congregational church

Tabernacle Congregational Church of Salem // 1923

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The Tabernacle Congregational Church at Washington and Federal streets in Salem, Massachusetts, was built in 1923 for one of the oldest congregations in the Commonwealth. The Tabernacle Church’s congregation traces its origins to the founding of the First Church of Salem in 1629. The church was originally located a few blocks away until a fire destroyed the wooden building in 1774. The congregation built a new wooden church on this site by 1777, and have remained on the site ever since the United States was established. The present, stone church building, was constructed from designs by the Boston firm of Philip Horton Smith and Edgar Walker in 1922. This dignified and graceful Colonial Revival church building (with attached parish house) is the third ecclesiastical structure to stand on this site. It replaced a large wooden Italianate church which the parish occupied from 1854 until it was torn down in 1922. Its predecessor, which stood from 1776 to 1854, possessed an elegant three-stage tower which Samuel McIntire added in 1805. The Tabernacle Church is a stone-veneered masonry building with a prominent engaged tower which contains a large arched entry, and a giant order porch consisting of four Tuscan columns and associated pilasters of the same type, which supports a pedimented roof that shelters the entrance. The tower is surmounted by a square, wood-frame belltower with pilastered corners above which is an open octagonal cupola with bell-cast roof. What a great Colonial Revival style church!

First Congregational Church of Chicopee // 1825

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The First Congregational Church Society of Chicopee was organized as the Second Church of Springfield in 1751, when residents of land today known as Chicopee and Holyoke (then a part of Springfield) sought a parish church closer to their homes. Before Chicopee officially split from Springfield in 1844, the Second Church of Springfield built this Federal-Greek Revival style church building in 1825. Shepherd and Whitmarsh, prominent builders of Springfield were hired to erect the church. Both were trained under architect, Isaac Damon, thus the close resemblance to his designs for this church in Chicopee. The clapboard structure is simply designed but holds strong proportions and symmetry. The church has a four-columned portico with Ionic columns and a two-story square tower containing the belfry, blind octagonal stage with molded trim above, all capped by a dome surmounted by a weathervane. While the church now has replacement windows and plastic, ill-fitting shutters, the building is in great shape and tells the story of the early days of the development of Chicopee from sleepy parish town to industrial city.

Cornwall Congregational Church // 1842

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The Cornwall Congregational Church in Cornwall, Connecticut, was erected at 8 Bolton Hill Road in 1842, replacing the colonial-era meetinghouse which had first stood on Old Meetinghouse Hill at Cornwall Center. When members of the church split into two separate congregations due to religious differences, the original congregation moved to South Cornwall in 1790. Another Congregational church was built in North Cornwall for the other group. This wonderful Greek Revival church reflects the enormous popularity the style in the first half of the 19th century. The structure rests on a stone block foundation and is sheathed with clapboard siding. The building incorporates a central entry of paired doors with a Greek Revival surround, flanked by 20/20 windows. The street elevation of the building is dominated by a monumental portico with pedimented gable, broad frieze and fluted Doric columns. The showstopper is the two-stage square belfry, each stage Doric columns and pilasters. The church is active today as the United Church of Christ and is often utilized for town events.

North Cornwall Congregational Church // 1826

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During the nineteenth century several small rural settlements dotted the landscape in Cornwall, Connecticut. In 1782, a group of “strict Congregationalists” seceded from the established Congregational church in town and constructed a “second” church in Cornwall Center. Following this, the town was divided into north and south parishes, with First Church built on the town center and the Second Church, this building, constructed in North Cornwall village in 1826. The North Congregational church is among the town’s finest Federal style buildings in the region and features three entrances with fanlight transoms and the bays of the facade are broken up by two-story fluted pilasters.

West Cornwall Congregational Church // 1877

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One of the few Gothic style buildings in the enchanting town of Cornwall, Connecticut is this large church-turned-residence in West Cornwall village. As West Cornwall developed in the second half of the 19th century into the largest district in town, residents here began to discuss the idea of building their own Congregational church, rather than travel to the central village church to attend services. In the 1870s, West Cornwall congregationalists raised over $4,000 to acquire a building lot and erect this fine church. Dedicated in January 1878, the wood-frame church is a rare example of the Victorian Gothic/Stick styles with clapboard siding, lancet (pointed arched) windows, a corner tower with belfry, vertical sheathing in the gables, and ornamental applied stickwork. The church closed in the 20th century and was converted to a private residence, and is presently for sale!

