Boston History Blog

“Puddingstone” // 1927

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Located across the street from Larz Anderson Park and the former Larz Anderson Estate, this stunning Spanish Revival home, built in 1927, was constructed as a guest house for visitors of Larz and Isabel Anderson. Between 1925-29 the Andersons constructed three guest houses outside the estate on Goddard Avenue. The designs were intended to call to mind places the Anderson’s had visited. “Puddingstone”, was named for a nearby outcropping of puddingstone on the Anderson estate, and was modeled after a house the couple had seen in Santa Monica, California. The Andersons used the buildings occasionally as guesthouses for relatives or friends who came for long stays at Weld, especially when Larz and Isabel were not in residence there. But for the most part, the houses remained empty and it was only after Larz’s death in 1937 that Isabel disposed of them. She donated them to Boston University for use as the Brookline Campus, who in turn, sold them off as private residences years later. Built in a Spanish Colonial style, it features a red terra cotta tile roof, adobe-colored stucco walls, and a center entrance framed by an elaborate cast stone surround in a Spanish Baroque style. To the right of the front door, a clathri (grid/lattice in architecture) over a window can be found in a blind arch.

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Hannah Harris House // c.1772

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This cute little Georgian home in Brookline was built around 1772 for Hannah Winchester Harris, a widow at the time. Hannah’s husband, Timothy died in 1772 and it appears the widow had this small gambrel-roofed home constructed sometime soon after. Ms. Harris died in 1805 and the home was occupied by a new family, who added the saltbox addition. The home is today owned by the Town of Brookline, who maintain the building through the Brookline Historical Society. the home sits on the boundary of the old Weld Estate.

Pastan Houses // 1936 & 1963

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Located across the street from each other in Brookline, the Pastan Houses are an excellent example of how architectural tastes can change from one generation to another. The William Pastan House was constructed in 1936, and is Tudor Revival in style. The home has a projecting square entry tower with castellated roofline and interesting mixture of materials and textures. The first owner, William Pastan raised his family in the home, attending the synagogue a couple blocks away. By 1963, Pastan’s son, Harvey became a successful engineer and built a home near his parents for his own family, though in a very different aesthetic. The Modern home features boxy forms, prominent covered parking spaces, and expanses of glass.

Which house would you prefer, William’s (1936) or Harvey’s (1963)?

Commonwealth Trust Company // 1908-c.1974

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Ca. 1910 image courtesy of Boston Public Archives.

Located at the corner of Summer and Devonshire Streets in Downtown Boston, the Commonwealth Trust Company’s two-story marble banking house commanded the corner, despite its short stature. The building, completed in 1908, was constructed with Lee marble and decorated with ornate wrought and cast-iron grilles over windows. The building was designed by the architectural firm of Parker, Thomas & Rice in the Classical mode with large, fluted Corinthian columns and boxed corner pilasters framing the recessed center entrance, Corinthian pilasters ran along the side facade. At the inside, the building was coated with Cararra and Blanco marble with paneled oak offices. At the ground floor, offices and banking stations framed the outer walls, with the safety deposit boxes located on the second floor. The building was demolished by the 1970s and replaced with a one-story minimalist Modern building (I could not figure out why the former building was razed). The new building was demolished after a few decades with a larger building, better fitting the commercial district.

125 Summer Street // 1989

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The late 1980s were a time of financial success for developers and banking companies all over the country. It seems that more skyscrapers were constructed in Boston this decade than any other of the 20th century, but working within the confines of the historic downtown of the city, left architects and developers to come up with creative ways to build here. The architectural firm of Kohn Pederson Fox was hired to construct a 20+ story office tower at the southern edge of the Financial District in Boston, while preserving the small-scale commercial buildings there. A row of four-story commercial blocks constructed after the Great Boston Fire of 1872 were retained with the tower seemingly growing out of them. The process here is known as “facadism” which is a valuable preservation tool to balance preservation with density in historic downtowns, though not always done right. This KPF design with its Post-Modern tower in concrete and granite fits well within the streetscape and maintains a walkable block downtown.

What do you think of this design?

