Chesterwood // 1901

Chesterwood is the former summer home, studio and gardens of American sculptor Daniel Chester French (1850–1931), who is best known for creating two of our nation’s most powerful symbols: the Minute Man (1871–75) at the Old North Bridge in Concord, Massachusetts, John Harvard in Harvard Yard, and Abraham Lincoln (1911–22) for the Lincoln Memorial in Washington, D.C. Daniel Chester French was one of the most successful artists of the late 19th and early 20th centuries, producing more than 100 works of public sculpture. In the fall of 1895, he and his wife drove by horse and buggy and discovered the resort town of Stockbridge. They returned the next summer and purchased the Marshall Warner farm from the family who had purchased the land from Mohican Native Americans. The French family and two maids moved into the white clapboard farmhouse the next summer. To ensure that his summer would be productive as well as restful, he improvised a studio in the barn. He asked his friend and colleague, architect Henry Bacon, to design a studio for him (Bacon would later work with French on the Lincoln Memorial). Soon, in spite of renovation, the original farmhouse was deemed inadequate and French commissioned Bacon to design a residence, completed in 1901. The family owned the home for decades, even after Daniel Chester French’s death. Much of the credit for Chesterwood’s preservation and metamorphosis from summer retreat to public site belongs to Margaret French Cresson (1889–1973), the sculptor’s daughter. After her parents’ death, she maintained the property and began to use it year-round, assembled the work of her father, and established the estate as a historic site of the National Trust for Historic Preservation.

Red Lion Inn // 1897

The largest building on Main Street in Stockbridge has to be the Red Lion Inn, a regional institution and one of the best places to rest your head in New England. The inn got its start just before the Revolutionary War. According to tradition, Silas Pepoon established a small tavern on the corner of Main Street in 1773, under the sign of a red lion. A year later, angry citizens gathered at the tavern to boycott English goods and to pass resolutions protesting the oppressive Acts of Intolerance levied against the colonies. Since its earliest days, the inn was a vital gathering place for locals and has continued to play an important role in the life of the community ever since. In 1862, the inn was owned by Mr. and Mrs. Charles Plumb, avid collectors of rare and fine items, who became renowned for their impressive compilation of colonial antiques. A fire in 1896 destroyed the building but its remarkable array of collectibles was saved and the inn was rebuilt within a year by designs from Harry E. Weeks, a Pittsfield-based architect.

Glacy House // 1930

Residential architecture of the early decades of the 20th century is among my favorites as the Tudor Revival movement took off and was sometimes mixed with other revival styles at the time, creating really unique homes. The Glacy House in South Brookline, MA was built in 1930 as one of the earlier homes in the Walnut Hill development. It was likely designed and built by Walter L. Fernandez, a contractor who appears to have design-built a handful of spec homes to help get the neighborhood’s development going in the early stages. This home was originally occupied by George and Mary Glacy. George later worked as Vice President of the Boston & Maine Railroad, though he later got into legal trouble for hiring companies for railroad projects where he had financial interests, becoming indicted in an antitrust case by a Federal grand jury. The home features a first floor constructed of stone and brick with half-timbering on the floor above. The building is topped by a terracotta red tile roof, which is fairly uncommon for the region.

Edith C. Baker School // 1937

At a time when many public school buildings around Boston were designed in the Art Deco or early Modern styles, the Edith C. Baker School in South Brookline went back to basics and represents a nod back to Colonial era design. The whitewashed red brick building was designed and built in phases as the neighborhood surged in population, tied in with the re-emergence of the economy after the Great Depression. The opening of the West Roxbury Parkway in 1919 and the Hammond Pond Parkway in 1932, both precipitated subdivision of the farms in South Brookline for residential development. The first section was completed in 1937 (what is shown in the photo) by plans from the local architecture firm of Kilham, Hopkins and Greeley, who also designed an addition just a year later for the un-forecasted growth in the neighborhood. More additions were added in the decades following WWII, thankfully just as additions and not a scraping of the site which seems to be all the rage now. The school was named as a tribute to Edith C. Baker, a longtime member of the Brookline School Committee from 1900 to her death in 1942.

Commonwealth Trust Company // 1908-c.1974

Ca. 1910 image courtesy of Boston Public Archives.

