Alson and Sadosa Barbour (sometimes spelled Barber) grew up in North Canton, Connecticut and resided in these two homes, raising families and farming the land. The blue house was built in 1839 for Alson Barbour, who updated his earlier 1814 home which was gifted to him by his father as a wedding gift. The smaller home was outgrown by Alson, Hannah, and their 12 children (all living to adulthood) and he built this stately Greek Revival home on the quiet, meandering road. Not to be outdone by his brother, Sadosa too added onto his earlier home, also a wedding gift from his father. The 1803 house was enlarged in 1840 and given its present appearance, a modest Greek Revival home with a side-gable roof.
The Newhall-Lane House (could be the home of many wives) was built in 1809 by Pliny Newhall, a bricklayer. He purchased the land here at a prominent crossroads in Lancaster in 1808 from his employer who owned a brickyard across the street. At a previous home in town, Newhall’s wife Patty died giving birth to their son, at just 23 years old. Their son also died during childbirth. He remarried and had a full family to grow into the couple’s new house. They relocated to Lincoln and the home was sold to Captain Anthony Lane, who was the son of Deacon Jonas Lane, an important figure in Lancaster town history. Jonas had four wives, outliving three of them. Captain Lane himself, was married twice while living in this house; he had no children from either marriage. Although he was a talented craftsman and cabinetmaker, Captain Lane listed his occupation as farmer. The house is significant architecturally, as a fine example of Federal style architecture in Lancaster . Its sophisticated design is reflected in the graceful entrance. One of the unique features of the house is the pedimented gable of the facade which in combination with the narrow plan of the house, creates a delightful massing in this distinctive combination of Greek Revival and Federal styles.
Architecture and history is often layered, so it’s always a treat to find a building that showcases different eras in design. This cute house on Main Street in Lancaster was built in 1827 for a James Carter. The home was a side-hall two-story gable end house, with a Federal style fanlight over the front door (which remains). By 1847, the property was sold to Captain Francis Hussey, a sea-captain from Nantucket who seemingly wanted to get away from the sea, settling in central Massachusetts. He is likely the one who added the corner pilasters, giving the home an update in the Greek Revival style, which is very common on his native Nantucket. Hussey died in 1863 and the home went through the hands of a couple owners until Anna Henshaw Whitney purchased the property in 1887. Ms. Whitney was born in Cambridge, and after attending private schools, she moved to Lancaster in the 1860s as an assistant at Lancaster Academy, teaching there until her retirement in 1889 at 45 years old. It was Anna Whitney who constructed additions to the home, and the beautiful mansard roof which we see today. In her retirement, Anna farmed the massive property and opened one of the finest kennels for Saint Bernard dogs in the world. From this, she became the first woman judge with the Westminster Kennel Club.
Do you like McDonalds french fries? If you do, you can thank Luther Burbank, who was born in this house!
Image courtesy of Lancaster Historical Society
This Federal style home formerly in Lancaster, MA, was built around 1800 by housewright Simon Willard. The brick farmhouse saw generations of the Burbank Family live, marry, and die here. In 1849, Luther Burbank was born in an upstairs bedroom, as the 13th of 15 children of Samuel Walton Burbank and his three wives (not at the same time). Growing up on the farm, Luther enjoyed the plants in his mother’s large garden. When his father died when he was 18 years old, Burbank used his inheritance to buy a 17-acre plot of land in nearby Lunenburg. There, he developed the Burbank potato. He soon after sold the rights to the Burbank potato for $150 and moved to California, where he spend the remainder of his life. Today, the Russet Burbank potato is the most widely cultivated potato in the United States. The potato is popular because it doesn’t expire as easily as other types of potatoes, and it is the most commonly used potato for McDonalds iconic fries. In his life, Burbank created hundreds of new varieties of fruits (plum, pear, prune, peach, blackberry, raspberry); potato, tomato; ornamental flowers and other plants. He did more than I could possibly list, I highly suggest reading about him online. He was even so inspiring that Frida Kahlo painted Burbank as a tree/human hybrid, sprouting out of his corpse underground (seriously). In the 1930s, Henry Ford came to Lancaster and negotiated with the Dexter family, who then owned the house, to move the wood-frame ell to his museum in Dearborn, Michigan, where it remains to this day. The brick house was demolished by the Federal Government when the nearby U.S. Army Base at Fort Devens was expanded in the site.
