Eclectic Houses

Charles P. Flagg House // 1899

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Located on Sewall Avenue in Brookline, Massachusetts, the Charles P. Flagg House exemplifies upper-class single-family housing built in the late 19th century that has been added onto and converted into multi-family housing to serve a growing city. Charles Partridge Flagg (1851-1911) was a real estate developer and head of the D. F. Flagg & Co., a wholesale liquor company his father started in Boston. He purchased the former Dexter property, subdivided the estate, and hired architect Julius A. Schweinfurth to design a home for his family. “Jule” Schweinfurth was long-associated with the firm of Peabody & Stearns of Boston, which in the late 19th century, was one of the premier architectural offices in the United States, but when he was not offered a partnership offer by his bosses, he established a new firm under his name. For the Flagg House, Schweinfurth blended the Shingle, Queen Anne, and Arts and Crafts architectural styles with a unique asymmetrical roofline, wide overhanging eaves with cross brackets and exposed rafter tails, consistent shingle siding, and a two-story polygonal oriel with domed roof at the corner. The Flagg House was moved forward on the lot to facilitate a rear addition and completely renovated in 2011, transforming it into a seven-unit condominium building with garage and elevator. This example of “gentle density” is exactly what communities should allow for, to preserve the character at the streetscape but provide additional housing.

John G. Phillips House // 1901

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The John G. Phillips House on Pleasant Street in Sharon, Massachusetts, is a playful and eclectic example of early 20th century residential architecture showcasing the blending of many styles into a single composition. The house was built in 1901 for John Goddard Phillips, who moved to Sharon from Boston to retire in this large home, and serve as President of the Sharon Historical Society. The house blends typical Queen Anne and Shingle style forms but with interesting brackets common in styles popular a half-century earlier.

Bromley-Bradley House // c.1850

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One of the eclectic mid-19th century residences in New Haven’s Wooster Square neighborhood is the Bromley House, an exuberant blending of architectural styles that have been lovingly preserved. The history is a little murky on this residence but from research, the home was built around 1850 and was possibly a two-story flat-roofed Italianate style design with three-bay facade and off-center entrance. The home was acquired by Joseph Bromley, who appears to have added a third-story with gable roof. After the Civil War, the property was purchased by Lyman Erving Bradley, a veteran of the war who was employed as a police officer and later as private security for an area factory. It appears that Mr. Bradley, before his death in 1901, had the property expanded with a whimsical front porch, three-story side addition, and applied ornament in the Queen Anne style. The home is today a three-unit condominium, similar to the three-deckers found in cities all over New England.

Max Adler House // 1879

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The Max Adler House on Greene Street in New Haven’s Wooster Square neighborhood is a flamboyant example of Victorian-era residential architecture that is hard to classify as an architectural style. The residence was constructed in 1879 for Max Adler (1841-1916) a German-born Jewish immigrant who grew up in New Haven and became a leader in industry at a young age. Max founded the Strouse & Adler Corset Company, which is said to be the first corset factory in the United States. The company did very well and he was able to erect this residence overlooking Wooster Square park for his family. Architecturally, the house has a mansard style roof, a feature of the Second Empire style; applied stickwork in the wooden bays, porch and dormers, a feature of the Stick style; and embroidered panel brickwork and terra cotta, elements of the emerging Queen Anne style. The Adler House has been lovingly preserved and is one of New Haven’s finest Victorian-era residences.

Frank J. Dutcher House // 1904

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Located on Adin Street in Hopedale, this excellent turn-of-the-century mansion was built for Frank Jerome Dutcher, a manufacturer who worked for his father’s company before selling it to the Draper Corporation, later becoming a wealthy salesman. Blending Shingle, Queen Anne, and Arts and Crafts styles, the Frank J. Dutcher home sits atop a rock ledge and was designed by architect, Robert Allen Cook, who designed other buildings in town for the Draper Corporation and community, behind his original home that burned in 1903. The home features two massive fieldstone chimneys, shingled siding, and a series of dormers and bays that provide a rich dialogue along the long street-facing facade. In the mid-20th century, the property became a nursing home, known as Oakledge Manor. The building was recently bank-owned and it is unclear if the building was converted back to a single-family home, or remains a housing facility.

