Westford Baptist Church // 1840

The Baptist church in Westford (a village in northern Ashford, yes it’s a little confusing) was formed in 1780. Its growth in the town can largely be attributed to Reverend John Rathburn, who had moved to town from Stonington, and was ordained as its pastor in 1781. A membership of fifty-four was reported in 1795. By the late 1830s, the village thrived due to the success of local businessmen and later, thanks to the Westford Glass Company, located nearby. Members donated to build this Greek Revival style church on a prominent corner in town, replacing the former meetinghouse. By the late 20th century, the church saw dwindling membership and merged with another in town. This church was sold to a neighboring property and is privately owned today.

Old Derby Academy Building // 1840

The Derby Literary and Theological Institute, a private boarding school, was opened in 1840 by the Danville Baptist Association on a one-acre plot of land donated by local landowners Lemuel Richmond and Benjamin Hinman. The academy housed 147 students of nearby towns for classes. Two years later, an atheneaum was established in the building as a local library for residents. The building would later become Derby’s public Jr. and Sr. High School as the town’s population at the time was just over 2,000 residents. The school was eventually outgrown and a modern school was built, located nextdoor. This building was gifted to the Derby Historical Society who maintain it to this day.

Derby Line Universalist Church // 1840

Located adjacent to the former IOOF Hall of Derby Line, Vermont, the Derby Universalist Church stands as an well-preserved example of a New England village church in the Greek Revival style. The church was erected in 1840 as the Derby Line Free Church for local Episcopalians. In 1871, Universalist Unitarians were able to acquire the church and they have remained here ever since. The building has a boxed belfry with projecting pilastered facade and smooth siding, all hallmarks for Classically designed churches of the 1840s.

Cyrus Eaton House // 1834

Built in 1834 by Cyrus Eaton, a businessman who emigrated to Orleans County from Canada, this cape house blends Federal and Greek Revival styles under a charming roof. Mr. Eaton was a trustee of the Orleans County Grammar School in Brownington, Vermont and helped African American Alexander Lucius Twilight build the Old Stone House. Two of Eaton’s sons and one daughter enrolled at the school, located just nextdoor from their home. In 1971, the property was purchased from a private owner, and has since been part of the Old Stone House Museum and Historic Village’s gorgeous campus.

Athenian Hall – Old Stone House // 1836

Across from the Alexander Twilight House (last post) in Brownington, Vermont this massive stone structure which is possibly the first granite public building constructed in the state. Alexander Twilight (1795-1857) is reputed to be the first African American in the United States to graduate from college, where he was likely inspired by the large granite dormitories there (a private institution). Twilight served as headmaster of the Orleans County Grammar School, which due to its rural location, required many students to travel long distances for their education. As a result, they boarded with families in town, including with Twilight. Athenian Hall was built to accommodate the larger number of students attending the Grammar School. The building closed in 1859, two years after the death of Alexander. The building sat vacant for much of the late 19th and early 20th centuries until 1918, when the Stone House was put up for auction. A representative of the railroad in the state of Vermont bid on the structure with the hopes of using the granite stones for bridge abutments. Luckily for us, The Orleans County Historical Society outbid the railroad and won the auction. The building was opened as a museum in 1925 and is today part of the Old Stone House Museum and Historic Village.

T. C. Stewart House // 1843

Welcome to Brownington, Vermont! This small, rural town sits in the Northeast Kingdom region of the state and was granted to Daniel and Timothy Brown in 1790, and named after their family. One of the first roads in Orleans County went through Brownington, connecting Greensboro to Derby. Brownington Village was once a stopping point for stagecoaches traveling between Boston and Canada. This Greek Revival style house was built in 1843 along the stagecoach route to Canada and was built for Thomas C. Stewart. Thomas Carlisle Stewart (1804-1865), an attorney and prominent member of town who was the son of Amherst Stewart, one of the town’s founders. The Stewart home has its gable end extending over the recessed front porch, reading like a temple-front home.