Goshen Congregational Church // 1832

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The town of Goshen, located in Litchfield County, is located in the northwestern part of Connecticut was first settled by European colonizers in 1738, with the town incorporating a year later. The community was named after the Land of Goshen, a part of ancient Egypt in the Bible. Goshen primarily grew as rural and agricultural in character, with limited industry and commercialization compared to other nearby towns. The town center village was home to the Congregational Church as far back as 1750. In 1832, the present Congregational Church was built from plans by Benjamin E. Palmer, a carpenter-builder who also built the Windham County Courthouse in Brooklyn, Connecticut. The church blends both Federal and Greek Revival styles, and Palmer likely took inspiration from Asher Benjamin’s design guidebooks. The church retains much of its original character even with the altered steeple, porte-cochere, and conversion of three-door facade to a single-entrance in 1894.

First Congregational Church of Georgetown // 1874

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The First Congregational Church of Georgetown, Massachusetts, is significant both architecturally as a Victorian Gothic/Stick style church designed by a prominent architectural firm, and historically as an important gathering place for the town’s members for 150 years. The congregation however is much older than 1874, as when Georgetown was then a part of Rowley, Massachusetts, members here in 1731 petitioned to create their own parish in Rowley to travel a shorter distance to services. The church, then known as the Second Church of Christ in Rowley, was organized in 1732 with services held in a rustic Meeting House. A second meetinghouse was built in 1769, which was both outgrown and in much need of repairs by the time the congregation decided to build a new building on a new site in the new commercial center of town. The congregation hired the esteemed firm of Peabody & Stearns to design the church which today, is the most high-style and architecturally grand building in the suburban town.

First Parish Congregational Church of Pownal // 1811

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Completed in 1811, the First Parish Congregational Church of Pownal, Maine, is an excellent and well-preserved example of a vernacular Federal-period church in a rural setting. Located across from Mallett Hall and built at the foot of Bradbury Mountain, the church was built by a crew headed by master-carpenter Uriel Whitney, a Revolutionary War veteran who moved to the area after the war. He was active in this church and is buried in the church cemetery. Little remains of the original Federal Style architecture, as its current Greek Revival Style (architects unknown) dates from remodeling apparently undertaken in 1838 and 1857.

New Ipswich Congregational Church // 1903

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The New Ipswich Congregational Church was built in 1903, replacing the former 1813 Meeting House on the site, the fourth in the town, which stood here until a fire caused by lightning destroyed it in 1902. Interestingly, the design is more Victorian than Colonial Revival, which makes this church stand out amongst the village dominated by Georgian, Federal and Greek Revival style residences. The present building blends the Shingle style with Gothic elements with the tracery at the belfry and lancet windows. The architects were Gay & Proctor of Massachusetts who created a statement building with iconic tower that has been well-preserved by the congregation ever since.

Ashby Congregational Church // 1835

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Combining Greek and Gothic revival styles, the 1835 Ashby Congregational Church in Ashby, Massachusetts, is a significant building showcasing the transitional tastes of ecclesiastical architecture in 1830s New England. The church had its beginnings in 1818, when a group of church members disillusioned to the current teachings separated from the town’s Unitarian roots and the accompanying meeting house, the First Parish Church. In 1820 a church for the Congregationalists was built on the opposite end of the town common. In 1835 it was sold and this, the current church building was constructed on a new site facing the Common. The original 1820 church building became the Ashby Academy and is now a Grange Hall. The design of the Ashby Congregational Church shows the leaning towards Gothic detailing wit its prominent pointed arch detailing, yet retains some traditional Greek Revival features like the two-story pediment and pilasters at the belfry.