Located at the corner of Summer and Devonshire Streets in Downtown Boston, the Commonwealth Trust Company’s two-story marble banking house commanded the corner, despite its short stature. The building, completed in 1908, was constructed with Lee marble and decorated with ornate wrought and cast-iron grilles over windows. The building was designed by the architectural firm of Parker, Thomas & Rice in the Classical mode with large, fluted Corinthian columns and boxed corner pilasters framing the recessed center entrance, Corinthian pilasters ran along the side facade. At the inside, the building was coated with Cararra and Blanco marble with paneled oak offices. At the ground floor, offices and banking stations framed the outer walls, with the safety deposit boxes located on the second floor. The building was demolished by the 1970s and replaced with a one-story minimalist Modern building (I could not figure out why the former building was razed). The new building was demolished after a few decades with a larger building, better fitting the commercial district.

Justin Morrill Homestead // 1851

One of the most stunning Gothic Revival homes in New England has to be the Justin Morrill Homestead in the tiny town of Strafford, Vermont. The home was designed by and built for Senator Justin Smith Morrill (1810-1898), who was born in town and worked with his mentor Jedediah Harris at the local store. He later expanded and owned numerous stores in the area and diversified, investing in railroads, banks and real estate in the region. He retired in the late 1840s and became a gentleman farmer, building this Gothic Revival home in town. In 1854 Morrill was elected to the Thirty-fourth Congress as a Whig. He was a founder of the Republican Party, and won re-election five times. In 1866, Morrill was elected to the U.S. Senate as a Union Republican, serving until his death in 1898. Morrill is best known for sponsoring the Morrill Act, also known as the Land Grant College Act. This act was signed into law by Abraham Lincoln in 1862, and established federal funding for higher education in every state of the country. Senator Morrill primarily used this house as a summer residence, as he spent much of his time in Washington, DC. The property remained in the Morrill family, until World War II. The house was eventually acquired by preservationists, who sold it to the state in 1969 for use as a Historical Site and museum.

Justin Morrill Barn

Flatiron Building // 1902

The 22-story Flatiron Building in New York is easily one of the most recognizable and iconic buildings in the world. Built in 1902, the building replaced a collection of smaller commercial buildings on one of the most visible lots in this section of the city, thanks to the convergence of 5th Avenue and Broadway at Madison Square Park. The lot was developed by Harry S. Black, President of the Fuller Company, a general contracting company whose specialty was the construction of skyscrapers for their own offices. The company hired Chicago architect Daniel Burnham, who was known throughout the world for his skyscraper designs. Upon completion after just 9 months of construction, the building was called the “Fuller Building”, which was quickly overtaken by the public who named the building the “Flatiron” thanks to its footprint resembling an old flat iron. The building was recently vacant and has been undergoing a complete update inside with sprinkler systems, new floorplans and HVAC.

141-147 5th Avenue // 1896 & 1900

This stunning Beaux-Arts store and loft structure, is located on a
prominent corner site at 5th Ave and 21st Street in Manhattan. The structure is faced in limestone and terra cotta and was constructed in two phases. The original three southern bays (on the right side of the image) on 5th Avenue were designed by prominent architect Robert Maynicke for real estate developer Henry Corn. In 1899, two years after its completion, architect Henry Edwards Ficken designed an addition to the north wrapping around and running along 21st Street. The addition continued the richly embellished facade and supplemented it with a twelve-story, curved corner bay which is crowned by a dome. The building appears to have been constructed without a major tenant, and many companies utilized the iconic space including: the Merchant Bank of New York, Park & Tilford’s, a fancy grocer, and lace companies. In the mid 20th century the building suffered from deferred maintenance until 2005 when the building was restored and converted to 38 apartments (including one utilizing the dome)!

Old Penn. Station // 1910-1963

Pennsylvania Station in Manhattan was opened in 1910, and its sheer scale immediately evoked a sense of awe. At the time it was completed, it was the largest building ever built occupying two entire city blocks, and boasted the biggest waiting room in history. Over 500 buildings were demolished for the station to make way for the Charles McKim-designed station, an icon in the Beaux-Arts style. The structure had “nine acres of travertine and granite, 84 Doric columns, a vaulted concourse of extravagant, weighty grandeur, classical splendor modeled after royal Roman baths, rich detail in solid stone, and an architectural quality in precious materials that set the stamp of excellence on a city.” Sadly, being one of the most beloved architectural gems in the city did not constitute its maintenance nor preservation.

In 1961, after numerous plans for redevelopment, air-rights were sold on the building and in 1963, Penn Station was razed. The former grand station was replaced by Madison Square Garden and Pennsylvania Plaza, an office skyscraper, all with a modernized station below. When the building was destroyed, art historian Vincent Scully famously said, “One entered the city like a god. One scuttles in now like a rat.” In 1965, two years after Penn Station’s demolition commenced, the city passed a landmarks preservation act, thereby creating the New York City Landmarks Preservation Commission. Additionally, Grand Central Station was proposed to be demolished later in the decade, but was saved thanks to preservation efforts.

