Egg Rock Lighthouse // 1875

The Egg Rock Lighthouse sits in the middle of the Mt. Desert Narrows of Frenchman Bay between Bar Harbor and Winter Harbor. The lighthouse was constructed in 1875 to assist the already built Winter Harbor Lighthouse a short distance away, to provide guidance for the increased ferry traffic to Bar Harbor, which was quickly becoming a prominent summer colony. The architecturally unique lighthouse is comprised of a square tower projecting through the center of the square lighthouse keeper’s house, its unlike anything I have seen before. The station was automated by the United States Coast Guard in 1976, at which time its ancillary structures except the fog station were torn down. The light continues to be managed by the Coast Guard, and is not open to the public; the island and buildings are owned by the United States Fish and Wildlife Service.

Winter Harbor Lighthouse // 1856

Built in 1857, Winter Harbor Light is one of Maine’s enchanting historic lighthouses dotting the rugged coastline. The lighthouse was built by the United States government to aid navigation for the local fishing fleet, an important piece of the local economy there. The light tower, built in 1856, is a round brick structure topped by an original octagonal lantern house with an iron walkway and railing around it. A brick single-story workroom projects from the tower. The keeper’s house is a two-story wood-frame structure, which was built in 1876 (along with the ell) to replace the original keeper’s house. The light was decommissioned in 1934 and sold into private hands, but in its seventy-six years of service, nine keepers and their families lived on the island. It remains a visual landmark on its small island in Mt. Desert Narrows on the drive along the Schoodic Peninsula in Acadia National Park (Winter Harbor side). What are your favorite lighthouses in Maine?

St. Sergius Chapel // 1932

Formerly known as “Churaevka,” the community known today as Russian Village in Southbury, Connecticut, was established in 1925 as an artistic community for Russians who fled to America after the Russian Revolution of 1917. The village was created by two Russian writers, Count Ilya Tolstoy, the son of Leo Tolstoy (the author of War and Peace and Anna Karenina), and the famous Siberian novelist George Grebenstchikoff. Although Tolstoy was first to discover the area while visiting his translator in Southbury, it was Grebenstchikoff who dreamed of establishing a cultural center and planned to create a rural community of cottages where Russian writers, artists, musicians and scientists could live and flourish statestide. The village was named after a mythical Siberian village mentioned in the works of Grebenstchikoff and the centerpiece is this chapel, St. Sergius Chapel, which was built in 1932-33 from plans by Nicholas Roerich. The small square-plan chapel was likely built of stone gathered from the neighborhood.

Adin Wheeler House // 1790

The Adin Wheeler House is significant as a rare house form found in this part of New England. Located in Southbury, Connecticut, the property includes the main house, a barn, and the wheelwright shop, a barn-like structure. The house is a 1-1/2-story Cape style wood-frame structure, with a front porch across the front that is sheltered by a bell-cast extension of the main roof. This type of porch roof is uncommon in Connecticut, being reminiscent of Dutch rather than English construction methods. The dwelling was built for Adin Wheeler, who owned the millworks on the nearby falls with business partner Enos Candee, a business partner (and brother-in-law) whose house also stands nearby. Theodore Wheeler, Adin’s great-grandson, built the wheelwright shop in the late 19th century, as well as the major addition to the house, which served as a tap room and public meeting space. The property is a well-preserved collection of 18th and 19th century structures.

Clements Apartment Building // c.1885

Brookline is pretty great as you can find unique and well-preserved examples of nearly every type of building in almost every architectural style! Staying in Brookline Village, this apartment building stands out as one of the best panel-brick apartments I have seen. The property was developed in the mid-1880s by Thomas W. Clements, who served in the Army during the American Civil War and later settled in the Boston area working as a dentist. Thomas married Lydia R. Clements, who is much more interesting than her husband! She was a graduate of the Boston University School of Medicine and worked locally for years, but wanted more. In the spring of 1898, she set out with a party of men and women, determined to make their fortune in the gold fields of the Klondike. During the months long trek, all of the other women and some of the men in her party left the expedition before reaching their goal, but Lydia Clements persevered and became one of the first white women — possibly the first from the East — to cross the Chilkoot Pass into the Klondike region. She never made a fortune, but upon returning, she was more spiritual, and got involved in the occult philosophy of Prof. Charles H. Mackay and his West Gate School of Philosophy in Boston. She used her new learnings to go back to Alaska to make her fortune, but there is no indication that Clements ever did make her fortune. She did however, remain in Nome and elsewhere in Alaska for more than a decade, hiring men and mining tin and gold. She retained her Brookline residence here on Davis Avenue and travelled back and forth across the continent many times before returning to Brookline, before dying there in February 1927.