Old Effingham Meetinghouse // c.1800

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The location of the Effingham meetinghouse in New Hampshire was a controversial question in the 1790’s, with the villages of Lord’s Hill and Drake’s Corner both vying for the town’s most important public building. After several votes and repeals of votes, the Town’s voters in 1798, chose a committee of hopefully disinterested men from other towns and instructed them to settle on the location. The committee recommended Lord’s Hill, and in June, the Town voted to accept that location. The contract for the meetinghouse was awarded to Isaac Lord, a local landowner and operator of a tavern and store, who promptly erected the building the same year. In its original form, the building had the traditional meetinghouse plan, with its main entry in the long southeast side and a belfry at the northeast end. In 1845, the meetinghouse, by then the property of the Congregational Church, was thoroughly remodeled in the Greek Revival style, what we see preserved today.

The Congregational Church of Union // c.1841

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The small town of Union, Connecticut was established in 1734 and as with many towns at the time, religion and community were some of the first things to be codified when settling in a new area. The town’s publicly supported religion, Congregationalism permeated everyday life in Union. Even after disestablishment in 1818, the Congregational church continued as Union’s predominant religious organization well into the twentieth century. By 1841, the members built this edifice, the congregations second, on a hill overlooking the town’s modest green. The vernacular church features a Gothic lancet window, classical belfry, and later pent roof porches over the entrances on the primary facade.

Second Congregational Meetinghouse of Nantucket // 1809

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Located on a fairly quiet street on Nantucket Island, you will find the Second Congregational Meetinghouse of Nantucket, towering over the rows of historical homes nearby. Erected between 1808-1809, the church was constructed to house Nantucket’s growing population of Congregationalists on land formerly occupied by a dwelling house and barn. The bell was brought from Lisbon, Portugal, in 1812 by Captain Thomas Cary, was placed in the square belfry in 1815. The Great Fire of 1846, combined with the collapse of the whaling industry, brought hard times to the island. The congregation found itself unable to support a minister, and for the next forty years the church struggled on the brink of financial collapse. The building and its congregation persevered and the building is both an architectural and cultural landmark to the charming island community.

Mansfield Orthodox Congregational Church // 1839

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Welcome to Mansfield, Massachusetts! Located in the southeastern part of the state, this very suburban town is often overlooked in terms of architecture, but there are definitely some great buildings to discover. This is the Orthodox Congregational Church of Mansfield, an 1839 edifice at the town’s South Common. The congregation was established in the 1730s and followed strict Congregationalist beliefs, which were at odds with the growing tide of Unitarianism which was becoming a dominant belief in the Commonwealth by the early 1800s. The differences came to a head when the Anti-Slavery Riot of 1836 occured. Factions of local pro- and anti-slavery residents fought when Charles C. Burleigh, Secretary of the American Anti-Slavery Society, was invited, with the consent of the parish committee, to lecture in the meeting-house. This difference of theological taste as well as a difference of opinion on the idea of slavery led, in 1838, to the forming of a new society, the Orthodox Congregational Society, who built this church soon-after. While the split-off congregationalists were “behind the times”, among the separatists were Hermon Hall and Deacon Otis Allen, secretary and president of the Mansfield Anti-Slavery Society. This church was completed in 1839, and was altered and enlarged in the 1850s and 1870s.

Newport Congregational Church // 1857

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The Newport Congregational Church on Spring Street was built between 1855-1857 and serves the United First and Second Congregational parishes of Newport whose history began in the late 17th century. The building, designed by Joseph C. Wells a New York City architect, and redecorated on the interior in 1880 by John LaFarge, is an interesting and well-preserved example of the Romanesque Revival, brownstone churches of the mid 19th century. LaFarge had recently completed work on H. H. Richardson’s landmark Trinity Church, Boston, and sought to provide a more elaborate interior than he was able to in Boston. He produced twenty stained glass windows and a series of murals, which today, represent the only fully integrated ecclesiastical interior he produced. The congregation has shrunk in recent years and moved to nearby Middletown, but it’s vestry was committed to the preservation of La Farge’s work. The LaFarge Restoration Fund was established and since the 1990s, the nonprofit has spent $3 million on glass and mural restoration, architectural stabilization and systems upgrades for their former building. The building is used occasionally as an arts center.