Atlantic House Hotel // 1844-1877

Prior to the present Park Gate Cottage at the corner of Bellevue and Pelham streets in Newport, this was the location of the stunning Atlantic House Hotel. Proprietor William T. Potter purchased this land in 1844 and built the Atlantic House Hotel, a massive Greek Revival style structure designed by Rhode Island architect Russell Warren. The Atlantic House faced Touro Park and the Old Mill and took the form of a large temple with a central two-story Ionic portico and hipped roof side wings. The building was constructed of wood and clad with smooth finish siding that was scored to resemble granite blocks to give it more stature. During the Civil War, the Atlantic House was home to the U.S. Naval Academy (1861-1865) when it was moved here to protect it from attack by the confederate forces at its location in Annapolis, Maryland. After the war, the Navy returned to Newport to establish three major facilities–the United States Naval Torpedo Station, the Naval Training Station and the Naval War College. The aged hotel saw dwindling numbers of visitors as newer, modern hotels were built after the Civil War. The hotel was demolished in 1877, just 33 years after completion, to make way for the Park Gate Cottage presently on the site.

Gardner House // c.1847

This perfect Greek Revival style house sits on Pelham Street in Newport, overlooking Touro Park and the iconic Newport Tower/Old Mill. Built around 1847 for Captain Robinson Gardner, the house exhibits flushboard siding, a heavy portico with wrought iron balcony over the door, and entablature with corner pilasters, all hallmarks of the style. The home became known as “White House” and has likely been painted white for much of its history.

Castoff-Swinburne House // c.1840

This stunning house located in Newport, Rhode Island, was constructed in the Greek Revival style circa 1840 for Henry Castoff (1803‐1879). His house was one of several dwellings built in the Greek Revival style at that time in the area surrounding Touro Park. Henry was a merchant who dealt in goods from the Indies. In 1868, Henry sold this house at 115 Pelham Street to Robert P. Berry, a local dentist and inventor. Dr. Berry’s heirs sold the property in 1890 to William J. Swinburne (1822‐1897) a former soldier, coal merchant, and Mayor of Newport (1855‐1856). After Swinburne’s death in 1897, the home passed by will to his daughter Elizabeth, who never married. Elizabeth resided in the house until her death in 1918. Under the terms of her will, the home was deeded to the Newport Civic League, who established the Swinburne School there, a school for women for the study of household arts and domestic sciences. The school opened in the 1920s. The Swinburne School operated until 2002, when it was dissolved by the Newport Civic League. The contents of the building were sold at public auction and the school records were deeded to the Newport Historical Society. The building itself was purchased by a Brian O’Neill, who restored it to a single‐family dwelling.

Butler House // 1865

A true Italian Villa can be found in the dense center of Newport, Rhode Island. This is the Butler House, built in 1865 for physician Samuel Butler (1816-1881) and his wife, Emeline. Dr. Butler was born in Maine and was educated at Harvard before moving to Newport to become a member of high-society there. Besides working as a physician, Samuel Butler served on the Newport School Committee and as a director of the Redwood Library. His house was originally built in 1865 (as the right half) in a late-Greek Revival style as a side-hall house with flushboard siding and pilasters between the bays. As Newport continued to grow in wealth as a summer destination, Dr. Butler modernized his home in 1876, adding the oversized corner tower with round arched windows and bracketed cornice. The two aesthetically opposing styles somehow work well together in this eclectic home, which today, is further enhanced by a color palette to accentuate the two sections.

Littlefield-Van Zandt House // 1836

In the late 1830s, Captain Augustus Littlefield (1803-1878) purchased a house lot on Pelham Street in Newport, Rhode Island and commissioned housewright John Ladd to design and build his new residence. Littlefield reportedly asked his Ladd to design an “authentic copy of an Italian Villa” he had seen during a trip in southern Italy. The result is a more traditional Greek Revival, temple-front house with a portico supported by four monumental columns with capitals that combine Corinthian and Egyptian lotus motifs. The minimal Italian Villa detail can be seen in the bracketed cornice and in the pediment. Built around 1836, the house remained in Littlefield’s possession until his death in 1878. The property was purchased by Charles C. Van Zandt, attorney and later the 34th Governor of Rhode Island. Gov. Van Zandt died in 1894 and was interred at Island Cemetery in Newport. The Littlefield-Van Zandt House remains a significant early, high-style Greek Revival house in the state and one with a great state of preservation.

