Old Wolf’s Head Society Building // 1884

The Wolf’s Head was established in 1883 as one of Yale’s secret societies. It was intended as an alternative to the more established Skull and Bones and Scroll and Key societies, and it made a statement when it completed this clubhouse in 1884. The handsome Richardsonian Romanesque clubhouse at the corner of Prospect and Trumbull streets in New Haven was designed by the firm of McKim, Mead and White, which would go on to become one of the leading architectural firms in the country during the late 19th and early 20th centuries. The rough-faced brownstone structure was historically covered in climbing ivy, adding to the building’s mysterious nature. Wolf’s Head made it their home from 1884 until 1924 when the building was sold to the University and Wolf’s Head moved to new quarters on York Street. The building was rented to clubs for years until the early 1960s, when it started to be used for faculty offices, staff and classrooms. The building was added onto and today, the old Wolf’s Head is used by the Institution for Social and Policy Studies.

Deep River Town Hall // 1893

The town of Deep River, in Middlesex County, is located in the lower Connecticut River Valley and was originally colonized as part of the Saybrook Colony. The community was incorporated in 1859 as Saybrook and renamed Deep River in 1947. An early shipbuilding and quarrying town, it later manufactured wire goods, lace, glass, ivory combs, and piano keys and is today a small community of just over 4,500 residents. The original town hall for Saybrook (Deep River) was used until it was destroyed by fire in 1891. The community, which was bolstered by a vibrant industrial community, began planning for a new, stately town hall at a triangular lot at the corner of Elm and Main streets. Plans were completed by Springfield architect, Francis R. Richmond, who laid out the flatiron building with town offices on the ground floor with an auditorium/opera house space on the upper floors. The Romanesque Revival style building features prominent rounded corners with arched openings, a granite string course, and overhanging bracketed eaves.

Seamans Block // 1888

One of the more impressive commercial blocks in Brookline is located at the corner of Washington Street and Davis Avenue in Brookline Village. The Seamans Block was developed by its namesake, James Manning Seamans (1834-1908), a wealthy grocer who operated a store from the building. The handsome masonry block was built from designs by the firm of Shepley, Rutan and Coolidge, a successor firm to H.H. Richardson. As partner of the firm, Charles H. Rutan lived just down Davis Avenue, it is likely that he was in charge of this design. The structure follows the Richardsonian Romanesque style, popularized by Richardson through the rounded corner and heavy arches, but is done entirely in brick rather than adding brownstone or terracotta detailing. The building has long been an excellent example of a historic “mixed-use” block with ground floor retain and apartments above, something that many new developments try and emulate today. 

Wayland Public Library // 1900

The Wayland Public Library is not only significant architecturally, but also historically as it was founded in 1848, with some claiming that it is the second free public library established in the United States. The first physical space for the Wayland Public Library was established in 1850 using a small room in the Town House. The Town House was outgrown and replaced in the 1870s by a large, Victorian Town Hall (razed in 1957) with designated space in the building for the expanded town library. As Wayland became an affluent Boston suburb in the late 19th century, wealthy resident, Warren Gould Roby (1834-1897), who lived just north of the town hall, donated land and $25,000 to the town for the purpose of constructing a library
that would be as fireproof as possible. Designed by architect, Samuel Mead of the firm, Cabot, Everett & Mead, the handsome building is said to have been inspired by Mead’s travels to Italy where he gained an interest in Roman architecture and Renaissance art. The influence is seen on the exterior with the Romanesque Revival style and on the interior with an ornate frieze around the rotunda. The building was expanded in 1988 by Tappe Associates and remains one of the great early 20th century libraries in New England.


Former Birmingham National Bank // 1892

The former Birmingham National Bank building on Main Street in Derby, Connecticut, is one of the finest buildings in the former industrial village of Derby (originally named Birmingham). The bank was originally chartered in 1848 as the Manufacturers Bank of Birmingham, with Edward N. Shelton as its first president, and became a national bank after the Civil War. Designed by architect Warren R. Briggs and constructed in 1892, the building features an elaborately detailed facade of red sandstone with terracotta trim in the Sullivanesque and Romanesque Revival styles. Like many local and regional banks in the mid-late 20th century, the bank merged with others and the building was vacated. Today, the former Birmingham National Bank building is occupied by the Twisted Vine restaurant.

