When one thinks of architecture on Nantucket, many would think of old Colonial-era capes and stately Federal and Greek Revival whaling captains mansions. There are Victorian-era houses on Nantucket, but building on the island tapered off by the mid 1800s after the mid-1700s to the late 1830s when Nantucket was the whaling capital of the world. In December of 1877, Nantucket coal dealer Andrew Hunt purchased a vacant lot on Broad Street to erect a new home for his family. Mr. Hunt hired local builder Charles H. Robinson to design and construct the Second Empire cottage, which today, remains one of the best-preserved and high-style Mansard residences on the island.
Located on Church Street, the best architectural stretch of buildings in Ware, Massachusetts, you’ll find this absolutely charming mini-Mansard house. The property was built after the Civil War and historic maps show it was owned by a J. Coney. Upon further research, it seems J. Coney is John Coney (1809-1884), a farmer who retired in 1870 and was later referred to as a carpenter in census’. It is likely that Mr. Coney built this mansard cottage around his retirement and relocation to Ware’s industrial village, building it himself. The home features gabled dormers with round-headed sash projecting from the mansard roof. A two-story tower has paired, round-headed windows with oculus windows. Perfection.
I love a good Second Empire style house with a mansard roof, and luckily, New England is full of amazing examples. This house in Providence’s College Hill neighborhood dates to about 1857 and appears to have been built for Francis W. Carpenter, a successful businessman who would later serve as President of the Congdon & Carpenter Company, an iron and steel company which was founded in 1792. Carpenter did very well for himself and would later move out of this house and into a stunning Beaux Arts mansion further up the street (featured previously), designed by the premier architectural firm of Carrère and Hastings. The house is today owned by RISD, and appears to be used for residences.
Isaac Harris Cary’s land holdings adjacent to Forest Hills Cemetery in Jamaica Plain, Boston, saw a surge in value when the cemetery and Forest Hills Station were constructed, opening up the area for development. After Isaac’s death in 1881, his unmarried daughter Susanna, built this large Second Empire style building contributes to the varied 19th century architecture of the street. This double-house was constructed around 1884, seemingly as a rental property which provided Susanna income while residing nearby. The two units suffer from some deferred maintenance, but are excellent examples of the Second Empire style in a double-house form.
Isaac Harris Cary (1803-1881) was born in Charlestown, MA to an established, old New England family. He eventually settled in West Roxbury, an area that is now known as Jamaica Plain, where he operated a tannery along a branch of Stony Brook, a tributary of the Charles River. Isaac built this home and a couple income-producing rental properties on a hill adjacent to the newly established Forest Hills Cemetery. The Second Empire style home today features bright colors and a modern recessed window set into the mansard roof, likely providing views to Boston’s skyline.
The Second Empire style did not take off in Maine as it did in other parts of New England (and the U.S. for that matter), so it’s always a treat to spot one driving the backroads of the Pine Tree State! This house in Denmark, Maine, was built around 1870 for E. A. Boothby, who worked as Assistant Engineer of the Maine Central Railroad. The Second Empire style is evident here from the mansard (French style) roof, bracketed eaves, and a hooded double-door entry.
Margaret Barker Sigourney was the wife of Boston lawyer Henry Sigourney (1783–1849). In 1864, just as the Civil War was coming to a close, Sigourney purchased a piece of land on Bellevue Avenue in Newport soon after the time that Newport had been rediscovered as a tourist destination for the elite class. Sigourney wanted to make a splash as a single woman summering in Newport, so she hired local architect George Champlin Mason to design her cottage in the fashionable Second Empire style. The refined facade is more academic, while the rear and side facades exhibit porches with delicate bargeboards and trim. Sigourney spent summers at her cottage with her only son until 1873 when he and his family perished and were lost at sea aboard the Ville du Havre, when it collided in the Atlantic with another ship, killing a total of 226 aboard the ships, many of which drowned and their bodies never recovered. Alone, Margaret Sigourney continued to spend her summers in Newport until her own death in 1885.
Collinsville, a village in Canton, Connecticut, sits along the Farmington River and is one of the most charming New England villages I’ve been to. The village sprung up around the Collins Axe Company, a manufacturer of edge tools, such as axes, machetes, picks and knives. With the company’s growth (more history on the company in a later post), immigrants moved to the town, and lived in workers cottages built by the factory owners. Churches, stores, schools, and parks came soon after, creating the dynamic village we see today. Nathan L. Polk moved to the village and built this charming Second Empire style cottage, walking distance to his apothecary shop. By 1872, Nathan died and the house was sold to Ulrich Haury. Haury was born and raised in Germany and settled in Collinsville by 1862, working at the Collins Axe Company. From his earnings, he opened up a grocery in the village, spending his earnings bringing his family for vacations to his homeland in Germany. The home remains in excellent condition.
After sharing the old Central Fire Station building in Lancaster (last post), I couldn’t help myself but to share another mini-mansard fire station constructed in town! Located in North Village, this station was built in 1888, and provided fire service to the more rural part of town. The wood-frame structure features a central tower which may have been used originally as a hose-drying tower. In the 1940s, the building was occupied by volunteers of the Ground Observer Corps, an American civil defense organization. The building’s tower provided unobstructed views of airspace where one could keep their eyes open for invading German aircraft. After the War, the Town of Lancaster sold the building, which then converted to a private residence. Sadly, a fire in 2015, damaged much of the interior of the building, but she survives!
