One of the most visually striking homes in little Chester, Vermont, is the Durand House. Sited prominently on a hill, the 1861 home resembles a wedding dress in bright white with intricate spindles that look like lace. The house was seemingly built for Urban Durand, one of the proprietors of the successful Durand Brothers Market in Chester village. The home has an elaborately trimmed full-front porch with a second-story polygonal balcony, and a three-story corner tower with a shallow mansard roof, all possibly later additions. The house stands out in the village, which is largely dominated by classical Federal and Greek Revival houses.
This Italianate style house was built in 1868 for Augustus and Laura Blaisdell, natives of New Hampshire who moved here to Chester, Vermont, in 1860. The Blaisdell’s operated a company that manufactured fireproof roofing and paint at their home base in New Hampshire, and built this building on a prominent site in the village to promote sales, which were conducted from a storefront on its ground floor. The location of the Blaisdell House alongside the tracks of the local railroad depot, was strategic in order to provide ease in the transportation of goods to the village of Chester Depot from the New Hampshire-based headquarters of A.H. Blaisdell & Co.The home and store is significant in the local economy and is itself, a significant example of the Italianate style in town.
Located on the edge of the Chester Town Green, you can find this beautiful Federal style commercial building. The use of blind arches at the facade is a fairly common feature found in brick Federal style buildings in Vermont. The structure was built around 1830 and has served a variety of uses through its existence, the most notable being the tin shop owned by various members of the Miller and Hadley families that sold stoves and hardware during the latter half of the 19th century. The tin business in New England grew rapidly after 1820. Tin shop owners imported tinplated sheet iron from Great Britain, shaped it into a variety of forms, and distributed their finished goods through peddlers and country stores. They also sold tinware in their shops. Colanders, dippers, dish kettles, funnels, measures, and pans were in greatest demand. Other common items included lanterns, foot stoves, teapots, coffeepots, “tin kitchens”, skimmers, and sconces. After its use as a tin shop, the building was occupied as a telephone exchange and electric utility company office. It presently is home to an antique store.
Next to the Israel Moore house (last post) in Chester, VT, the Emery Bolles house is yet another beautiful example of a snecked ashlar building in central Vermont. The town of Chester has the largest concentration of these buildings in the state in the north village, now known as Stone Village. The building method was so popular that even a couple examples sprouted up in the larger Chester Village nearby. Erected for Emory Bolles (who operated a wagon shop next door), this 1841 house possesses a 5-bay facade and a later, distinguished Victorian-era full-width porch. The porch incorporates turned posts with a central gable above the steps that carries an openwork screen.
Located on Main Street in Chester, Vermont, you can find this perfect little Snecked Ashlar home. The building technique is very local and can be found in just a handful of towns in central Vermont. Scottish-born masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832, and within a few years, the first stone structure in North Chester village was built by local masons. Soon after, the local school, church and other homes were all constructed the same way. This home outside the Stone Village district was built later than almost all other examples in town. It features Federal and Greek Revival detailing with a central fluted fan at the door and large gable-front roof.
Built in the mid-19th century this former home in Chester, VT, exhibits the range in tastes seen from the Classically inspired Greek Revival style to the ornate and over-the-top Queen Anne style. The original 1850 Greek Revival design of the house survives in its temple form and classical details, augmented by a visually dominant overlay of Queen Anne features. The house was acquired sometime after 1870 by the Haselton family, whose daughter Hattie married John Greenwood. The Greenwoods undertook a major renovation of the building about 1900, adding the elaborate front porch and other features, giving it the wedding cake or lace-like appearance we see today. The home was converted to apartments in the 1960s, but retains much of its architectural details, it is best known as the Gingerbread Apartments.
Next door to the Inn Victoria, the beautiful St. Luke’s Episcopal Church in Chester, VT, stands out as one of the only Gothic Revival buildings in the town. A small group of residents gathered in the 1860s to found a Episcopal church in the town, which already had a dominant Congregational church. They furnished money which was matched by the diocese, and Merrick Wentworth was named senior warden. Members of his family and that of Frederick Fullerton, his son-in-law, formed a large part of the congregation. Frederick and Philette Wentworth Fullerton donated a building site across the street from their home, and Mr. Wentworth’s nephew, Boston architect, William P. Wentworth, contributed plans for a Gothic-style frame church, which includes a tall corner belltower.
Located right on Main Street in the beautiful village of Chester, Vermont, this historic inn has been a landmark in town since it was built in the mid 19th century. The house was constructed around 1850 for Dr. Abram Lowell (1794-1876), the village doctor. Dr. Lowell conducted his medical practice in a small building next to the main house and resided in the home, which originally had a side-gable roof. Tributes printed in regional newspapers at the time of his death called him an eminent physician, accomplished gardener, “eccentric in his ideas,” and “the wealthiest man in town.” After his death, the home was inherited by his daughter and her husband, George Hilton. They immediately “modernized” the home, adding the mansard roof, which provided an extra full story of living space. The home was converted to a bed & breakfast in 1998, and has been one of the most intact, Victorian era inns in the state since! It is known as Inn Victoria, so named after Queen Victoria and the Victorian period of architecture in the United States.
The town of Chester, Vermont, was originally chartered by New Hampshire Governor Benning Wentworth as Flamstead, in 1754. The terms of the charter were not met and the town was re-chartered as New Flamstead in 1761. In 1766, a patent was issued by New York that changed the name of the town to Chester, after George Augustus Frederick, the Earl of Chester and the eldest son of King George III. Vermont in the 18th century was contested land claimed by both New Hampshire and New York, unsettled until the colonists in the area decided to petition for their own statehood. The town of Chester voted to keep their name. The town grew with two distinct villages, Chester Village and Stone Village. Both villages were very distinct in terms of politics, religious affiliations, and architecture. When the railroad cut through the town, the route passed between Chester’s North and South villages, and Chester Depot village emerged right in the middle. The establishment of a third village by the railroad depot, offered neutral ground on which to erect a town hall, as before 1884, town meetings were held alternately each year in the two opposing villages. The large town hall building in Depot Village is a late example of Greek Revival and Italianate design.