Derby United Methodist Church // 1894

The former Derby United Methodist Church (now the Ghana United Methodist Church) is located at the northern edge of the Town Green in Derby, Connecticut, and is a great example of a ecclesiastical building constructed in the Romanesque Revival style. Its large round arches, tall square tower, and heavy detailing in brick and brownstone place it in the Romanesque Revival mode, all with stained glass throughout. The church was built in 1894 and dedicated in early 1895. The stately church building was designed by George Washington Kramer (1847-1938), an architect who designed many Methodist churches in the midwest and east coast.

Chester Depot // 1872

The first public train arrived in Chester, Vermont, on July 18, 1849, and in December, the Rutland & Burlington Railroad opened the first rail line across Vermont linking the Connecticut River valley at Bellows Falls and Lake Champlain at Burlington. A fire destroyed the first station in 1871, and the Vermont Central Railroad built the current station within a year. The State of Vermont purchased the line in 1963, leasing it in part to the Green Mountain Railroad. Exceptional in Vermont, this brick station retains its high-style Italianate design and continues in railroad use. The station can be classified as Italianate/Romanesque in style and has a corbeled cornice, windows capped by brick hood moldings, and a projecting trackside awning. It appears that the station is not in active use, does anyone know more?

South Main Street Engine House, Providence // 1892

Built as a neighborhood fire station by the City of Providence in 1892, this handsome brick structure on South Main Street showcases how infrastructure and civic buildings can (and should) still contribute to the streetscape. Constructed along a streetscape of early 19th century brick buildings, the local architectural firm of Stone, Carpenter & Willson, sought to take cues of the materiality and massing of nearby structures, but employ new detailing and vocabulary for the fire station here. The result is a Romanesque style fire station with a pair of round-arched engine portals surrounded by stone facing, with the showstopping second floor and roofline with ornate brickwork around the arched windows and multi-staged corbeled cornice. The building with its smaller engine doors became obsolete with newer, larger fire trucks, and the building has since held a variety of commercial uses, today as a up-scale Italian restaurant.

Westborough Arcade // 1890

 The Second Meeting House of Westborough, Massachusetts, was built on this important site in the center of the village in 1749. It was a plain, wooden building and was used for both church services and town meetings, since church and state were essentially inseparable at the time. When a new church was built in 1837, this building was purchased and converted to commercial use. The first floor of the building was raised, and another floor was added underneath. The steeple was also removed. The building then became known as “The Arcade Building,” a kind of mall with small shops opening onto the porch. By the end of the 19th century, the old wooden building was nearing 150 years old and owners decided to demolish the structure, and replace it with a more permanent and stately block. The New Arcade was built in 1890 and is more Romanesque in style. The handsome brick block has retail spaces on the ground floor with residences above, a great example of mixed-use.

Somerville Journal Building // 1894

The Somerville Journal was a local paper founded in 1870. The paper was originally published and printed in an office in Boston, but moved to Somerville by the late 1870s. After about 15 years of renting space in a commercial building in Somerville’s Union Square, the paper purchased a lot nearby and began planning for its first purpose-built building for their company. This structure on Walnut Street was built in 1894 to house a new generation of printing equipment and increased production for its growing market, along with the estimated 50 employees at the time. The building was designed by William H. Gerrish (1865-1915), an engineer. Romanesque Revival in style with the arched second-story windows, the building along with its plate glass storefronts, have been an important landmark in the Union Square area for over 130 years. The Somerville Journal vacated the building in the 1950s and the building was used as a photo developing and printing studio. During the 1970s the building was used as a youth recreation center for the city of Somerville. It has been used as artist studios since the 1970s and today, appears to be vacant. Does anyone know what the plans are for this building?