National Register of Historic Places

Livermore-Porter House // 1735

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Matthew Livermore (1703-1776), a native of Watertown, Massachusetts and a 1722 Harvard graduate, came to Portsmouth in 1726 to teach grammar school while studying law, and in 1731 became the first college-educated lawyer to practice in New Hampshire. He would build this Georgian mansion in Portsmouth in 1735. Later, the property was owned by Samuel Coues, a leader of the shipbuilding industry in Portsmouth during the 19th century, and leader of the American Peace Party in the 1840s. Fitz John Porter was born in the house in 1822. General Porter would become one of the Union’s most talented leaders at the beginning of the Civil War. After the U. S. Army dismissed him for disobeying what would be a suicidal order during the Second Battle of Bull Run, he spent the rest of his life fighting the charges. The army cleared his name in 1879.After this, the home was occupied by General Fitz John Porter, a United States Army general who served in the Mexican–American War and the American Civil War. The building was moved in 1900 when Haven Park was created by the City of Portsmouth, and it had already been moved in the 19th century to front the newly laid out Livermore Street. The Livermore-Porter House was eventually converted into condominiums in 1983, and it showcases how condo conversions aren’t a bad thing! More people can live in this house now, win-win!

Samuel P. Tilton Cottage // 1880

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One of the most well-designed and least-pretentious summer cottages in Newport is this charming dwelling on a dead end street. The Samuel P. Tilton Cottage was designed in 1880 by the prestigious firm of McKim, Mead & White as an idiosyncratic blending of Queen Anne and Shingle architectural styles. Mr. Tilton was a milliner (maker and seller of women’s hats) with stores in Boston and Paris, France. He had this cottage built to summer close to the nation’s wealthiest, likely marketing some hats at elaborate Gilded Age events. The facade is assertively Queen Anne with its massing and decorative panels, with shingled side elevation seemingly sprouting from the earth. The architectural terminology for these unique decorative panels is “sgraffito” where here, cement or plaster siding is set and adorned with shells, pebbles, colored glass, and pieces of coal into a cartouche design. The house is one of the finest in Newport, and shows that bigger isn’t always better!

Dutton Farmhouse // c.1840

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Another one of the Landmark Trust USA properties in Dummerston, Vermont is the Dutton Farmhouse, a meticulously restored Greek Revival farmhouse from around 1840. The gable-roof farmhouse was possibly an addition to an earlier dwelling built decades earlier as a one-and-a-half-story center-chimney home, seen at the rear today. The first known owner of the farmhouse was Asa Dutton who farmed off the large orchards. Generations later, the farmhouse served as a dormitory for migrant laborers who worked nearby, with the interior being altered. The property was eventually gifted to the Landmark Trust USA, who began a massive restoration project on the home, uncovering original detailing and even historic wallpaper! The house has since been meticulously restored and preserved and is available for short-term rentals! The charming interiors and near silence outside is a perfect getaway from city life.

Brookline Round Schoolhouse // 1822

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Historic schoolhouses in rural New England are often one-room wood-frame buildings, but not in Brookline, Vermont! The Brookline Round Schoolhouse is constructed of brick and… you guessed it, ROUND! The iconic building sits on the same road as the Baptist Church in town (last post) and likely built from bricks made at the same brickyard. The school was built in 1822 to replace a log school house originally built nearby. The plan for the round design was apparently made by Dr. John Wilson. Wilson, known as “Thunderbolt”, was reputed to have been a robber and highway-man who came from Scotland to escape punishment. He eventually settled in Vermont and had many occupations but settled on saying he was a doctor and began practicing. He eventually took up teaching and somehow convinced the town he should design the new school building. Local legend asserts that Wilson designed the school house round so that he could see from any position, all possible intruders. At the interior, the single-room originally contained sixty oak benches and desks arranged in a circular position facing a teacher’s desk near the door. The building is capped by a conical wood shingle roof, which appears in great condition. The structure functioned as a school until 1929, when a new school was built which conformed to state codes. At this time the round school was turned over to the town for use as a Town Hall, a use it held until the 1980s.

Brookline Baptist Church // 1836

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Brookline, Vermont is home to just 540 people but has one of the most beautiful brick churches in the state! The Brookline Baptist Church sits along a quiet road in town and is an excellent example of vernacular Gothic Revival architecture in the Vermont. Brookline’s first organized church congregation were Baptists, who established a formal organization in 1785 out of local homes and barns. By 1836, enough funds were gathered to erect a church, but of brick, a more substantial building material than traditional wood-frame buildings. The church remained active throughout the nineteenth century, and the vestry addition was constructed off the rear in 1895 to provide space for community gatherings and meals. Dwindling membership led the church to become mostly used for weddings, funerals, graduation ceremonies, and craft fairs by the second half of the 20th century. The Town of Brookline presently owns the significant structure, and while preserved, it does not appear to get much use.

Chesterwood // 1901

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Chesterwood is the former summer home, studio and gardens of American sculptor Daniel Chester French (1850–1931), who is best known for creating two of our nation’s most powerful symbols: the Minute Man (1871–75) at the Old North Bridge in Concord, Massachusetts, John Harvard in Harvard Yard, and Abraham Lincoln (1911–22) for the Lincoln Memorial in Washington, D.C. Daniel Chester French was one of the most successful artists of the late 19th and early 20th centuries, producing more than 100 works of public sculpture. In the fall of 1895, he and his wife drove by horse and buggy and discovered the resort town of Stockbridge. They returned the next summer and purchased the Marshall Warner farm from the family who had purchased the land from Mohican Native Americans. The French family and two maids moved into the white clapboard farmhouse the next summer. To ensure that his summer would be productive as well as restful, he improvised a studio in the barn. He asked his friend and colleague, architect Henry Bacon, to design a studio for him (Bacon would later work with French on the Lincoln Memorial). Soon, in spite of renovation, the original farmhouse was deemed inadequate and French commissioned Bacon to design a residence, completed in 1901. The family owned the home for decades, even after Daniel Chester French’s death. Much of the credit for Chesterwood’s preservation and metamorphosis from summer retreat to public site belongs to Margaret French Cresson (1889–1973), the sculptor’s daughter. After her parents’ death, she maintained the property and began to use it year-round, assembled the work of her father, and established the estate as a historic site of the National Trust for Historic Preservation.