Forest Hills Administration Building & Chapel // 1884

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Located adjacent to the Entrance Gate at Forest Hills Cemetery in Boston, the Administration Building and Chapel perfectly compliments the Gothic Revival collection of structures welcoming all visitors to the cemetery. Designed by the firm of Van Brunt & Howe, the building was completed in 1884, when the cemetery’s popularity with visitors (alive and deceased) was at a high. The building is in the Gothic Revival style and is constructed of
Roxbury puddingstone, with sandstone trim on the original parts of the building and yellow freestone trim on the 1921 addition. The building remains as a perfect partner to the entrance gate, serving as a physical portal between metaphorical life and death.

Forest Hills Cemetery Bell Tower // 1876

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The bell tower at Forest Hills Cemetery is an octagonal Gothic revival structure located on Snowflake Hill just past the entrance gate and administration building and was completed in 1876. The 100-foot tower is constructed of Roxbury puddingstone and trimmed with granite. The roof is clad with granite tiles and topped with an ornate copper weathervane. Originally its swinging bell tolled, but it has since been replaced with an electronic carillon. The bell tower rises dramatically from massive
outcrop of Roxbury puddingstone known as Snowflake Hill which is offset by smooth lawns and Victorian planting beds. While the large trees surrounding partly obscure the tower, it truly is a stunning building.

Forest Hills Cemetery, Entrance Gate // 1865

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Forest Hills Cemetery was founded in 1848 by Henry A. S. Dearborn, then mayor of Roxbury. He designed this magnificent cemetery to offer the citizens of his community a place to bury and remember friends and family in a tranquil and lovely setting. Forest Hills embodies the ideals of the rural cemetery movement, which begun at nearby Mount Auburn Cemetery, in Cambridge in 1831, which was co-founded by Dearborn. Many rural cemeteries have elaborate entrance gates, possibly serving as a dramatic transition from the secular world to the spiritual realm of the cemetery, and perhaps as a metaphor for the journey from life to death. This entrance gate was built in 1865, replacing an earlier Egyptian Revival gate constructed in 1848. Designed by Charles Panter, the gate is constructed of local Roxbury puddingstone, with three arched openings with ornate iron gates surmounted by decorative scrolled ironwork. The central gateway is
framed by two conical spires and a central stone pediment, all topped with stone crosses.

Staples-Crafts Farm // 1750

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In 1688, John Staples, settled in the untouched landscape seven miles west of Boston, now known as Waban Village in the town of Newton. John was a weaver by trade but he ended up as the first public school teacher, the town clerk, a policeman, and an alderman. John married and lived in a modest farmhouse for decades here, witnessing the birth of a new nation nearby. The couple had no children of their own but raised some of Mary’s relatives including Moses Crafts, who would eventually take over the home. Craft rebuilt the house on the original foundation around 1750, constructing a colonial farmhouse two and a half stories high with five windows and two rooms across, one room wide.

Joseph Crafts died in 1821 at the age of 85, leaving no will and considerable
debts owed. The Judge of Probate ordered the property to be auctioned, and
Joseph’s son, Moses Crafts II, made the winning bid of $5.50 for the house,
barn, and a large tract of land! In 1824, Moses Craft II sold the property to his cousin William Wiswall, who gave the house a Federal period remodeling.

By the late 19th century, the home and ample farm land were acquired by William Strong and his wife Mary. William, President of the Massachusetts Horticultural Society, used the property for some time as a nursery, with apple orchards and rose gardens. After his petitioning for a train station in Waban, he parceled up the farmland into large house lots for sale, seeing the neighborhood shifting to a suburban village. He soon after built the Strong Block, the first commercial building here.

Church of the Good Shepherd, Waban // 1896

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For the small population living in the farming village of Waban in Newton, MA, every Sunday, they had to take a horse and carriage or walk to church in a nearby village. The Waban Christian Union was the first religious organization to be established in Waban, 1894-1895 after seeing a suburbanization of the village. The church was to be for services of the Protestant Episcopal Faith, though the group claimed no allegiance to the Diocese, nor was it organized according to the laws of the church. It was independently owned by a corporation that felt the need for a religious association in the community. This church structure was constructed in the
summer of 1896 at a cost of $5000 with William F. Goodwin, a charter member of the group (and resident nearby), donating his services as the architect. The organization leased the space to a pastor for $200 a year, later selling it to the congregation, known now as the Church of the Good Shepherd.