Keller Cottage // 1896

It wouldn’t be a German-developed summer colony with at least one Chalet-style summer cottage, would it? The Keller Cottage in Elka Park, New York, was built in 1896 for John Keller (1867-1924) and his German wife, Caroline Goehring (1866-1917) who summered in the colony for a few months of the year from Brooklyn, N.Y. The 3,500-square-foot, 6-bedroom “cottage” includes a sunroom with stained glass, original unpainted wood-paneled walls and oh, just some jaw-dropping views of the Catskill Mountains for good measure!

Tamsen Cottage // 1893

Photo from 2017 real estate listing

One of the more unique cottages in New York’s Elka Park summer colony in the Catskill Mountains is this charmer, the Tamsen Cottage. The cottage was built in 1893 for Edward Tamsen (1849-1907), the Sheriff of New York County from 1895-96 until Governor (and later Vice-President) Levi Parsons Morton removed him from office. The former Sheriff purchased this home and summered here with other German-American wealthy New Yorkers until his death in 1907. The chalet-style house has been exceptionally preserved since, and was listed for sale in 2017 for a mere $425,000. Wow!

“Reach View” // 1797

Reach-View has been home to members of the Currier family and their descendants since the late 1700s. Richard Currier (1773-1837) first built a small home on land he bought in 1797 from his future father-in-law, Rev. Ebenezer Eaton, one of the original proprietors and settlers of the future town of Sedgwick, Maine. In 1799, Richard married Abigail Eaton, daughter of Ebenezer and Abigail Herrick Eaton. They lived together in Reach View until Richard died in 1859. Richard willed Reach View to their unmarried son Ebenezer “Eben” Eaton Currier, who lived there with his mother until her death in 1870. He was responsible for rebuilding much of the house after 1864. Eben’s sister would later purchase Reach-View and add the piazza (porch), bays, and interior detailing. The home remains a true family estate in the sleepy coastal town of Sedgwick.

The Dome Home // 2003

This past weekend, I was lucky enough to stay at one of the most unique Airbnb’s in New England, the Dome Home in idyllic Kennebunkport, Maine! The house itself was hand-built in 2003 by trained architect and sculptor Daphne Pulsifer with her husband Daniel Bates, on 43-acres of forest just miles from the iconic Maine beaches. Inside, the house features numerous custom touches designed and built by the original owners, including light fixtures, floor tiling, hand-built oak doors, wall tiling, woodwork — much of it claimed from the property itself. The Dome Home is completely sustainable with solar panels providing all the power needed, making the property completely off-the-grid. The original owners sold the property in 2022 to the new owners who have lovingly updated the spaces, keeping the charm and unique qualities of the Dome. If you are ever in Kennebunkport and are looking for a unique, off-the-grid stay with all of the amenities of modern living, definitely check out the Dome!

Pembroke Hall – Brown University // 1896

Brown University from its founding in 1764 until 1891 never admitted women. Brown’s all-male student body was first challenged in 1874, when the university received an application from a woman (who to this day is still unnamed). The Advisory and Executive committees decided that admitting women at the time was not a good proposal, but they continued to revisit the matter annually until 1888, when they began work to establish a separate women’s college affiliated with Brown. After similar institutions like Radcliffe (affiliated with Harvard) and Barnard College (affiliated with Columbia) were established in 1879 and 1889 respectively, Brown had a blueprint for how to operated the new women’s college. Professors at Brown would work alongside women educators and taught many of the the same courses to men as they did for female students. Pembroke Hall was the first building for Pembroke College and was built in 1896 from plans by local firm Stone, Carpenter and Willson in the Elizabethan Revival style. The building was designed to be multi-purpose with administrative offices, classrooms, reception rooms, and a library in the attic. Pembroke College was officially merged with Brown University in 1971, which was long overdue. The building is one of the finest on Brown’s now co-educational Ivy-league campus.

Baltic Mill Warehouse // c.1890

Situated along the Shetucket River in Sprague, Connecticut, lies the remains of what was once the nation’s largest textile mill. At its peak, over 1,000 employees operated 1,750 looms and 70,000 spindles to produce some of the country’s finest cotton. The Baltic Mill (as it became known) not only helped reshape Connecticut’s economic and cultural landscape, but its geographic one as well, giving rise to the founding of an entirely new village. The Baltic Mill did very well until the economic Panic of 1873 set in, decimating the company’s finances. The mill was forced to scale back their operations. Then, in 1877, a fire destroyed the interior of the mill, bringing an end to the complex for decades. At the turn of the 20th century, a businessman from Pawtucket, Rhode Island, named Frederick Sayles purchased the property with an eye toward revitalizing the local textile industry. He founded the Baltic Mills Company and set about making extensive repairs and upgrades to the property, including this c.1890 storage building for materials and finished textiles. Unfortunately for Sayles, the New England textile industry had already begun to decline and it wasn’t long before the company’s depleted finances forced Sayles to sell off much of its assets. The company did survive long enough to produce uniforms, parachutes, and life rafts for soldiers in World War II, but the mill’s operations ultimately came to a halt in 1966. The large 19th century mill would eventually be demolished, but this old Warehouse (a fraction of the size of the mill) is one of the last industrial pieces of the former sprawling complex and is now occupied by local businesses.