Nora M. Swift House // c.1902

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One of the few high-style, early 20th century homes in Warren, Rhode Island’s Downtown/Waterfront neighborhood, can be found on Washington Streetjust steps from the community’s vibrant Main Street. The handsome residence was built around 1902 for Dora Martin Swift, a widow of Edward A. Swift (1812-1895) a sea captain and whaler in the mid-19th century. Dora’s home exhibits a blending of Victorian-era and Colonial Revival styles with the varied shingle and clapboard siding, asymmetrical porch, and flared shingles between floors showcasing Queen Anne style influence and the portico, swag and wreath motifs, and symmetrical center-hall plan showcasing the emerging Colonial Revival style influence. The property has been well preserved and appears to have been the work of a successful builder or architect. 

Charles Storrow Rental House // c.1884

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This charming and quirky Queen Anne style house on Edgehill Road in Brookline was built as a rental property on the estate of Charles Storrow (1841-1927), a wealthy businessman who lived in his home next door (see last post). Like his own home, the residence was designed by Edward Clarke Cabot, his wife, Martha’s father, who utilized varied materials, forms, and roof shapes to create a unique composition unlike anything else in the neighborhood. The bulbous central tower and eyebrow and wall dormers also add intrigue to the design.

Walker House // c.1857

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The Walker House at 171 Middle Street in Portsmouth is a wood-frame Italianate-style residence that was greatly modernized at the turn of the 20th century into the Colonial Revival style, showcasing how differing styles can actually blend together fairly harmoniously. The house was built around 1857 for Nathaniel Kennard Walker (1807-1880), a ship owner who operated a hat shop in town. After his death in 1880, Nathaniel’s youngest son, Arthur Willard Walker (1855-1906), inherited the home, and some time after his marriage in 1886, modernized the family home in the then fashionable Colonial Revival style, popular in many New England towns as a callback to historical designs. Original details of the Italianate style that remain include: the overhanging bracketed eaves, wide cornice, centered gable at the roof, and the window trim. Colonial Revival additions to the Walker House include: the entrance with leaded glass fanlight transom and sidelights, entry portico, two-story fluted pilasters at the facade, and Palladian window at the second floor stairhall.

Mrs. Laura Haley House // 1894

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This charming, gambrel-roofed house at the corner of Vinal and Pleasant avenues in Somerville, Massachusetts, was built in 1894 from local developer H. W. P. Colson, and sold upon completion to Mrs. Laura (French) Haley. An architect could not be located. Laura Haley was recently widowed and lived in the house with her daughter, with her son purchasing the house next door. The Haley House is notable for its gambrel roof with gambrelled center gable, pilastered dormers, stained glass windows, and full-length porch with columns and rubblestone base. The well-preserved house blends Queen Anne and Colonial Revival styles under one broad roof. It is magnificent!

Dr. Edson F. Whitman House // 1852 

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One of the most eccentric and architecturally unique houses in Somerville can be found on Bow Street, in the middle of the busiest commercial district of the city. This is the Dr. Edson F. Whitman House (often known as the E.C. Mann House), which was built around 1852 and long-occupied by Dr. Whitman until just before his death in 1900. The house was likely a modest, 1850s Italianate style residence with its gable facing the street. Over time, as business increased, Dr. Whitman expanded his house and practice, adding Victorian flair to the once usual house. An entry tower with pyramidal roof and final was added with quatrefoil window and Stick style porch, an angled two-story addition was also added to the facade with a second-story porch, and applied ornament and curiosities were added to the doctor’s office and residence through the 19th century. Luckily for us, the Dr. Whitman house has remained relatively unaltered for the next 125 years!