Neo Gothic Revival

Somerville Y.M.C.A. // 1904

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The Somerville Young Men’s Christian Association (Y.M.C.A.) building on Highland Avenue is a stately four-story Neo-Gothic/Tudor Revival style building that is threatened with demolition. Originally built in 1904, the building was designed by the Boston firm of Brainerd, Leeds and Russell, and was published in architectural publications of the time due to its functional plan and design. For 120 years, the building has housed community spaces in the form of reading and game rooms, a gymnasium, auditorium, and more. Fast-forward to today, the building has suffered from deferred maintenance and the organization has purchased adjacent buildings with the plan to raze multiple structures, including this building, and build a massive, boxy new YMCA. Personally, I think it would be a shame to see the original building demolished, when it could be incorporated into the new design.

St. George’s Episcopal Church, Central Falls // 1922

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Tucked away in the middle of a residential neighborhood in the dense city of Central Falls, Rhode Island, this Neo-Gothic style church more closely resembles an English country church than one typically found in a dense, industrial city. This is the St. George’s Episcopal Church, located at the corner of Central and Clinton streets, and built for the local Episcopal congregation there in 1922. The church was designed by the Rhode Island architectural firm of Clarke & Howe and is built of rough-faced stone with limestone trim. The highlight of the design is the large central tower with lancet, stained glass window, and belfry. 

St. Joseph’s Catholic Church // 1915

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As the city of Central Falls, Rhode Island, continued to see population growth spurred by the industrial development, immigrant groups began to seek to establish their own community centers and houses of worship. The local Polish population was a major immigrant group that organized and became one of the Polish Catholic Churches in New England. Founded in 1905, the St. Joseph Parish waited years until it had the funding to erect this church, which was designed in 1915 by Providence architect John F. O’Malley. The brick and stone church is Neo-Gothic in style with ornate masonry and detailing. 

Little Building // 1917

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The Little Building sits prominently at the busy corner of Boylston and Tremont streets overlooking the Boston Common. Like the Colonial Theater next door, the Little Building was designed by architect Clarence Blackall and named after its developer and owner, John Mason Little. Blackall designed the Little Building in the Neo-Gothic style with a steel frame and a two-story Tudor-arched entrance on Boylston Street. The original facade was granite and cast stone, and the floors were made from reinforced concrete. The building replaced the Hotel Pelham which occupied the site since the 1850s. After being completed in 1917, the Little Building was considered significant enough that it was featured in American Architect and Building News, highlighting many architectural details inside and out. The Little Building was advertised as a “City Under One Roof” with 600 offices, dozens of shops, a post office, restaurants, and connections to the nearby subway and theaters. Emerson College purchased the Little Building in March 1994 for $5 million and converted the building to dormitories. After years of deteriorating masonry, Emerson College hired Elkus Manfredi Architects to oversee a full renovation of the building, including a sweeping facade restoration and the insertion of three glazed elevations between street-facing light wells. The “new” Little Building is a splendid re-imagining of a historic building, showing how old buildings can be renovated to meet contemporary uses through well intentioned design and care.

Old Chicopee High School // 1917

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The Old Chicopee High School building is located at 650 Front Street, between the two major population hubs of Chicopee Center and Chicopee Falls and is one of the finest examples of Collegiate Gothic/Neo-Gothic Revival architecture in Massachusetts. The school building was constructed in 1917 from plans by architect, George E. Haynes as a central high school, a single building where pupils from all over the city could be educated. The population growth of Chicopee in the early decades of the 20th century necessitated additions and reworking of the spaces of the building, eventually outgrowing the building after WWII. In 1961, plans for a contemporary high school were completed and this building became a middle school for the City of Chicopee. Architecturally, the building stands out for its siting and high-quality design. The main facade features a central clock tower which contains the main entrance. The use of brick with cast stone trim and the castellated parapet add much dimension to the large building. The City of Chicopee have done a commendable job maintaining this important landmark.

