The Highgate Union Methodist Church in Highgate, Vermont was built in 1868 and is a high-style example of the Italianate architecture style in a relatively quiet part of the state. Built of brick, the church’s form is typical for small Vermont churches in the third quarter of the nineteenth century. Here, however, the builders were conscious of Italianate fashion, and they applied its round and segmental arches, corbels, and brackets, painted in a lighter color, with consistency and to remarkable effect.
Highgate, Vermont sits at the Canadian border and first white settlement occurred in the 1780s. The new town of Highgate was named after the London suburb of the same name. The town grew in population and was largely a farming town with small industry along the the Missisquoi river. Most houses in town were built in the second half of the 19th century and into the 20th century, like this brick building in Highgate Center. The structure was originally built as a residence for James P. Place (1822-1888), who was employed as Sheriff beginning in 1868. The building may have even included a jail cell! After his death, the building became a catholic school and later became the home of the local Independent Order of Odd Fellows (IOOF) Hall. Today, the former Place House is home to the Highgate Historical Society and used as the town’s museum.
One of the earlier cottages built in the Oceanview summer colony of Rockport, Massachusetts is this charming example of a late-Italianate style residence on Phillips Avenue. Local lore states that the cottage was owned by Lucy Canney, the wife of Edwin Canney, who operated multiple granite quarries in town. Oak Knoll was possibly used as a boarding house for visiting guests of the quarries to stay at when inspecting the quality of the granite. The Canney’s sold off much of their property in the area by the end of the 19th century, and the cottage was later owned or occupied by Dr. Helen Morton (1834-1916), a Boston-based obstetrician and one of the early generation of women physicians practicing in Boston in the nineteenth century. Dr. Morton spent most of her time in a townhouse on Marlborough Street in Boston’s Back Bay with her possible partner, another obstetrician, Mary Forrester Hobart, but likely escaped to this cottage for some rest and relaxation for the summers.
Another of the more stately institutional buildings in the small village of Derby Line, Vermont, the Derby Line National Bank stands out as an uncommon brick structure on the town’s Main Street. The bank was founded in 1851, as the People’s Bank in Derby Line and in 1865, it converted to a national charter and became National Bank of Derby Line. The bank provided citizens access to credit and as a result several small-scale manufacturing businesses were started in town. This brick banking structure was built in 1874 in the Italianate style with round arched windows, bracketed eaves, and granite block quoins at the corners. The bank was absorbed into the Community National Bank, who occupy the building to this day.
The Northeast Kingdom of Vermont is not necessarily known for stately houses, but no matter where you go in New England, you can always find interesting old buildings. This is the Cobb-Foster House of Derby Line, Vermont. The house was built in 1861 for Walter B. Cobb, a director of the People’s Bank of Derby Line. After later owners bought and sold the property in quick succession, the house was purchased by Stephen A. Foster, a lawyer and judge who would eventually move out of town, selling the property to Austin Theophilius Foster, a nephew. As architectural styles were later to arrive to rural parts of the country, this house expresses the Italianate style, but with holdover features from the Greek Revival style, which was already a decade out of style in 1861 around Boston and other well-connected areas.
Located across from the Winthrop-Eckley Double House on Corne Street, this gorgeous Italianate style summer cottage is a perfect blending of stature and whimsy. The house was built around 1850 and owned by Charles B. Peckham. Built in the Italianate style, the symmetrical house stands three-stories with covered side entrances divided by a projecting two-story bay. The house exhibits broad, overhanging eaves and paired and ganged round arched windows. The property was known as “Bay Crest” and remains one of the unsung landmarks of the 1850s in Newport.
Newport has no shortage of amazing architecture. From the grand Gilded Age mansions along the coast to the pre-Revolutionary Colonial houses, there are always new buildings to stumble upon and learn about. This charming stone double-house on Corne Street was built in the mid-19th century and had two owners by the 1870s, John Winthrop (1809-1886) and Julia Ann Eckley (1800-1874), a widow, who owned the smaller side. The stone cottage sits atop a raised basement with bold stone quoins at the corners. Dormers with delicate wood trim are at the roofline with the detail reflected in the porch on the Winthrop half. This double-house is one of the many “hidden” treasures in Newport’s warren of narrow streets.
A true Italian Villa can be found in the dense center of Newport, Rhode Island. This is the Butler House, built in 1865 for physician Samuel Butler (1816-1881) and his wife, Emeline. Dr. Butler was born in Maine and was educated at Harvard before moving to Newport to become a member of high-society there. Besides working as a physician, Samuel Butler served on the Newport School Committee and as a director of the Redwood Library. His house was originally built in 1865 (as the right half) in a late-Greek Revival style as a side-hall house with flushboard siding and pilasters between the bays. As Newport continued to grow in wealth as a summer destination, Dr. Butler modernized his home in 1876, adding the oversized corner tower with round arched windows and bracketed cornice. The two aesthetically opposing styles somehow work well together in this eclectic home, which today, is further enhanced by a color palette to accentuate the two sections.
Welcome to Mansfield, Massachusetts! Located in the southeastern part of the state, this very suburban town is often overlooked in terms of architecture, but there are definitely some great buildings to discover. This is the Orthodox Congregational Church of Mansfield, an 1839 edifice at the town’s South Common. The congregation was established in the 1730s and followed strict Congregationalist beliefs, which were at odds with the growing tide of Unitarianism which was becoming a dominant belief in the Commonwealth by the early 1800s. The differences came to a head when the Anti-Slavery Riot of 1836 occured. Factions of local pro- and anti-slavery residents fought when Charles C. Burleigh, Secretary of the American Anti-Slavery Society, was invited, with the consent of the parish committee, to lecture in the meeting-house. This difference of theological taste as well as a difference of opinion on the idea of slavery led, in 1838, to the forming of a new society, the Orthodox Congregational Society, who built this church soon-after. While the split-off congregationalists were “behind the times”, among the separatists were Hermon Hall and Deacon Otis Allen, secretary and president of the Mansfield Anti-Slavery Society. This church was completed in 1839, and was altered and enlarged in the 1850s and 1870s.
One of the surviving old estates in Newton is Mount Pleasant, one of the oldest in Newton Centre. The home was originally built in the 1850s by Roswell Willard Turner, who acquired large land holdings in Newton Centre. The large property was eventually purchased by Charles S. Davis, an associate of the Boston piano manufacturing firm of Hallett & Davis. As Newton Centre developed, he enlarged his own home in the 1860s, and sold off his holdings, developing the surrounding area with charming Gothic Revival cottages on Mount Pleasant, the hill upon which his property gained its name. His own home was enlarged and includes elongated additions, a tower with hipped roof, and arched windows.
Buildings of New England 