Victorian Gothic

New Haven City Hall // 1861

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Less than four centuries ago the area which is now New Haven, Connecticut, was the home of a small tribe of Native Americans, the Quinnipiac. White settlers arrived by 1638 and made a deal with the local sachem (leader) to protect the native Quinnipiac from raiding bands of Pequots and Mohawks in return of purchasing some of the tribe’s land by the Puritans. By 1640 a complete government had been established and the settlement, originally called Quinnipiac, was renamed Newhaven (later New Haven). The town plan was based on a grid of nine squares. In accordance with old English custom, the central square, now the Green, was designated a public common. By 1718, in response to a large donation from East India Company merchant Elihu Yale, an early college relocated from Old Saybrook to New Haven, and its name was changed to Yale College. The city grew exponentially with industry, education, and commerce, becoming one of the wealthiest and diverse cities in the state. As the city grew after the Civil War, a new City Hall was built. The New Haven City Hall was constructed in 1861-2 and was designed by local architect Henry Austin. To the left of City Hall and set back further from the street was the old Courthouse (1871-3) designed by David R. Brown (1831-1910). Together the buildings provide a united facade marking the first phase of the High Victorian Gothic Style in America. By the 1980s, plans for a new Government Center were discussed following decades of deferred maintenance and a decaying building. Luckily, cooler heads prevailed, and the facades of the building were preserved with a modern structure constructed behind to house city offices, from plans by local architect Herbert S. Newman. The Victorian Gothic and Post-Modern building stands proudly today, anchoring the east end of the Town Green.

Church of the Epiphany // 1867

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The stereotypical church in New England is the usual wooden structure with a central steeple and painted a bright white. Whenever I see an old church that breaks that oh-so-common mold, I have to snap a photo and learn more! This is the Church of the Epiphany, located on Main Street in Southbury, Connecticut. The church is an example of the Gothic style built in the Victorian period and is constructed of stone with a wooden corner belfry. Construction started in 1863, and the church was not completed until four years later in 1867. I could not locate who the architect was, but I am dying to know!

Notre Dame Roman Catholic Church // 1875

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Built in 1875, this large Gothic Revival church was built specifically to serve as a place of worship for the French Roman Catholic immigrants from Canada who began moving northern Berkshire County, Massachusetts, who were arriving to work in North Adams’ brickyards and textile factories. Before 1875, the Catholic community in the region had to make due with only occasional visits from a Vermont missionary. In 1871, Father Charles Crevier arrived in North Adams to take charge of the French flock and officially form the parish of Notre Dame du Sacre Coeur, with 750 new parishioners. Funding was acquired to purchase a property in town and erect a suitable church for the large (and growing) congregation. Architect James Murphy, a relatively unknown architect who specialized in ecclesiastical designs, furnished the plans for the church. After loss of industry and a declining population, the church closed in 2005, and the property was sold to the city of North Adams in 2008. The city faced repairing the church building as recently as 2016 with about half of the $100,000 budget coming from the city directly. Its future is unknown, but the town hoped to sell it for a renovation into a hotel or other use to activate the downtown area.

Southport Congregational Church // 1875

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Southport was and still is a part of Fairfield, Connecticut, but it has long been very different from the geographic center of town. Largely due to distance, Fairfield Congregationalists in the Southport area of town sought to establish a new parish to worship closer to home. By the 1840s, their request was granted and a small wood-frame Greek Revival house of worship was built in 1843. By 1871, the increase in population and wealth in the village necessitated a new, larger church. The congregation hired the architectural team of Lambert and Bunnell who made a huge statement here! It is constructed of granite ashlar masonry with a steeply pitched roof and soaring spires.

Trinity Parish Chapel, Southport // 1872

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The Trinity Episcopal Church in the Southport section of Fairfield, Connecticut was established in 1725. As the parish and town grew, a large and architecturally stunning church was erected in 1862, and housed services for some of the wealthiest and well-connected residents of Connecticut. During Rev. Edward Wells’ rectorship, it was decided that a parish school was needed, and as an ardent believer in religious training, he started planning for a new chapel for use as a school. The Trinity Parish Chapel was designed by Southport architects Disbrow & Taylor and erected 1871-72. This Gothic Revival building is an excellent example of the rural church architecture which enjoyed widespread popularity throughout the country during the mid 19th century. Designed on a simple rectangular and decorative wooden bell cote, the small chapel’s board-and-batten siding and modest though strong Gothic details create a composition which compliments the more grand church just steps away. The chapel was originally built as a free-standing building, but was connected by a large, brick addition in the 20th century.

