House History Blog

Queset House // 1854

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Tucked away behind the Ames Free Library in Easton, you will find one of the most stately examples of Gothic Revival architecture in a house in New England. The house is known as Queset House. Queset was commissioned to be built in 1853 and it was completed the following year for Oakes Angier Ames, of the wealthy Ames Family, who ran a shovelworks in town, and built some of the most handsome structures in the state. The house’s front portion design was drawn from a plan by noted architect Andrew Jackson Downing (who died in 1852). Downing collaborated with Alexander Jackson Davis who provided architectural drawings. The two architects created pattern books which greatly influenced Gothic Revival and Italian Villa style architecture for the next decades, with many wealthy people hiring builders to complete homes in their designs. Queset House is different than most in that the house is constructed of local stone. Oakes would later hire Harvard-educated architect John Ames Mitchell, (a first cousin of Oakes Angier and architect of the nearby Unity Church in Easton) designed the rear addition in 1873, adding the copper-clad chimneys. In the later years of his life, Oakes wanted to help further-improve his town and worked with his family to consult with starchitect H. H. Richardson and landscape starchitect Frederick Law Olmsted on projects in town (the Library, Town Hall, Rockery). After his death in 1899, the home was occupied by his son, famous theatrical producer Winthrop Ames, and his wife. The family would eventually gift the property to the Town of Easton, who today occupy it as an extension of the Public Library, open to the public!

Side view.

Langwater // 1859

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The country estate of Frederick Lothrop Ames (1835-1893), “Langwater” sits in North Easton amongst a collection of some of America’s greatest architectural treasures, all thanks to the Ames Family. The Ames family was a wealthy family which had lived in Easton for many generations. Frederick’s grandfather Oliver Ames Sr. founded the Ames Shovel Works in Easton, Massachusetts. The Shovel Works earned the family a huge fortune, during a time when aggressive canal and railroad expansion was built by the hands of thousands of men using shovels. Frederick’s father Oliver Jr. was president of the Union Pacific Railroad during the building of the transcontinental railroad. Frederick’s cousin Oliver Ames was governor of Massachusetts 1887–1890. Frederick himself was Vice President of the Old Colony Railroad and director of the Union Pacific railroad. At the time of his death, Ames was reported to be the wealthiest person in Massachusetts. With this immense wealth, Frederick built a castle where he would spend most of the year, overseeing his various businesses, in his hometown of Easton, Massachusetts. The mansion was designed by architect George Snell and built around 1860, with a couple additions and updates until Frederick’s death. A few years before his death, Frederick hired famed architect Henry Hobson Richardson, who he already worked with in designing the Oakes Ames Memorial Hall(Easton’s Town Hall), to design a gate house leading to Langwater (more on that later).

Soudant House // c.1850

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This eclectic house in Collinsville was likely built in the mid-19th century in the Greek Revival style, with its gable roof serving as a pediment. By the end of the 19th century, the prominent corner tower with mansard roof and porch were added to create the oddly pleasing composition we see here today. The home was likely altered by Walter Soudant, who ran a grocery store in the village out of the Valley House (last post). Walter’s daughter, Belle Julie Soudant, was an established singer, who toured Europe before accepting a position as a singing teacher at the Institute of Musical Art in New York, known today as the Juilliard School.

Case-Crowley House // 1840

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Built in 1840 for Titus Case, this old house looks very different than it would have been when first constructed. The house was originally Greek Revival in style, probably with a gabled roof, common of the region and style. Case died in 1845, and the home was later purchased by Jeremiah Crowley who ran the Canton Creamery nearby. After the Civil War, he “modernized” the house in the then fashionable Italianate style, with a low-sloped roof with overhanging eaves, large brackets, a cupola, and a wrap-around porch.

Alson and Sadosa Barbour Houses // c.1840

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Alson and Sadosa Barbour (sometimes spelled Barber) grew up in North Canton, Connecticut and resided in these two homes, raising families and farming the land. The blue house was built in 1839 for Alson Barbour, who updated his earlier 1814 home which was gifted to him by his father as a wedding gift. The smaller home was outgrown by Alson, Hannah, and their 12 children (all living to adulthood) and he built this stately Greek Revival home on the quiet, meandering road. Not to be outdone by his brother, Sadosa too added onto his earlier home, also a wedding gift from his father. The 1803 house was enlarged in 1840 and given its present appearance, a modest Greek Revival home with a side-gable roof.

Which house is your favorite?

