Architecture

Warren House // 1913

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This stunning townhouse on Beacon Street in the Back Bay neighborhood of Boston was constructed in 1913 for George Eddy Warren and his wife Frances Knowles Warren. The home, designed by Parker, Thomas & Rice, is one of the more elegant Classical Revival townhomes in the city, with its symmetrical, prominent bowfront, piano nobile with full-height windows, classical lintels, and thoughtful use of brick and stone construction. George E. Warren was a coal dealer, who was selected to head the U.S. Army’s Raw Materials Division during WWI for his expertise. During the war he was in charge of the fuel and forage division, overseeing an important aspect of 20th century warfare, petroleum manufacturing and distribution. His wife Frances was the daughter of Francis B. Knowles, a co-founder of Rollins College in Florida, the oldest institution of higher learning in the state of Florida. Frances volunteered her time in Boston as President of the YWCA, progressing women’s empowerment and social justice in the city. After successive ownership, the townhome was acquired by Emerson College and combined with its neighbor on the interior. In 2000, the home was reverted back to a residence and houses two condominium units.

St. Patrick’s Church, Newport // 1882

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Perched high on a hill in central Newport, NH, St. Patrick’s Church has served the community in its stunning building for nearly 150 years. The town of Newport began seeing Irish immigrants moving into town looking for work at the mills as early as 1835. The large working-class population created a need for a Catholic church in the growing town. That same year, the Catholic population of the state of New Hampshire was listed at just 720 people. Over the following decades of meeting in homes and small buildings around town, the Catholic population in town, along with the newly established Archdiocese of Manchester, NH, came up with funds for a church in the mill town of Newport. The congregation hired Hira Ransom Beckwith, a carpenter, builder and architect from nearby Claremont to design and construct the new place of worship. Interestingly, Beckwith had only a high school education, so his training as an architect and builder was through apprenticeships. The church is a blend of Gothic Revival and Stick styles, with the lancet windows and tracery paired with the elaborate stick-work in the gable.

Old Sullivan County Courthouse // 1826

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In December 1824, a law was passed by the New Hampshire Legislature removing the of the Supreme Court of Judicature from Charlestown, New Hampshire to Newport, which was located at the convergence of multiple stagecoach lines along the Sugar River. Soon after, Sullivan County was formed from the northern part of Cheshire County. At a meeting held January 13, 1825 the town of Newport voted to raise $2,000.00 to assist in building a courthouse and town hall, in the center of town. The building was erected in 1826 with the Newport Town Hall on the first floor and County Courthouse on the second. The building continued to be used as a court as well as social purposes until 1872, when it was deeded to the Town of Newport. Since then, the structure was used as a school and grange hall, and it now is home to a restaurant, appropriately called “The Old Courthouse”. The 1826 building is an excellent example of vernacular Federal style architecture.

Corbin Estate // 1880

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Austin Corbin (1827-1896) was a 19th century railroad man known for consolidating what we know today as the Long Island Railroad. He was born in Newport, New Hampshire and eventually graduated from Harvard Law School in 1849. He eventually moved to New York, and founded the Corbin Banking Company, which he leveraged into a successful banking firm, which funded his diversifying into resorts and railroads. In 1873, while following doctors advice of ocean air for his ill son on Coney Island, Corbin recognized the area as an untapped natural location for a summer resort, and proceeded to purchase 500 acres, opening a large hotel and a new railway system to deliver New Yorkers to the resort in 1878. He is infamous for strong-arming the Montaukett tribe on Long Island out of nearly 10,000 acres they occupied around Montauk. The tribe is still seeking compensation for this tactic. In 1880, he built this summer estate in his hometown of Newport, NH as a castle for his greed, also acquiring over 100 acres for the estate. He soon after bought out over 25,000 acres of land for an ultra-private members-only hunting club. Corbin died on the estate in 1896 and the property was eventually purchased by William Ruger. The home was vacant for decades following WWII until Ruger, who co-founded Sturm, Ruger & Co. purchased the estate, likely utilizing the hunting reserve next door. The property and another owned by the Ruger Family were sold separately at auction in 2019.

