Shingle Style Architecture

Bird-Crane House // c.1891

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The Bird-Crane House is located at 19 Beech Street in the charming coastal community of Rockland, Maine. The house was built c.1891 for  Maynard Sumner Bird (1869-1960) and his wife, Mary Hawkins Bird, who married that year. Mr. Bird was a businessman who originally worked in insurance before joining Bond & Goodwin. Inc., which dealt in investment securities with offices in Boston and New York. The couple would move to Florida, and the house was later owned by Kennedy Crane Jr., who operated the local Senter-Crane’s Department store in downtown Rockland. The house is a great example of the Shingle style of architecture with continuous shingled siding, rounded corner tower with curved sash windows, and shingled flared lintel over the window in the gable. What a great house!

Frank and Elizabeth Ratcliffe House // 1890

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I do not think that I have ever seen rounded shingled columns like this before… What a treat! This house is located on Rice Street in Newton Centre, and was built in 1890 by Henry H. Read, a leather dealer who developed the entire street. This house was built on speculation and initially rented out to tenants before it was sold to Frank Ratcliffe and his wife, Elizabeth Ratcliffe. Frank Ratcliffe was born in England and would become treasurer of the Boston & Albany Railroad, which had a stop in Newton Centre. Frank and Elizabeth would sell or gift this property to their daughter, Mary Elizabeth Ratcliffe Holt and her husband, Warner R. Holt. Besides the unique shingled columns, the house features a broad gambrel roof and sunburst panels and a two-story rounded shingled bay. I could not locate the architect for this one, sadly.

Kennard Estate // 1907

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A significant house and grounds are tucked away, hidden off Dudley Road in Newton, Massachusetts. This is the Kennard Estate. Frederic Hedge Kennard (1865-1937) was born in Brookline and attended Harvard College. He did graduate work for a time at the Bussey Institution and the Lawrence Scientific School, and entered the employ of Frederick Law Olmsted, the noted landscape architect, with his office in Brookline. By 1906, he decided to open his own landscape architecture office, opening locations in Boston and Philadelphia. He would purchase this expansive wooded property, and had this house built by 1907. He laid out the grounds, creating paths and gardens on the property and planted native trees. It is unclear who designed the house, sadly. Mr. Kennard was also a noted ornithologist (an expert on birds) and would host visiting scholars at his home, walking the grounds and studying birds there. After his death in 1937, the property was inherited by his son, Harrison Eisenbrey Kennard, and ultimately willed to the City of Newton upon his death in 1982. Since then, Newton Parks and Recreation have maintained the house (though they could be doing more to preserve it), and opened the grounds as Kennard Park, a free public park comprised of wooded trails and streams.

New Ipswich Public Library // 1895

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The New Ipswich Public Library is a one-story Shingle style building on Main Street in the charming village of New Ipswich, New Hampshire. The library building was likely designed by Ernest M. A. Machado, one of the best, and relatively unknown architects of the late 19th and early 20th century in Salem. The entrance which faces the side, is flanked by two diamond-pane windows, which can also be found on the primary facade. A special ten-light vertical window is recessed within a shingled depression in the gable, which adds some complexity to the design.

Southport United Methodist Church // 1904

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The Southport United Methodist Church of Southport sits cross the street from the Town Hall of Southport, Maine, and is one of the best examples of a Shingle style church in the state. The modestly sized church was built in 1904, shortly after a fire destroyed the local Methodist congregation’s former church building. Members hired the great Maine architect, John Calvin Stevens, who had just joined in a professional partnership with his son, John Howard Stevens, to design the new church. It remains as one of the more notable architectural landmarks in the town of roughly 600 year-round residents.

Boxcroft // 1883

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“Boxcroft” (also known as “Whileaway”) is a historic Shingle style summer “cottage” on Red Cross Avenue in Newport, Rhode Island. While it is surrounded by vegetation and tucked away, not facing the road, the house is a landmark example of the architecture style and very significant. The house was completed in 1883 from plans by the architectural firm of McKim, Mead & White a white shoe firm who designed many summer cottages in Newport for social elite. The original owner was Samuel Colman (1832-1920), a well-known landscape artist, the first President of the American Water Color Society, a connoisseur of Oriental art and an interior designer in business with Louis Comfort Tiffany specializing in fabrics and wallpaper. Colman lived here with his first wife, Ann Lawrence Dunham until her death in 1902. The property was later owned by Mary Appleton, an unmarried daughter of publisher William Henry Appleton. She would sell Boxcroft to lawyer and socialite J. Coleman Drayton, years following his bitter (and very public) divorce from Charlotte Augusta Astor, a member of the prominent New York Astor family, following a cheating scandal by Charlotte. Mr. Drayton died in Newport in 1934. Boxcroft remains an architecturally and historically significant piece of Newport’s Gilded Age.

“Villino” // 1882

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“Villino” was built in 1882 for $7,553, as a summer residence for Ms. Frances L. Skinner, a widow of the late Reverend Thomas Skinner. “Villino” was the work of the young firm of McKim, Mead & White, and it is one of the firm’s many Shingle style buildings, but one of the most compact. The asymmetrical 2½-story Shingle Style cottage sits atop a granite foundation with continuous shingles above. The entrance porch is tucked into the building mass on the side and its prominent tower with conical roof. The house is sited well into the landscape and unlike many other summer “cottages” the name Villino which is Italian for cottage, actually fits!


Frederick & Arabella Holden House // 1893

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The Frederick & Arabella Holden House sits on Aspinwall Avenue in the Brookline Village neighborhood of Brookline, Massachusetts. Built in 1893, the excellently designed Shingle style dwelling was actually built on speculation by developers, and sold upon completion to the couple. Fred G. Holden (1858-1927) was a marble dealer who managed the Boston Marble Company and had connections in his home state, Vermont for the highest quality marble to sell around Boston, largely for building products and grave memorials. Arabella Proctor Holden (1859-1905) was born in Cavendish, Vermont, as the eldest daughter of Redfield Proctor, 37th Governor of Vermont and the founder of the Vermont Marble Company, the largest such company in the world. I could not find the architect of the house, so any more information, let me know. I’d love to solve the mystery!

Levi T. Lyon Two-Family House // 1895

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When Brookline Village filled in with multi-family housing in the late 19th and early 20th centuries, many speculative real estate developments sprouted up from larger residential estates. As so many were built on speculation, high-quality designs and construction were a necessity to bring in picky buyers. This two-family house was built on the corner of Brook and Toxeth streets by Levi T. Lyon, a builder and developer, who lived on Brook Street. This house was designed by F. Manton Wakefield, a relatively unknown architect who apprenticed under Shingle-style maestro William Ralph Emerson, before opening his own firm. Buildings like this are great as they provide much-needed housing, while being built of a good scale that allows residents to know their neighbors, not as easy in a high-rise.

Oliver J. Barr House // 1908

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Built in 1908 as a late example of the Queen Anne and Shingle styles, the Oliver J. Barr House is one of the finest Victorian buildings in Norwood, Massachusetts. The residence was built for Oliver J. Barr (1863-1935), who served as the General Manager of the Norwood Press in town, following his company from Boston to Norwood. The house was designed by Eugene Clark a Boston-area architect who specialized in suburban houses in the late 19th and early 20th centuries. The dwelling is noteworthy for its distinctive form, intact and rough textured wood shingle siding, and complex roof configuration. Particularly noteworthy is the verandah which encircles its northeast corner and rounded conically capped tower.