Dana King House // 1879

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Another stately Victorian-era house on Nashua’s Concord Street is this brick beauty, known as the Dana King House. The property was constructed in 1879 for Dana William King (1832-1912) who had quite a history. He was born in Alstead, New Hampshire where he lived until he was 19, moving to Boston to “make his fortune”. In 1852, he shipped aboard a whale boat in East Boston, and realized that whaling wasn’t for him. He was persuaded by his brother to move in with him in Detroit, where he worked as a grocery clerk before moving back to New Hampshire, settling in Nashua, where he did make his fortune. He began working at a local mill until the outbreak of the American Civil War, where he enlisted in the First Regiment of New Hampshire, eventually rising to the rank of Lt. Colonel. He was captured during the war and held in prison in Shreveport for over seven months, failing at least one prison escape. He was eventually included in a prisoner swap and returned to Nashua in 1865. Upon his return, King used his war stories to gather favor locally, and he was elected Register of the Hillsborough County of Deeds, a position he held for over 30 years. The King House is a great, and rare example of the Victorian Gothic style of architecture in Nashua, notable for its steeply pitched slate gable roof with octagonal corner tower serving as a belvedere or cupola.

Dr. Eugene F. McQuesten Residence // 1887

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Dr. Eugene Forrest McQuesten was born in Litchfield, NH, on October 11, 1843. He enrolled at local schools before graduating from theJefferson Medical College in 1866. He practiced medicine in Lynn, Massachusetts for two years before moving to Nashua, New Hampshire to run a medical office. He worked in Nashua for years, later being nominated President of the New Hampshire Medical Society. In 1886, he purchased a house lot on Nashua’s Concord Street and razed the existing dwelling, building this stunning brick residence a year later.

Sawyer Mansion // 1863 & 1914

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Originally built in the Carpenter Gothic style in 1863, the Sawyer-Gillett Mansion in Whitingham, Vermont, is the highest-style house in town today. Indistinguishable from its Civil War-era original construction, the house was greatly expanded and altered into an elaborate take on Queen Anne / Shingle styles in 1914. The house was originally constructed by John W. Sawyer, but it was his son, Lincoln H. Sawyer who renovated the house and etched his name “L.H. Sawyer” on the glass of the new front door. The updated house style reflects a nostalgic Victorian preference by the owner, who sawed all the trim and materials on site at the family sawmill. It was recently sold and is now a B&B!

Abraham Chase House // c.1860

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One of the cutest old houses in Whitingham Village in Vermont is the Abraham F. Chase House, just a stone’s throw from the country store and post office. Abraham Chase was a dealer in dry goods, groceries, boots, shoes, and hardware in this village, possibly from half of this building. The vernacular one-story clapboarded frame house has some Gothic details like the rear steep double gable wall dormer. I am actually a huge fan of the green doors and newer stone porch wall, they really make this cottage pop!

St. John the Evangelist Church // 1885

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One of the most bucolic and beautiful buildings I have ever seen is this church in the Catskills, just outside of Elka Park, NY. Wow I wish New England could claim this one! The St. John the Evangelist Chapel was developed as part of a smaller enclave of summer cottages for rusticators from the Philadelphia-area, which was largely established by Mr. Alexander Hemsley (1834-1904) a chemist from Philadelphia who would later die from anaccidental chemical explosion at his factory. In 1883, Hemsley sold cottage lots to friends and family to erect summer houses in the Catskills and in 1884, decided to develop a lot for an Episcopal summer chapel. In that same year, Hemsley hired his future son-in-law, William Halsey Wood, to design the chapel. The Stick-style Victorian chapel blends the rustic use of natural materials found on the property with an elegant siting and attention to detail, not typically found in rural chapels. The native stone and stylized half-timbering really stood out to me. The church is used still in the summer with regular services on Sundays in July and August.