Cote Block // c.1910

The population of Sprague, Connecticut nearly doubled between 1900 and 1910 from 1,300 to 2,500. As a result, the town needed a new town hall and commercial buildings to service the new residents. A member of the Cote Family in Sprague took this as a good opportunity to erect this three-story mixed-use building on Main Street, renting out space for retail, a confectioner, and a clubhouse with residences above. The building is constructed of concrete block, a building material that surged in popularity after concrete block machines allowed these blocks to be manufactured quickly off molds of uniform style and dimension. The building also features inset center and corner porches off the street and a projecting cornice. The storefronts have since been enclosed, but the building remains one of the finest in town (even with its original windows!)

Woodbine Cottage // 1873

George Champlin Mason (1820-1894) can be credited as one of the most influential people who helped make Newport what it is today. He was born in the old Colonial town in 1820 and after a brief period working in New York City in dry goods, he traveled to Europe in his twenties to study art in Rome, Paris, and Florence, specializing in landscape paintings. Mason spent the 1840s trying unsuccessfully to make a living as landscape painter and published Newport and Its Environs, a collection of 11 engravings of his landscape views of Newport that is one of the earliest books about Newport to showcase its potential as a vacation destination. In 1851, Mason switched professions and became part owner and editor of the Newport Mercury newspaper. He often wrote on architectural subjects. In around 1858, he took his love for art and architecture and became an architect/developer, just as Newport was seeing early stages of development as a summer colony. He was hired by some early summer residents to design their homes, and did not disappoint, gaining notoriety all over the northeast. His son George C. Mason, Jr. (1849-1924), followed in his father’s footsteps and is said to have been the first professional architectural preservationist in the United States. George Sr., built this house as his primary residence in 1873, a stunning and rare example of Swiss Chalet architecture in New England, notable for the use of pierced bargeboards, board-and-batten sheathing, and cut-out railings. The property also included a charming stone English Revival tower in the rear yard, built in the 21st century as a workshop for the previous owners. How cool!

The Elms – Gardens // c.1911

For my last post on the spectacular Elms Mansion in Newport, Rhode Island, I wanted to highlight something I rarely feature on this page, a garden. When the mansion was completed by 1901, architect Horace Trumbauer and his firm went to work to produce plans for a natural landscape with a large lily pond at the far edge of the property. After 1907, the Berwind’s and high-society shifted and landscape ideals were influenced by newer theories in American landscape architecture, which sought influence from historical European gardens. Trumbauer reworked The Elms’ garden to reflect this new emphasis on reviving classical European garden design alongside landscape architects Ernest W. Bowditch and Jacques Greber advising on the parterre design in the sunken garden. A grand allée on the scale of 18th century French palace gardens extends across an expansive lawn toward two formal marble pavilions situated along a minor cross axis above a sunken garden. The marble pavillions appear to have been designed by Trumbauer and are inspired by 18th-century French garden pavilions. The grand context for the gardens is a park-like collection of specimen beech, elms, maples, linden and other large canopy trees. Many of the large trees have since succumbed to disease, but the formal Italian sunken garden remains one of the finest in the United States.

Belair Stable // c.1875

Just past the Belair Gate Lodge (1870), you w5ll find one of the most eclectic and interesting buildings in Newport, Rhode Island. This structure was built around 1875 as the stable to the larger Belair estate, just a stone’s throw away. When it was built, local papers stated the building was “probably one of the most expensive stables in the city.” It was designed by Newport architect Dudley Newton at the same time he redesigned the main mansion and furnished plans for the new gate lodge for owner George H. Norman. Architecturally, there is A LOT going on here. The 1½-story, rough-face-granite-ashlar building is capped by a hexagonal-tile slate mansard roof. On the left is an octagonal tower with an out-of-scale roof pitch and at the other side of the carriage door is a circular-plan tower with battlemented parapet. At the center is a really unique trefoil gable with trefoil window centered within. So cool to stumble upon this!! Oh, and it’s now a single-family home. Swoon.