Levi Starbuck House // 1838

One of the more unique Greek Revival style houses I have yet seen in New England is the Levi Starbuck House on Orange Street on Nantucket. The house was built in 1838 by housewright William M. Andrews who sold the completed property that year to Levi Starbuck, a wealthy sea captain for $5,000. When he bought the house, Levi Starbuck (1769-1849) was 69-years-old. Levi Starbuck is credited by some as inspiration for the character Starbuck in “Moby Dick.” He would spend the last ten years of his life in this opulent new house on Orange Street. Architecturally, the house is clad with flush siding with projecting paneled pilasters with fret patterns on the top and bottom breaking up the bays of the house.

Weir Farmhouse // c.1780

Impressionist painter, Julian Alden Weir was looking to build a home in New York’s Adirondack Mountains when Erwin Davis, an art dealer, offered him a farm in Ridgefield, Connecticut, for a painting he owned plus ten dollars. After a visit in 1882, Weir agreed and acquired the 153-acre farm. The old farmhouse, which dates to the 1780s, and was modified in the Greek Revival style before Weir’s ownership and expanded and renovated again during its time as an artist’s retreat. The house was often filled with family and friends as a popular artistic retreat for Weir’s closest friends, including: Childe Hassam, Albert Pinkham Ryder, John Singer Sargent, and John Twachtman. Weir’s daughter Dorothy Weir, a noted artist in her own right, took over management of the property following her father’s death in 1919. Sculptor Mahonri Young would build a second studio at Weir Farm after the couple married in 1931. The Weir Farm site was designated as a National Historic Site in 1990, but prior to its permanent protection, Weir Farm had been subdivided for housing development in the late 1980s. The Trust for Public Land worked to reacquire the divided land through close to 2 dozen transactions, preserving the site for generations to come.

Robinson Homestead // c.1835

Located in the Head of Tide village of Alna Maine, this large Greek Revival was once the home of prolific poet, Edwin Arlington Robinson. The home was built around 1835, likely by Edwin’s grandfather, Edward Robinson. The home was inherited by Edward’s second-born son, Edward Jr. Edward Jr. and his wife, Mary Elizabeth Palmer had two sons before their third pregnancy. Their third child was Edwin, but his parents did not name him until he was six months old, as it was said that they wished for a daughter. On a vacation, other vacationers decided that their six-month-old son should have a name, and selected the name “Edwin” from a hat containing a random set of boy’s names. The man who drew the name was from Arlington, Massachusetts, so “Arlington” was used for his middle name. Edwin described his childhood as “stark and unhappy” and his young adult years were plagued with tragedy with the death of a brother from a drug overdose and with his older brother marrying the woman that he was in love with. He would defy the odds and was accepted to Harvard. He became engaged in writing, specifically poetry, with his early struggles leading many of his poems to have a dark pessimism and his stories to deal with “an American dream gone awry.” He would go on to be awarded the Pulitzer Prize in Poetry three times in the 1920s. While he would likely not want to ever see this house again, it is significant both architecturally and as the home in his formative years in Alna.

Head Tide Church // 1838

In the early 19th century, Head Tide was a bustling village within the Town of Alna, Maine, supported by mills at the dam, agriculture and apple orchards, boat building, fishing and forestry. As Head Tide grew in population, village leaders determined to build their own Congregational church so they would not have to travel the three miles to the 1789 Meeting House in Alna Center. The Head Tide Church in Alna, Maine was dedicated in November 1838 and sits on a hill overlooking the village. The Head Tide Church is a handsome rural Maine house of worship which exhibits a combination of Federal style, Greek Revival, and Gothic Revival elements in its design. The facade displays the outline of a Grecian temple front with its six pilasters and strongly accented triangular pediment. The Federal fan motif appears above the two facade windows as well as in the center of the pediment and the Gothic Revival influence is felt in the two pointed arch windows on either side of the church and in the simple pinnacle at the top of each corner of the belfry. The church is a high-style building for the rural Maine village and is kept very well by the community. The congregation disbanded, but the church remains an important part of the town and is rented for memorial services, events, weddings.