Administration Building – Elms College // 1932

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Elms College in Chicopee, Massachusetts began as the Academy of Our Lady of the Elms, a Catholic boarding school for girls established in Pittsfield by the Sisters of Saint Joseph in 1897. The academy was relocated to Springfield Street in Chicopee through the efforts of Bishop Thomas D. Beaven in 1899. The Academy provided elementary and secondary education with a Normal School component that prepared young women for careers in teaching. In 1924, Bishop O’Leary announced the intention to expand the school into higher education, creating a women’s college. The college charter was approved in 1928 and the Academy became the College of Our Lady of the Elms. Planning and construction of the Administration Building (later renamed Berchmans Hall in 1983) began immediately after the incorporation of the College in 1928. Designed by John W. Donahue, the official architect of the Diocese of Springfield at the time, Berchmans Hall is a landmark example of the Collegiate Gothic/Neo-Gothic style that proliferated higher education and ecclesiastical buildings in the early decades of the 20th century. Completed in 1932, the new building included offices, modern classrooms and laboratories. The back section contained a gymnasium in the basement and an auditorium on the main floor. The building remains the main building on the Elms College campus and serves as an important visual anchor to the school.

St. John’s Memorial Dining Hall // 1925

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Built in 1925 as the cafeteria for St. John’s Prep School in Danvers, Massachusetts, this handsome brick building is sited across Summer Street from Porphyry and Xavier halls, both built decades earlier. The structure was designed by architect, Matthew Sullivan, a member of the notable firm, Maginnis, Walsh & Sullivan, who specialized in ecclesiastical design in the Boston area. The firm disbanded in 1907 with Sullivan creating his own practice, where he won the commission for this building years later. The cafeteria is Neo-Gothic in style with Gothic tracery, lancet arches, buttresses and pinnacles at the entrances. This is a really underrated and stunning structure. I am glad to see it so well-preserved 100 years later!

Xavier Hall // 1911

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Xavier Hall was built between 1910-11 on the campus of St. John’s Prep School in Danvers, Massachusetts. The building was constructed by the Xaverian Brothers as classrooms as the first purpose-built structure in what would become a large campus. The Neo-Gothic Revival style building was sited adjacent to Porphyry Hall, an 1880 estate house that the new school purchased in 1891, which was later expanded by the addition of a rear chapel. Edward T. P. Graham, an architect best known for his design of Roman Catholic churches and associated buildings, was hired to design the stately structure built of brick and limestone.

Former First Congregational Church, Newton // 1904

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The former First Congregational Church (now the Greek Evangelical Church of Boston) of Newton Center, Newton, is a landmark example of the Neo-Gothic architectural style for a church building. Built in 1904, the structure resembles an English village church in the form of a Roman Cross with short trancepts. The structure is constructed of Quincy granite and was designed by the architectural firm of Shepley, Rutan & Coolidge. The First Congregational Church of Newton was originally established in 1664 as a parish church when Newton was still a part of Cambridge (then known as Newtowne). The parish has had six meeting houses built by the Congregation, with the last four on this site. Seeing dwindling membership in the mid-20th century, First Church in Newton dissolved in 1972, after more than 300 years of service to the Newton community. Luckily, the newly formed Greek Evangelical Church of Boston would buy the church that same year and has maintained the significant edifice ever-since!

Highland Cemetery Chapel // 1903

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Tucked away in Highland Cemetery, a typical looking cemetery in Norwood, Massachusetts, you will find a masterpiece chapel designed by one of the great architects of the Arts & Crafts movement. The Highland Cemetery was established in 1880 becoming the town’s second and primary burial ground. The town’s first burial ground was the Old Parish Cemetery which is located in the center of town on a 3/4-acre hill and because of its limited size and the difficult terrain; there was no room for growth. The rapidly developing town required a second cemetery and laid out Highland View on the outskirts of the village. In 1903, the Chapel of St. Gabriel the Archangel, also known as the Day Memorial Chapel, was erected at the center of the cemetery. The Chapel, which also acts as a mausoleum, was donated to the town by Lewis and Anna Smith Day in memory of their parents. Their only stipulation was that the chapel be available for use free of charge for any resident who desired to do so, no matter their religion or race. Esteemed architect Ralph Adams Cram designed the chapel in the Neo Gothic Revival style. Fred Holland Day, a renowned photographer and publisher, was the only child born to Lewis and Anna and he was a close friend of Ralph Adams Cram and Bertram Grosvenor Goodhue, likely leading to their commission here in Norwood. F. Holland Day lived in a Tudor mansion in town, modified from his childhood home. The Cemetery Chapel remains a seminal building for its genre and time.