Austin Perry House // c.1830

One of the nicest examples of residential Greek Revival architecture I have ever seen is the Austin Perry House (c.1830) in the Southport area of Fairfield, CT. Austin Perry (1798-1864) was a member of a prominent merchant family, holding businesses in Fredericksburg, Virginia, before returning to Southport to manage a general store. He retired in his forties and resided at this home until his death. His home is a balanced, symmetrical design with massive Corinthian columns surmounted by a carved anthemion motif ornamenting the gable pediment.

Augustus Jennings House // c.1830

Walking around Southport Village in the town of Fairfield, Connecticut, transports you to an early-mid 19th century town with large Federal and Greek Revival homes overlooking Southport Harbor and the Long Island Sound. This home on Westway Road was built around 1830 for Augustus Jennings (1814-1886), the son of Captain Abraham Gould Jennings. Augustus became a carriage maker in Southport before founding Jennings Brothers, a paper manufacturing company; which in 1867, began to produce Japanese paper products. The Jennings House was originally located near the Pequot Library, but was relocated in 1899, which was likely when the central shingled gable at the roof with Palladian window was added.

Farist House // 1894

Joel Farist (1832-1904) emigrated to America with his family by the way of Sheffield, England, working originally as a laborer as a child. By his thirties, he formed the Farist Steel Company in Springfield, MA, later relocating to Bridgeport, CT in 1872. Due to his prestigious role and success, he became well-connected in Bridgeport, later becoming the first President of the Bridgeport Electric Light Company and Vice President of Bridgeport Hospital. He built this massive home in nearby Fairfield, CT, likely to get away from the polluted Bridgeport air, for a more bucolic area. The massive Queen Anne home he had built (likely as a second home) features prominent towers, a full-length porch, and a porte-cochere off the side. The home has been restored a few times recently, and a new (hopefully not final) paint scheme in yellow was recently painted on the front facade.

DeForest House // c.1800

At the beginning of the 19th century, Fairfield, Connecticut was slowly recovering from its destruction by the British at the end of the Revolution. By around 1800, a member of the DeForest family appears to have built this home, across from the Town Common, overlooking the recently completed Fairfield County Courthouse. Before the American Civil War, the home was significantly altered, with a central pavilion, new round arch windows, and a full-length front porch, showcasing early Victorian-era desire for detail. The house changed hands several times over the next century, at one point becoming a boy’s school from 1891 to about 1909. In 1930, the house was renovated by architect Walter Bradnee Kirby, who restored the home back to its Colonial past, showing how the pendulum of architectural tastes can change back-and-forth with every passing generation.

Old Fairfield County Courthouse // 1794

Located at the Fairfield Town Green, the Georgian-style Fairfield County Courthouse stands as a reminder on the town of Fairfield’s Colonial-era history. The first courthouse at the site was built in 1720. After a fire destroyed the first (which housed the jail as well), a second structure was built in 1767. That second courthouse was the center of a thriving, wealthy village with a port just blocks away. In July 1779, the British landed in Fairfield and destroyed much of the town, harming its prosperity for decades to come (though it has clearly recovered since). In 1794, a new courthouse was built, also housing town offices. In 1870, it became solely a town hall (the County Court moved to Bridgeport years before) modified and altered in the Second Empire style to ‘modernize’ the building. As Colonial Revival resurged in popularity in the late 19th and early 20th- centuries, the town sought to bring back the Georgian style Town Hall building, in 1936 hiring architect Cameron Clark, to restore the building.

Oliver Ames High School // 1896

I’m starting to see a trend in Easton, almost everything is named after the Ames Family! In 1893, Oliver Ames (1831-1895), a grandson of shovel company founder Oliver Ames and son of Oakes Ames, offered to fund the construction of a new high school building if the town would pay the cost of building its foundation and grading the site. While governor of the Commonwealth of Massachusetts (1887-90), Ames had hired Boston architect Carl Fehmer as consulting architect to the State for the extension to the Massachusetts State House, and it was Fehmer who secured the design contract for the new school in Easton. The refined Colonial Revival school building features a central pavilion with an entrance set within an ornate stone architrave with a Classical entablature with central pediment. The school was outgrown in 1957 and became the town’s middle school, outgrown again in the 1990s. The town sold the school to a developer with preservation restrictions and it is now used as apartments!