Newhall-Lane House // 1809

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The Newhall-Lane House (could be the home of many wives) was built in 1809 by Pliny Newhall, a bricklayer. He purchased the land here at a prominent crossroads in Lancaster in 1808 from his employer who owned a brickyard across the street. At a previous home in town, Newhall’s wife Patty died giving birth to their son, at just 23 years old. Their son also died during childbirth. He remarried and had a full family to grow into the couple’s new house. They relocated to Lincoln and the home was sold to Captain Anthony Lane, who was the son of Deacon Jonas Lane, an important figure in Lancaster town history. Jonas had four wives, outliving three of them. Captain Lane himself, was married twice while living in this house; he had no children from either marriage. Although he was a talented craftsman and cabinetmaker, Captain Lane listed his occupation as farmer. The house is significant architecturally, as a fine example of Federal style architecture in Lancaster . Its sophisticated design is reflected in the graceful entrance. One of the unique features of the house is the pedimented gable of the facade which in combination with the narrow plan of the house, creates a delightful massing in this distinctive combination of Greek Revival and Federal styles.

Carter-Hussey-Whitney House // 1827

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Architecture and history is often layered, so it’s always a treat to find a building that showcases different eras in design. This cute house on Main Street in Lancaster was built in 1827 for a James Carter. The home was a side-hall two-story gable end house, with a Federal style fanlight over the front door (which remains). By 1847, the property was sold to Captain Francis Hussey, a sea-captain from Nantucket who seemingly wanted to get away from the sea, settling in central Massachusetts. He is likely the one who added the corner pilasters, giving the home an update in the Greek Revival style, which is very common on his native Nantucket. Hussey died in 1863 and the home went through the hands of a couple owners until Anna Henshaw Whitney purchased the property in 1887. Ms. Whitney was born in Cambridge, and after attending private schools, she moved to Lancaster in the 1860s as an assistant at Lancaster Academy, teaching there until her retirement in 1889 at 45 years old. It was Anna Whitney who constructed additions to the home, and the beautiful mansard roof which we see today. In her retirement, Anna farmed the massive property and opened one of the finest kennels for Saint Bernard dogs in the world. From this, she became the first woman judge with the Westminster Kennel Club.

Burbank Homestead // c.1800

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Do you like McDonalds french fries? If you do, you can thank Luther Burbank, who was born in this house!

Image courtesy of Lancaster Historical Society

This Federal style home formerly in Lancaster, MA, was built around 1800 by housewright Simon Willard. The brick farmhouse saw generations of the Burbank Family live, marry, and die here. In 1849, Luther Burbank was born in an upstairs bedroom, as the 13th of 15 children of Samuel Walton Burbank and his three wives (not at the same time). Growing up on the farm, Luther enjoyed the plants in his mother’s large garden. When his father died when he was 18 years old, Burbank used his inheritance to buy a 17-acre plot of land in nearby Lunenburg. There, he developed the Burbank potato. He soon after sold the rights to the Burbank potato for $150 and moved to California, where he spend the remainder of his life. Today, the Russet Burbank potato is the most widely cultivated potato in the United States. The potato is popular because it doesn’t expire as easily as other types of potatoes, and it is the most commonly used potato for McDonalds iconic fries. In his life, Burbank created hundreds of new varieties of fruits (plum, pear, prune, peach, blackberry, raspberry); potato, tomato; ornamental flowers and other plants. He did more than I could possibly list, I highly suggest reading about him online. He was even so inspiring that Frida Kahlo painted Burbank as a tree/human hybrid, sprouting out of his corpse underground (seriously). In the 1930s, Henry Ford came to Lancaster and negotiated with the Dexter family, who then owned the house, to move the wood-frame ell to his museum in Dearborn, Michigan, where it remains to this day. The brick house was demolished by the Federal Government when the nearby U.S. Army Base at Fort Devens was expanded in the site.

Safford House // 1799

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Located in Lancaster, Massachusetts, the Thomas Safford House has stood for over 220 years, but is slowly decaying. Built in 1799 for Thomas Safford, a baker, the house is an excellent example of a Federal-style homestead that appears much like it did when built (besides the neglect). After two subsequent owners, the property was purchased in 1890 by Pauline Revere Thayer, a direct descendant of Founding Father, Paul Revere. Pauline added a large wrap-around porch and balcony to the house, which served as a vacation home for working girls from Boston. She appropriately named the house “Goodrest” where the girls could enjoy their summers, without working in poor conditions. After she died in 1934, the property was acquired by the Commonwealth of Massachusetts as the residence for the head of the Lancaster Industrial School for Girls. The Lancaster Industrial School for Girls was a reform school and the country’s first state reform school for girls, opening in 1856. This school paved the way of social reform, moving away from child imprisonment for “delinquents” towards a correctional paradigm. This was in part achieved because of the observed benefits of environmental change in children, as well as the importance of education. The bucolic, open-air setting was believed to be beneficial for childhood development, compared to a prison setting common before-hand. In 1935, the Safford House was restored to the original appearance, and the porches removed. The State of Massachusetts owns this house and the rest of the severely deteriorating buildings on the campus. It is a shame to see such significant buildings intentionally left to rot.