Located in Lancaster, Massachusetts, the Thomas Safford House has stood for over 220 years, but is slowly decaying. Built in 1799 for Thomas Safford, a baker, the house is an excellent example of a Federal-style homestead that appears much like it did when built (besides the neglect). After two subsequent owners, the property was purchased in 1890 by Pauline Revere Thayer, a direct descendant of Founding Father, Paul Revere. Pauline added a large wrap-around porch and balcony to the house, which served as a vacation home for working girls from Boston. She appropriately named the house “Goodrest” where the girls could enjoy their summers, without working in poor conditions. After she died in 1934, the property was acquired by the Commonwealth of Massachusetts as the residence for the head of the Lancaster Industrial School for Girls. The Lancaster Industrial School for Girls was a reform school and the country’s first state reform school for girls, opening in 1856. This school paved the way of social reform, moving away from child imprisonment for “delinquents” towards a correctional paradigm. This was in part achieved because of the observed benefits of environmental change in children, as well as the importance of education. The bucolic, open-air setting was believed to be beneficial for childhood development, compared to a prison setting common before-hand. In 1935, the Safford House was restored to the original appearance, and the porches removed. The State of Massachusetts owns this house and the rest of the severely deteriorating buildings on the campus. It is a shame to see such significant buildings intentionally left to rot.
The Isaac Farrar Mansion in Bangor, Maine not only looks gorgeous, it is significant as the one of the first known works of architect, Richard Upjohn. It is important because it shows that English-born Upjohn, who is best-known for launching the popularity of the Gothic Revival style in the United States, began his career by building in the Greek Revival style, the traditional style of the time. This mansion was designed for Isaac Farrar, a lumberman and merchant, and later, President of the Maritime Bank of Bangor. Charles B. Sanford, who lived in the house from 1865-1878, was proprietor of the Sanford Steamship Lines. The home had a few more subsequent owners until 1911, when it was acquired by the University of Maine Law School, which used it as a residency until 1929. It was soon after purchased the Bangor Symphony Orchestra, who renamed it “Symphony House”, and operated the Northern Conservatory of Music on the premises, also hosting the music branch of the Bangor Public Library. In 1972 the school closed, and the symphony sold the building the following year to the local YMCA, which now uses it as an exhibit and reception space. While some aspects of the house look to be from the early 20th century, it retains much of the Greek Revival design by Upjohn. Talk about a full history!
The neighbor to the iconic Thomas Hill Standpipe (last post), this pre-Civil War Italianate mansion predates the water tower and has long been one of the most grand homes in Bangor, Maine. The house was constructed in 1857 for Joseph W. Low, a businessman and trustee of the Bangor Savings Bank. The house he had built is one of eastern Maine’s outstanding Italianate residences, designed by Boston architect Harvey Graves, who was born in Maine. Soon after the Civil War, Graves moved west to California, likely seeking additional wealth from the spurned from the success of the Gold Rush. He appears to have lived out the remainder of his life out west, giving his family in Maine this home. The house exhibits flushboard siding with scored wood to resemble ashlar masonry, gorgeous window hoods and mouldings, and a large belvedere at the roof, which would have provided sweeping views of the Maine frontier when built, atop one of the highest hills in Bangor.
Located a short walk from the Stephen King House in Bangor, this stunning Second Empire style house shines just as bright! This house was built in 1866 for Joseph C. White, a dry goods merchant in town. Just years after it was completed, he sold the mansion, possibly due to upkeep. The two-story mansard-roof house is clad in wood siding, scored to resemble stone rustication, a method to make the home appear more expensive. The corner entrance with later enclosed second-floor porch, massive brackets, and scrolled dormers add a lot of Victorian flair to the home. Would you move in here?
Located on Main Street in Chester, Vermont, you can find this perfect little Snecked Ashlar home. The building technique is very local and can be found in just a handful of towns in central Vermont. Scottish-born masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832, and within a few years, the first stone structure in North Chester village was built by local masons. Soon after, the local school, church and other homes were all constructed the same way. This home outside the Stone Village district was built later than almost all other examples in town. It features Federal and Greek Revival detailing with a central fluted fan at the door and large gable-front roof.
Providence is full of amazing residential architecture from all periods, but one house that stands out to me for being such a high style and unique mansion is the Hamilton House on Angell Street. The mansion was constructed in 1896 for local businessman, Francis W. Carpenter. From 1892 until his death, he was the president of Congdon & Carpenter Company, an iron and steel company which was founded in 1792, and operated in Providence into the 1980s. Carpenter was very influential as chairman of the committee on the construction of a new building for the Central Congregational Church (a previous post) in 1893. So pleased with how the church turned out, he hired the same architects, Carrère and Hastings of New York to design his own mansion which would sit next door to the church! Many in New England may not know how significant it was to have Carrere and Hastings design your house. To put it into perspective, while the firm was designing this house, they were designing the New York Public Library’s Main Branch building! The Carpenter Mansion was designed in the French Renaissance Revival style which was not too common in America, but always turns heads! The large hipped roof emulates the earlier French mansard roof forms, and the bold massing and use of limestone and brick makes the house look like a chateau or castle plucked from the French countryside. The house apparently was not finished until 1915, likely when the porte-cochere was added for the owner’s vehicles. The building is now occupied by The Hamilton House, a non-profit organization that serves as an adult learning exchange with programs from history classes to group fitness courses.
