One of the best examples of a temple-front Greek Revival house in the state of Vermont is this stunner, found in Newfane Village. The house was constructed in 1832 for General Pardon T. Kimball (1797-1873), a cattle-broker, general of the state militia and later, a state senator. Kimball made a name for himself locally as he donated much of his money to social causes, from a local almshouse to other charitable organizations. Kimball died in 1873 after falling from his carriage. The house was converted to an inn in 1965-6 and has since been known as the Four Columns Inn, so-named after the four monumental Ionic columns that dominate the house’s facade.
When you think of the quintessential New England Village, what do you think of? These villages of white houses around a town green, usually anchored by a congregational church with a tall, white steeple, have been the subject of myriad photographs and memories for decades. Why are so many like this? Well, historically, the bright white we know of as a common house color was not available until the 1920s. Before the early 1900s, “white” paint was more cream or off-white as we would describe it. Many such villages started seeing white paint proliferate as Titanium Dioxide was mixed with pigments to generate the bright white, about at the same time Colonial Revival style homes saw a second resurgence in popularity. The bright-white paint was more expensive and represented stability and prestige. Publications like Yankee Magazine showed photographs of these charming villages blending into the freshly fallen snow or fall foliage and the romanticization of New England truly began. Newfane, Vermont is one of these villages, which are dominated by the bright white paint. It is an obvious choice, especially due to the number of classically inspired Greek Revival style houses.
Scott Farm, established as a working farm in the late 18th century and as a commercial apple orchard in 1911, is an excellent example of the vernacular architecture that Vermont is known for. The sprawling 571-acre farm was established in Dummerston in 1791 and purchased by Rufus Scott in the mid-1800s. In the 1840s, he built this farmhouse and many of the barn buildings soon after. The five bay Greek Revival house is in a Cape form and retains its historic slate roof and detailing. The property has been owned since 1995 by The Landmark Trust USA, a non-profit organization whose mission is to preserve historic properties through creative sustainable uses for public enjoyment and education. The farm sits a short drive to Naulakha and the Dutton Farmhouse (both featured previously) which are also managed by the Landmark Trust USA.
Oh covered bridges, one of the many symbols of New England that always give me joy when I see them! This beauty was constructed in 1872 to span the West River in Dummerston, Vermont and is the longest that is wholly within the State of Vermont. The bridge was designed by Caleb B. Lamson, a master carpenter and the bridge is the only known bridge built by Lamson that survives. Vermont is significant for covered bridges as about one hundred bridges still stand in the state, which is probably the greatest concentration by area of covered bridges in the nation. A reason we have to thank Vermont for this is purely population. With more people living in the state, transportation demands change, and these bridges are often replaced with modern steel structures. Keep doing you Vermont!
Rural New England towns like Dummerston, Vermont long relied on agriculture as a means of life. From this, local farmers and their families would organize in regional Grange Halls through the The National Grange of the Order of Patrons of Husbandry, an agricultural advocacy group. Many rural communities in the United States still have a Grange Hall and local Granges still serve as a center of rural life for many farming communities. The local Evening Star Grange was organized in Dummerston Center in 1874 with 32 members, growing by the end of the 19th century. This building would have held meetings where farmers could share trade secrets, make deals, and “talk shop” regarding farm life. Such buildings are significant as community centers for agricultural communities and should be preserved for future generations.
Located on a hillside in rural Dummerston, Vermont, you will find Naulakha, one of the most significant properties in the region. Naulakha (pronounced now-LAH-kuh) was built in 1893 for Rudyard Kipling an english journalist and author born in British India, an upbringing which inspired much of his professional work. In 1892, Kipling married Caroline Balestier, who was born into a prominent New England family. The couple honeymooned in Vermont near Carrie’s family home. The couple would settle in Vermont in a cottage which was soon outgrown, leading the couple to buy 10 acres of land from Carrie’s brother Beatty Balestier and built their own house. The new Shingle-style home they had built was named Naulakha after a book written by Rudyard and Caroline’s late-brother Wolcott. Kipling wanted a home that merged the distinctive qualities of the Indian bungalow with those of the American Shingle Style and he worked closely with his architect, Henry Rutgers Marshall of New York City, a Balestier family friend to achieve this.
