Somerville MA Homes

Former Somerville Police Station // 1874

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Somerville, Massachusetts, was long part of Charlestown, until it incorporated as a separate town in 1842. From the 1840s until just after the Civil War, Somerville went from a sleepy farming village to manufacturing center, spurring a sharp influx of immigrants to the city, industry boomed and brick manufacturing became the predominant trade. The town of Somerville incorporated as a city in 1872, and one of the first civic buildings constructed as a new city, was this Victorian Gothic building on Bow Street in Union Square to house the growing Somerville Police Station. Built in 1874 from plans by architect, George Albert Clough, a prominent and busy local designer. The handsome station was in use until the new Police Headquarters further east in Union Square was built in 1932. This building was sold off by the city and became offices and housed meeting spaces for a local boy’s club and an American Legion Post until it was converted into housing in the late 20th century. 

The Highland Apartments // 1892

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The Highland Apartments, on Highland Avenue in Somerville, is one of the city’s most architecturally distinguished and significant late 19th century apartment buildings. Richardsonian Romanesque in style, the building is constructed of brick with brownstone trimmings, a rounded corner tower with conical roof, and Romanesque arched entrances. The building even retains its name, “Highland”, carved in brownstone at the corner. The building contained 12 units, all with multiple windows and views of the adjacent park or ever-growing Boston from its hilltop location. The architect, Samuel Dudley Kelley, was a noted designer of apartment buildings at the time. The Highland remains an important, preserved example of late 19th century multi-family housing, and showcases how far we have fallen when designing such structures today. 

Dr. Thomas M. Durell House // 1897

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Located next to the colorful Wadleigh-Friend House on Highland Avenue in Somerville, the Dr. Thomas M. Durell House stands as a more academic example of the Colonial Revival style, but leaning more towards Arts and Crafts style than Queen Anne like its neighbor. This residence was built in 1897 for Dr. Thomas M. Durell, a Harvard-educated doctor and surgeon who, at the formation of the Tufts Medical School, was appointed Lecturer on Legal Medicine, and in 1895, was made Professor of that subject. Architects (and brothers) Edwin King Blaikie and William Everett Blaikie designed the residence for Dr. Durell along with a stable at the rear. While the house exhibits Colonial Revival detailing from the Palladian window and proportions, there are some Arts and Crafts style influences including the shed dormers, shingled siding, inset porches, and broad overhanging eaves with exposed rafters. 

Wadleigh – Friend House // 1893

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One of the most beloved houses in Somerville, Massachusetts is this beauty on Highland Avenue, known best for the unique assemblage of colorful found objects in the front yard, as a living museum. The residence was built in 1893 for William Y. Wadleigh, a wholesale grocer who operated markets all over the region. The house is an eclectic blending of Queen Anne and Colonial Revival styles with an asymmetrical plan and rounded corner tower taken from Victorian styles, along with a classical porch and swan’s neck pedimented dormers at the roof, clearly Colonial Revival in style. Today, the Wadleigh House is best-known for its owner, artist Martha Friend, who has preserved the house, and created an enchanting, ever-evolving installation outside and inside the residence. Sapphire City, an installation in the front yard, draws passersby in to see the assemblage of blue bottles and Dance Party, an assortment of animals at the porch roof, make the house a favorite in the neighborhood. It is houses and owners like this that make Somerville such a vibrant and great place to live and explore.

Barnes-Luce House // c.1890

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This lovely Queen Anne style home can be found on Highland Avenue in Somerville, Massachusetts. Built around 1890, the residence was built for Walter Saunders Barnes (1838-1931), a manufacturer with a paper box business in Boston. The property was sold in 1903 to Robert Luce (1862-1946), a prominent businessman and politician who founded the Luce’s Press Clipping Bureau before he was elected a member of the Massachusetts House of Representatives in 1899 and 1901–1908. He was elected the 42nd lieutenant governor of Massachusetts in 1912. After serving as Lt. Governor, Luce would spend the next decades in the House of Representatives. His Somerville house is a well-preserved example of the Queen Anne style and includes a steeply pitched hipped roof with gable and dormers, asymmetrical plan, porch with braced supports, and a half-round window in the gable.

George F. Loring House // 1895

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The George F. Loring House on Highland Avenue in Somerville, Massachusetts, is an architect-designed house designed as the architect’s personal residence. While the architect specialized in the Richardsonian Romanesque and Colonial Revival styles, for his own home, George Loring crafted a free interpretation of seventeenth-century medieval architecture with a brick first story and upper floors overhanging and sheathed in cedar shingles. Loring trained in the office of Boston City Architect, George A. Clough, before establishing his own practice. By 1895, when he constructed this residence on Highland Avenue, Loring was in partnership with Sanford Phipps, specializing in the design of large single-family homes in the Boston metropolitan area.

Samuel & Susan Gaut House // c.1855

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Built in the 1850s, the Samuel and Susan Gaut House on Highland Avenue in Somerville, Massachusetts, is one of the finest examples of a symmetrical, three-bay, Italianate style house in the city. Samuel Norton Gaut (1816-1891) worked as a baker with shops in downtown Boston, and married Susan Dutton (1824-1892), the daughter of a wealthy shipbuilder in Newburyport. The Gaut House was listed on the National Register of Historic Places for its architectural significance as an intact example of a gabled Italianate style home. Special details include the brackets in the gable, trefoil window in the peak, and the octagonal cupola at the roof. Early 20th century alterations include the shingle siding, replacement windows, and enclosed portico, but neither truly detract from the beautiful home.