Sargentville Chapel // 1889

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The Sargentville Chapel in Sedgwick, Maine was built in 1889 to provide a more convenient site for services, meetings and other community activities for residents of the Sargentville Village in town, a distance from Sedgwick’s main village. A building committee was established with the goal to erect a new chapel, and A.J. Long, a lumber manufacturer and builder submitted the lowest bid of $1,100 to “put up the building, finish the outside, and put on one coat of paint”. The offer was accepted and the first meeting in the chapel took place in January. 1890. The small chapel has been an active community space for members of the Sargentville section of Sedgwick since the late 19th century and the group continues to maintain the Victorian Gothic building extremely well to this day.

United Church of Christ, Waterbury // 1824

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As soon as settlers arrived in Waterbury, they began worshipping their respective religions, largely out of private homes. The town’s meeting house was occupied by some congregations, but there was no real union church for the many growing congregations. This edifice was originally erected in 1824 as a united Congregational church by local builders, the Carpenter Brothers (how perfect is that?) The church was modernized in about 1860 with Gothic Revival detailing, which included the raising of its foundation, bargeboard, spires, and a new steeple. It was updated later in 1880 with a new chapel and ten years later, with stained glass windows. It remains today as an active church and is in a great state of preservation.

Robert Henry Peckham House // 1872

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Another of Noank’s stunning Victorian-era seaside cottages is the 1872 Robert Henry Peckham house which is located across the street from the village’s most ornate cottage, the Deacon Robert Palmer House (featured previously). The house exhibits a gambrel roof which reads as a mansard roof at the side elevations. A round arched window is set into the gable end. Decorative cut bargeboards add much complexity to the design. It appears that in the early 20th century, as Noank was re-establishing itself as an artist colony, the owners added the small wrap-around porch and stone garden wall.

Former Noank Methodist Church // 1902

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Adaptive reuse of old buildings always makes me so happy to see! Besides the obvious benefit of preserving an old building which contributes to the history and character of an area, there are clear environmental benefits to renovating older buildings for new uses when older uses are no longer viable. In 1902, the village of Noank was bustling with workers in the shipyards, many of whom attended or hoped to attend religious services close to home rather than travelling to adjacent towns. As a result, the local Methodist church-goers had this building constructed. Architecturally, the building is a hodge-podge of styles with interesting lancet windows as a nod to the Gothic style, shingle and clapboard siding which reads Queen Anne. The Noank Methodist Church merged with the Groton Methodist Church to form Christ United Methodist Church, which moved to a new building in 1972. The former church was converted into a residence. Preservation wins!

Horatio Harris Villa // 1857

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Not much remains of one of Roxbury’s once grand rural estates, but as there is some left, I want to feature it before it’s all gone, possibly any day now! Horatio Harris was born in Dorchester (present-day South Boston) in 1821 and ran a prominent auction house in Boston. He built his country estate in Roxbury beginning in 1857 in the Gothic Revival style, adding on and updating numerous times. During the Civil War, the firm of Horatio Harris & Co. obtained the contract to sell at auction all goods which were confiscated by the United States’ land or naval forces and brought to Boston. He made a lot of money and added to his land holdings and estate house in Roxbury. The mansion’s construction was timely as Roxbury was transitioning from a rural town, with farms and country estates of wealthy Boston merchants, to a streetcar suburb, increasing the land value of his holdings. The estate included nearly 30 acres of meandering paths, a lake with an island, outbuildings, and an observation tower – one of which remain today besides the ruin of the former mansion. Horatio died in 1876, in the decades following his death, his heirs began subdividing the estate, developing some and selling other plots off for houselots. By the early 1900s, Jewish people began moving into Roxbury, mixing with the predominantly Yankee population. By 1915, the Harris manor house was owned by the Hebrew Alliance of Roxbury, Inc. By the 1920s, they expanded facilities, adding a school building to the front of the former Harris Mansion, completely obscuring the facade of the old estate. In the 1940s, the upper stories were removed. Seemingly the death knell of the old Harris Villa was a fire in 2019, which gutted much of the remaining original fabric of the estate. All that remains is a bay window, some window trim details and a Gothic porte-cochere at the rear of the estate. See it before it’s too late!