The rectangular mass of the home parallels the contours the hill upon which its sited, and sits atop a raised fieldstone basement salvaged from stone walls on the property. From the home, Kipling wrote some of his most influential work, including the Jungle Books (1894, 1895), Captains Courageous (1896,The Seven Seas (1896), and The Day’s Work (1898). Sadly, the Kipling’s moved out of Naulakha after just a few years, largely from familial disputes with Caroline’s brother, Beatty. The family removed to England where they settled, though Rudyard always mentioned how much he missed his secluded life in Vermont. The property was then purchased by the Holbrook family, who made slight modifications to the property, but all maintaining the original design and feeling. In 1992, the British-based Landmark Trust acquired Naulakha as its first American building, later creating the Landmark Trust USA to maintain the property and more. The Landmark Trust USA rents out Naulakha and the adjacent carriage house for short-term rentals to provide revenue for maintaining these properties.
For more on my stay at the absolutely stunning Kipling Carriage House, check out my later blog post here.
When Ridgefield, Connecticut was settled in 1708 by Europeans, there was only one Episcopal Church in the state, and the general assembly allowed dissenters their own churches so long as they continued to pay taxes to support the Congregational Church. Ridgefield’s first Episcopal church, St. Stephen’s was built in 1740 on land granted by the Proprietors who founded the town and laid out lots along the towns new Main Street. In 1776, St. Stephen’s minister, Epenetus Townsend, a Tory (loyal to the British), was ordered to leave town with his wife and five children when the Revolution picked up steam. He was appointed chaplain to a British regiment and in 1779, the battalion was ordered to Nova Scotia. En route by vessel, a severe storm arose and all passengers were lost. The church was taken over by the commissary department of the American Army. During the Battle of Ridgefield, British troops set it on fire as a statement to the townspeople. The church was replaced two more times until 1914 when the present building was constructed. The Colonial Revival church is absolutely stunning and built from plans by (unknown to me) architect Walter Kerr Rainsford. The rubblestone church is one of the most pleasing designs I have seen in Connecticut!
The First Congregational Church was first established in Ridgefield, Connecticut just four years after the establishment of the town. Civic leaders in October 1712 successfully petitioned the Connecticut General Assembly for permission to levy a tax for “the settling and maintaining of the ministry in the said Town of Ridgefield.” Rev. Thomas Hauley, the first minister, also served as town clerk and school teacher. The first meeting house, on the town green, opened for worship in 1726. Plans for a new meeting house were drawn up in 1771 to fit a growing population, but construction was not complete until 1800. The second church was built in a more traditional style with a steeple. With a shift in the towns demographic from rural homeowners to ritzy exurb to New York City, a more suitable church was required by the end of the 19th century. Josiah Cleaveland Cady, one of the many great New York architects at the time was hired to design a new church suitable for the wealthy New Yorkers who summered in town to consider a neighbor, and he did not disappoint! The building blends many styles from Queen Anne, to Victorian Gothic, to Romanesque Revival in a way that isn’t clunky as in some other versions.
Located on Main Street in idyllic Ridgefield, in Fairfield County, Connecticut, The Fountain Inn provides one of the most welcoming and historical bed and breakfast experiences in New England! The Fountain Inn was built in 1740 as a “city home in the country” for David Hoyt, who showed off his wealth and stature in the young town by having such a high-style home built at the time. Decades later during the Revolutionary War, David Hoyt’s house became a part of the Battle of Ridgefield. After defeating the Colonial militia elsewhere on Main Street, British Gen. William Tryon‘s troops turned their attention to nearby Keeler Tavern, the local militia’s headquarters, which just happened to be neighbors with the mansion owned by David Hoyt, a known Loyalist. General Tryon’s troops practiced their artillery-firing skills on the building pummeling it with cannonballs, sending a message to the head of the local militia. David Hoyt formally demanded a cease-fire, as he was concerned about wayward cannonballs damaging his home. By 1790, with Ridgefield’s British influence diminishing by the day, David Hoyt finally left his Connecticut home and sailed back to England. The home was expanded and modernized over the next two hundred years until the present owners purchased the property and underwent a massive restoration of the Colonial house inside and out as their family residence. In the past year, the inn opened as the Fountain Inn so-named after a Cass Gilbert-designed fountain across the street.
Tucked behind the massive Emmel Building (last post), you will find these two charming houses on the dead-end street in Jamaica Plain, Boston. Like the Emmel Building, these two homes were built by Charles Emmel, an architectural sculptor and real estate investor, who hired local architect George Zimmer to furnish plans for the buildings. The two transitional Queen Anne houses feature some of Emmel’s architectural decoration, from the lion’s head corbels to the decorative lintels above the windows, these homes really stand out!
Buildings of New England 