“Less is more” is a phrase adopted in 1947 by architect Ludwig Mies van der Rohe to describe his minimalist, Miesian glass box buildings. While he was referring to Modern architecture, the same phrase can be used in 19th century design, where massing, form, and materials are showcased in all their glory with little frills or additions. The Robert Lippitt House in Providence was constructed by 1854 for Robert Lincoln Lippitt (1823-1858), who worked with his brother Henry Lippitt in owning and managing textile mills. Henry would later build his own mansion nextdoor to his late brother’s house (see past post). Sadly, Robert died four years after this home was built, at the young age of 34. His widow, Louisa Gorden Hallet remained in the home and remarried within a year of her late husband’s death, to Charles Lippitt, possibly a cousin to Robert. Messy. The home was designed by architect Thomas A. Tefft, a promising and respected young architect who also died young, at the age of 33.
The this 1830 home in Farmingdale ranks as one of the first Greek Revival temple style residences in Maine. Situated on a rise overlooking the Kennebec River, the house reflects a dignity befitting the commercial success of its original owner, Peter Grant. Peter Grant was born in 1770 in Berwick, Maine. He was a fourth generation descendent of an earlier Peter Grant, born in Scotland in 1631, and one of 3,000 Scots taken prisoner by Cromwell’s army at the Battle of Dunbar. In 1650, he was sent as a convict laborer to the iron works in Lynn, Massachusetts, for a term of seven years. A number of the Grant family settled in Berwick, Maine, and from there, Peter, builder of this house, and his father, Capt. Samuel Grant, moved to Gardiner. Peter Grant soon involved himself successfully in land speculation and shipping in the area. In 1796 he and a group of associates, purchased a large tract of land along the west shore of the Kennebec River, which later became Farmingdale. Grant became sole owner of better than 200-acres of this land in 1800 and built a substantial house soon after. The original house was destroyed by fire and was replaced by Grant with the present house in 1830 six years before his death in 1836.
Another of the stunning buildings on the Harkness Estate is this massive all-purpose building that served a variety of functions, but I will call it the Carriage House. The building was constructed in 1908 and designed by James Gamble Rogers, mimicking the Renaissance Revival grandeur of the main home, Eolia. As previously mentioned, the large, U-shaped building was a multi-use support compound for the Harkness Family and their farm. The South Wing (right) of the building served as a clubhouse for Edward Harkness and his friends, with a billiards room, squash court, and two bowling lanes. This wing has large windows looking out towards the ocean and the large gardens on the property. The central block contained a garage with a turntable to facilitate the parking of limousines, a gas pump and a car wash for Mr. Harkness and his growing automobile collection. The North Wing (left) contained the horse stables, carriage area, tack room, smithy, and even a space dedicated to dog grooming. Upon close inspection you can see small rounded stones near the portals to allow the wheels to hit them rather than damage the building. Perhaps most importantly, the Carriage House was the location for the furnace room with its huge steam boiler. This boiler heated the Carriage House as well as the Mansion via an underground steam line. Apparently the building will soon be undergoing a restoration. Fingers crossed!
Henry Cooke White (1861-1952), the patriarch of an extremely artistic family, purchased undeveloped land on a coastal part of Waterford, Connecticut in 1891. When passing through the area he found a vantage point overlooking the water, he was overwhelmed by the panoramic view of Long Island Sound, writing in his memoirs, “…I was convinced that this was my Promised land.” Not long after, he built a summer cottage on what became known as White Point the following year. The Whites wintered with his parents in Hartford until they built a year-round home in Waterford in 1913, designed by Wilson Eyre, a Philadelphia architect, after he was inspired by Charles Lang Freer’s home in Detroit. The rustic Shingle style house was constructed of ashlar stone masonry with shingles above, which is sited perfectly on the rocky shoreline. Also on the site is a boat house and garage (which I could photograph from the street) in similar detailing. Henry‘s son and grandson both followed his footsteps: Nelson Cooke White (1900-1989), who was born at White Point, and inherited his father’s love of the sea, became a noted marine and landscape painter; and Nelson Holbrook White (1932-) who was taught by his grandfather and later studied in Italy how to perfect his painting.
This gorgeous stone house was built circa 1877 by Phillip M. Powers (1814-1889), who served as President of the Millstone granite quarry in Waterford, Connecticut. The home is said to have been built off an earlier 1700s home, but all was constructed in ashlar granite to showcase Mr. Powers’ quality stone. It is said that Phillip went bankrupt not long after the construction of this home. In 1930, the house was purchased by Beatrice H. Rosenthal and her husband. Ms. Rosenthal served as both a delegate and as a committeewoman of the Democratic National party, and a staunch advocate for women’s rights. She was also active in women’s educational institutions around New England. The old home and barn are now available for rentals for events or overnight stays.
Buildings of New England 