Queen Anne

William Dexter House // 1899

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One of the best examples of the eclectic architecture designed at the of the 19th century in Norwood, Massachusetts, can be found on Beacon Street in the William Dexter House. Built in 1899 for William W. Dexter (1827-1911), who in 1852, married Harriet Blake, later settling in Massachusetts. Tragedy struck the family in 1871, when on the same day, his wife and daughter died; two days later, his sister-in-law, and six days after that, his other daughter Carrie died, all of bacterial infections. All that remained of the family was William and his only surviving daughter, Nellie. William remarried and built a blended family until his death in 1911. This house was built by Dexter, who worked as a contractor and painter, and George F. Bagley, a local builder. The complex form, rooflines, varied siding types, corner tower, and intact historic windows all add to its beauty. If only it had a historically appropriate color scheme to compliment it!

Oliver J. Barr House // 1908

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Built in 1908 as a late example of the Queen Anne and Shingle styles, the Oliver J. Barr House is one of the finest Victorian buildings in Norwood, Massachusetts. The residence was built for Oliver J. Barr (1863-1935), who served as the General Manager of the Norwood Press in town, following his company from Boston to Norwood. The house was designed by Eugene Clark a Boston-area architect who specialized in suburban houses in the late 19th and early 20th centuries. The dwelling is noteworthy for its distinctive form, intact and rough textured wood shingle siding, and complex roof configuration. Particularly noteworthy is the verandah which encircles its northeast corner and rounded conically capped tower.

Point O’ View Cottage // 1892

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The Point O’ View Cottage in Kennebunkport sits on a large lawn on the rugged Maine coast, with sweeping views of the Atlantic Ocean. Built in 1892 by Burleigh S. Thompson as a rental property (he rented it for $1,500 for the summer) the nine-bedroom “cottage” was designed in a Tudoresque version of the Queen Anne architectural style and originally named Fort Bradford. The cottage (like others built for Mr. Thompson) was designed by Henry Paston Clark, THE architect for the Cape Arundel Summer Colony in the 1890s, who also designed St. Ann’s Episcopal Church and other cottages nearby. The cottage was renovated more in keeping with the Shingle style and was entirely clad in cedar shingles, but it retains its perfect, rustic stone foundation and rounded porch. It is now known as Point O’ View Cottage. What a view it has!

Kewaydin Cottage // 1900

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Every good summer cottage needs a name, and this charmer in the Cape Arundel Summer Colony of Kennebunkport, Maine, is no exception! This is “Kewaydin” a massive summer home built for Eben Caldwell Stanwood Jr. (1856-1906) a merchant and later banker of Boston, Massachusetts. Stanwood hired the Boston firm of Chapman & Frazer to design the cottage, which blends Shingle style and Queen Anne elements in a rustic composition that has such great curb appeal! The use of cedar shingles and rubblestone chimneys, paired with the vergeboards and complex roofline with dormers, makes this one of the gems of Kennebunkport!

Pine Haven Cottage // 1902

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Pine Haven Cottage sits on a rise overlooking the Atlantic Ocean in the Cape Arundel summer colony in Kennebunkport, Maine. Built in 1902 for Thomas Brodhead Van Buren, Jr., a silk importer in Manhattan as a summer home, the cottage was designed by Henry Paston Clark and his partner, John W. Russell in an eclectic example of the Shingle style with gable roofs, vergeboards, stone foundation, and a prominent porch that has since been enclosed.

Turk’s Head Inn // 1890-1970

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The Turk’s Head Inn was once Rockport’s grandest getaway. For those uninterested in building their own summer cottage to spend the along the coast of Massachusetts, luxury summer resorts provided summer rentals for those escaping the hot and polluted cities in favor of cool ocean breezes. Once situated in the  Land’s End section of Rockport, the Turk’s Head Inn, had sweeping views of the coast and islands in the distance. The initial portion was built from 1889 to 1890 by builder J. M. Wetherill of Rockport based on plans by architect H. M. Stephenson of Boston. It was expanded and became this rambling, E-shaped Colonial Revival structure with a seaboard frontage of two hundred feet and wraparound verandas over three hundred feet in length. Over the years, the Turk’s Head Inn suffered a number of fires, and its central and southeast wings were rebuilt, the latter in 1905 by then owner C.B. Martin. With a peak capacity of 200, the hotel, uncharacteristic of the regional hospitality industry, remained in operation for eighty years before it was closed down, partially destroyed by fire, and the remains removed in 1970.

Windswept Cottage // 1909

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The coastal towns of Gloucester, Manchester, and Beverly on the North Shore of Massachusetts often are known for their historic summer “cottages” but great examples can be found right here in Rockport! This is “Windswept”, the W. W. Blunt cottage, located in the Headlands section of town, just south of the harbor. Walton W. Blunt worked as the Treasurer and General Manager of the Boston Journal newspaper and resided in Boston, later purchasing multiple adjoining house lots in Rockport for a summer residence. The two-and-a-half story house was designed by a Rutherford Smith, who sought to utilize fieldstone found nearby for the foundation and chimneys and shingle siding above. Detailed descriptions of the new house were featured in a local newspaper in 1909 and mentioned tennis courts on the grounds, an apartment for servants, and a billiard room in the third floor. It is not clear when the house got its name, “Windswept”, but the name is just too fitting!

St. Alban’s Episcopal Church // 1891

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Tucked away off Broad Street in the Danielson village of Killingly, Connecticut, you will find this charming and eclectic church building, long-occupied by the St. Alban´s Episcopal Church. Episcopalians began congregating in the town in the 1860s, and it would be in 1865, when an old academy building on this site was acquired and converted for use as an Episcopal church. By 1891, the relative prosperity of members of the church made it so a new church building was to be built on the site. Worcester-based architect Stephen C. Earle was hired to furnish plans for the new edifice which is eclectic with Victorian Gothic and Shingle style elements. The congregation appears to have either disbanded or merged with a nearby church as the building does not appear to be occupied. 

Ms. Perkins’ Millinery Shop // c.1890

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This charming one-story shop sits on the Porter-side of Kezar Falls village, a district that spans the Ossipee River between Porter and Parsonsfield, Maine. This shop was built at the end of the 19th century as a millinery shop (womens’ hat store) for Ms. Florence Perkins (1862-1950), who appears to have been unmarried all of her life. Retaining almost all of its original decorative detail, the building has a symmetrically arranged facade with two-sided projecting bays; the upper sash in the facade windows, including that in the entrance door, has a border of small rectangular colored glass panels. The storefront is a rare survivor of this period, with not many other examples in the area.

Galvin Cottage // c.1882

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Hull Hill is a relatively unknown enclave of summer cottages that sit on a rise overlooking Boston Harbor in the coastal community of Hull. The development of Hull Hill began in the 1870’s but became most active in the 1880’s and 1890’s. The land here was previously maintained as pasture and gardens by Hull villagers, but the land here was eventually sold and developed when the Hingham Water Company came to Hull in 1882. That same year, the railroad arrived which provided easier access to the town. This cottage on Andrew Avenue is one of the earliest summer residences built here, and dates to the late 1870s or early 1880s. The cottage was owned by Owen Augustus Galvin, a Boston lawyer, and his wife, Jane Sullivan Galvin. The unique cottage features a hexagonal section with a roof extending down to meet the wrap-around porch. The cottage exemplifies late 19th century cottage/resort architecture.