Located next to the famed Stephen King House in Bangor (last post), this stunning Second Empire house was purchased by Stephen and Tabitha King in 2004, creating a small historic house campus in one of the nicest neighborhoods of the city. The Brown Mansion was constructed in the early 1870s for Charles P. Brown, an attorney who became involved in land speculation in the west. During and immediately following the Civil War, Brown purchased large land holdings in the “western frontier” in Minnesota and farther west, and re-sold the land years later at a huge profit when development began. He was thought to be one of the richest men in Maine upon his death in 1892, but it was discovered that many land holdings possibly vanished (or he lied about having much more land to his family), leaving his executors of his will very upset. The man who was estimated of having a net-worth of over $1,000,000 in 1892 (more than $31,000,000 in dollars today), left just $16,000, split between his two daughters, leaving nothing to his sister, whom he had been living with for the final two years in his life.
Located a short walk from the Stephen King House in Bangor, this stunning Second Empire style house shines just as bright! This house was built in 1866 for Joseph C. White, a dry goods merchant in town. Just years after it was completed, he sold the mansion, possibly due to upkeep. The two-story mansard-roof house is clad in wood siding, scored to resemble stone rustication, a method to make the home appear more expensive. The corner entrance with later enclosed second-floor porch, massive brackets, and scrolled dormers add a lot of Victorian flair to the home. Would you move in here?
Built for an A. Veazie, this mini-mansard cottage stands out as the oldest home on Bar Harbor Maine’s beautiful West Street. The 1871 Second Empire style home was located elsewhere in the village, but moved to the current site in 1886 by new summer resident, William Sterling. The cottage was modified in 1916 by Maine Architect Fred Savage for William and his family. The stunning windows inset into the mansard roof are especially noteworthy.
The Captain Nathaniel Stone House in Farmingdale, Maine was constructed in 1872 on a small plot of land overlooking the Kennebec River. The charming home was constructed by Nathaniel Stone (1797-1884), a retired ship chandler,(a dealer in supplies or equipment for ships) who moved back to his hometown after making his fortune in Boston. He lived here with his wife, Martha, and his adopted son, Uriah, in this fashionable Second Empire style. Nathaniel died in 1884, outliving his wife by two years. The property was willed to his adopted son Uriah, who quickly sold the home on account of him seeing ghosts inside, he refused to live there because of it. The home was acquired by William Ring, a businessman who owned real estate in nearby Gardiner, Maine. Between 1886 and 1912 he and his family resided at the former Stone House, but by the turn of the Twentieth-century he grew increasingly in debt, and on several occasions he borrowed against his property to meet his obligations. Before the home went up for auction in 1912, a massive fire broke out in the home, destroying all the interior woodwork, and William perished inside. Although significantly damaged, it was largely rebuilt to its original appearance by its eventual buyer and has been an architectural landmark on the Kennebec River ever since. Now that I think of it, maybe Uriah Stone could see the future and saw William Ring as a ghost!
In 1873 Elnathan Jones, Jr.(1829-1904) purchased house plans from a friend in Groton, adapted the plans, and built these two houses, in Acton. One home for himself, and one for his business partner Jonathan Wetherbee (1832 1926). Also near these two houses is the Tuttle House (featured last), in a different style. All three of these men were family by marriage, and ran businesses in the village of South Acton. The Jones and Wetherbee houses were built as sister houses, identical; but over the years, the Jones House has seen some unsympathetic alterations which diminish its architectural significance. The Wetherbee House (yellow) retains its original detailing and corner, towered mansard roof.
“Highwood”, was completed in 1845, and is likely credited to architect Richard M. Upjohn the son of Richard Upjohn Sr., who was known best for New York City’s Trinity Church, who was building a church for the Episcopal congregation in Stockbridge at the time. The home sits near Tanglewood, both since being absorbed into the Tanglewood Music Center campus today. The home was built for 27-year-old Samuel Gray Ward (1817-1907) an American poet, author, and minor member of the Transcendentalism movement. He was also a banker and a co-founder of the Metropolitan Museum of Art. Among his circle of contemporaries were poets and writers such as Ralph Waldo Emerson and Margaret Fuller. He desired country living with his family and became a “gentleman farmer” while he wrote in his home, overlooking the large lake. The family lived here year-round until he was called back to Boston to assist his father in business ventures. In 1857, the Wards realized their time at Highwood had come to an end and sold the estate to another Boston couple, William Story Bullard and his wife, Louisa Norton Bullard who settled into their new home, which they were not afraid to alter, including the addition of a mansard roof. The home was occupied by the family 1960. The home was later acquired by John Mason Harding, a New York lawyer and his wife, Mary Riker Harding. Idyllic summers did not last long for the Hardings as in the late 1970s, Tanglewood and the BSO sponsored rock concerts began playing. Mr. Harding complained that he didn’t expect to have Woodstock in his backyard and brought suit against the BSO to limit the length and noise level of the concerts. The home was eventually purchased by the BSO in 1986.
Buildings of New England 