“Highwood” // 1845

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“Highwood”, was completed in 1845, and is likely credited to architect Richard M. Upjohn the son of Richard Upjohn Sr., who was known best for New York City’s Trinity Church, who was building a church for the Episcopal congregation in Stockbridge at the time. The home sits near Tanglewood, both since being absorbed into the Tanglewood Music Center campus today. The home was built for 27-year-old Samuel Gray Ward (1817-1907) an American poet, author, and minor member of the Transcendentalism movement. He was also a banker and a co-founder of the Metropolitan Museum of Art. Among his circle of contemporaries were poets and writers such as Ralph Waldo Emerson and Margaret Fuller. He desired country living with his family and became a “gentleman farmer” while he wrote in his home, overlooking the large lake. The family lived here year-round until he was called back to Boston to assist his father in business ventures. In 1857, the Wards realized their time at Highwood had come to an end and sold the estate to another Boston couple, William Story Bullard and his wife, Louisa Norton Bullard who settled into their new home, which they were not afraid to alter, including the addition of a mansard roof. The home was occupied by the family 1960. The home was later acquired by John Mason Harding, a New York lawyer and his wife, Mary Riker Harding. Idyllic summers did not last long for the Hardings as in the late 1970s, Tanglewood and the BSO sponsored rock concerts began playing. Mr. Harding complained that he didn’t expect to have Woodstock in his backyard and brought suit against the BSO to limit the length and noise level of the concerts. The home was eventually purchased by the BSO in 1986.

Tanglewood // c.1865

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The 200-acre campus of Tanglewood, where the Boston Symphony Orchestra spends its summer months, spreads the grounds of two historic summer cottages in the charming town of Stockbridge, MA. One of the summer “cottages” Tanglewood, where the music center gets its name, was constructed around 1865 for Caroline Sturgis Tappan, husband William Aspinwall Tappan and their two daughters, Ellen Sturgis Tappan and Mary Aspinwall Tappan. Mary, with her niece Rosamund Hepburn, donated the family summer home, Tanglewood in 1937 to Serge Koussevitzky, a Russian-born conductor, composer and music director of the Boston Symphony Orchestra from 1924 to 1949. The campus has since grown astronomically as it hosts musicians and tourists from all over the region and globally to experience the arts in the charming town in the Berkshires. The Tanglewood house retains much of its historic architecture and siting, overlooking the Stockbridge Bowl (lake).

Elm Court // 1886

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Real estate listing 11-2020

At 55,000 square feet and 106 rooms, the Elm Court mansion retains the title of the largest American Shingle Style home in the United States. The structure was built for William Douglas Sloane and Emily Thorn Vanderbilt (granddaughter of Cornelius Vanderbilt) as their summer “cottage” in the Berkshires. The home straddles the towns of Stockbridge and Lenox and sits on a massive parcel of land, giving the owners space to breathe the clean countryside air. Emily’s brother, George, built The Biltmore in Asheville, North Carolina and her sister, Eliza (Lila), constructed Shelburne Farms in Shelburne, Vermont. The home was constructed in 1886 from plans by the great Peabody & Stearns architects. Shortly after the turn of the century, ca. 1901, the couple commissioned Peabody and Stearns again, to vastly enlarge their original house. The additions used both Shingle Style and Tudor Revival motifs, and the result is a structure highly reminiscent of an English country house. William Sloane died in 1915, and Emily Vanderbilt continued to use the summer cottage, and in 1921, she married a summertime neighbor, Henry White, a career diplomat. While Henry White died in 1927, Emily retained the house and kept the grounds running until her death in 1946. The property’s use evolved into an inn in the late 1940s. During the 1950s, it embraced the public for dinners, overnight accommodations and events. Eventually Elm Court’s doors closed, and for approximately 50 years the mansion succumbed to significant theft and vandalism. The property has been listed for sale numerous times in the past decades, after a renovation by the last owners in the Sloane family. It is now listed for $12,500,000!