Beginning in 1798, sea captain John Bickford (1765-1813), purchased a 127-acre farm which extended from the newly laid turnpike to the Oyster River. Bickford was a resident of Salem, Massachusetts, but owned his family’s homestead across the river on Durham Point and also purchased five other farms in the area but did not live on any of them. The Wagon Hill farmhouse was built in 1804 and is a great example of a vernacular Federal style house. In 1814 while on a voyage to the southern tip of Africa, Captain Bickford died. All of his New Hampshire property was sold except for this Durham farm which remained under the management of his widow, Mary Bickford. She worked as a housekeeper for Captain Joseph White in Salem, and rented out the Durham farm. In 1830, the farm was sold to Samuel Chesley, and it remained in the ownership of four generations of the Chesley family. Here, the family ran a diversified farm, from sheep, to ducks, to apple orchards. In 1960, the farm was sold to Loring and Mary Tirrell. Farming had ceased entirely by the time the Tirrells moved into the house but the fields were kept open and it’s agricultural past was honored by the placement of an old wagon on the crest of the hill. Over the years, the farm has become known to local residents as Wagon Hill Farm. It was purchased by the town in 1989, and serves as a lasting remnant of agricultural history and an amazing preserved open space in the town.
Christensen Hall at the University of New Hampshire in Durham is a rare example of the much-maligned Brutalist style of architecture in the state. In the late 1960s, the university needed more housing and a dining hall for new students of the growing campus, but a very low budget to accomplish this. They hired Ulrich Franzen, a German-born architect (featured on here previously) who attended school at Harvard, learning Modernist principles there that would shape his career. The boxy buildings feature deep recessions to provide each student an identifiable corner and windows. The concrete frame building and engineering provide breezeways and forms that conventional buildings would not be able to accomplish. The building was completed in 1970 and was immediately applauded by architects and was featured numerous architectural publications.
Today is the 20th anniversary of September 11, 2001, a tragic day that will never be forgotten. 2,977 innocent civilians perished that day, and tens of thousands more lost close family members, friends, mentors, and co-workers. Robert LeBlanc (1930-2001), was born in Nashua, New Hampshire, and was always fascinated with learning about and visiting foreign places. After graduating from high school in 1949, Bob enlisted in the Air Force, which offered him a ticket to adventure and see places all over the globe. Bob left the Air Force in 1953 and entered the University of New Hampshire in the fall of that year. He graduated with a degree in History, later graduating with a Master’s degree in Geography. He accepted a professorship at UNH and helped shape the minds of thousands in his 36 year tenure at the University. He perished on 9/11, aboard Flight 175, headed to a geography conference in California, but his legacy lives on in the hearts and minds of his students, and a memorial bench outside Murkland Hall, where he spent much of his time.
Named for Charles Sumner Murkland (1856-1926), the first president of New Hampshire College (later UNH) after its establishment in Durham, Murkland Hall was designed by Professor Eric T. Huddleston in 1927. Huddleston’s design for a liberal arts building suitable of Murkland’s name, features a Colonial Revival building set into the hill with classical detailing.
One of the most recognizable buildings (largely due to height) on the University of New Hampshire campus in Durham is Stoke Hall, a large dormitory on the outskirts of campus. The building was designed by Leo Provost, a New Hampshire-based architect, who actually graduated from UNH in 1936. Stoke Hall is named for Dr. Harold Walter Stoke, President of the University of New Hampshire from 1944-1947 during an enrollment surge that more than tripled enrollment and the beginning of a massive building program that continued for decades. The surge began with the conclusion of WWII, and the increase in young men going to college thanks to the GI Bill. Mr. Stoke got around as a President, as after three years at New Hampshire, he became President of Louisiana State University (LSU) until 1951. He later served as President at Queens College, New York, for six years. The Y-shaped building was constructed in two phases, the two wings facing the street were built in 1965, with the rear wing added the summer later. The design blends mid-20th century styles from New Formalism to Mid-Century Modern in a graceful way, especially for a college dormitory, though, I cannot speak for the interiors.
The centerpiece of the University of New Hampshire (UNH) campus in Durham, is Thompson Hall, a stunning example of Romanesque Revival architecture. Thompson Hall was the first building to be built on the new campus of the New Hampshire College of Agricultural and Mechanical Arts, which had been founded in 1866 as a land grant college and was previously located near Dartmouth in Hanover. Benjamin Thompson, a Durham farmer, died 1890, leaving an estate worth $400,000, with 253 acres (102 ha) of land, to the state for use as an agricultural school. The state accepted his gift, and construction of Thompson Hall began in 1891, with a landscape plan for the campus developed by the great Charles Eliot. The bold Romanesque building was designed by Concord, NH architects Dow & Randlett, who were among the most prestigious architectural firms in the state at the end of the 19th century. The building remains as a significant piece of UNH’s ever-growing campus.
The James Paul House in Durham, NH, stands out as a rare example of stone construction in town. The house was built between 1830 and 1840, and is transitional Federal/Greek Revival in style. It has four tall chimneys (two on each slope of the roof), granite lintels over the windows, and granite quoins at the corners which together, create an elegant composition. Tragically, James Paul died unexpectedly when removing the staging on this house, he was never able to live in this beauty. The home was occupied by two reverends of a local church.
