a wood-frame meetinghouse in 1788 for meetings and worship. The congregation here was established a year prior by Aaron Leland (1761-1832), a successful pastor and preacher, who settled in town with the task of building up a church there. Active in politics, Leland served in local offices including Town Clerk and Selectman, and was Windsor County Assistant Judge for eighteen years, he was later elected into the Vermont House of Representatives and served as Lt. Governor. After his death, the Federal style building was outgrown and sold by the 1830s. The original meetinghouse was moved to its current location across from the town’s Congregational Church and planning began for a new house of worship. The current Baptist Church, an impressive brick edifice in the Gothic Revival style, features a high slated spire that was likely added in the early 1870s, replacing a more traditional wooden crenelated tower. The 1870s spire was destroyed in 1953 and reproduced in 1999. The congregation here remains active and maintains the church well.

Frederick Sears Cottage // 1851

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The Frederick Sears Cottage in the Cottage Farm neighborhood of Brookline, Massachusetts, is significant as one of the major surviving examples of Gothic Revival domestic architecture in the Boston area. In 1849, wealthy Bostonian, David Sears (1787-1871) laid out parks and squares in the Cottage Farm neighborhood, and built houses for himself and his children. His own house, erected in 1843, was the oldest, soon followed by houses for his four daughters, Ellen d’Hautville, Harriet Crowninshield, Anna Amory, Grace Rives, and son, Frederick. The Frederick Sears Cottage is the only surviving Sears residence in the Cottage Farm neighborhood. Frederick Sears‘ cottage was built in 1851, though he did not occupy the house long, as just three years after he and his wife married in 1852 to move into this home, Marian died. The house was inherited by Frederick Sears Jr. , and was acquired by Boston University in 1960, who began to expand into this neighborhood. They maintain the significant property very well. The Sears Cottage is an excellent example of the Gothic Revival style in stone with scalloped vergeboards, quatrefoil motifs, corner quoins, and projecting entry. The house is constructed of Roxbury Puddingstone and is said to have been designed by George Minot Dexter.

Dexter-Hall Cottage // 1851

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Built across the street from the Amos A. Lawrence House in the Cottage Farm neighborhood in Brookline, the Dexter-Hall Cottage is an early Gothic Revival style residence built in the first period of the district’s history. Architect, George Minot Dexter was gifted a desirable house lot in the neighborhood from Amos Lawrence as a reward for his designing his own property, and in turn, designed this cottage in 1851 in the the same mode as the Lawrence House. The stone cottage has a three bay façade with enclosed center entry. On the second floor are wall dormers as well as a central jerkinhead dormer with a gambrel slate roof. The property was later owned by George M. Dexter’s daughter, Emily, and her husband, Thomas Bartlett Hall. The house remained in the Hall family through at least the 1920s.

Charles Mason Cottage // 1853

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The Charles Mason Cottage at 89 Carlton Street is one of two extant brick cottages built by Amos A. Lawrence as part of his Cottage Farm neighborhood in Brookline, Massachusetts. The Gothic Revival style cottage was built around 1853 and owned by Lawrence for rental purposes. By 1861, this house had been sold to Reverend Charles Mason (1812-1862), who married Amos Lawrence’s late sister, Susanna. The property was inherited by the couple’s daughter, Mary and her husband, Howard Stockton, a lawyer and onetime president of American Bell Telephone Company. The Mason Cottage is unique for its brick construction, projecting entry with porches on either sides, lancet doors and window, wall and shed dormers at the roof, and the original windows with chimney pots.

Bates Cottage // 1853

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This Gothic Revival brick cottage is of several houses built by Amos A. Lawrence for his Cottage Farm neighborhood in Brookline, Massachusetts. After he built his own stone residence at the center of the estate, Lawrence erected a series of cottages in the vicinity which were rented or sold to family and friends. This house was listed as the “Bates House” in Amos Lawrence’s papers, likely referring to the renter of the property soon after the cottage was completed by 1853. After Amos Lawrence died in 1886, the estate was inherited by his daughter, Hetty S. Cunningham. The “Bates Cottage” was later acquired by Boston University, who in 1964, received town approval to convert the residence into offices for the Center for the Study of Liberal Arts Education. The cottage was expanded at the rear and is today home to the Boston University African American & Black Diaspora Studies Program.