St. Paul’s Church, Stockbridge // 1884

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Located on the idyllic Main Street in Stockbridge, MA in the Berkshires, this stone church marks the emergence of the once sleepy town into a summer retreat for wealthy citizens, escaping the cities in the late 19th century. This building is Charles Follen McKim’s first church design, a building reflecting his early training in the office of H. H. Richardson with the use of Romanesque detailing, though with a hint of Norman design. St. Paul’s Church is constructed of gray Berkshire granite with stained glass windows by John La Farge. The church replaced an older wooden church building designed by Richard Upjohn in the Gothic Revival style. The church was almost entirely funded by Charles Butler, a New York lawyer who wanted to honor his late wife Susan Ridley Sedgwick Butler, a descendant of Theodore Sedgwick, whose home I featured not long ago.

Red Lion Inn // 1897

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The largest building on Main Street in Stockbridge has to be the Red Lion Inn, a regional institution and one of the best places to rest your head in New England. The inn got its start just before the Revolutionary War. According to tradition, Silas Pepoon established a small tavern on the corner of Main Street in 1773, under the sign of a red lion. A year later, angry citizens gathered at the tavern to boycott English goods and to pass resolutions protesting the oppressive Acts of Intolerance levied against the colonies. Since its earliest days, the inn was a vital gathering place for locals and has continued to play an important role in the life of the community ever since. In 1862, the inn was owned by Mr. and Mrs. Charles Plumb, avid collectors of rare and fine items, who became renowned for their impressive compilation of colonial antiques. A fire in 1896 destroyed the building but its remarkable array of collectibles was saved and the inn was rebuilt within a year by designs from Harry E. Weeks, a Pittsfield-based architect.

Guerrieri Block // 1921

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Norman Rockwell‘s ‘Home for Christmas’ painting in 1967 depicts the Main Street scene in Stockbridge, Massachusetts, and epitomizes the essence of Christmas in small towns across the country. In the iconic painting, you can find many landmarks (including the Town Offices building) that make up the quaint main street, that typifies many small New England towns. At the center of his painting, the Guerrieri Block can be seen with a Christmas tree lit up in the window on the second floor. The Guerrieri Block was built in 1921 by Antonio Guerrieri, a skilled woodworker who sold and repaired antiques in one of three street level shops in the block. He and his family lived in an apartment on the second floor. The next year he completed construction of a shop behind the block where he worked out of. In 1953, Norman Rockwell moved to Stockbridge and spoke with Antonio about using the second floor of his building as a studio. Antonio constructed a large central bay window with plate glass to flood the space with light and allow Rockwell to work while observing the street below. Rockwell used the space as his studio until 1957. The building has since been occupied as a general store.

Children’s Chimes Tower // 1878

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Located in front of the old Town Hall and Congregational Church in Stockbridge, this tall carillon (bell tower), was gifted to the town by David Dudley Field, Jr. in memory of his grandchildren. His one condition was the chimes were to be rung everyday at 5:30 p.m. between, “apple blossom time and the first frost on the pumpkin”. The tower has a stone base and wooden belfry surmounted by a pyramidal roof with clocks on all four sides. The tower remains a gift, not only to the memory of his grandchildren, but to passersby who are lucky enough to hear the bells toll.

First Stockbridge Town Hall // 1840

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The Town of Stockbridge, MA was incorporated on June 22, 1739. After that time the town held meetings and conducted business in the First Congregational Meeting House until 1840 when this Greek Revival town hall building was erected on the church’s property as a gift. A stipulation was made that if the Town government constructed or moved to a new town hall building, the property ownership would revert to the Church. The town outgrew the building and constructed a new building toward the center of town, but named it Town Offices, a cheeky way to retain ownership of this building. Eventually, that building too was outgrown, and the town hired Pittsfield-based architect Harry E. Weeks to modify and enlarge the building in 1903, in the Neo-Classical style to compliment the original Greek detailing. As expected, the town moved again in the 2000s to a former school, on Main Street, but again retained the building.