Isaac Farrar Mansion // 1836

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The Isaac Farrar Mansion in Bangor, Maine not only looks gorgeous, it is significant as the one of the first known works of architect, Richard Upjohn. It is important because it shows that English-born Upjohn, who is best-known for launching the popularity of the Gothic Revival style in the United States, began his career by building in the Greek Revival style, the traditional style of the time. This mansion was designed for Isaac Farrar, a lumberman and merchant, and later, President of the Maritime Bank of Bangor. Charles B. Sanford, who lived in the house from 1865-1878, was proprietor of the Sanford Steamship Lines. The home had a few more subsequent owners until 1911, when it was acquired by the University of Maine Law School, which used it as a residency until 1929. It was soon after purchased the Bangor Symphony Orchestra, who renamed it “Symphony House”, and operated the Northern Conservatory of Music on the premises, also hosting the music branch of the Bangor Public Library. In 1972 the school closed, and the symphony sold the building the following year to the local YMCA, which now uses it as an exhibit and reception space. While some aspects of the house look to be from the early 20th century, it retains much of the Greek Revival design by Upjohn. Talk about a full history!

Joseph Low Mansion // 1857

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The neighbor to the iconic Thomas Hill Standpipe (last post), this pre-Civil War Italianate mansion predates the water tower and has long been one of the most grand homes in Bangor, Maine. The house was constructed in 1857 for Joseph W. Low, a businessman and trustee of the Bangor Savings Bank. The house he had built is one of eastern Maine’s outstanding Italianate residences, designed by Boston architect Harvey Graves, who was born in Maine. Soon after the Civil War, Graves moved west to California, likely seeking additional wealth from the spurned from the success of the Gold Rush. He appears to have lived out the remainder of his life out west, giving his family in Maine this home. The house exhibits flushboard siding with scored wood to resemble ashlar masonry, gorgeous window hoods and mouldings, and a large belvedere at the roof, which would have provided sweeping views of the Maine frontier when built, atop one of the highest hills in Bangor.

Joseph C. White House // 1866

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Located a short walk from the Stephen King House in Bangor, this stunning Second Empire style house shines just as bright! This house was built in 1866 for Joseph C. White, a dry goods merchant in town. Just years after it was completed, he sold the mansion, possibly due to upkeep. The two-story mansard-roof house is clad in wood siding, scored to resemble stone rustication, a method to make the home appear more expensive. The corner entrance with later enclosed second-floor porch, massive brackets, and scrolled dormers add a lot of Victorian flair to the home. Would you move in here?

Israel Moore Snecked Ashlar House // c.1846

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Located on Main Street in Chester, Vermont, you can find this perfect little Snecked Ashlar home. The building technique is very local and can be found in just a handful of towns in central Vermont. Scottish-born masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832, and within a few years, the first stone structure in North Chester village was built by local masons. Soon after, the local school, church and other homes were all constructed the same way. This home outside the Stone Village district was built later than almost all other examples in town. It features Federal and Greek Revival detailing with a central fluted fan at the door and large gable-front roof.

Have you heard of Snecked Ashlar before?

Hamilton House // 1896

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Providence is full of amazing residential architecture from all periods, but one house that stands out to me for being such a high style and unique mansion is the Hamilton House on Angell Street. The mansion was constructed in 1896 for local businessman, Francis W. Carpenter. From 1892 until his death, he was the president of Congdon & Carpenter Company, an iron and steel company which was founded in 1792, and operated in Providence into the 1980s. Carpenter was very influential as chairman of the committee on the construction of a new building for the Central Congregational Church (a previous post) in 1893. So pleased with how the church turned out, he hired the same architects, Carrère and Hastings of New York to design his own mansion which would sit next door to the church! Many in New England may not know how significant it was to have Carrere and Hastings design your house. To put it into perspective, while the firm was designing this house, they were designing the New York Public Library’s Main Branch building! The Carpenter Mansion was designed in the French Renaissance Revival style which was not too common in America, but always turns heads! The large hipped roof emulates the earlier French mansard roof forms, and the bold massing and use of limestone and brick makes the house look like a chateau or castle plucked from the French countryside. The house apparently was not finished until 1915, likely when the porte-cochere was added for the owner’s vehicles. The building is now occupied by The Hamilton House, a non-profit organization that serves as an adult learning exchange with programs from history classes to group fitness courses.

Robert Lippitt House // 1854

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“Less is more” is a phrase adopted in 1947 by architect Ludwig Mies van der Rohe to describe his minimalist, Miesian glass box buildings. While he was referring to Modern architecture, the same phrase can be used in 19th century design, where massing, form, and materials are showcased in all their glory with little frills or additions. The Robert Lippitt House in Providence was constructed by 1854 for Robert Lincoln Lippitt (1823-1858), who worked with his brother Henry Lippitt in owning and managing textile mills. Henry would later build his own mansion nextdoor to his late brother’s house (see past post). Sadly, Robert died four years after this home was built, at the young age of 34. His widow, Louisa Gorden Hallet remained in the home and remarried within a year of her late husband’s death, to Charles Lippitt, possibly a cousin to Robert. Messy. The home was designed by architect Thomas A. Tefft, a promising and respected young architect who also died young, at the age of 33.