First Congregational Church, Stockbridge // 1824

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Stockbridge, Massachusetts was settled by English missionaries in 1734, who established it as a praying town (an effort to convert the local Native American tribes to Christianity), for the Mohican tribe known as the Stockbridge Indians. The township was set aside for the tribe by English colonists as a reward for their assistance against the French in the French and Indian Wars. From this, a Yale-educated missionary, John Sergeant began converting native people to Christianity, essentially stripping them of their own religious culture and practices. Although Massachusetts General Court had assured the Stockbridge Indians that their land would never be sold, the agreement was rescinded. Despite the aid by the tribe during the Revolutionary War, the state forced their relocation to the west, to New York and then to Wisconsin. The village was then taken over by British-American settlers who created the township.

The first congregational church here was formed by Sergeant in 1734, and later succeeded by Jonathan Edwards, another minister. During his time in Stockbridge, Edwards wrote his masterpiece, Freedom of the Will, which remains one of the most studied works in American theology. Edwards later left the church to become the President of The College of New Jersey, now known as a little school by the name of Princeton. The first church was built in 1739, later replaced by a second church building that stood from 1785 to 1824. The present brick building was built in 1824 in the Federal Style. The space was occupied for town functions until the 1840s, when an official town hall was erected next door, demarcating the separation of church and state. The stunning church marks the immense influence religion had in the early colonial days of New England and the impact it had on native peoples (for better or worse).

“Puddingstone” // 1927

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Located across the street from Larz Anderson Park and the former Larz Anderson Estate, this stunning Spanish Revival home, built in 1927, was constructed as a guest house for visitors of Larz and Isabel Anderson. Between 1925-29 the Andersons constructed three guest houses outside the estate on Goddard Avenue. The designs were intended to call to mind places the Anderson’s had visited. “Puddingstone”, was named for a nearby outcropping of puddingstone on the Anderson estate, and was modeled after a house the couple had seen in Santa Monica, California. The Andersons used the buildings occasionally as guesthouses for relatives or friends who came for long stays at Weld, especially when Larz and Isabel were not in residence there. But for the most part, the houses remained empty and it was only after Larz’s death in 1937 that Isabel disposed of them. She donated them to Boston University for use as the Brookline Campus, who in turn, sold them off as private residences years later. Built in a Spanish Colonial style, it features a red terra cotta tile roof, adobe-colored stucco walls, and a center entrance framed by an elaborate cast stone surround in a Spanish Baroque style. To the right of the front door, a clathri (grid/lattice in architecture) over a window can be found in a blind arch.

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Putterham School // 1768

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Colonial-era one-room schoolhouses once dominated the landscape of New England, providing a learning space for young children. The number of these structures have plummeted due to changing development patterns and limited funding to preserve or adaptively reuse such buildings. In the town of Brookline, this c.1768 schoolhouse has been altered frequently, showing various styles and techniques in construction used during the eighteenth, nineteenth, and twentieth centuries. The original one-room school house was enlarged in 1840 by an addition to the rear to fit additional pupils. In 1847 a shed was built for storing coal or wood and providing an entry vestibule. According to town records, in 1855 the ceiling in the schoolroom was raised, the windows enlarged, and the desks and chairs repaired. The double privy was built around 1898, probably replacing an earlier single privy. There is some evidence that in 1938 the school was used temporarily as a Catholic church and at some time following World War II as a synagogue. In 1966, the school was moved from its original site on Grove Street to its present location at Larz Anderson Park for the future preservation of the building by the town and local historical society. The schoolhouse is normally open for tours at various points during the year or by appointment.